article by Lori Lakin Hutcherson (@lakinhutcherson)
According to nytimes.com, Kevin Young, Director of the Schomburg Center for Research in Black Culture, has been named the new poetry editor of The New Yorker magazine.
According to wikipedia.org, Young graduated from Harvard College in 1992, held a Stegner Fellowship at Stanford University (1992–94), and received his Master of Fine Arts from Brown University. While in Boston and Providence, he was part of the African-American poetry group the Dark Room Collective. He is heavily influenced by the poets Langston Hughes, John Berryman, and Emily Dickinson and by the artist Jean-Michel Basquiat.
Young is an esteemed poet and scholar whose work has been published in The New Yorker dating back to 1999. His most recent work, “Blue Laws: Selected & Uncollected Poems 1995-2015,” made the 2016 National Book Award long list.
Young, 46, will officially take over the post in November, after he takes part in a passing of the torch of sorts: a reading and interview with current The New Yorker poetry editor Paul Muldoon at the New Yorker Festival in the fall.
Posts published in “U.S.”
article via shadowandact.com
JuVee Productions – the integrated film, television and digital production company created by Viola Davis and her husband, Julius Tennon, is embarking on an effort to raise $250,000,000 in a global expansion plan for the development, production and distribution of diverse and inclusive film and digital content.
The fund will be used to develop, finance, produce and distribute a slate of multiple feature films and branded digital content that will see the relatively young production company expand its footprint globally. “The shift in storytelling should be inclusive and we aim to make it a reality,” says Julius Tennon in a press statement.
Launched in 2012 by Davis and Tennon, JuVee Productions is a Los Angeles-based artist driven production company that develops and produces independent film, television, theater, and digital content across all platforms. JuVee Productions aims to become the go-to creative hub where the next generation of filmmakers and artists have the space to craft dynamic stories spanning the broad spectrum of humanity.
The company’s most recent project is the courtroom drama “Custody” which premiered at the Tribeca Film Festival in 2016, and aired on the Lifetime network last week. The short film “Night Shift” premiered at the Sundance Film Festival in January of this year and continues to tour the film festival circuit.
Upcoming the production company has the film adaptation of “The Personal History of Rachel DuPree” which Davis is starring in; a biopic on Barbara Jordan (the first Southern African American woman elected to the United States House of Representatives), also with Davis starring; and a TV period series set up at ABC titled “The Zipcoders,” set in 1968, about a group of black teenagers form a rock ‘n’ roll band who aspire to be like The Beatles; and there’s also Davis’ Harriet Tubman film with HBO.
To read full article, go to: Viola Davis’ JuVee Productions Raising $250M for Content Development, Production & Distribution – Shadow and Act
USC Professor Raphael Bostic Named 1st African American President of a Federal Reserve Regional Bank
article by Jim Puzzanghera via latimes.com
USC professor Raphael Bostic made history on Monday when he was named president of the Federal Reserve Bank of Atlanta, becoming the first African American to lead one of the Fed’s 12 regional banks. The choice of Bostic, 50, director of the Bedrosian Center on Governance at USC’s Sol Price School of Public Policy, comes after members of Congress and advocacy groups have sharply criticized the central bank for a lack of diversity.
They had pushed for a diverse choice to head the Atlanta region, in part because it has a large African American population. Bostic acknowledged the significance of his appointment, which he said “is a very big deal” that made him the answer to a “Jeopardy” question.
“It’s not lost on me that I …am the first African American to lead a Federal Reserve institution,” he said in a short video released by the Atlanta Fed. “It’s kind of daunting. It’s an overwhelming thought. It’s a tremendous privilege.” “I look forward to this being a stepping stone for many others to have this opportunity as well,” Bostic said.
Rep. Maxine Waters (D-Los Angeles), who was among four prominent African American House members who urged a diverse choice for the Atlanta position, hailed Bostic as an “outstanding choice” and called his selection a “long-awaited first step towards building diversity among the Federal Reserve’s senior leadership.”
Bostic’s appointment was approved by the Atlanta Fed’s board of directors and the Board of Governors in Washington. He will take over on June 5, succeeding Dennis Lockhart, who announced his resignation in September and stepped down on Feb. 28.
The job involves overseeing about 1,700 employees in the Atlanta region — Alabama, Florida, Georgia and parts of Louisiana, Mississippi and Tennessee — and participating in monetary policy deliberations in Washington.
