African popular music (often called Afropop, Afro-pop or Afro pop), like African traditional music, is vast and varied.
This playlist centered contemporary genres of African music build the cross-pollination with western popular music like: rhythm & blues, hip-hop, jazz, salsa, and reggae.
Afrobeats (not to be confused, as I was, with Afrobeat) and Afro-pop is less of a style and more of a descriptor for the fusion of sounds flowing out of Ghana and Nigeria.
Here’s a collection of mainly recent releases from a variety of artists. Hope you enjoy.
Black artists have long been associated with R&B, Hip-Hop, Jazz, Funk, and Reggae, but not Rock. This is ironic as Rock ‘n’ Roll was derived from African American Jazz and Blues.
Sister Rosetta Tharpe, Chuck Berry, Bo Diddley, Little Richard are all often counted among Rock music’s pioneers. Jimi Hendrix and Prince appear on any serious list of greatest guitarists.
This collection gathers them all and features Black alternative rock, country, and heavy metal artists. It would not be a Marlon mix without the inclusion of folks that should be appreciated more for their rock and roll bonafides like The Isley Brothers and The Roots.
In addition to Living Color, TV On The Radio, Bad Brains and other established bands there are several emerging artists including Mint Green, Big Joanie, Baby Got Back Talk and others.
Do enjoy this eclectic and wide-ranging collection of Black Rock.
Today’s Mardi Gras is unlike practically any other in recent times. With the COVID 19 pandemic still rampant in the U.S. and most of the world, no parades are scheduled, public gatherings are prohibited, bars are shut down and most significantly, Bourbon Street in New Orleans, the epicenter of U.S. Mardi Gras celebrations, is closed.
For those who still want a way to celebrate safely as they enjoy king cake, Good Black News is happy to re-post a playlist by Marlon West entitled “Working in the Coal Mine: A Collection of New Orleans Funk and Soul”:
This collection of New Orleans Funk features acknowledges masters next to some of the earlier artists who shaped the meaning of funk. It covers the period from the emergence of New Orleans Funk in the early 1960s through to the present day.
[This] mix offers The Meters, Queen Ida, Eddie Bo, Professor Longhair, Lee Dorsey, Wild Magnolias and many more.
New Orleans is a port town. Originally owned by the French. Many of the Africans who ended up there came from Haiti and brought with them the religion of Voodoo and its drums and music.
The Crescent City became one of the first parts of America to develop a strong African-American culture leading to the invention of Jazz.
This playlist offers the sound of the New Orleans Funeral March Bands, Mardi Gras Indian Tribes and Saturday Night Fish Fries.
We hope this playlist helps you access the spirit of New Orleans and Mardi Gras. We also hope that in 2022, you can do so in a communal way as well.
Earlier this month was the 76th anniversary of the birth of Robert Nesta Marley.
It is hard to overstate his impact on popular music and culture. Marley was a Rastafari icon, and he infused his music with a sense of social consciousness and spirituality.
He is still a global symbol of Jamaican music, culture, and Pan-Africanism. He co-founded The Wailers vocal group with Bunny Wailer, Peter Tosh, Beverley Kelso and Junior Braithwaite.
They created early ska and rocksteady in the studios of legendary producers Coxsone Dodd and Lee “Scratch” Perry.
Marley would go on to bring reggae music to an international audience, and was inducted into the Rock and Roll Hall of Fame in 1994.
Rolling Stone has ranked him No. 11 on its list of the 100 Greatest Artists of All Time.
Here’s a collection includes his many classics, early recordings, live performances, and remixes, and dub reworkings. This playlist is a testament to the lasting impact of Bob Marley.
Happy Valentine’s Weekend, Good Black News readers! We are celebrating the holiday (and the long weekend) with a Spotify playlist of love ballads entitled: “Valentine Love – The Best Classic Soul Duets Ever“:
In honor of the 14th of February, we’ve filled the playlist with 140 classic soul duets from the 1950s through the 1990s.
We worked hard to include all your favorites from masters of romance including Luther Vandross, Johnny Mathis, Roberta Flack, Donny Hathaway, Dionne Warwick, Peabo Bryson, Teena Marie, Teddy Pendergrass, Mariah Carey, Babyface, James Ingram and the undeniable King of Duets, Mr. Marvin Gaye. We’ve included his partnerships with Kim Weston, Diana Ross, Mary Wells, and of course, Tammi Terrell.
