James Weldon Johnson, an NAACP field secretary, civil rights activist, Broadway composer and professor who investigated and spoke out about lynchings in the first decades of the 20th century, also wrote the classic novel The Autobiography of an Ex-Colored Man, first published in 1912.
But perhaps the publication Weldon is best known for was that of a song he wrote with his brother John Rosamond Johnson. In 1900, in honor of Tuskegee Institute founder Booker T. Washingtonas part of a tribute to Abraham Lincoln‘s birthday, they crafted a poem that was read by 500 schoolchildren entitled “Lift Every Voice and Sing.”
The poem celebrated freedom as it recognized a brutal past never to be repeated. “Lift Every Voice and Sing” was so well received that the brothers set it to music and by 1919 the NAACP dubbed it “the Negro national anthem.” It has functioned in that capacity ever since.
The Johnson brothers pictured on the cover of this 1973 version of the sheet music
Sung for decades at countless meetings, events, and ceremonies, a 1990 version of the song performed by Melba Moore (which can be heard here on GBN’s “Black Americana” playlist ) was entered into the Congressional Record and, in 2016, into the National Recording Registry.
Singing this song today makes as much sense as any other American anthem, as it is a song of independence from tyranny, inhumanity and injustice. It is sung in honor of Americans who died building this country by progeny who seek to embrace the liberty, hope and prosperity freedom promises.
Enjoy Aretha Franklin, whose voice literally was designated an American natural resource, singing the song we might all lift our voices to sing. Full lyrics published below.
On this Monday nestled between Juneteenth and Independence Day, Lori Lakin Hutcherson and I thought it prudent to offer this collection of music celebrating freedom and liberty.
Many of these tracks even have the word freedom in their title. Others have just long been associated with the fight for Civil Rights and reform for years.
There are tracks here long-considered, classics, and other new songs on the subject. Clocking in at under 6 hours, this one is a comparatively short collection for me.
Hope you dig this collection of Freedom songs. And if there are any overt omissions, hit me in the comments, y’all.
Juneteenth, Father’s Day, and a trip to St. Louis for the first time in 15 months put this brotha in a mood for mushy stuff.
In this, more than a year of making playlists for GBN, I haven’t done a collection of love songs. Haven’t even done one for Valentine’s Day. Well, here’s an eclectic dose of lovey dove songs:
Some are overtly romantic, others about longing, and still some about loss. Jazz, R&B, Reggae, Rock ‘n Roll, and other genres are presented here.
Hope you enjoy these hours of love songs. Have a great week.
Here is a collection of Black women guitarists and bassists. While woman singers and songwriters often are spotlighted, we want to celebrate women’s fiery musicianship with this playlist.
We are showcasing the legends—many of whom have unfortunately been overlooked, dismissed, or forgotten—who should be recognized as pillars of music history.
This playlist was inspired by SheShreds.com. They are all about steps “taken towards exposing the truth.” It’s for all of us who can’t count the names of Black women guitarists on one hand.
It’s for the young Black girls aspiring to be musicians but seldom see a history that represents them. It’s to learn about our past and evolve into our future—and without Black history, we cannot accurately do so.”
So here’s a playlist to sistas who’s names you’ve heard countless times, such as Sister Rosetta Tharpe, Elizabeth Cotten, Me’Shell Ndegeocello, Odetta and Barbara Lynn, though there are others who took some digging to find. Please enjoy! There are plenty of treasures to get got.
Well, it is always African American Music Appreciation Month (aka Black Music Month) around these parts! We celebrate Black music every week here at Good Black News.
It’s been more than a year since I started making weekly playlists honoring African American music in its many forms.
If you’ve been tuning in with any regularity, you know I am no stranger to a free-wheeling and hours-long playlist.
When it comes to a collection that tracks Gospel, Blues, Jazz, R&B, Rock, Hip-Hop, and everything in between, this one was bound to be a long one:
Have a great week.