To read full article, go to: USC professor named first African American president of a Fed regional bank – LA Times
article by Ny Magee via eurweb.com
Star Trek icon Nichelle Nichols revealed Monday during a Reddit AMA that she will be involved in an upcoming NASA mission. She will be “among the first non-essential personnel to experience NASA’s newest telescope: SOFIA,” MSN reports.
“In September, I’m traveling on a NASA SOFIA flight, a second generation Airborn Observatory, which I am honored to have been invited too,” Nichols told fans before her “Ask Me Anything” began. The flight isn’t a mission into space: SOFIA (Stratospheric Observatory For Infrared Astronomy) is built into a Boeing 747, which will take off from NASA’s Armstrong Flight Research Center in California according to ABCNews.
As hinted on my #AMA yesterday, I'll be onboard a @NASA SOFIA flight in September. Read more: https://t.co/fL45SwAr66 pic.twitter.com/woElJ5IIxi
— Nichelle Nichols (@NichelleIsUhura) July 31, 2015
SOFIA is a second-generation airborne observatory and a joint project between NASA and the German Aerospace Center (DLR). The first generation model originally flew in 1977, and Nichols was a passenger on that plane too. “SOFIA does not, sadly, fly into space. It’s an airborne observatory, a massive telescope mounted inside a 747 flying as high as is possible. I was on a similar flight, the first airborn observatory, back in 1977. It’s an amazing experience, you get a totally different perspective than from earth,” she wrote, adding, ”I do hope someone gets some great pictures.”
SOFIA was created to observe infrared energy in the universe, which enables it to study everything from star births to black holes, including nebulae, solar systems, comets, and asteroids, reports MSN.com.
Source: ‘Star Trek’ Icon Nichelle Nichols Going on NASA Mission | EURweb
article by Rochelle Riley , Detroit Free Press Columnist via freep.com
Bester King remembers the moment his doctor told him he had prostate cancer. The Detroit native, who grew up in the North End, was 61, had just retired two years earlier and had known the pain of the disease’s prowess. Both his parents had died of cancer.
“I wasn’t afraid. I don’t think I was in shock or anything,” said King, now 77. “I remember feeling a calmness. My dad had prostate cancer and passed two days before his 65th birthday. But that made me more aware of prostate cancer, so it helped save my life. I started getting checkups a lot sooner than I would have. My mom was diagnosed with breast cancer and lived to 95.”
King, who later also developed bladder cancer — and whose doctor also had both cancers — talks easily and forthrightly about his experiences. He hopes to recount those same experiences to researchers if chosen to participate in an unprecedented new project.
The Karmanos Cancer Institute and the Wayne State University School of Medicine just received a five-year grant to begin the nation’s largest-ever study of African-American cancer survivors — men and women — to examine why black people have a higher incidence of, and death from, cancer than other races.
The National Cancer Institute wants to use the study to develop national strategies to prevent and combat cancer in African Americans. The study, funded by a $9 million grant, will include 5,560 cancer survivors and 2,780 family members from Wayne, Oakland and Macomb County. It will allow researchers, through survivor’s words and analysis of biological specimens, to analyze the disease’s progression and recurrence and to examine the quality of life and mortality of black patients.
Participants are being chosen randomly and confidentially from the Surveillance Epidemiology and End Results, or SEER database, a collection of cancer incidence, mortality, survival and treatment information. The death rate for African Americans outpaces whites in all four major categories of cancer — colorectal, female breast, lung, prostate. The death rate for prostate cancer, for instance, was 35.9 per 100,000 black metro Detroit residents dying in 2011-13 compared with 17.1 per 100,000 white metro Detroit residents dying during the same period. The death rate for lung cancer was 56.3 per 100,000 black metro Detroit residents compared with 48.6 per 100,000 white metro Detroit residents.
“This study is critical to ensuring that underserved populations in Detroit and around the country benefit from new approaches for cancer diagnosis, treatment, and prevention,” Dr. M. Roy Wilson, president of Wayne State University, said in a statement. “Focusing on the complex factors that generate disparities in cancer among underserved populations, such as African Americans, will lead to better treatments and improved approaches to cancer care for all Americans.”
