American athletes Tommie Smith (middle) and John Carlos (right) at the Award Ceremony for the 200m race at the 1968 Olympic Games in Mexico City, October 16, 1968. (Photo: DPA/LANDOV)
The image above is a powerful one. This black power salute is embedded in our history. In 1968 Olympics athletes Tommie Smith (gold) and John Carlos (bronze) made history during the Olympic games in Mexico City. With the world watching the sprinters stood on the medal podium and raised their black-gloved fists in the air in silent protest for human rights and for black Americans to stand in solidarity.
It’s that powerful image that was the inspiration for Puma’s capsule collection honoring Tommie Smith and Black History Month. What I didn’t realize is that gold medalist Tommie Smith removed his suede Pumas right before he stepped onto the podium shoeless in black socks, to represent poverty and slavery. After that subtle statement, he then raised his fist. With that unmistakable gesture, Tommie Smith altered the course of history and dedicated his life to change. Emblazoned with Tommie Smith’s silhouette, with fist raised, the Black History Month Pack honors a legacy on the track and off. I must applaud Puma for honoring this hero. Yara Shalhidi and Tommie Smith at the Puma and Sheikh Shoes Launch Celebration at Mastro’s Beverly Hills (Photo credit: Charles Jim-George)
The Black Panther Party was founded fifty years ago — and still, many misconceptions about its revolutionary work run rampant. “The Black Panthers: Vanguard of the Revolution,” a documentary by Stanley Nelson which aired on PBS Tuesday, shined a necessary light on the contributions, convictions and struggles of members in the party. Nelson’s informative film took a deep dive into discussing the truth behind the Black Panthers and underscored the heavy institutional backlash the liberation movement received from police and the government.
From the group’s radical inception in 1966 to it’s dissolve in 1982, here are a few important things you must know to better understand the Black Panthers. David Fenton via Getty Images 1. The Black Panthers’ central guiding principle was an “undying love for the people.
The Black Panther Party for Self-Defense, otherwise known as the Black Panther Party (BPP), was established in 1966 by Huey Newton and Bobby Seale. The two leading revolutionary men created the national organization as a way to collectively combat white oppression. After constantly seeing black people suffer from the torturous practices of police officers around the nation, Newton and Seale helped to form the pioneering black liberation group to help build community and confront corrupt systems of power. 2. The Black Panthers outlined their goals in a 10-point program. Barton Silverman via Getty Images
The Black Panthers established a unified platform and their goals for the party were outlined in a 10 point plan that included demands for freedom, land, housing, employment and education, among other important objectives. 3. Black Panthers monitored the behavior of the police in black communities. Jack Manning via Getty Images
In 1966, police violence ran rampant in Los Angeles and the need to protect black men and women from state-sanctioned violence was crucial. Armed Black panther members would show up during police arrests of black men and women, stand at a legal distance and surveil their interactions. It was “to make sure there was no brutality,” Newton said in archival footage, as shown in the documentary. Both Black Panther members and officers would stand facing one another armed with guns, an act that agreed with the open carry law in California at the time. These confrontations, in many ways, allowed the Panthers to protect their communities and police the police. 4. The party grew tremendously and drew attention in cities everywhere. David Fenton via Getty Images
The party’s goal in increasing membership wasn’t aimed at recruiting church goers, as explained in the documentary, but to recruit the everyday black person who faced police brutality. When black people across the nation saw the Panther’s efforts in the media, especially after they stormed the state capitol with guns in Sacramento in 1967, more men and women became interested in joining. The group also took on issues like housing, welfare and health, which made it relatable to black people everywhere. The party grew rapidly — and didn’t instill a screening process because a priority, at the time, was to recruit as many people as possible. 5. “Free Huey” became an infectious rallying cry following Huey Newton’s arrest in 1987. David Fenton via Getty Images
In 1967, Newton was charged in the fatal shooting of a 23-year-old police officer, John Frey, during a traffic stop. After the shooting, Newton was hospitalized with critical injuries while handcuffed to a gurney in a room that was heavily guarded by cops. As a result of his hospitalization and arrest, Eldrige Cleaver took leadership of the Panthers and demanded that “Huey must be set free.” The phrase was eventually shortened to “Free Huey,” two words which galvanized a movement demanding for Huey’s release. 6. The Black Panthers affirmed black beauty, which helped to attract more members. David Fenton via Getty Images
The sight of black men and women unapologetically sporting their afros, berets and leather jackets had a special appeal to many black Americans at the time. It reflected a new portrayal of self for black people in the 1960s in a way that attracted many young black kids to want to join the party — some even wrote letters to Newton asking to join. “The panthers didn’t invent the idea that black is beautiful,” former member Jamal Joseph said in Stanley’s documentary. “One of the things that Panthers did was [prove] that urban black is beautiful.”
