article by via nytimes.com
William T. Coleman Jr., who championed the cause of civil rights in milestone cases before the Supreme Court and who rose above racial barriers himself as an influential lawyer and as a cabinet secretary, died Friday at his home in Alexandria, Va. He was 96.
His death was confirmed by a spokeswoman for the international law firm O’Melveny & Myers, where Mr. Coleman was a senior partner in its Washington office. He lived at a care facility with his wife of more than 70 years, Lovida Coleman. A lifelong Republican, Mr. Coleman was as comfortable in the boardrooms of powerful corporations — PepsiCo, IBM, Chase Manhattan Bank — as he was in the halls of government.
He was the second African-American to serve in a White House cabinet, heading the Department of Transportation. Mr. Coleman found success on the heels of a brilliant academic career, but he did so in the face of bigotry — what he called “the more subtle brand of Yankee racism” — from which his middle-class upbringing in Philadelphia did not shield him. In one episode, his high school disbanded its all-white swimming team rather than let him join it.
Those experiences would inform his efforts in three major civil rights cases before the United States Supreme Court. In one, Mr. Coleman, recruited by Thurgood Marshall, was an author of the legal briefs that successfully pressed the court to outlaw segregation in public schools in Brown v. Board of Education in 1954. Ten years later, he argued a case that led to a Supreme Court decision establishing the constitutionality of racially mixed sexual relations and cohabitation. (McLaughlin v. Florida, in which the Supreme Court overturned a Florida law that prohibited an interracial couple from living together under the state’s anti-miscegenation statutes.) And in 1982, he argued that segregated private schools should be barred from receiving federal tax exemptions. The court agreed.
Mr. Coleman was appointed transportation secretary by President Gerald R. Ford in March 1975, a little more than six months after Ford, who had been vice president, succeeded President Richard M. Nixon after Nixon’s resignation in the Watergate affair. Mr. Coleman, a corporate lawyer with expertise in transportation issues, was on the Pan Am board of directors at the time.
To read full article, go to: https://www.nytimes.com/2017/03/31/us/politics/william-coleman-jr-dies.html?_r=0
Posts published in “U.S.”
article via bbc.com
A Brazilian teacher has come up with a unique way to help a schoolgirl who was being bullied because of her hair.
Ana Barbara Ferreira, from Sao Paulo, Brazil, said her student was “sad” after being ridiculed by a boy, who had said her hair was “ugly”. “At that moment, the only thing I could tell her was that she was wonderful and shouldn’t care about what he was saying,” she wrote in a Facebook post that went viral. A bigger show of support came in the following day, when she went to work wearing the same hairstyle as her pupil, much to the girl’s surprise.
“When she saw me, she came running to hug me and say that I was beautiful,” Ms Ferreira said. “I told her: ‘Today I’m beautiful like you!'” She posted a picture on Facebook of her with the pupil – both smiling and with similar hairstyles.The teacher has been widely praised on social media. Her post has been liked by more than 142,000 people and shared 30,000 times.
Ms Ferreira said: “Yesterday, my student told me there was a boy saying that her hair was ugly. She was very sad. At that moment, the only thing I could tell her was that she was wonderful and shouldn’t care about what he was saying.
“Today, I woke up and remembered what happened and decided to wear the same hairstyle she used to wear. When she saw me, she came running to hug me and say that I was beautiful, and I told her: ‘Today I’m beautiful like you!’.”
Source: Brazil teacher changes hairstyle to support bullied girl – BBC News
article by Michael Fleming Jr. via deadline.com
In a remarkable pair of deals for a debut author who is just 23, Fox 2000 has just made a preemptive acquisition of Children of Blood and Bone, the first installment of a fantasy novel trilogy by Tomi Adeyemi that will spawn a trilogy.
Temple Hill’s Marty Bowen and Wyck Godfrey are producing with Karen Rosenfelt. Word is this deal landed at or near seven-figures, and so did a whopping publishing deal that just closed at Macmillan Children’s Publishing Group.
The novel is unusual in that the fantasy trilogies studios usually buy for big bucks are built around white characters. This one weaves in African culture and characters and mixes it with magic to create an intriguing mythology that is otherworldly but somehow familiar. It is being called a Black Lives Matter-inspired fantasy.
