by Matt Schudel via washingtonpost.com
In a city of news junkies and scores of high-profile figures in politics and the media, the most-watched journalist in Washington may well have been Jim Vance. With 45 years as the face of WRC-TV (Channel 4), he was the region’s longest-serving television news anchor. He presided over the area’s top-rated newscasts and became a public figure in his own right. He gained broad sympathy for his openness about his struggles with drugs and depression.
Mr. Vance, who was 75, died July 22. The death was announced by WRC-TV, where he had worked since 1969, but no further details were provided. He announced his diagnosis of cancer earlier this year.After three years as a reporter for Channel 4, Mr. Vance ascended to the anchor’s chair in 1972, putting him in the first wave of black news anchors in major news markets.
In addition to reading the news, he also delivered pointed commentaries, often on sensitive racial topics. Mr. Vance sat alongside a revolving cast of co-anchors and was often second or third in the local ratings until he teamed with Doreen Gentzler in 1989. Together, with sportscaster George Michael and meteorologist Bob Ryan, they vaulted Channel 4 to the top of the local ratings and stayed there for more than 25 years.
In the nation’s capital, Mr. Vance’s 11 p.m. newscasts with Gentzler regularly drew more viewers than the prime-time shows of the three major cable networks — CNN, Fox and MSNBC — combined.
To read more, go to: Jim Vance, Washington’s longest-serving local news anchor, is dead at 75 – The Washington Post
Posts published in “TV”
by Tre’vell Anderson via latimes.com
Making it in Hollywood is no easy feat, and doing so as a woman is even more difficult. If that woman is black — or Latina or Asian or otherwise nonwhite — the odds just aren’t in her favor. But with the release of “Girls Trip,” four black women — Queen Latifah, Jada Pinkett Smith, Regina Hall and Tiffany Haddish — attempt a takeover of the buddy comedy, possibly the first time black women have led such a picture.
One reason as to why? The number of black women thought to be able to carry a studio-backed film is slim, and there hasn’t been a bona-fide black female comedic superstar since Whoopi Goldberg. We spoke to 18 funny black women about their industry experiences. Below are their thoughts:
Tracee Ellis Ross
“Girlfriends,” “black-ish”
While most probably know Tracee Ellis Ross as Rainbow on the hit “black-ish,” others see Joan Clayton of “Girlfriends,” the early 2000s show almost no one would argue about rebooting.
While most probably know Tracee Ellis Ross as Rainbow on the hit “Black-ish,” others see Joan Clayton of “Girlfriends” — the early 2000s show fans would love to see earn the revival or reunion treatment.
Regardless of her career experiences, Ross is just beginning to get her due recognition. In addition to nabbing a Golden Globe earlier this year, she’s earned her second consecutive Emmy nomination. Some might say she has all the makings of a comedic superstar.
But when she takes a moment to ponder other black women who fit the bill she’s forced to think hard.
“Regina Hall … Issa Rae … Jessica Williams,” she said after a moment, “but I shouldn’t have to search to come up with those names. The difficulty is, and I think what happens is, you might see somebody in a role and you’re like, ‘Holy …! She is so funny.’ Then she doesn’t get another opportunity, but she needs those roles because they help you build a career so everybody knows your name and knows what you’re capable of.
“And it’s not just black comedic women. There are, I’m sure, a lot of very funny Asian women and Latina women, and we know some of them, but it’s not because the talent doesn’t exist. The other thing is, the talent exists, but [performers] need the experience to keep getting better and have more depth.”
Ross is encouraged, however, by the likes of Rae.
“I think Issa is a beautiful example of ‘You’re not going to give me any real estate? Fine. I’m going to make it,’” she said. “There is revolution going on.”
How did you settle into comedic acting?
I loved making people laugh when I was younger. It was frowned upon during dinner time but I thought it was hilarious to make my sister laugh. It was often the thing that got me kicked out of class because I was always silly. It was one of the ways my shyness manifested and the way I protected myself and kept people at bay. And I’ve always been a very physical person so when I experience a feeling, I experience it in my entire body.
As I look back, it was a natural progression into the physical comedy and the ways I use my body. In terms of my career, I don’t know that it was a conscious choice that I moved into comedy, but it was an authentic choice. I don’t consider myself funny. I consider myself silly. I just tell the truth and my truth comes out in a way that makes people laugh. My goal isn’t to make people laugh, but I enjoy that exchange.
I think the difficulty for actors of any kind is when you get stuck with what other people assume is who you are. We’re actors and we can do anything.
— Tracee Ellis Ross
Who are some of your comedic inspirations?