We’ve also got songs from groups like Atlantic Starr, Shalamar, The Independents and Loose Ends that feature a male/female lead singer combo.
Hopefully, you’ll find a lot of your favorites, along with some others you haven’t heard in awhile – and some deep crate classics you may be hearing for the first time.
So if you have the opportunity to grab a glass of wine – and a loved one – hit play to set the mood for romantic weekend filled with music by R&B/soul greats.
Today at Good Black News, we pay tribute to the musical legacy of Mary Wilson, who died Monday night at the age of 76 at her home in Las Vegas.
Wilson was the heart and soul of The Supremes, perhaps the world’s most successful girl group ever, and the archetype for Destiny’s Child, TLC, En Vogue and all the other subsequent soulful girl groups who’ve hit the charts in the decades since the Detroit trio ruled over the charts in the 1960s.
More than 50 years after their last #1, The Supremes still rank second only to The Beatles in garnering the most chart-toppers of any group – With a dozen #1 pop hits in the United States.
If Florence Ballard was the Supremes soulful & brassy blues mama and Diana Ross its demure pop ingenue, the late Mary Wilson was the group’s sultry glamour gal. The three of them together evoke the memories of a time when a group of persistent girls from the local neighborhood high school could encounter the right producer and launch themselves into a whirlwind of global superstardom.
In the process, The Supremes would help change the world’s perception of Blackness. Diana, Florence and Mary were the epitome of Berry Gordy‘s grand Motown crossover experiment – they weren’t just stars of the soul chart, but rather they were ‘the sound of young America’.
They toured Japan and Europe, played Las Vegas and the Copacabana nightclub – venues previously reserved for mostly older white artists.
Mary Wilson (photo via Facebook)
Their classy choreography and gorgeous gowns belied their youthful age. And, back in an era when few Black celebrities were seen with frequency on TV, neighborhoods of Black families from coast to coast were abuzz with pride every time the trio appeared on the popular Ed Sullivan Showin front of the whole nation.
By now, most everyone knows the story of The Supremes. Ballard left the group amid scandal in the mid-1960s (to be replaced by Cindy Birdsong). Ross left in 1970 to pursue a solo career that would make her arguably the biggest Black female star of her era.
But Mary Wilson stayed with the group until the very end, through a litany of other member changes, serving as the steadfast backup to two subsequent lead singers. Following the group’s demise, she performed solo concerts all over the world, wrote two best-selling books about her years with The Supremes and even participated in ‘Dancing With the Stars’.
But all the while, she was determined to preserve the legacy of The Supremes, including battling in court to stop unaffiliated groups from touring under the group’s name. To the end she was almost always identified as ‘Mary Wilson of The Supremes.’
Over the course of 15 years of Supremes recordings, Wilson didn’t get to sing lead often. But we’ve gathered those all those official lead/co-lead vocals here, along with a couple solo tracks and some rare ‘from-the-vaults’ tunes released in more recent years.
Look for nice renditions of “Can’t Take My Eyes Off You“ (which frequently served as her solo on tour dates), “Our Day Will Come” and her version of the Martha & the Vandellas hit “Come and Get These Memories” from the Diana years.
By the ’70s, Mary’s veteran status was rewarded with a few more lead vocals, including a shared spotlight on singles like “Floy Joy,” “Automatically Sunshine,” and ‘Touch” as well as a heartfelt vocal on Jimmy Webb‘s standard “I Keep It Hid” and a whispery, plaintive adaptation of the Spinners/Phyllis Hyman number “I Don’t Want To Lose You.”
Following an initial half dozen Wilson-lead or co-lead tracks, we’ve taken the opportunity on our playlist to dive wholeheartedly into the chronological history of the entire span of The Supremes – the Diana Ross, Jean Terrell and Scherrie Payne years all in one – because ALL those years were the Mary Wilson years.
Along with all Mary’s lead vocals, we’ve included all the Motown Supremes singles on which Mary actually sang back-up (including the group’s singles with The Temptations and The Four Tops).