The protagonist is Zélie, who at six years old watched the king’s guards hang her mother on a tree outside her home. She never forgot it. In the beginning, every Orïshan was a magi: born with dark skin, stark white hair and the blessing of the god’s magic once they reached adulthood. Yet over time, their population dwindled and they became Orïsha’s minority. Magic became a thing to loathe, dark skin transformed into a thing to hate. Ten years after the raid that killed her mother and took away magic forever, Zélie Adebola has one chance to bring magic back. Through a fortuitous encounter with the Princess Amari, Zélie comes into possession of a sacred scroll necessary to restore a connection to the gods and secure magic for another hundred years. This sets the young women on a quest to end the senseless violence and oppression by the lighter-skinned royal class.
Danger lurks in this west-African inspired world, where lionnaires and cheetanaires roam, and the beautiful villages built over oceans, out of sand or forged in iron hide a dark underbelly of slavery and corruption. They find themselves pitted against a crown prince bent on wiping out magic for good.
Adeyemi is a Nigerian-American writer and creative writing coach based in San Diego, who graduated from Harvard before receiving a fellowship to study West African mythology and culture in Salvador, Brazil.
To read full article, go to: Fox 2000 Lands ‘Children Of Blood And Bone’ In Splashy Book Deal | Deadline
article by Beth J. Harpaz, AP via washingtonpost.com
An opera about Negro Leagues baseball star Josh Gibson, whose power hitting rivaled Babe Ruth’s, will have its world premiere in Pittsburgh this April. “The Summer King,” presented by Pittsburgh Opera, premieres April 29. Gibson’s story also figured in “Fences,” the movie starring Denzel Washington that was originally a play by Pittsburgh native August Wilson.
Baseball and opera “don’t usually inhabit the same universe,” said Christopher Hahn, Pittsburgh Opera’s general director. But opera is the perfect medium for telling Gibson’s story because opera allows people “to sing about emotions and aspirations and fears.”
Gibson was one of the first three Negro Leagues players to be inducted into the National Baseball Hall of Fame, which lists his career batting average as .350. He was twice named Negro National League batting champ and led the league in home runs three times. He played for two Pittsburgh teams, the Homestead Grays and the Crawfords.
Gibson died at 35, probably from a brain aneurysm, a few months before Jackie Robinson integrated baseball in 1947. Gibson’s story is “the story that came before Jackie Robinson,” says Daniel Sonenberg, composer of “The Summer King.” ‘’Josh’s career made the advent of Jackie Robinson possible. It was Josh who played at this high level that caught the attention of white owners. It was Josh who demonstrated it was competitive suicide not to integrate.”
But baseball’s integration led to the Negro Leagues’ shutdown, ending careers for dozens of black athletes who were not among the few chosen for white teams. Both “Fences” and “The Summer King” honor “a whole generation of wonderful players whose livelihoods and social structures got up-ended,” Hahn said.
“Most people know the story of Josh Gibson as a baseball player, a home run hitter compared to Babe Ruth with outstanding statistics, in the Hall of Fame,” Sean Gibson said. “But behind the uniform was a great man who lived through tragedy outside of dealing with racism and playing baseball: His wife died giving birth to their twins.”
The opera also portrays Gibson’s career playing abroad in Cuba, Mexico and elsewhere. “Over there they didn’t have to deal with racism,” said Sean Gibson. “You’re going over to Latin countries, your skin color is the same color as theirs.” Nearly all 14 principal roles in “The Summer King” are played by African-Americans, a rarity in operas (”Porgy and Bess” notwithstanding). Renowned mezzo-soprano Denyce Graves plays Gibson’s lover. Bass-baritone Alfred Walker, who plays Gibson, told the New Pittsburgh Courier that playing “someone that looks like me” is “an amazing opportunity.”
A ballfield named for Gibson is located in Pittsburgh’s Hill District neighborhood, not far from the August Wilson House, the late playwright’s childhood home. The August Wilson House hosts a block party April 29, starting at noon, just a few hours before the opera premiere, to mark Wilson’s birthday.
The Michigan Opera Theatre in Detroit plans to stage “The Summer King” in March 2018.
To read full article, go to: Opera tells story of Negro Leagues baseball star Josh Gibson – The Washington Post
article by Tre’vell Anderson via latimes.com
On his way to winning a best picture Oscar for “Moonlight,” a film made for a minuscule $1.5 million, writer-director Barry Jenkins took time between awards-season red carpet appearances for a six-city European promotion tour. It was time well spent.
“Moonlight,” about a poor black boy living in the projects of Miami and struggling with his sexuality, wasn’t supposed to be the kind of movie that wins the best picture Oscar. Its modest coming-of-age narrative, unconventional story structure and outsider characters with no mega stars made it, as filmmaker Mark Duplass said recently with admiration, “a bit of a miracle” that it even reached U.S. theaters. Certainly, it’s not the kind of movie that was expected to make money overseas. After all, says a longstanding Hollywood myth, black films don’t travel.