I was a Carol Burnett, Lucy [Ball], Lily Tomlin type of girl. They were the three women that etched it in for me. I remember looking back and seeing Goldie Hawn in “Private Benjamin.” I was drawn to all of that growing up. Those were the women that defined freedom and courage [for me]. From there so many funny women like Julia Louis-Dreyfus — I don’t even understand [how she does it].
And then Whoopi Goldberg did the Moms Mabley documentary, and I was so grateful that she did that because it really showed me that Moms Mabley is specifically one of the reasons I can do what I do. She carved something out and did something so consciously that allows me to be a black woman in comedy.
Read more from Ross here: http://www.latimes.com/entertainment/la-ca-black-women-comedy-tracee-ellis-ross-20170720-htmlstory.html
Tiffany Haddish
“Girls Trip,” “Keanu,” “The Carmichael Show”
by Daniel Holloway via variety.com
Diversity is on the uptick in comics-inspired TV and film. When “Luke Cage” exec producer Cheo Hodari Coker declared at his show’s San Diego Comic-Con panel last year, “The world is ready for a bulletproof black man,” the crowd erupted in cheers. So did the internet. “Right before I said it, I knew what I was feeling,” Coker later told Variety. “I had said variations of it during the day. It was coming from an emotional place, but I didn’t think it was going to reverberate the way that it did. But I’m glad that it did.”
The “Luke Cage” panel came in July on the heels of widespread protests sparked by the killings of unarmed black men by white police officers in Louisiana and Minnesota. When the show premiered in September, it became the first live-action series about a black superhero since 1994’s “MANTIS.” Now it’s getting some company. Next season the CW will premiere “Black Lightning,” based on the DC Comics superhero. And next year Marvel will debut “Black Panther,” the studio’s first feature with a black hero in the lead.
Social, political and business trends have converged to put black superheroes at the centers of burgeoning television and film franchises after years of being relegated to supporting status. Dan Evans, VP of creative affairs at DC Entertainment, cites the emergence of black superheroes on-screen as part of a larger trend in television and film. “There’s so many examples now, from ‘24’ to ‘The Fast and the Furious’ to ‘Creed,’” says Evans, whose office door features an oversize image of Cyborg, the black teen hero who will play a key role in the upcoming “Justice League” movie. “We’ve seen again and again that if you tell a good story with these characters, people will come.”
In superhero comics, the first appeals to underserved minority audiences came with the debuts of Black Panther (1966), Luke Cage (1972), Black Lightning (1977) and others. “These black superheroes emerge parallel to the changes in American race relations in the late 1960s with the emergence of the Black Power movement,” says Adilifu Nama, author of “Super Black: American Pop Culture and Black Superheroes.” The movement’s push for equality and representation rippled through popular culture. “It wouldn’t be very sensible to think that these demands for diversity would only be in the realm of lunch counters and bus transportation.”
To read full article, go to: ‘Black Panther,’ ‘Luke Cage’ Highlight Rise of Black Superheroes | Variety
OWN (Oprah Winfrey Network) has given a series order to “Love Is __,” a new drama from Mara Brock Akil and Salim Akil. The Akils will create and executive produce the series through their company Akil Productions. Mara Brock Akil will serve as show runner. The series, which had previously been in development at ABC as a multi-camera comedy, will be produced in association with Warner Horizon. It is slated to premiere in 2018.
“I’ve dreamed of working with the Akils,” said Oprah Winfrey. “I’ve been a huge fan of their work since first viewing ‘Girlfriends.’ They know just how to hit the cultural nerve to make you think and laugh at the same time.”
“To have a partner that brings the attention to detail and sheer excellence that Oprah has built an empire on is an absolute dream come true for Salim and me,” said Mara Brock Akil. “That, and it’s Oprah! ‘Love Is ___’ is not only a passion project, but is a personal one for us as well. We’re grateful to have her wholehearted support and magic touch behind this story.”
Based on the Akils’ relationship, the series will tell the story of a power couple navigating the landscape of Black Hollywood. Mara Brock Akil is the creator of “Girlfriends” and “Being Mary Jane.” She and husband Salim Akil, director of the film “Jumping the Broom,” co-created “The Game.” The two are executive producers of the CW’s upcoming DC Comics-based superhero series “Black Lightning,” on which Salim Akil serves as showrunner.
Source: Oprah Winfrey Network Orders Drama From Mara Brock and Salim Akil | Variety
by Lori Lakin Hutcherson (@lakinhutcherson)
The nominees for the 2017 Primetime Emmys were announced this morning, and among them are nods in the Best Comedy Series category for writer/creator/star Donald Glover‘s freshman FX half-hour “Atlanta” as well as writer/creator Kenya Barris‘ veteran ABC show “Black-ish,” which also garnered nods in the Lead Comedy Actor and Actress categories for its stars Anthony Anderson and Tracee Ellis Ross. Glover also picked up a nod for Lead Actor in a Comedy Series.
