(Photo: Robert Yager/The New York Times)
The standard line on Wayne Shorter is that he’s the greatest living composer in jazz, and one of its greatest saxophonists. He would like you to forget all of that. Not the music, or his relationship to it, but rather the whole notion of pre-eminence, with its granite countenance and fixed coordinates. “We have to beware the trapdoors of the self,” he said recently.
“You think you’re the only one that has a mission,” he went on, “and your mission is so unique, and you expound this missionary process over and over again with something you call a vocabulary, which in itself becomes old and decrepit.” He laughed sharply.
Mr. Shorter will turn 80 this year. Decrepitude hasn’t had a chance to catch up to him. Last week he appeared at Carnegie Hall as a featured guest with the Orpheus Chamber Orchestra, which played several of his compositions. On Tuesday “Without a Net,” easily the year’s most-anticipated jazz album, will become his first release on Blue Note in more than four decades. And next Saturday he’ll be at the Walt Disney Concert Hall with the Los Angeles Philharmonic for the premiere of “Gaia,” which he wrote as a showcase for the bassist and singer Esperanza Spalding.











GBN may be a bit biased, but every time Prince puts out new music, we are compelled to define it as good news. What’s more, he has a new website,
Born Jamesetta Hawkins in Los Angeles, CA on January 25, 1938, Etta James was an American singer whose style spanned a variety of music genres including blues, rhythm and blues, rock and roll, soul, gospel and jazz. Starting her career in 1954, she gained fame with hits such as “