Yet as of Tuesday, “Moonlight” has made $28.6 million at the international box office — more than its $27.5 million domestic take — for a worldwide total of $56.1 million. With the film still in theaters, even more is expected.“This black film is definitely selling overseas,” Jenkins said to The Times on the red carpet for the Screen Actors Guild Awards, just after he’d returned from Europe.
“Every time there’s a success, it gets swept under the rug,” says Jeff Clanagan, president of Lionsgate’s Codeblack Films, which primarily produces films with African American casts. “It’s almost like there’s an asterisk on it. They chalk it off as an anomaly.”
For 1988’s “Coming to America,” the anomaly was the comedic genius of Eddie Murphy, who “transcended race” when the film grossed $160.6 million internationally for a $288.8 million worldwide take. (Samuel L. Jackson, Morgan Freeman, Will Smith, Kevin Hart, Denzel Washington and Don Cheadle are other box office champs for whom the “transcended race” label has been applied.)
For 1995’s “Bad Boys” and its 2003 sequel — which together pulled in a combined $210.3 million internationally and $414.7 million worldwide — it was the fact that the film was an action flick, never mind leads Smith, Martin Lawrence and Gabrielle Union. For 2015’s “Straight Outta Compton,” a $40.4 million payoff internationally (and $201.6 million worldwide), it was the popular music of rap group N.W.A.
Even as three-time Oscar nominee “Hidden Figures,” with its predominantly black cast, has so far made $48.8 million internationally — helping to push its $166 million domestic sales to nearly $215 million worldwide and counting — the myth persists.
When asked about the myth, Octavia Spencer, Oscar-nominated for her “Hidden Figures” role, responded simply: “I have two words for you: Will Smith.”
“He was told the same thing [at the beginning of his career] — that he wasn’t going to be taken to promote his film,” she said at the annual pre-Oscars Sistahs Soiree honoring women of color in the industry. “Had he not paid for himself to fly all over the world that very first time, he would not be an international box office star. So they have to start investing and taking black actresses and actors across the world just like they do with unknown white actors. They need to do the same thing for black actors. If you don’t know ’em, why would you go support the film?”
To read full article, go to: Disproving the ‘black films don’t travel’ Hollywood myth – LA Times
article via thegrio.com
United States Senator Kamala D. Harris will be delivering the commencement address at Howard University on May 13, according to an announcement from the university.
“Throughout her trailblazing career, Senator Harris has demonstrated her commitment to youth in a variety of ways,” said Howard University President Dr. Wayne Frederick. “She is a leader in mentorship programs, has authored legislation to fight child exploitation and unashamedly shattered both racial and gender barriers. As we exclaim the necessity of Howard University’s legacy — now more than ever before — and focus our vision toward the future, I have no doubt that our graduates will find Senator Harris thought-provoking and inspiring.”
Harris, who graduated from Howard in 1986, was the first woman to serve as the Attorney General for the State of California and was the second ever African-American woman to be elected to the U.S. Senate. “Howard shaped, nurtured, and challenged me to soar on my chosen path, and I’m honored to speak to the class of 2017 to encourage them to pursue their own dreams and live up to the promise of Howard,” said Senator Harris.
To read more, go to: Sen. Kamala Harris to deliver Howard commencement address | theGrio
article by Joe Otterson via Variety.com
“Moonlight” director and Academy Award winner Barry Jenkins will write and direct a one-hour drama series about the Underground Railroad currently in development at Amazon. The series will be based on Colson Whitehead’s best-selling book, “The Underground Railroad.”
“Going back to ‘The Intuitionist,’ Colson’s writing has always defied convention, and ‘The Underground Railroad’ is no different,” Jenkins said. “It’s a groundbreaking work that pays respect to our nation’s history while using the form to explore it in a thoughtful and original way. Preserving the sweep and grandeur of a story like this requires bold, innovative thinking and in Amazon we’ve found a partner whose reverence for storytelling and freeness of form is wholly in line with our vision.”
Published by Doubleday, “The Underground Railroad” has sold over 825,000 copies in the United States across all formats. An Oprah’s Book Club 2016 selection, New York Times bestseller, and the winner of the 2016 National Book Award for Fiction, the book chronicles young Cora’s journey as she makes a desperate bid for freedom in the antebellum South. After escaping her Georgia plantation for the rumored Underground Railroad, Cora discovers no mere metaphor, but an actual railroad full of engineers and conductors, and a secret network of tracks and tunnels beneath the Southern soil.