Emmy winner Viola Davis was recognized again for her role as Annalise Keating in ABC’s “How to Get Away With Murder,” and Sterling K. Brown came through in the Lead Actor in a Drama Series category for his work on the popular NBC hit “This is Us.” Jeffrey Wright and Thandie Newton were acknowledged for their Supporting Roles in “Westworld,” as was Samira Wiley for her work in the original Hulu series “The Handmaid’s Tale.” Up against Wiley in the same category is her former “Orange Is the New Black” castmate Uzo Aduba.
Additionally, Leslie Jones grabbed a nomination in the Supporting Role in Comedy category for her work on “Saturday Night Live,” and RuPaul Charles got some love in the Host for a Reality/Reality-Competition Program category for his work on “RuPaul’s Drag Race.”
Behind the scenes, Donald Glover earned his third Emmy nomination for “Atlanta” in the directing category, and his fourth, along with his brother Stephen Glover, for Writing for a Comedy Series. Ava DuVernay & Spencer Averick were nominated in the Writing for a Nonfiction Program category for their outstanding work on the Netflix documentary “13th.” The full list of nominees follows below:
Drama Series
“Better Call Saul” (AMC)
“The Crown” (Netflix)
“The Handmaid’s Tale” (Hulu)
“House of Cards” (Netflix)
“Stranger Things” (Netflix)
“This Is Us” (NBC)
“Westworld” (HBO)
Comedy Series
“Atlanta” (FX)
“Black-ish” (ABC)
“Master of None” (Netflix)
“Modern Family” (ABC)
“Silicon Valley” (HBO)
“Unbreakable Kimmy Schmidt” (Netflix)
“Veep” (HBO)
Drama Actress
Viola Davis (“How to Get Away with Murder”)
Claire Foy (“The Crown”)
Elisabeth Moss (“The Handmaid’s Tale”)
Keri Russell (“The Americans”)
Evan Rachel Wood (“Westworld”)
Robin Wright (“House of Cards”)
Drama Actor
Sterling K. Brown (“This Is Us”)
Anthony Hopkins (“Westworld”)
Bob Odenkirk (“Better Call Saul”)
Matthew Rhys (“The Americans”)
Liev Schreiber (“Ray Donovan”)
Kevin Spacey (“House of Cards”)
Milo Ventimiglia (“This Is Us”)
Comedy Actor
Anthony Anderson (“Black-ish”)
Aziz Ansari (“Master of None”)
Zach Galifianakis (“Baskets”)
Donald Glover (“Atlanta”)
William H. Macy (“Shameless”)
Jeffrey Tambor (“Transparent”)
Comedy Actress
Pamela Adlon (“Better Things”)
Tracee Ellis-Ross (“black-ish”)
Jane Fonda (“Grace and Frankie”)
Lily Tomlin (“Grace and Frankie”)
Allison Janney (“Mom”)
Ellie Kemper (“Unbreakable Kimmy Schmidt”)
Julia Louis-Dreyfus (“Veep”)
by Elizabeth Wagmeister via Variety.com
Ava DuVernay is continuing her relationship with Netflix, bringing a limited series about the Central Park Five case to the streaming giant. Netflix has greenlit the five-part scripted series for a 2019 debut. DuVernay created the project and will write and direct all five installments.
Participant Media, Tribeca Productions and Harpo Films are behind the limited series with Oprah Winfrey, Jeff Skoll, Jonathan King, Jane Rosenthal and Berry Welsh serving as executive producers alongside DuVernay. The project is the latest collaboration for Winfrey and DuVernay who worked together on the Oscar-winning “Selma” and OWN’s “Queen Sugar.”
For DuVernay, the project marks a return to Netflix for the filmmaker who wrote and directed the platform’s 2016 documentary “13th.” “I had an extraordinary experience working with Netflix on ’13th’ and am overjoyed to continue this exploration of the criminal justice system as a narrative project with Cindy Holland and the team there,” said DuVernay. “The story of the men known as Central Park Five has riveted me for more than two decades. In their journey, we witness five innocent young men of color who were met with injustice at every turn — from coerced confessions to unjust incarceration to public calls for their execution by the man who would go on to be the President of the United States.”
Based on the true story of the notorious Central Park Five case, each part of the limited series will focus on one of the five teenagers from Harlem — Antron McCray, Kevin Richardson, Yusef Salaam, Raymond Santana and Korey Wise — who were wrongly convicted of raping Trisha Meili in Central Park. The series will span from the spring of 1989, when each were first questioned about the incident, to 2014 when they were exonerated and a settlement was reached with the city of New York.
