
article by Justin Kroll and Brent Lang via variety.com
Shawn “Jay Z” Carter and the Weinstein Company are partnering on an ambitious series of film and television projects about Trayvon Martin. The indie label and the rap icon won a heated bidding war for the rights to two books — “Suspicion Nation: The Inside Story of the Trayvon Martin Injustice and Why We Continue to Repeat It” and “Rest in Power: The Enduring Life of Trayvon Martin.” The 2012 shooting of the 17 year-old Martin sparked a national debate about racial profiling and inequities of the criminal justice system that brought about the Black Lives Matter movement.
The African-American high school student was killed by George Zimmerman, 28, who was a member of the neighborhood watch in his Florida community. He claimed he shot Martin, who was unarmed, in self defense after the two became involved in a physical altercation. Zimmerman’s acquittal on a second-degree murder charge inspired protests around the country.
“Suspicion Nation” is by Lisa Bloom and recounts her experience covering the trial for NBC. She looks at the mistakes made by prosecutors that caused them to lose what she describes as a “winnable case.” “Rest in Power” is by Martin’s parents, Sybrina Fulton and Tracy Martin. It tells a more personal story, looking at Martin’s childhood and the aftermath of his death.
The plan is to make a six-part docu-series with Jay Z producing as part of a first-look deal he signed with the studio last September. The indie studio will also develop a narrative feature film. The Weinstein Company earned critical raves for “Fruitvale Station,” another true story, about the death of Oscar Grant, an unarmed black man who was killed in 2009 by a BART police officer.
To read more: Jay Z to Make Trayvon Martin Film and Documentary Series | Variety
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article by Kristyn Burtt via dancenetwork.tv
Choreographer Dave Scott is well known for his work on So You Think You Can Dance and in films like High Strung, Step Up 2: The Streets, Stomp The Yard and You Got Served. He’s now tackling a new venture that is sure to bring a fresh spin on a musical theatre classic. Under the direction of Will North, Scott will be reimagining the choreography from Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat.
The family-friendly show will run Oct. 13-22, 2017 at the Cabrillo Music Theatre in Thousand Oaks, California, and focuses on the trials and triumphs of Joseph, Israel’s favorite son and his “coat of many colors” from the Bible’s Book of Genesis. Although Joseph and the Amazing Technicolor Dreamcoat was first performed in 1968, it didn’t have its Broadway debut until January 1982.
North explained to Dance Network about his initial idea to collaborate with the hip-hop choreographer.
“I wanted to do a contemporary version of the show while bringing in different genres of hip-hop — including krumping. Dave is the perfect person to execute that vision,” he explains.
For Scott, taking on the project was a natural fit as he looks to diversify beyond his work in TV and film. The idea of live theatre not only adds an unexpected element, it’s giving him a new way to communicate through his artistry.
“I’ve always approached television and film with the mentality of the stage. To achieve the ‘wows’ and ‘splendor’ with no edits or cuts,” Scott shares. “I personally and creatively imagine my work in cartoon, like a superhero. I always aspire to go beyond the non-boundaries of dance, and this is a perfect platform.”
In addition to the upcoming production, Scott will also be back this summer choreographing on Season 14 of SYTYCD and he recently completed the film, Manifest Destiny Down: Spacetime, which will be out in 2018 with Broadway star Alexandra Winter.
Source: Exclusive: Why ’SYTYCD’ Choreographer Dave Scott Is Tackling A Reimagined Andrew Lloyd Webber Classic | Dance Network

article via thegrio.com
On Thursday, Google announced a new program partnered with Howard University in an effort to recruit more young minds from Historically Black Colleges and Universities (HBCUs). Howard has opened a campus at the Googleplex, called Howard West, “a physical space on campus where Howard students and Googlers can grow together,” and hopefully will encourage diversity in a field that sorely needs it.
In a press release, Howard University President Dr. Wayne Frederick said:
Howard West will produce hundreds of industry-ready Black computer science graduates, future leaders with the power to transform the global technology space into a stronger, more accurate reflection of the world around us. We envisioned this program with bold outcomes in mind — to advance a strategy that leverages Howard’s high quality faculty and Google’s expertise, while also rallying the tech industry and other thought leaders around the importance of diversity in business and the communities they serve.
The move comes as Google and other tech industry giants are still working to find ways to bring diversity to Silicon Valley in an industry where diversity in hiring has not been the norm. Bonita Stewart, Google’s Vice President of Global Partnerships says “students can expect an immersive academic and cultural experience at one of the most iconic companies in the world. Academically, they’ll acquire the skills necessary to excel on real-world projects, taught by the engineers who work on Google products and services every day.
The Howard graduate added, “Culturally, they’ll have a chance to experience daily life in Silicon Valley. On the flip side, we cannot wait to learn from our Howard West students and are excited to see the fresh creativity and innovation they bring to the table.”
Google hopes to expand the program to other HBCUs.
To read more, go to: Google partners with Howard University to develop future black engineers | theGrio