This will be Johnson’s first attempt at directing a TV series in its entirety. He recently directed an episode of the upcoming Netflix adaptation of the film “Dear White People,” and previously directed one episode of the PBS series “Futurestates.” Jenkins’ Pastel Productions will executive produce along with Brad Pitt’s Plan B Entertainment. Pitt and Plan B also produced “Moonlight.”
To read full article, go to: ‘Moonlight’ Director to Write, Direct Underground Railroad Series | Variety
article via jbhe.com
The board of trustees of the University of Massachusetts has named Robert E. Johnson as chancellor of the University of Massachusetts at Dartmouth. The campus enrolls about 7,300 undergraduate students and 1,600 graduate students. African Americans make up 14 percent of the undergraduate student body.
When Dr. Johnson takes office, he will become the first African American to lead the UMass Dartmouth campus. Since 2010, he has been president of Becker College in Worcester, Massachusetts. Earlier in his career, Dr. Johnson has served in administrative roles at Sinclair Community College, the University of Dayton, Oakland University, and Central State University.
A native of Detroit, Dr. Johnson is a graduate of Morehouse College in Atlanta, where he majored in economics. He holds a master’s degree in education administration from the University of Cincinnati and a doctorate in higher education administration from Touro University International.
Source: The University of Massachusetts at Dartmouth Names Its Next Chancellor : The Journal of Blacks in Higher Education
article by Julie Compton via nbcnews.com
The term “slay” has important meaning to out director Sean Torrington. “To kill it, to be the best of the best, to always be on top,” he told NBC Out. It’s also the name of the 36-year-old’s new global media network for LGBTQ people of color.
SlayTV is the brainchild of Torrington and his husband, Terry Torrington, also a director. He said it gives a platform to black LGBTQ storytellers whose voices mainstream media often ignores. It also allows them to make money so they can “keep on creating the dope content they create,” he explained.
Torrington started his career as a Goldman Sachs project manager. After getting laid off in 2010, he took the opportunity to follow his passion for filmmaking and began creating web series on YouTube that centered on LGBTQ people of color. He said it’s a community that rarely sees itself reflected in gay or mainstream media.
According to a 2016 GLAAD report, cable and streaming platforms predominantly depict LGBTQ characters that are white (72 percent and 71 percent, respectively, in the most recent TV season).
“People would come up to us and be like ‘Oh, where can we see more content like this? This is really revolutionary, this is great,'” Torrington said. “I was like …’We need one central location for queer [and] trans people of color television.'”
Shortly after, Torrington created an app that collects selected content about LGBTQ people of color from YouTube into a single platform. “We literally within a month got 20,000 downloads,” he said.
Shaquille O'Neal Honored by Los Angeles Lakers with Statue in Front of Staples Center in Los Angeles
article by Chelsea Edwards and Rob Fukuzaki via abc7.com
A 9-foot, 1,200-pound bronze statue of Laker great Shaquille O’Neal was unveiled in the front of Staples Center in Friday. The statue, which is connected to Staples Center and suspended 10 feet off the ground, was brought to downtown Los Angeles on Thursday prior to the unveiling ceremony.
The ceremony at Star Plaza outside Staples Center included live music, a Ferris wheel, interactive games as well as speeches from O’Neal himself and his teammates, colleagues and friends. Kobe Bryant, Phil Jackson, Jerry West, and Kareem Abdul-Jabbar spoke at the event.
“I just want to say thank you. I’ve learned so much from you as a player. Everything you’ve done for this city, everything you’ve done for this franchise,” Bryant said. “Kids, your kids, you guys should know your dad was a bad man. Congratulations and much love to you, my brother.”
A few of O’Neal’s six children also spoke during the ceremony and helped him unveil the massive statue hanging above the ground. O’Neal thanked Jerry West, his former teammates and, of course, the fans for believing in him throughout his career. “This moment is very unexpected because I see two Lakers ahead of me that definitely deserve this statue,” he said. “To the fans, you know I love you, and I just wanted you to know that I heard you in the games when I was missing free throws.”
At the end of his speech, he chanted, “Can you dig it?” to a cheerful crowd. O’Neal played for the Lakers from 1996 to 2004, leading the team to three consecutive NBA championships and winning the NBA finals MVP award each time.
Source: Shaquille O’Neal honored with statue in front of Staples Center | abc7.com