Soul, Reggae, Funk, Jazz, and movie soundtracks make up this collection. There are midcentury classics, plus brand new and previously unreleased tracks.
Michael Abels’ music from Jordan Peele’s neo-Western science fiction horror film, NOPE, serves as a through line for this mix.
It features Beyoncé, The Weekend, Ella Fitzgerald, Little Simz, Exuma, King Tubby, and long-lost collaborations with the late Ranking Roger and The Clash.
I freely admit to casting a very wide net for this playlist. It won’t scare kids off your porch on the 31st, but it might have you shaking a tail feather from now until then.
Please enjoy this collection that offers, witches, ghost, werewolves, and monsters both real and imagined.
Happy Monday, you all. It’s your friend and selector, Marlon West.
I’ve been away for a while, and now I’m back. August 9th would have been the 59th birthday of Whitney Houston.
Sista was one of the biggest pop stars of all time. Her accomplishments as a performer were extraordinary, becoming the first artist to have seven consecutive singles hit number one, from “Saving All My Love for You” (1985) through “Where Do Broken Hearts Go” (1988). Her version of Dolly Parton‘s “I Will Always Love You” (1992) became the biggest hit single in rock history.
Whitney Houston and Whitney, her first two albums, each went diamond platinum. She followed them with a string of additional multi-platinum LPs including the likewise diamond-earning soundtrack for The Bodyguard.
Houston was able to handle stylish dance-pop, adult contemporary ballads, and slick contemporary R&B with equal dexterity.
The result was an across-the-board appeal that was matched by few artists of her era and helped her become one of the first Black artists to find success on MTV.
Over time, she developed a virtuosic singing style given over to swooping, flashy melodic embellishments. The shadow of Houston’s style and technique still looms large over nearly every pop and R&B diva to this day. Please enjoy this collection of the best of Whitney Houston.
Today on #MusicMonday, we’re celebrating the beginning of Summer 2022, which officially kicks off tomorrow.
One of our most popular playlists of the last couple years was our Summer Breeze: Soulful Summer Songs playlist, which we created two years ago in the midst of the pandemic.
So this year, we’ve taken that original playlist and created the ‘new and improved’ version with about 50 more tracks (!) added to the lineup.
Our playlist is slightly different than the typical summer mixtape – these are not just summer hits, or summer favorites. To qualify for our list, a song literally had to feature the word “summer” in its title. It had to be literally “about” summer – the moods and feelings it evokes.
Fortunately, the season of BBQs, island vacations, swimming in the pool has provided inspiration to virtually every genre and generation of Black musicians, so we’ve got all the “summer”-titled popular hits spanning the ’30s to today from DJ Jazzy Jeff & Fresh Prince, Kool & The Gang, Carl Thomas, War, Sly & The Family Stone, Childish Gambino, Chic, Megan Thee Stallion and The Isley Brothers, mixed in with jazz, hip hop, dance, reggae, and plenty of vocal standards.
Nat “King” Cole is not only one of our top singers of Christmas standards, but also the leader in “summer” tunes, with five songs on our playlist.
And throughout, we’ve sprinkled multiple versions of the Porgy & Bess standard “Summertime,” performed here by everyone from Anita Baker to James Brown.
Among the new songs we’ve added are everything from Jhene Aiko to Joan Armatrading, Anderson.Paak to Prince, Jim Jones to Johnny Mathis, Leon Bridges to Labi Siffre to St. Lunatics.
So, fire up the grill, break out the water slide for the kids, and perhaps grab a mai-tai or piña colada. Then relax to the sounds of Summer. Happy Summer everyone!
I couldn’t believe I hadn’t done a #Juneteenth playlist for GBN. This year it shares a Sunday with Father’s Day.
While I didn’t grow up with the holiday, it’s believed to be the oldest African-American holiday, with annual celebrations on June 19th in some parts of the country dating back to 1866. Well.
Since becoming aware of it, I’ve been all-in for years. As a father and son, I am thrilled with the one-two holiday punch.
I’ve tried to gather a set of tunes that can be enjoyed while the grill is full of food, with folk sitting around the table, or when you’re chilling around the crib.
From its Galveston, Texas roots, is now one of five date-specific federal holidays along with New Year’s Day (January 1), Independence Day (July 4), Veterans Day (November 11), and Christmas Day (December 25).