To read the rest of this article, go to:http://www.huffingtonpost.com/entry/27-important-facts-everyone-should-know-about-the-black-panthers_us_56c4d853e4b08ffac1276462? article by Lilly Workneh and Taryn Finley via huffingtonpost.com
Academy President Cheryl Boone Isaacs (photo via hellobeautiful.com)
In a unanimous vote Thursday night, the Academy of Motion Picture Arts and Sciences‘ 51-member board of governors approved a sweeping series of changes designed to diversify its membership, the academy said in a statement Friday.
The board committed to doubling the number of women and minority members in the academy by 2020.
AMPAS President Cheryl Boone Isaacs announced the plan Friday after many of Hollywood’s A-listers slammed the organization for their all-white award nominees. “The Academy is going to lead and not wait for the industry to catch up,” she said in a statement.
The board approved reforms late Thursday to “begin the process of significantly changing our membership composition,” Isaacs explained.
It also approved a series of changes limiting members’ lifetime voting rights. “Beginning later this year, each new member’s voting status will last 10 years, and will be renewed if that new member has been active in motion pictures during that decade,” the academy statement said. “In addition, members will receive lifetime voting rights after three 10-year terms; or if they have won or been nominated for an Academy Award. We will apply these same standards retroactively to current members. In other words, if a current member has not been active in the last 10 years they can still qualify by meeting the other criteria. Those who do not qualify for active status will be moved to emeritus status. Emeritus members do not pay dues but enjoy all the privileges of membership, except voting. This will not affect voting for this year’s Oscars. ”
The swift and drastic change comes in response to a protest over an all-white slate of acting nominees for the second year in a row.
The move follows pledges by director Spike Lee and actors Will Smith and Jada Pinkett Smith to stay home from the Oscar telecast on Feb. 28, and calls for a boycott of the show online.
For the last three years, the awards body has been in the midst of a push for more diversity, inviting larger and demographically broader groups to join its 6,261 voting members. But given the size of the academy, and the fact that members belong for life, any change to the organization’s overall demographics had been incremental.
The academy will also launch a campaign to identify and recruit new members who represent greater diversity, the statement said, and will add new members who are not governors to its executive and board committees to influence key decisions about membership. article by Rebecca Keegan via latimes.com; additions from Keyaira Kelly via hellobeautiful.com
An image of the Warriors’ Stephen Curry from an ad that is the result of a partnership between the N.B.A. and the organization Everytown for Gun Safety. (photo via nytimes.com)
The National Basketball Association, alarmed by the death toll from shootings across the country, is stepping into the polarizing debate over guns, regulation and the Second Amendment with an advertising campaign in partnership with one of the nation’s most aggressive advocates of stricter limits on firearm sales.
The first ads, timed to reach millions of basketball fans during a series of marquee games on Christmas Day, focus on shooting victims and contain no policy recommendations. The words “gun control” are never mentioned.
Besides N.B.A. players, the ads feature survivors of shootings and relatives of those killed by guns. (photo via nytimes.com)
The N.B.A.’s involvement suggests that a bloody year of gun deaths — in highly publicized mass shootings and countless smaller-scale incidents — may be spurring even some generally risk-averse, mainstream institutions to action.
Players who appear in the first 30-second ad, which will run five times on Friday, speak in personal terms about the effects of gun violence on their lives. Stephen Curry of the Golden State Warriors describes hearing of a 3-year-old’s shooting: “My daughter Riley’s that age,” he says. Chris Paul of the Los Angeles Clippers recalls the advice he heeded as a child: “My parents used to say, ‘A bullet doesn’t have a name on it.’”
The N.B.A. said it held little internal debate about working with Mr. Bloomberg’s group. “We know far too many people who have been caught up in gun violence in this country,” said Kathleen Behrens, the league’s president of social responsibility and player programs. “And we can do something about it.”
But the decision may prove tricky for the league: While many of its teams are based in cities dominated by Democrats, a number of other teams — and millions of N.B.A. fans — hail from places where Mr. Bloomberg and his approach to guns are viewed with deep suspicion. Ms. Behrens said the league had not shown the ads to team owners, but added, “We’re not worried about any political implications.”
The Bloomberg-N.B.A. partnership was brokered by an unlikely figure: Spike Lee, a member of Everytown’s creative council, whose latest film, “Chi-Raq,” set on Chicago’s South Side, confronts gun violence with an unflinching eye.
Over breakfast at the Loews Regency Hotel in Manhattan in November, not long before the movie was released earlier this month, Mr. Lee proposed the idea for the ads to John Skipper, the president of ESPN, who then took it to Adam Silver, the N.B.A.’s commissioner. Mr. Lee insisted on the participation of Everytown, with which he collaborated on a protest march down Broadway after the film’s New York premiere.
