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Stevie Wonder Announces ‘Positive’ Concerts To Counter ‘Confusion,’ Like Kanye’s ‘Foolishness’

The Stevie Wonder Song Party at The Peppermint Club on May 9, 2018 in Los Angeles, California. (photo via Getty Images)

via newsone.com
Stevie Wonder’s birthday was Sunday, but it seems like the celebration has been under way since at least last week. And if he has his way, it won’t stop anytime soon.
The legendary soul singer who has a history of social activism recently offered up his opinions, and solutions, surrounding several contentious topics, including but definitely not limited to the sad state of affairs in the world.
To counter the widespread “confusion” and surge of hate around the globe, Wonder’s first order of business, he said, was to perform a series of “positive” shows, according to the Associated Press, which attended the Hollywood performance.


“So much is going on in the world. And there is too much confusion,” Wonder said during the performance last Thursday. “The one thing we know for sure that we can celebrate is our life, our love and our music… The positive will win in the end.”
He also had an impromptu jam session with Donald Glover, the actor who also sings and raps as Childish Gambino. Wonder said he wanted to work with Glover for an upcoming album.
Source: Stevie Wonder Announces ‘Positive’ Concerts To Counter ‘Confusion,’ Like Kanye’s ‘Foolishness’

Rihanna Covers June Vogue, Talks Body Positivity and New Direct-To-Consumer Lingerie Line Savage X Fenty

It’s a foggy spring night in Paris, and Rihanna has just wrapped up a meeting with her accountant in the penthouse suite of the Four Seasons hotel, a place that will serve as her makeshift office for the next few days. The evening panorama from the terrace is about as picture-postcard pretty as Paris gets, though at this late hour the lights on the Eiffel Tower have long since gone out. Robyn “Rihanna” Fenty is a night owl. Her most intense bouts of creativity often come after midnight, a rhythm she picked up early in her music career. In the dark, soundproofed environment of a recording studio, time is elastic. And when you’re Rihanna, and the world is your oyster, then time is really elastic. It’s perhaps why she doesn’t seem particularly bothered that today’s to-do list is far from done. There is a stack of Fenty Beauty campaign printouts piled high on her desk awaiting her approval; a flood of unanswered emails from Fenty team members in various time zones, all happily waiting on her too. Right now, though, there is a more pressing issue on the agenda, one that demands her full attention: Rihanna has decided that it’s time to fix my love life.
“So wait, you’re on a dating app? You don’t seem like the dating-app type,” she says as her almond-shaped green eyes peer into my iPhone. “Come sit here; you gotta teach me how to do this swipe thing.” Rihanna is all curled up in a cozy hotel bathrobe and has a pair of comfy Fenty Puma slides on her feet, and yet she radiates flawless glamour—hair tousled in loose waves, skin luminous. Though I have taken great pains to put together what I think is a Rihanna-worthy look—Jacquemus blouse, vintage Yves Saint Laurent tuxedo pants—it’s hard not to feel like a tarnished penny next to a freshly minted gold coin as I sidle up to her on the sofa. Rihanna asks if she can take a look through the photos on my app, and I oblige. “What is that dress? Is that vintage Jean Paul Gaultier?” she asks, pausing on my profile picture, a bathroom selfie taken in a swanky Hollywood hotel. “You better werk, girl; you look gorgeous!” I do my best to play it cool, but the little fangirl inside me is freaking out. Hanging out with Rihanna is every bit as fun as her costars in the upcoming Ocean’s 8 movie make it sound: You know you’re in the presence of a superstar, but it’s like you’re chatting with an old friend. “It’s a combination of being starstruck and being immediately put at ease,” explains Sandra Bullock. “She also has this warmth, and when she shines it on you, it makes you feel pretty damn amazing!”
Before long, we’re on the hunt for potential suitors. “This guy is too pretty—if you’re pretty, you at least gotta have wrinkles,” Rihanna says, sizing up a male-model type who’s posing bare-chested on a surfboard. And so we’re on to the next. “OK, and this one is giving me Charlie Manson. No?” I nod in agreement; psychopaths are not an option. After swiping through a dozen profiles or more, she lands on a good one. “Now, this is your type!” she says. She’s not wrong: This man is scruffy but handsome, age appropriate (36), and appears to be gainfully employed (an actor, not my first choice, but hey, nobody’s perfect). “He looks smart, he’s British, and he’s got edges!” (Translation: He’s got all his own hair.) She swipes right, and a message pops up almost instantaneously on the screen: It’s a match! We both throw our heads back and start screaming with laughter.
But don’t be fooled: The giddy highs and lows of singledom are fast becoming a distant memory for Rihanna. Right now, she’s in a relationship. “I used to feel guilty about taking personal time,” she says, “but I also think I never met someone who was worth it before.” Though she’s reluctant to talk about her partner by name, rumors have been swirling around her connection to Hassan Jameel, a young Saudi businessman, since paparazzi photos of her vacationing with a handsome stranger in Spain made the rounds last summer. These recent romantic developments are, however, part of a much bigger sea change for Rihanna, who turned 30 this year. For the first time in her life, she’s fully committed to a healthy work-life balance. “Even mentally, just to be away from my phone, to be in the moment, that has been key for my growth,” she says. “Now, when I come to work, I’m all in. Because before you know it, the years will go by. I’m glad I’m taking the time. I’m happy.”
On the heels of the insanity of making a blockbuster movie, Rihanna somehow managed to launch Fenty Beauty in collaboration with Kendo, LVMH’s incubator for cool new makeup brands, last September. Leading with a range of foundations that cover a full spectrum of skin tones (there are 40 different shades), the brand shook up the beauty industry in ways few currently within it could have predicted, prompting a broader conversation about inclusivity that had long been ignored. The success of her cosmetics line was unprecedented, reportedly racking up a staggering $100 million in sales within 40 days. The wait lists at certain makeup counters continued for months. (I was among hundreds of women who lined up outside Harvey Nichols in London last fall, only to find that my shade had already sold out.)
Rihanna was initially taken aback by the response. She had grown up watching her mother apply makeup, so thinking about foundations for darker skin tones came naturally. “As a black woman, I could not live with myself if I didn’t do that,” she says. “But what I didn’t anticipate was the way people would get emotional about finding their complexion on the shelf, that this would be a groundbreaking moment.” She’s taken the same approach with Savage X Fenty, her direct-to-consumer lingerie line in partnership with online retail giant TechStyle launching May 11th, offering a range of nude underwear that goes far beyond the bog-standard beige T-shirt bra. She’s not alone in questioning the limited notion of “nude”: Kanye West’s debut fall 2015 Yeezy collection featured a diverse cast of models in flesh-toned looks that encompassed a wide range of colors, from palest white to richest brown. Now Rihanna is pushing that idea one step further, shedding light on the frustrations that many black women face in dressing their bodies at the most intimate level. She has said in the past that her biggest regret about the sheer Adam Selman dress she wore to the 2014 CFDA Fashion Awardswas that she didn’t throw on a bedazzled thong, mostly because the nude undies she ended up in weren’t the right match—“not my nude,” as she points out.
It should go without saying that the new line will carry a body-positive message, too. Rihanna’s lingerie models come in all shapes and sizes; they are real women with real bodies who stand as a refreshing counterpoint to the impossible supermodel dimensions that have defined the look of lingerie for decades. Like Gigi Hadid and Serena Williams, Rihanna has been the target of body-shaming internet trolls. Her public responses have been rare, but when she does brush off the haters it’s usually done with a razor-sharp dose of wit: Last summer she posted a hilarious before-and-after weight-loss meme of the rapper Gucci Mane, a tongue-in-cheek nod to her own fluctuations on the scale. Because what could be more sexy than a sense of humor? “You’ve just got to laugh at yourself, honestly. I mean, I know when I’m having a fat day and when I’ve lost weight. I accept all of the bodies,” she says, shrugging her shoulders. “I’m not built like a Victoria’s Secret girl, and I still feel very beautiful and confident in my lingerie.”
To read full article, go to: https://www.vogue.com/article/rihanna-vogue-cover-june-issue-2018