Juneteenth will coincide with Father’s Day not only this year, but also in 2033, 2039, 2044, and 2050. It’s the first new federal holiday since Martin Luther King Jr. Day was declared a holiday in 1986.
Do enjoy another free-wheeling and eclectic collection celebrating this uniquely American holiday by your friend and selector.
“With the possible exception of the Beatles, no band in the history of popular music, and certainly no African American act, has left a more substantial legacy on popular music than the Isley Brothers.” — Bob Gulla, Icons of R&B and Soul
While they’re well respected enough to be in the Rock & Roll Hall Of Fame since 1992, The Isley Brothers are not afforded their proper place of widespread esteem in the pantheon of popular music.
They’re the only group in the history of music to have a demonstrable influence on both the Beatles (who covered the Isleys’ take of “Twist And Shout” for one of their biggest early hits) and Ice Cube (who rapped over “Footsteps In The Dark, Pts. 1 & 2” on “It Was A Good Day”).
Over a 60-year run the group changed – one brother, Vernon, died young, while another, Rudolph, became a church minister, to be replaced by a family member – one aspect has remained constant: Ronald’s instantly recognizable, golden voice.
Ronald Isley (photo: commons.wikipedia.org)
Last month he turned 81 years old. Any listener to the playlists I’ve created for GBN knows I’ll slip an Isley Brothers track into a collection whenever possible.
This one is an unapologetic tribute to the vocalist that fronted the most essential band this nation has produced. He’s mastered a series of genres and has also sung the modern American of songbooks.
Ronald Isley has song standards from Broadway, Hollywood, and Tin Pan Alley. He has gifted us definitive versions of classics penned for the Motown production line by Brian Holland, Lamont Dozier, and Eddie Holland, as well as delicate reinterpretations of ballads by Burt Bacharach and Hal David.
Enjoy this hours-long collection of the best of one of America’s greatest and most enduring vocalists.
If you are a regular listener of Good Black News’ Music Monday playlists, we’re sure you’ve noticed by now that we’ve got some serious Stevie Wonder fans in the house. In 2020, we even celebrated his 70th birthday with a whole month of fantastic playlists (some links below).
And now that Mr. Wonder’s birthday week again (on this Friday the 13th), we’ve got a new playlist to share – this one built around songs that he composed for other artists – it’s called “Written By Wonder, First Sung By Another”:
This playlist is comprised of over 90 songs spanning from the mid-60s when he was still just a teenage songwriter, up through the list’s most recent composition, a 2011 release from smooth jazz vocalist Maysa called “Have Sweet Dreams.”
Many people already know of the hits Stevie wrote for others – classics such as The Spinners’ “It’s A Shame,” Jermaine Jackson’s “Let’s Get Serious,” Third World’s “Try Jah Love,” Rufus feat. Chaka Khan’s “Tell Me Something Good,” and of course, Smokey Robinson & The Miracles’ “The Tears of a Clown.”
But his writing legacy goes so much deeper than that.
[Photo: GBN Contributor Joyce Lakin (l) and GBN Editor-in-Chief Lori Lakin Hutcherson (r) in Maui, 2005]
Good Black News wants to take a moment on this day to honor and remember the women who gave us life, who nurtured and raised us, and also offered us solace, counsel, wisdom, humility and humor.
To all the mothers out there – be they Aunties, Grandmothers, Cousins or Friends – thank you for all you do!
And to one mom out there in particular — Joyce Lakin — we want to thank you for all of the above and also for agreeing to put together a playlist of some of your all-time favorite songs to share with all the other moms and children out there who grew up on their mom’s music!
On this list there’s clearly songs you grew up on (Johnny Mathis, Etta James, Sammy Davis, Jr.), songs that were your jams that became our jams (Teddy Pendergrass, Marvin Gaye, Prince) and songs that are refreshing surprises — Jay Z and J. Lo — who knew?!
If anyone out there is still lucky enough to have their mom, we encourage you to ask them for their playlist — and you’ll learn more about your mom and yourself than you’d imagine!
As #JazzAppreciationMonth nears its end, today GBN celebrates the “Home of Happy Feet” that was one of the first integrated public entertainment spaces in the U.S., Harlem’s once famous Savoy Ballroom.