In an interview, he sounded many of the themes that Mr. Bloomberg himself has emphasized in the past, saying it was time for “common sense anti-gun laws.”
“But because of the N.R.A., politicians and the gun manufacturers, we’re dying under that tyranny,” Mr. Lee said.
Mr. Bloomberg’s interventionist policies as mayor and his left-leaning tactics on guns have earned the vitriol of gun-rights advocates, who have mocked him with TV ads as an out-of-touch elitist.
The Robert E. Lee Monument is seen in Lee Circle in New Orleans. (AP Photo/Gerald Herbert, File)
New Orleans‘ leaders on Thursday made a sweeping move to break with the city’s Confederate past when the City Council voted to remove prominent Confederate monuments along some of its busiest streets.
The council’s 6-1 vote allows the city to remove four monuments, including a towering statue of Confederate Gen. Robert E. Lee that has stood at the center of a traffic circle for 131 years.
It was an emotional meeting — often interrupted by heckling — infused with references to slavery, lynchings and racism, as well as the pleas of those who opposed removing the monuments to not “rewrite history.”
City Council President Jason Williams called the vote a symbolic severing of an “umbilical cord” tying the city to the offensive legacy of the Confederacy and the era of Jim Crow laws. “If anybody wins here, it will be the South, because it is finally rising,” Williams, who is African-American, said.
Stacy Head, a council member at large, was the lone vote against the removal. She is one of two white council members. She lamented what she called a rush to take the monuments down without adequate consideration of their historic value and meaning to many in New Orleans.
Fixing historic injustice is “a lot harder work than removing monuments,” she said, even as many in the packed council chambers jeered her. She said the issue was dividing the city, not uniting it. “I think all we will be left with is pain and division.”
The decision came after months of impassioned debate. On Thursday, four preservation groups filed a lawsuit in federal court seeking to stop the city from taking down the monuments by challenging the city’s removal process. Mayor Mitch Landrieu first proposed taking down these monuments after police said a white supremacist killed nine parishioners inside the African-American Emanuel AME Church in Charleston, South Carolina, in June.
Ronald Johnson’s mother Dorothy Holmes fights to have police video of her son’s shooting released. (photo via CNN.com)
A year after backlash from the family and supporters of Ronald Johnson III, Mayor Rahm Emanuel has announced dash cam footage of the Chicago man’s fatal encounter with police in 2014 will be released next week.
Johnson, 25, was fatally shot by Officer George Hernandez eight days before the shooting of 17-year-old Laquan McDonald. The Chicago Tribune reports: On the night he was killed, Johnson was in a car with friends when the vehicle’s back window was shot out by an unidentified gunman. Chicago police have said that Johnson, a known gang member, resisted arrest when officers responded to the call of shots fired and then ran. During the chase, Hernandez, at the time a tactical officer in the Wentworth Police District, pulled up in an unmarked squad car and jumped out with his gun drawn, Oppenheimer said. The video, which Oppenheimer said he has seen many times, shows that within two seconds of getting out of his car, Hernandez fired five times at Johnson as he was still running away, striking him in the back of the knee and again in the back of the shoulder. Autopsy results obtained by the Tribune show the fatal shot traveled through Johnson’s shoulder, severed his jugular vein and exited his eye socket.
Rev. Al Sharpton and Spike Lee (STEPHEN LOVEKIN/VARIETY/REX SHUTTERSTOCK)
The fact that Chicago’s police superintendent was fired hours before the premiere of Spike Lee’s latest feature, “Chi-Raq,” only reinforced the timeliness of the movie’s message about the senselessness of gun violence and racial discrimination. And instead of an after-party, Lee led many attendees out of Manhattan’s Ziegfeld Theater on a march down Broadway to Times Square.
The movie, the first feature produced by Amazon Studios, is a loose adaptation of the ancient Greek drama “Lysistrata.” In Lee’s telling, a group of determined women in Chicago band together to demand that their husbands and lovers put down their weapons, or lose their intimate privileges.
“It was great in 411 B.C. — it’ll work today,” Lee said of the source material Tuesday night. “This film is about changing lives.”
Chicago is among the big U.S. cities that is suffering through a spike in violence and homicides, particularly among African-Americans. Protests have rocked the city in the past few days following the release of a video showing the police shooting a 17-year-old black teenager some 16 times last year. Lee said he hoped “Chi-Raq” would help inspire others to “work harder to make America safer.” Kevin Willmott, who co-wrote the script with Lee, said the events of the day made for a “surreal” experience at the premiere. The movie was shot in Chicago last summer over a six-week period, which allowed cast members to see first-hand the issues depicted in the story. Chicago is the “epicenter” of violence at present but these issues are hardly isolated to one city, Willmott said. “It’s an American problem,” he noted. “It’s about guns, it’s about race, it’s about jobs. There’s nothing new about the problem.”