Kendrick Lamar Wins Pulitzer Prize for Music for His Grammy-Winning Album 'Damn'

Kendrick Lamar onstage at the Coachella Valley Music and Arts Festival in Indio on April 23, 2017.
Kendrick Lamar (Brian van der Brug / Los Angeles Times)
by Lori Lakin Hutcherson (@lakinhutcherson)
According to the Los Angeles Times, Compton native and acclaimed hip hop artist Kendrick Lamar has won the Pulitzer Prize for music for his 2017 album “Damn.” It is the first time work outside of the classical and jazz genres has been recognized in that category.
In today’s announcement, the Pulitzer board described the album as a “virtuosic song collection unified by its vernacular authenticity and rhythmic dynamism that offers affecting vignettes capturing the complexity of modern African American life.”
“Damn,” released on April 14, 2017, is Lamar’s fourth studio album following 2015’s “To Pimp a Butterfly,” 2012’s “good kid, m.A.A.d city” and “Section.80,” released in 2011. In January “Damn” won the Grammy for best rap album and was among the nominees for album of the year.

Review: Beyoncé is Bigger Than Coachella | New York Times

(photo via instagram.com)

by Jon Caramanica via nytimes.com

INDIO, Calif. — Let’s just cut to the chase: There’s not likely to be a more meaningful, absorbing, forceful and radical performance by an American musician this year, or any year soon, than Beyoncé’s headlining set at the Coachella Valley Music and Arts Festival Saturday night.

It was rich with history, potently political and visually grand. By turns uproarious, rowdy, and lush. A gobsmacking marvel of choreography and musical direction.