To read about the Savoy, read on. To hear about it, press PLAY:
[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Sunday, April 24th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
It’s in the category for Black Museums and Landmarks we call “Get The Knowledge”:
Located in Harlem, New York, the Savoy Ballroom was known as “The World’s Finest Ballroom” and the “Home of Happy Feet” from its 1926 opening to its 1958 close.
Unlike other ballrooms of the era, the Savoy always had a no-discrimination policy and showcased the finest swing music in the city.
The Savoy offered non-stop music from two bandstands that attracted dancing pros like Whitey’s Lindy Hoppers as well as everyday people looking to have a good time.
Chick Webb, of the prominent house band leaders at the Savoy, had a top 10 hit in 1934 with the song composed by his saxophonist Edgar Sampson that you are hearing now, called – what else – “Stompin’ At The Savoy.”
In 2022, Frankie Manning and Norma Miller, members of Whitey’s Lindy Hoppers, unveiled a commemorative plaque for the Savoy Ballroom on Lenox Avenue:
To learn more about the Savoy Ballroom, check out welcometothesavoy.com, a site that’s restoring the Savoy with a VR experience, and they have a great collection of photos from the Savoy’s heyday on view now, watch the 1992 television movie Stompin’ At The Savoydirected by Debbie Allen, available on Amazon Prime Video or Roku.
Watch clips about the history of the Savoy on YouTube, or read Swinging At The Savoy: The Memoir of a Jazz Dancer by Norma Miller. Links to these and other sources are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org
This has been a bonus daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.
Intro and outro beats provided by freebeats.io and produced by White Hot.
“Stompin’ At The Savoy” by Chick Webb’s Orchestra is included under fair use.
If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
Today we drop in on lauded rapper and artist Kendrick Lamar, who five years ago #onthisday dropped his last full studio album project on us — the highly-acclaimed, award-winning DAMN.
To read about Lamar, read on. To hear about her, press PLAY:
[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Thursday, April 14th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Five years ago, on April 14, 2017, hip hop artist and Compton, California native Kendrick Lamarreleased his fourth studio album DAMN. The following year, it became the first work outside of the jazz or classical genre to win the Pulitzer Prize for music. DAMN. also won the Grammy for Best Rap Album in 2018 and was a nominee for Album of the Year.
The two albums Kendrick Lamar released before DAMN., 2012’sgood kid, m.A.A.d city and 2015’s To Pimp a Butterfly were already revered within and beyond hip hop circles as sonic and lyrical works of art. DAMN. was the culmination of a magnum opus in three parts, a tapestry of arresting themes explored in songs with one-word titles such as “DNA.”:
[Excerpt of “DNA.”]
“LOYALTY. FEAT. RIHANNA.”:
[Excerpt of “LOYALTY. FEAT. RIHANNA.”]
“LOVE. FEAT. ZACARI.”:
[Excerpt of “LOVE. FEAT. ZACARI.”]
And the song that has over a billion streams on Spotify, “HUMBLE.”:
[Excerpt of “HUMBLE.”]
Side projects and collaborations aside, like “Family Ties,” Lamar’s recent Grammy-winning collaboration with Baby Keem, we can’t wait to hear what Kendrick Lamar drops next. Until then, this June Kendrick Lamar will be headlining one evening of the Glastonbury Festival in the United Kingdom and is currently scheduled to do the same at Miami’s Rolling Loud Festival in July.To learn more about Kendrick Lamar, follow him @kendricklamar on Twitter, read 2020’s The Butterfly Effect: How Kendrick Lamar Ignited the Soul of Black America by Marcus J. Moore, 2021’s Promise That You Will Sing About Me: The Power and Poetry of Kendrick Lamarby Miles Marshall Lewis, and 2021’s Kendrick Lamar and the Making of Black Meaning edited by Lehigh University professors Christopher M. Driscoll, Monica R. Miller and Rice University professor Anthony B. Pinn.
You can also read Lamar’s in-depth Rolling Stone interview from 2017, watch his interview with Zane Lowe about DAMN. on AppleMusic’s YouTube channel, catch his videos and incredible live performances on Lamar’s YouTube channel, listen to the entire 5th season of the Dissect Podcast, which is a track-by-track analysis of DAMN., and, of course, buy or stream his entire catalog of music.