Marlon West (photo courtesy Marlon West)
[Editor’s Note: ICYMI, below are links to some of Marlon’s most popular playlists from 2020. Enjoy!]
It’s more than fitting that this year’s Black Music Month begins with the release of a tribute anthem honoring the legacy of Black Wall Street in Tulsa, Oklahoma on the 100th anniversary of its purposeful destruction, which was officially acknowledged by President Joe Biden in a speech yesterday.
“We Will Never Forget” is the featured track from LeBron James’ Springhill Company and CNN Documentary film, Dreamland: The Burning of Black Wall Street, that premiered on CNN on the centennial anniversary of the Black Wall Street Massacre May 31, 2021.
This soul stirring song recorded by Omarion, Lalah Hathaway and Kierra Sheard, written and produced by Greg Curtis and executive produced by Michelle Le Fleur, honors the families and descendants of the 1921 Greenwood District massacre in Tulsa.
Proceeds from the single benefit social change grassroots organization Color of Change to aid the social justice movement to end systemic racism and racially motivated violence.
Color of Change currently has a campaign going to demand the Centennial Commission and City of Tulsa give 80% of the $30 million raised to the survivors and descendants of the Tulsa Race Massacre. Learn more about it here.
Happy Memorial Day, you all. I also need to acknowledge the 100th anniversary of the Black Massacre in Tulsa, Oklahoma.
Last week included the 95th anniversary of the birth of Miles Davis. His hometown of East St. Louis, Missouri was the site of another race massacre in 1917.
So much has been written about Miles Davis. Including is his own autobiography. There have been documentaries long and short about him, so I won’t go on.
At over 10 hours this collection is still the tip of the proverbial iceberg when it comes his creative output. Miles was a giant in American music, and one of this nation’s most iconic and influential figures in music and culture.
In a career that spanned five decades, he kept at the forefront of many major stylistic developments in jazz. From being of the vanguards of bebop and blazing the trail of electric jazz.
The list of his collaborators is far too long, but here are just a few: Dizzy Gillespie, John Coltrane, Charlie Parker, Cannonball Adderley, Max Roach, Gil Evans, Red Garland, Paul Chambers, Philly Joe Jones, Sonny Rollins, Bill Evans, Ron Carter, Herbie Hancock, Tony Williams, Wayne Shorter, John McLaughlin, and Joe Zawinul.
Miles Davis gave many of these now-legendary artists, who all appear on this playlist, their first break. Davis was tough as nails from all reports, though he seemed more than willing to imbue great vulnerability and tenderness in his playing.
Happy Monday from your friend and selector, Marlon. This collection features Calypso classics from the late 1930s to the 1960s, where this musical style reached many through the internationally popular recordings of Harry Belafonte.
I have included many of his predecessors: Attila the Hun, Roaring Lion, The Mighty Sparrow and Lord Invader to name but a few. Lord Invader’s “Rum and Coca-Cola” was covered with great success by the Andrews Sisters.
Another “Lord,” Lord Kitchener, was one of the longest-lasting calypso stars in history. He continued to release hit records until his death in 2000.
The roots of Calypso music started in 17th century Trinidad. The Africans brought to toil on sugar plantations, were stripped of all connections to their homeland and family, and not allowed to talk to each other.
They used calypso to mock the slave masters and to communicate with each other. It is characterized by highly rhythmic and harmonic vocals and is usually sung in a French creole and led by a griot.
While Calypso is most often danceable, there often much social commentary, and innuendo laced in the lyrics.
Hope you enjoy this collection of music that would go on to influence Ska, Rocksteady, and Reggae.
Have a great week! And as always stay safe, sane, and kind.
Today being her birthday would have been reason enough to honor the life and career of the one and only Janet Jackson.
But in 2021, it’s also turned out to be once-in-a-lifetime event — the weekend Ms. Jackson has decided to sell over 1,000 personal and professional items viaJulien’s Auctions to fans and collectors alike — and donate a portion of the proceeds to children’s charity Compassion International.