article via thegrio.com
Nancy Abu-Bonsrah is making history after being admitted to Johns Hopkins as its first black female neurosurgeon. On Friday, March 17, fourth-year medical students participated in a Match Day event in which they discovered where they would be doing their residency training over the summer. Each student held an envelope with the name of their matched hospital, and when Abu-Bonsrah opened hers, it had the name Johns Hopkins.
Abu-Bonsrah was thrilled, saying, “Everything is special about the match. It will be a dream come true.”Nancy Abu-Bonsrah is making history during #WomensHistoryMonth Read her story on @BBCNews here https://t.co/9k4kaygRTz pic.twitter.com/rAx12tb2vF— Hopkins Med News (@HopkinsMedNews) March 20, 2017
Asked about herself, Abu-Bonsrah had this to share: “I was born in Ghana and spent the first 15 years of my life there. My family and I came to Maryland about 11 years ago. I did most of high school at Hammond High in Columbia, Maryland, and went to college at Mount St. Mary’s University in Emmitsburg, Maryland. I came to Johns Hopkins right after undergrad. I will be the first physician in my family, including the extended family.”
As for her future plans, she said, “I am very much interested in providing medical care in underserved settings, specifically surgical care. I hope to be able to go back to Ghana over the course of my career to help in building sustainable surgical infrastructure. I will be matching into neurosurgery, a field that I am greatly enamored with, and hope to utilize those skills in advancing global surgical care.
To read full article, go to: Johns Hopkins admits its first black female neurosurgeon | theGrio

article by Kelly Moffitt via news.stlpublicradio.org
Six months ago, 11-year-old St. Louisan Sidney Keys III started a reading club for boys his age to band together in their love of books. He calls it Books N Bros, and the club has an emphasis on making reading fun while lifting up African American literature and culture.
“Books N Bros is a book club for boys and we read books and African American literature because every time I go to the library at my school, there aren’t many African American literature books there,” said Keys in an interview on St. Louis on the Air. “I already love to read and since we don’t get that much time to read in school, we just discuss in groups. I wanted to read a book but I also wanted to discuss it with other people.”
Keys’ mom, Winnie Caldwell, said she knew Sidney had always loved to read because he’d often come to her wanting to talk about books.
About six months ago, they went to visit EyeSeeMe, a bookstore in University City focusing on African American children’s literature. While there, Winnie shot a video of Sidney reading in the store and it went viral on Facebook. Some 62,000 people have viewed the video and it has been shared 1,700 times.
After the video went viral, she and Sidney sat down to think about what he wanted to do next. A book club immediately jumped to mind.
“We specifically reach out to boys around ages 8-10 because that is statistically the age they stop reading — we wanted to combat that,” Caldwell said.
Keys added: “My motivation is I already love to read but it would be awesome, even better, to read with other people. I want to keep doing it because I don’t know what will make me stop reading because I love to read.”
The club meets once a month, discussing one book the club has voted on. While their numbers are still small, the book club has grown each month. Last month, two new members joined bringing the group to 7-10 members each month. The group is welcoming to boys of all backgrounds and races, but the club does focus on stories with African American protagonists.
Keys and Caldwell have also struck a deal with the Microsoft Store at the Galleria, where the book club meets. The boys discuss their books for an hour before each gets 30 minutes to play video games on a personal console at the store. A group called Serving with the Badge also donated 200 books to the book club so boys can take books home with them for their personal collection.
Some of the book club favorites so far have been “Danny Dollar,” “Hidden Figures” and “Supah Dupah Kid.” In February, for Black History Month, the group read “A Song for Harlem: Scraps of Time,” by Patricia McKissack, a St. Louis-based children’s book author.
For now, the book club has plans to stay boys-only, but Caldwell said there’s another book club called Nerdy Girls, which is aimed at girls between ages 6-12 and has over 75 members. Caldwell and Keys plan on partnering with Nerdy Girls in the future.
Caldwell said that if there are boys who are interested in joining the club, which costs $20 per month, they can find more information on the website https://www.booksnbros.com/ or email info@booksnbros.com.
To read full article, go to: Books N Bros’ 11-year-old founder wants to help boys love reading at an age when they often don’t | St. Louis Public Radio