This has been a daily drop of Good Black News, written, produced and hosted by yours truly, Lori Lakin Hutcherson. Intro and outro beats provided by freebeats.io and produced by White Hot.
All excerpts of Kendrick Lamar’s music are included under Fair Use.
If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
In continued celebration of #JazzAppreciationMonth, today we drop in on the underappreciated yet cherished and deeply talented song stylist Nancy Wilson, who was at one time in the 1960s the second most popular act on Capitol Records behind only the Beatles.
To read about Wilson, read on. To hear about her, press PLAY:
[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, April 12, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Ohio native Nancy Wilson claimed her gift early, knowing by age four she was meant to be a singer. Encouraged by jazz saxophonist and bandleader Julius “Cannonball” Adderley, Wilson moved to New York in 1959 and landed a contract with Capitol Records.
The success of Nancy’s debut single “Guess Who I Saw Today,” led to a rush of album recordings, and to that tune becoming one of the signature songs of her career:
[Excerpt of “Guess Who I Saw Today”]
Wilson’s classic 1962 album recorded with Cannonball Adderley [Nancy Wilson/Cannonball Adderley] contained her first Billboard R&B chart hit, the gorgeous ballad “Save Your Love for Me”:
[Excerpt of “Save Your Love for Me”]
From her 1964 album of the same title, Wilson scored her first pop hit, reaching number 11 on the Hot 100 chart with “How Glad I Am”:
[Excerpt of “How Glad I Am”]
Wilson won her first Grammy for that song and had four top 10 albums on the Billboard charts between 1964 and 1965, becoming during that period Capitol Records’ second-biggest selling act behind only the Beatles.
Wilson released more than 70 albums in her five-decade recording career, and won two more Grammys 40 years after her first win, both for Best Jazz Vocal Album, in 2005 for R.S.V.P. (Rare Songs, Very Personal) and 2007 for Turned to Blue.
[Excerpt of “That’s All” from R.S.V.P.]
In 2004, Nancy Wilson was honored as a Jazz Master by the National Endowment for the Arts, and for her work as an advocate of civil rights, which included participating in the 1965 Selma to Montgomery march in Alabama.
Although Wilson was lauded as a jazz vocalist, she preferred to think of herself a song stylist, as she drew from a variety of influences, which she spoke about in detail during an interview on grammys.com:
“So, consequently, I was exposed to male influences. From early on, I heard Nat Cole I heard [?????] Jackson and Louis Jordan – loved Louis Jordan. I heard Billy Billy, Mr. B. I mean, he was just, I mean, my father thought Billy Eckstine was like, couldn’t – he walked on water. He loved B. And I heard Little Jimmy Scott with Lionel Hampton‘s big band. I would imagine that was when I was around 10. So basically, it was all male. And, and not gospel. I heard Jimmy Cleveland, James Cleveland, and C.L. Franklin, and his choir from my mom used to play that. So, I got to hear it all. And I enjoyed all of it. And then of course, I became a teenager. I mean, I was allowed to go out.
And there was a jukebox where I heard Little Esther, and I heard Little Miss Cornshucks. I heard LaVern Baker. I definitely heard Dinah and I heard Ruth Brown – I used to love Ruth Brown. That was where I got the exposure to R&B females. Was a quite a while – I think I was pretty much almost grown like 15 when I became exposed to – Sarah had some hit pop songs and I heard Sarah Vaughan and that I loved. “I Ran All the Way Home” was my big song. Also one of my big numbers was the Ravens tune called “You Saw Me Crying in the Chapel.”
So I sang these songs in variety shows and I’m like ninth grade, 10th grade, so, these were the things that really made things happen for me. The fact that I did not I had no idea that you were supposed to be afraid, or that you needed to be nervous. Because to me that had no part of what I did. I was not nervous about it at all. Loved to sing – loved the lyrics to songs always. Yeah.”
Links to these sources and more provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.
This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.
Intro and outro beats provided by freebeats.io and produced by White Hot.
All excerpts of Nancy Wilson’s music included are permitted under Fair Use.
If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
To learn more about Kendrick Lamar, follow him @kendricklamar on Twitter, read 2020’s 