To read full article, go to: Metro Detroit gets grant for historic study of black cancer survivors
article via blackamericaweb.com
The Massachusetts Institute of Technology (MIT) is known for creating innovative videos to inform applicants about when admissions decisions will be revealed. This year’s video featured Marvel Comics character Riri Williams—a African-American teenage superhero, highlighting the importance of representation.
From Digital Trends:
This time around, the short film features Marvel Comics character Riri Williams — the teenage girl who briefly served as the new Iron Man before becoming the armored superhero Ironheart — as she studies at MIT, assembles her armored suit, and takes it for a test flight to deliver admissions letters. Titled “Not all heroes wear capes — but some carry tubes (Pi Day 2017),” the video references MIT’s tradition of sending out the admissions letters in tubes, and delivering them on March 14, a date also known as Pi Day.
In the video, MIT student Ayomide F. takes on the role of Williams, who was introduced in the May 2016 issue of Invincible Iron Man. A 15-year-old engineering prodigy attending MIT, Williams built her own suit of Iron Man armor from equipment she stole around campus and caught Tony Stark’s eye after apprehending a pair of escaped inmates while wearing the armor. In Marvel Comics lore, she eventually filled in for Tony when he became sick and took the name Ironheart as her superhero nickname.
Watch the video below.
Source: MIT’s Admissions Video Features Black Woman Superhero | Black America Web
article by Christopher Smith via latimes.com
Opera is often called the most irrational art form. Seen through that lens, bass singer Morris Robinson’s unlikely career path makes wonderful sense.At a young age, from a family and culture that reveres singing, Robinson aspired to be a drummer instead. He ignored college music scholarships and conservatory programs for a free-ride to play football at a military college. Afterward, bypassing all thought of studying music at grad school, he worked for a Fortune 500 company in regional sales of data storage.
At 30, in finally attempting to sing professionally, he tried out for the chorus of “Aida” at the Boston Lyric Opera, the biggest company in New England. A week later, the music director handed him music for a solo role, accompanied by a plea: “Please don’t screw it up.”
“A lot of the purists, they don’t believe my story,” Robinson said. “They don’t believe it until they witness it themselves.”
Now 47 and equipped with 18 years of major roles with A-list companies nationally and internationally, Robinson has forged a life path in opera that seems inevitable in retrospect. After all, he was “the rare person,” L.A. Opera music director James Conlon said, “born with the great voice where strength predates technique. It’s a round, large voice.”
“A lot of people force their voices, they either yell or scream, which decays the quality of the sound. Morris himself is big, and that voice is right there without him having to make it that way, so he can sing with beautiful rounded sounds.”
With this level of vocal entitlement, Robinson might seem to be a natural. But throughout his life he seemed to ignore, even actively ward off, singing — though it was always around him.
Raised in a musical clan in Atlanta, Robinson had a dad, mom and three young sisters who all sang. Around 6, he participated in a church choir and then the Atlanta Boy Choir, alternately immersed in religious and secular music. But singing was at best a backdrop, maybe even an obstacle. “I felt like I could do something special, but I could never figure out what it was,” he said.
“At first, I always was in the choirs, but to me, at heart, I was a drummer. Because if you’re going to be in a church in the South, there has to be rhythm. It was always about beats, beats, beats.”
He entered a performing arts high school. His senior year he made all-city band and all-state chorus.
But all he really cared about?
article via shadowandact.com
“The Best Place To Be,” a new Travel Channel mini-series from Queen Latifah and Shakim Compere at Flavor Unit, is an invitation to discover the world through the eyes and access of Hollywood’s most adventurous.
Each of the four one-hour episodes of “The Best Place To Be” follow a noted personality as they share the best places to eat, drink, shop and sightsee at their favorite international destinations.
“This is a fun show that gives a true glimpse into how to really escape and explore,” says Shakim Compere of Flavor Unit. “Actors and performers are fortunate enough to travel around the globe for work and fun. But there’s always places that stay with them — these are the cities they keep going back to.”
The mini-series will premiere two episodes in April and two in May as follows:
“Rio, Fit for a Queen” – Premieres Sunday, April 2 at 5:00 p.m. ET/PT Queen Latifah and her friends explore Rio de Janeiro, taking mototaxis to the favelas, trying local dishes and dancing the samba. From footvolley on the beach to hunting for waterfalls in the rainforest, they discover why Rio is the best place to be.