article via thegrio.com
During this year’s CinemaCon Big Screen Achievement Awards, Jordan Peele will be presented with the CinemaCon Director of the Year Award for his 2017 blockbuster “Get Out.”
CinemaCon Managing Director, Mitch Neuhauser, announced the award on Monday saying, “With the phenomenon known as ‘Get Out,” Jordan Peele has instantaneously become a force to reckon with as a gifted and enormously talented director and filmmaker. He has audiences and critics around the globe enamored and spellbound, dare I say hypnotized, with his wildly inventive directorial debut, and we are ecstatic to be honoring him as this year’s ‘Director of the Year.’”
Peele will receive the award on March 30 at the ceremony at The Colosseum at Caesars Palace, hosted by the Coca-Cola Company. The official convention of The National Association of Theatre Owners (NATO) will be held on March 27-30, 2017, at Caesars Palace in Las Vegas.
Peele’s thriller has received widespread acclaim and excellent reviews since its debut, including a 99 percent fresh rating on Rotten Tomatoes.
To read original article, go to: Jordan Peele to receive CinemaCon Director of the Year Award | theGrio

article by Michael David Smith via nbcsports.com
Myron Rolle’s NFL career didn’t last long, but he always made clear that he had higher priorities than playing football, and he’s just taken a major step in his real calling. Rolle, a 2010 sixth-round pick of the Titans who also spent time with the Steelers, has been chosen for a neurosurgery residency at Harvard after he completes his education at the Florida State University College of Medicine this spring.

“Seven years of neurosurgery is a big deal, something I wanted for a long time, really excited about it. Today is just great, it’s remarkable,” Rolle told WCTV. Rolle was a star player at Florida State who once arrived late to a game because he had an interview for a Rhodes Scholarship.
He spent a year studying at Oxford between the end of his Florida State career and the start of his NFL career, and although he spent a couple years in the NFL, his primary goal was to become a doctor.“Saving lives and helping people live a better life,” Rolle said, “that’s going to make life worth living.”
Source: Ex-NFL player Myron Rolle chosen for Harvard neurosurgery residency | ProFootballTalk

GOOD BLACK NEWS proudly celebrates its seventh anniversary today, with our followers across Facebook, Twitter, Tumblr, Pinterest, Instagram, Google+, YouTube, WordPress, our RSS feed, and LinkedIn. Although initially launched on March 18, 2010 as a Facebook page (read the detailed story behind GBN’s creation here), in September 2012, GBN created this dedicated website, goodblacknews.org, which has allowed us to expand our presence on the internet and provide archives and search functions to you, our loyal readers.
In the past year, we were greatly honored to not only have our Editorial “What I Said When My White Friend Asked for My Black Opinion on White Privilege” republished on The Huffington Post, On Being (we made their “Best of 2016” list), Everyday Feminism, and Quartz, but also to see so much thoughtful dialogue spark around the topic.
And as of last week, we are proud to share that because of the existence of Good Black News, Founder and Editor-in-Chief Lori Lakin Hutcherson is featured in (and earned the international cover of) Australian quarterly Dumbo Feather.