To read full article, go to: Central Park Five Limited Series From Ava DuVernay Greenlit at Netflix | Variety
by Lindsey India via xxlmag.com
Many people were touched by Jimmy Kimmel’s emotional story involving his newborn son’s serious health issues after being born with a congenital heart disease in April, and it looks like some celebrities reached out to do what they can to support the cause for others who cannot afford health care. Snoop Dogg visited the talk show host on Jimmy Kimmel Live! and gifted the personality with a check made out to Children’s Hospital Los Angeles.
While Snoop was originally there to promote his new Neva Left album that dropped on May 19, he surprised the host with the generous donation that contained an undisclosed amount of money. “This is your show Jimmy, but I wanted to surprise you with something special. I saw you speak on your son as far as his health. So I wanted to come out here and make a donation to the hospital. We just want to make sure that we’re looking out for the next kid that may need that help,” Snoop told the host.
Watch the Dogfather present the check to Jimmy Kimmel in the video below:
Source: Snoop Dogg Gifts Jimmy Kimmel With Check for Children’s Hospital – XXL
by Lori Lakin Hutcherson (@lakinhutcherson)
The Screen Actors Guild‘s SAG-AFTRA Foundation announced today that Emmy®-nominated actor Rashida Jones will receive its Actors Inspiration Award, an honor recognizing artists who give back to the community by championing worthy philanthropic causes which make a difference in the world. On Monday, June 12th, the award will be presented to Ms. Jones at the Foundation’s 8thAnnual Los Angeles Golf Classic, an event benefiting its assistance and children’s literacy programs.
Rashida Jones is an actor, director, producer, screenwriter, musician and activist. Her philanthropy includes work with the International Rescue Committee, traveling around the world as an advocate for the nonprofit which delivers lifesaving care to people fleeing conflict and natural disaster; serving on the board and as a celebrity ambassador for Peace First, a youth organization that encourages the development of the world’s next generation of peacemakers; and supporting Oceana in its mission to protect and restore the world’s oceans. In addition, she lends her voice to several other important charities including Amnesty International, the Elton John AIDS Foundation, and The Trevor Project. Ms. Jones is also a supporter of the SAG-AFTRA Foundation’s online children’s literacy program Storyline Online (storylineonline.net) and will be filming a new video for Storyline Online following the Actors Inspiration Award ceremony. She will join the ranks of actors Viola Davis, Lily Tomlin and Chris Pine as Storyline Online advocates. Rashida Jones’ commitment to supporting vulnerable populations around the world, the environment, and children’s literacy embodies the spirit of the Actors Inspiration Award.
by Elizabeth Wagmeister via Variety.com
Freeform has greenly the “Black-ish’” college-set spinoff series, starring Yara Shahidi. The spinoff is titled “College-ish” and will center around Shahidi’s character Zoey Johnson, as she heads off to college and quickly discovers that not everything goes her way once she leaves the nest.
The show is set to debut with a 13-episode season in early 2018. “College-ish” is described as a contemporary take on the current issues facing both students and administrators in the world of higher education. Deon Cole will co-star with Shahidi, reprising his “Black-ish” role of Charlie, who moonlights as an adjunct marketing professor.
The rest of the core cast will be new characters and actors, not seen in the flagship series, both in the administration and student body who all reflect the complex and hilarious points of views on college campuses.
The spinoff was developed at ABC, which airs “Black-ish,” and aired as a planted pilot this spring. After ABC passed on the project, its sister network Freeform scooped it up. Insiders say the series was too young for ABC, which made it a perfect fit for the young-skewing cable network.
To read more, go to: ‘Black-ish’ Spinoff ‘College-ish’ With Yara Shahidi Lands at Freeform | Variety
by Lori Lakin Hutcherson (@lakinhutcherson)
According to Variety.com, Academy Award-winner and former “American Idol” contestant Jennifer Hudson will join Season 13 of NBC’s “The Voice” as a coach. She will be coaching along with Miley Cyrus (returning for a second stint) and regulars Adam Levine and Blake Shelton. Hudson was the winning coach on the U.K. edition of “The Voice” earlier this year.
“Jennifer is an extraordinary vocal talent and one of the premier voices of our time. She embodies the experience, expertise, positivity and sheer talent that “The Voice” stands for,” said Paul Telegdy, NBC’s president of NBC’s alternative and reality group. “Her exceptional skills as a singer and actress have extended to film, television and Broadway, which makes her an incredible addition and a natural fit for our show.”
Hudson was just on NBC in December with her show-stopping performance in the “Hairspray Live” musical, and just released a new single, “Remember Me,” Variety reported.