“Anthony Anderson’s Barcelona” – Premieres Sunday, April 9 at 5:00 p.m. ET/PT Actor Anthony Anderson and his friend Jeff Sanchez head to Barcelona, Spain, where they catch a soccer game, check out architect Antoni Gaudi’s masterpiece, join a St. Jordi’s Day celebration and try Spain’s traditional dishes.
To read more, go to: Queen Latifah and Flavor Unit Team Up with Travel Channel for Mini-Series ‘The Best Place to Be’ – Shadow and Act
article via jbhe.com
The Mauer School of Law at Indiana University in Bloomington has entered into a partnership with the Southern Poverty Law Center in Montgomery, Alabama, to create the Julian Bond Law Scholars program. Bond, the noted civil rights leader, legislator, NAACP chair, and long-time faculty member at the University of Virginia who died in 2015, was the co-founder of the Southern Poverty Law Center.
Each year the program will provide one Julian Bond Law Scholar with a scholarship equal to a minimum of 50 percent and up to a maximum of 100 percent of tuition. In addition, the scholarship recipients will be offered a summer externship upon completion of their first year of law school, with a $4,000 stipend to cover living expenses; and a research assistantship during their second or third year with a law school faculty member.
To read more, go to: New Scholarship Program at Indiana University School of Law Honors Julian Bond : The Journal of Blacks in Higher Education
The “Mastry” Gallery, created by African-American artist Kerry James Marshall, walks you through Marshall’s journey of making it as a fine artist – a field dominated by whites for centuries. Marshall was born in Alabama in 1955, and as a child was a part of the last wave of The Great Migration to the west, a region still full of promise and opportunity. Marshall’s family settled in South Central Los Angeles and while growing up in Watts, Marshall pursued art and was an active participant in the movement that encouraged an increase of black artists in the art community. All of Marshall’s work contributed to his mission to prove that art by blacks was just as challenging and beautiful as the white art which was typically celebrated.
The exhibit shows Marshall’s earlier works such as “The Invisible Man,” which is a collection of small scale portraits of people using the darkest shades of black, emphasizing Marshall’s idea that black people in society blend into the background. The exhibition displays how Marshall’s work developed, and include many of his large scale paintings.
Marshall changed the style of his work because he realized that a big statement called for a grander canvas. A large three-piece work called “Heirlooms and Accessories,” appears to be a necklace with a woman’s face in it at first glance. However, once one’s eyes adjust to the painting, fine lines start to become more distinct, and it is clear that there is a lynching occurring in the background. The faces in the painting are witnesses at the lynching, and the expressions of indifference are utterly shocking. While “Heirlooms and Accessories” seem to be referring to the necklaces, accessories serves as a double meaning because it also refers to those who were accessories to murder. This is a prime example of the depth and meaning behind each of Marshall’s work.
All of the paintings reflect Marshall’s commentary on black identity in the U.S. and in traditional western art. In his piece “Harriet Tubman,” Marshall paints an image of Harriet Tubman on her wedding day, with hands with white gloves essentially hanging this piece of art in a museum. Marshall’s feeling that museums are responsible for the lack of black art is portrayed in this piece. Museums typically hold the standard of what is beautiful and worthy, and Marshall makes the direct statement of what should be celebrated in this work.
The exhibition is especially engaging because of the varying emotions each work provokes. While pieces such as “Slow Dance,” which illustrates two people peacefully dancing, provokes calmness and peace, other pieces express injustice and anger. Marshall’s versatility and innate talent for art is clear as his work consists of completely different mediums and subjects. The exhibition allows you to fully observe all of Marshall’s different forms of art and varying ideas, and is not limited to a specific time period or brand of art.
Marshall’s range of mediums and subjects include large to small scale, canvas paintings to comics, common people to historical figures, and glittery mediums to the blackest of paint. This ability to effectively utilize different forms of art makes Marshall a unique artist, and a unique person who has learned to effectively communicate in a way people of all race, gender, and social class can understand. Marshall’s works are visually stunning to say the least, and his success in spreading the meaning of his art and pursuing his career despite the circumstances of racial discrimination, is truly inspiring.
The Mastry exhibit opens on March 12 at the Museum Of Contemporary Art, Los Angeles and runs through July 3.