Interestingly, in the late ’60s, there were multiple Supremes hits recorded by Ross with Motown’s house back-up singers taking on the role of The Supremes – including “Love Child,””Forever Came Today,” “I’m Livin’ in Shame” and the group’s final #1 “Someday We’ll Be Together”.
Yes, ironically, on their iconic song about togetherness, the Supremes were not actually together (Mary and Cindy did still appear on the album covers, and of course, sang back-up on the songs during live concerts).
We’ve not included those Wilson-less singles here – although we have included later “Love Child” and “Someday We’ll Be Together” live renditions recorded from the group’s final January 1970 concert, where Mary and Cindy Birdsong did sing the background vocals on the songs they never had recorded in studio.
After the chronological rundown of Supremes singles, we’ve concluded our playlist with the rest of Wilson’s lead vocals on album tracks from the ’70s Supremes albums.
By then, The Supremes rule over the pop charts was a memory – and the group was no longer being paired with Motown’s hottest producers.
But Mary’s passionate vocals help to elevate otherwise ordinary ballads into something worth listening to. We hope you’ll check out our playlist and ‘come and get these memories’ of Mary Wilson, another legend gone too soon. Someday, we’ll be together.
It certainly was unwelcome news to wake up to this morning – the news that singing legend Mary Wilson had passed away suddenly and unexpectedly at her home in Las Vegas at 76, news that has been confirmed by her manager.
As an original member of the Supremes, Wilson, along with Florence Ballard and Diana Ross, made history as pop and R&B chart toppers with classic songs like “Where Did Our Love Go?”“Stop! In the Name of Love,”“You Keep Me Hangin’ On” and “Someday We’ll Be Together.”
Although the Supremes line-up changed multiple times over the years, Mary Wilson remained its one steadfast member and continued to perform with the group over the decades, even as she offered music as a solo singer.
Above is an incredible clip of Wilson taking lead vocals on the Supremes cover of “Can’t Take My Eyes Off You”at the Hollywood Palace in 1969.
In 1986, Wilson wrote the New York Times bestseller Dreamgirl: My Life as a Supreme and in 2019 offered Supreme Glamour, a retrospective on the group and their iconic costumes and ensembles, its forward written by Whoopi Goldberg.
Recently Wilson was a celebrity contestant on ABC’s Dancing with the Stars and was planning to release a new album later this year.
To learn more about Mary Wilson’s life, career and music, click below:
Last week our fearless leader here at GBN, Lori Lakin Hutcherson, suggested a playlist celebrating Black History Month. I joked that every Music Monday at Good Black News is celebrating Black history.
Though a free-wheeling offer celebrating a century of Black music is definitely the thing to do. Here is a collection of African American music ranging from Mamie Smith to Marvin Gaye to J. Cole – from gospel, to hip hop, to jazz, to blues – and all points in between.
Massive Attack was formed in Bristol, England, in the late 1980s, coalescing out of a sound-system culture of D.J.s and musicians.
It is hard to overstate the impact his collective, originally known as The Wild Bunch, would go on to have on electronic and popular music. They would knit together previously disparate styles of hip-hop, post-punk, dub reggae, electronica and just enough pop to provide melodic discipline and skeletal structure.
Their first three records Blue Lines, Protection, and Mezzanine were part of the vanguard of artists that created the “Trip Hop” movement. The group launched Tricky and collaborated with others like Elizabeth Fraser of the Cocteau Twins and the reggae songwriter Horace Andy.
Cooke’s magical voice animated a long string of hits that came to a sudden end, when he was shot and killed in a motel manager’s office in 1964. The brotha was 33.
As the lead singer of the gospel group, The Soul Stirrers, and a solo artist he was a writer and singer of great impact. Today folks still speculate about his violent and senseless death.
Certainly director Regina King and writer Kemp Power’s One Night in Miamiwill introduce a new generation to Cooke though the beautiful performance of Leslie Odom Jr. Please enjoy this collection of Sam Cooke’s finest offerings.
Although the Supremes line-up changed multiple times over the years, Mary Wilson remained its one steadfast member and continued to perform with the group over the decades, even as she offered music as a solo singer.
In 1986, Wilson wrote the New York Times bestseller 
Last week our fearless leader here at GBN, Lori Lakin Hutcherson, suggested a playlist celebrating Black History Month. I joked that every Music Monday at Good Black News is celebrating Black history.