The outpour of appreciation you’ve shown us via likes, comments, shares, reblogs and e-mails means the world to us, and only inspires GBN to keep getting bigger and better and create more original content.
Good Black News remains a labor of love for our Founder/Editor-In-Chief (Lori) and Lifestyle Editor (Lesa Lakin), and we must gratefully acknowledge this year’s contributors: Rebecca Carpenter, Susan Cartsonis, Julie Bibb Davis, Alyss Dixson, Dan Evans, Gina Fattore, Eric Greene, Thaddeus Grimes-Gruczka, Ashanti Hutcherson, Warren Hutcherson, Brenda Lakin, Joyce Lakin, Ray Lancon, John Levinson, Jason Lief, Neeta McCulloch, Hanelle Culpepper Meier, Jeff Meier, Catherine Metcalf, Minsun Park, Tajamika Paxton, Patrick-Ian Polk, Flynn Richardson, Rosanna Rossetto, Gabriel Ryder, Terry Samwick, Becky Schonbrun, Susan Shaffer, Callie Teitelbaum, Teddy Tenenbaum, Arro Verse, and Joshua A.S. Young. You are all deeply, greatly appreciated. Special thanks to Maeve Richardson for re-conceiving and redesigning all the GBN logos and banners across social media.
Please continue to help us spread GBN by sharing, liking, re-tweeting and commenting, and consider joining our e-mail list via our “Contact Us” tab on goodblacknews.org. We will only use this list to keep you updated on GBN and send you our upcoming e-newsletter (fingers crossed!) — nothing else. And, of course, you may opt out at any time.
GBN believes in bringing you positive news, reviews and stories of interest about black people all over the world, and greatly value your participation in continuing to build our shared vision.
Thank you again for your support, and we look forward to providing you with more Good Black News in the coming year, and beyond!
Warmly,
The Good Black News Team

article by Jon Pareles via nytimes.com
Chuck Berry, who with his indelible guitar licks, brash self-confidence and memorable songs about cars, girls and wild dance parties did as much as anyone to define rock ’n’ roll’s potential and attitude in its early years, died on Saturday. He was 90.
The St. Charles County Police Department in Missouri confirmed his death on its Facebook page. The department said it responded to a medical emergency at a home and Mr. Berry was declared dead after lifesaving measures were unsuccessful.
While Elvis Presley was rock’s first pop star and teenage heartthrob, Mr. Berry was its master theorist and conceptual genius, the songwriter who understood what the kids wanted before they knew themselves. With songs like “Johnny B. Goode,” “Maybellene” and “Roll Over Beethoven,” he gave his listeners more than they knew they were getting from jukebox entertainment.

His guitar lines wired the lean twang of country and the bite of the blues into phrases with both a streamlined trajectory and a long memory. And tucked into the lighthearted, telegraphic narratives that he sang with such clear enunciation was a sly defiance, upending convention to claim the pleasures of the moment. In “Sweet Little Sixteen,” “You Can’t Catch Me,” “Rock n Roll Music” and other songs, Mr. Berry invented rock as a music of teenage wishes fulfilled and good times. (The Beach Boys reworked his “Sweet Little Sixteen” into “Surfin’ U.S.A.” Mr. Berry sued them and won a songwriting credit.)
Born Charles Edward Anderson Berry on Oct. 18, 1926, in St. Louis, he grew up in a segregated, middle-class neighborhood there, soaking up gospel, blues, and rhythm and blues, along with some country music.He spent three years in reform school after a spree of car thefts and armed robbery.
He received a degree in hairdressing and cosmetology and worked for a time as a beautician; he married Themetta Suggs in 1948 and started a family. By the early 1950s, he was playing guitar and singing blues, pop standards and an occasional country tune with local combos. Shortly after joining Sir John’s Trio, led by the pianist Johnnie Johnson, he reshaped the group’s music and took it over.
From the Texas guitarist T-Bone Walker, Mr. Berry picked up a technique of bending two strings at once that he would rough up and turn into a rock ’n’ roll talisman, the Chuck Berry lick, which would in turn be emulated by the Rolling Stones and countless others. He also recognized the popularity of country music and added some hillbilly twang to his guitar lines. Mr. Berry’s hybrid music, along with his charisma and showmanship, drew white as well as black listeners to the Cosmopolitan Club in St. Louis.
In 1955, Mr. Berry ventured to Chicago and asked one of his idols, the bluesman Muddy Waters, about making records. Waters directed him to the label he recorded for, Chess Records, where one of the owners, Leonard Chess, heard potential in Mr. Berry’s song “Ida Red.”
A variant of an old country song by the same name, “Ida Red” had a 2/4 backbeat with a hillbilly oompah, while Mr. Berry’s lyrics sketched a car chase, the narrator “motorvatin’” after an elusive girl. Mr. Chess renamed the song “Maybellene,” and in a long session on May 21, 1955, Mr. Chess and the bassist Willie Dixon got the band to punch up the rhythm.
“The big beat, cars and young love,” Mr. Chess outlined. “It was a trend and we jumped on it.”
The music was bright and clear, a hard-swinging amalgam of country and blues. More than 60 years later, it still sounds reckless and audacious.
To read full article, go to: https://www.nytimes.com/2017/03/18/arts/chuck-berry-dead.html