Dwyane Wade (l) and Laquan McDonald (r) [photo via bet.com]
Dwyane Wade created a memorial for Laquan McDonald the one place he knew everyone would look. The Miami Heat player etched the slain Chicago teen’s name into his game day sneakers, along with the hashtags “#Chicago” and “#Justice.”
It was a simple yet powerful way to honor the 17-year-old, who was shot 16 times by Chicago police officer Jason Van Dyke in October 2014. Van Dyke was charged with first degree murder last week after dash-cam footage revealed the grisly details behind McDonald’s death.
While many have taken to the streets to protest, Wade — a Chicago native — recognized that his feet gain special attention during games and would make a fitting place for a tribute.
Chicago Protest on Black Friday in honor of Laquan McDonald (Photo: Kelly Hayes via Twitter)
Thousands of protesters braved rain and chilly temperatures to flood Chicago’s high-end shopping district Friday to demand justice in the wake of the shooting death of 17-year-old Laquan McDonald.
Tuesday, the city released the heartbreaking video of McDonald’s shooting and announced former Chicago PD officer Jason Van Dyke would be charged with first-degree murder. The timing of the announcement angered many who wondered why it took more than a year to charge Van Dyke given video evidence that he shoot the teen 16 times, 14 of which came while McDonald lay on the ground.
Today, thousands of protesters took to Michigan Avenue, one of Chicago’s premier shopping districts, to demand the mayor, police commissioner, and state’s attorney resign.
A+E Networks and iHeartMedia are simultaneously airing “Shining a Light: A Concert for Progress on Race in America” on Friday, November 20 at 8PM ET/PT. The sold-out concert was recorded at The Shrine Auditorium in Los Angeles, CA on Wednesday, November 18th, and the two-hour special event will air across the entire A+E Networks portfolio in more than 130 territories globally, including A&E, HISTORY, Lifetime, H2, LMN and FYI, as well as on more than 130 iHeartMedia broadcast radio stations nationwide and the iHeartRadio digital platform. Additionally, AOL has joined in the simulcast making the historic special event available to anyone with internet access across the globe on AOL.com.
Artists Aloe Blacc, Andra Day, Nick Jonas, Tom Morello, Smokey Robinson and Big Sean join the previously announced performers including Zac Brown Band, Eric Church, Jamie Foxx, Rhiannon Giddens, Tori Kelly, John Legend, Miguel, Pink, Jill Scott, Ed Sheeran, Sia, Bruce Springsteen, Sting and Pharrell Williams. LL Cool J, Marshall Faulk, Morgan Freeman, George Lopez, Mario Lopez, Nicki Minaj, Kurt Warner and Nick Young are among the presenters joining the telecast.
Alicia Keys has joined John Legend and Pharrell on extraordinary journeys to Baltimore, Ferguson and Charleston, where they met with a diverse group of residents in communities at the center of the national conversation on racial inequality and violence. Joined by NPR’s Michele Norris with John Legend in Ferguson, award-winning journalist Soledad O’Brien with Pharrell Williams in Charleston and ABC News’ Byron Pitts in Baltimore, these visits included intimate discussions and special private performances by each for those most effected. These incredibly moving, heart wrenching and eye-opening moments will be featured throughout the two-hour concert, as well as in the one-hour special, “Shining a Light: Conversations on Race in America,” airing immediately following the concert on A&E Network and AOL.com at 10pm ET/PT.
To see Alicia Keys perform Donny Hathaway’s “Someday We Will All Be Free”, watch below:
https://youtu.be/vqt2OHsAFiU
The concert will kick off A+E Networks’ campaign to confront issues of race, and promote unity and progress on racial equity, inspired by the response of the Mother Emanuel family members in Charleston and others working for reconciliation and change around the country.
The concert and the ancillary programming will help raise money for the Fund for Progress on Race in America powered by United Way Worldwide (ShiningALightConcert.com). The fund will provide grant funding to individuals and organizations fostering understanding, eliminating bias, as well as provide support to Mother Emanuel A.M.E. Church and the broader A.M.E. denomination. The fund will support efforts to address racism and bias through public policy change, individual innovation, and community mobilization.
Tickets for the concert on November 18 sold out within 3 hours of the on-sale date raising more than $150,000 to benefit the Fund for Progress on Race in America powered by The United Way Worldwide.
To see a clip of John Legend’s performance of “Bridge Over Troubled Water,” from the event, watch below:
https://youtu.be/F4PLzIrzI6k