(Sunday, May 16 is the last day to watch and/or bid during the auction. You can do so here.)
As a personal fan who lives in Los Angeles, I was able to go to the public display prior to the auction. Seeing her iconic outfits and costumes along with personal items from her childhood and homes was, in a word, mesmerizing.
If you’ve grown up with her like I and a lot of GenX has, it’s easy to take Janet’s legacy and prowess for granted. But when you look at the history, the music, the videos, her eras across the decades and the impact of them all represented in one place, you fully realize what a uniquely innovative, influential artist she has been, is, and always will be.
With producing partners Jimmy Jam and Terry Lewis, Jackson has crafted some of the most insightful and inspirational — and hey, let’s say it, danceable — issue-oriented songs ever.
Today, we celebrate her contributions to elevating our consciousness and calling for action on topics such as discrimination, poverty, racism, illiteracy, domestic violence, depression, sexism and homophobia with the playlist “The Knowledge” – Janet Jackson Social Justice Music:
“Rhythm Nation” is not only represented on this list by its titular track, but also by “The Knowledge,” “State of the World,” “Livin’ In A World (They Didn’t Make)” and its connective tissue interludes, but also by “The Skin Game,” a track about racial discrimination from that didn’t make the album but was a B-side to its “Come Back To Me” single.
“Like so many Black people, I have my own stories of being profiled — of being stopped, searched and frisked twice in the same month by cops skeptical about a Black woman driving a fancy car. And you have to think, if the cops stop me, how much worse must it be for others?” she wrote. “Yet we go on.”
Janet recently revived “Skin Game” during at her State of the WorldTour, at the 2018 Essence Festival and during her Global Citizens performance in 2018. Check out the kick-ass opening sequence below:
On her 1993 Janet. album, Jackson offered “New Agenda” with Public Enemy’s Chuck D, “This Time” about domestic violence with opera singer Kathleen Battle.
On 1997’s The Velvet Rope, Janet tackled self-esteem and self-worth on “You,” the unhealthy reliance on connections made through the internet on “Empty,” feelings of depression and worthlessness “Special,” homophobia on “Free Xone” and overcoming racial and gender discrimination on the hidden track “Can’t Be Stopped.”
The depth and breadth of this album’s themes are discussed deftly by Ayanna Dozier in her book on The Velvet Rope from the acclaimed 33 1/3 series about music’s most impactful albums.
“Got Til It’s Gone” (seen below) and “Together Again” are also included because visually, this pair of Afrocentric videos were all about self-possession, expression and finding joy in the most difficult of circumstances — in South Africa during apartheid in “Got Til It’s Gone,” and healing oneself through the acknowledgement of the importance of lives of those who passed from AIDS and need to celebrate not stigmatize their lives in “Together Again.”
“What About” mixes the softness of her sweetest love songs with a hard rock edge reminiscent of “Black Cat” as she delivers a tour de force on domestic violence.
Jackson’s performance at the 1998 VH1 Fashion Awards was poignant, powerful and unforgettable:
Rounding out the playlist are the songs “Black Eagle” and “Shoulda Known Better” from her number-one album from 2015, Unbreakable, which acknowledge the work that still needs to be done, how difficult it is to overcome the complex issues of racism and abject poverty and how heart-breaking they are, but why it’s still worth trying.
Though not released as a single or official video, “Shoulda Known Better” was used by a fan to make a video tribute to the victims of the Orlando shooting in 2016, and Janet Jackson shares it as part of her official YouTube channel:
I hope I get to add new songs to this list later this year, if Janet resumes the Black Diamond Tour and releases the Black Diamondalbum, both postponed from 2020 due to the global pandemic.
Or even if she records an entirely new project, I have no doubt that in some form, Ms. Jackson’s outspoken caring and compassion for the world will come through once again.