And not unimportantly, it obliterated the ideology of the relaxed festival, the idea that musicians exist to perform in service of a greater vibe. That is one of the more tragic side effects of the spread of festival culture over the last two decades. Beyoncé was having none of it. The Coachella main stage, on the grounds of the Empire Polo Club here, was her platform, yes, but her show was in countless ways a rebuke.

It started with the horns: trumpets, trombones, sousaphones. For most of the night, the 36-year-old star was backed by an ecstatic marching band, in the manner of historically black college football halftime shows. The choice instantly reoriented her music, sidelining its connections to pop and framing it squarely in a lineage of Southern black musical traditions from New Orleans second line marches to Houston’s chopped-and-screwed hip-hop.

Her arrangements were alive with shifts between styles and oodles of small details, quick musical quotations of songs (Pastor Troy’s “No Mo’ Play in G.A.,” anyone?) that favored alertness and engagement. As always, one of the key thrills of a Beyoncé performance is her willingness to dismantle and rearrange her most familiar hits. “Drunk in Love” began as bass-thick molasses, then erupted into trumpet confetti. “Bow Down” reverberated with nervy techno. “Formation,” already a rapturous march, was a savage low-end stomp here. And during a brief trip through the Caribbean part of her catalog, she remade “Baby Boy” as startling Jamaican big band jazz.

She does macro, too — she was joined onstage by approximately 100 dancers, singers and musicians, a stunning tableau that included fraternity pledges and drumlines and rows of female violinists in addition to the usual crackerjack backup dancers (which here included bone breakers and also dancers performing elaborate routines with cymbals).

U.S. Congress Member Hakeem Jeffries Honors Female Hip-Hop Artists on House Floor for Women’s History Month

(via youtube.com)

by Alanna Vagianos via huffingtonpost.com
Rep. Hakeem Jeffries (D-N.Y.) brought down the House on Tuesday with a loving tribute to female hip-hop and rap artists.
“Throughout the years, artists such as Elvis Presley, Frank Sinatra and Bruce Springsteen have been recognized on the floor of the House of Representatives,” Jeffries said. “Today, I rise to honor the top 10 female MC hip-hop collaborations of all time.”
Jeffries’ top 10 includes Eve’s “My Chick Bad,” Lauryn Hill’s “Ready Or Not” and, of course, Lil’ Kim’s “Quiet Storm” remix. He also shouted out the legendary Queen Latifah, MC Lyte and Salt-N-Pepa.
“As we celebrate Women’s History Month here in the United States’ Congress, these dynamic women are worthy to be praised,” Jeffries said.
This isn’t the first time the Brooklyn-native congressman has honored rap artists on the House floor. Last year, Jeffries paid tribute to New York rapper The Notorious B.I.G. on the 20th anniversary of his death.
To watchJeffries’ speech, click below:

Kennedy Center Creates Hip-Hop Culture Council with Q-Tip, Questlove, MC Lyte, Common and Others


via newsone.com
One of the nation’s most renowned performing arts institutions has taken a major step in recognizing hip-hop culture’s influence on society. The Kennedy Center for the Performing Arts in Washington, D.C. recently announced the creation of its hip-hop culture council.
The council was developed in efforts to bring more hip-hop-focused programming to the institution. Through an array of different events, hip-hop culture will be examined through the lens of workshops, film screenings, panels, and virtual programs. Rapper Q-Tip will spearhead the council which is made up of a collective of influential individuals that are connected to hip-hop. Amongst some of the individuals who will sit on the council are Questlove of The Roots, rapper Common, rapstress MC Lyte, producer Mimi Valdes, DJ Bobbito Garcia and Interactive One’s own Kierna Mayo. Rapper LL Cool J—who was honored by Kennedy Center last year—will also be a part of the council.
“We are thrilled to be collaborating with such an extraordinary group of icons, innovators, and contributors to the Culture,” said Simone Eccleston, Director of Hip Hop Culture and Contemporary Music at the Kennedy Center in a statement. “As we continue to build the complex ecosystem that supports this program, the Council becomes an integral piece in sustaining Hip Hop’s presence at the Center.” Events that are lined up include a screening of the film Wild Style and a live performance inspired by Ta-Nehisi CoatesBetween the World and Me.
The creation of the council comes at a time where many institutions are bringing hip-hop’s influence to the forefront. In November 2017, it was announced that the Smithsonian in Washington, D.C. planned on creating an anthology to capture the essence of hip-hop history and highlight how its culture has left an indelible mark on the world. Check out Q-Tip’s introduction to the Kennedy Center’s hip-hop culture council below.

 

R.I.P. Craig Mack, 46, Grammy-Nominated "Flava In Ya Ear" Rapper

by Lori Lakin Hutcherson (@lakinhutcherson)

According to huffingtonpost.com, Grammy-nominated rapper Craig Mack, who performed the 1994 hit “Flava in Ya Ear” for Sean “Diddy” Combs’ Bad Boy label, has died at age 46. The New York Daily News confirmed his death with Alvin Toney, the producer of Mack’s breakout album, “Project: Funk Da World.” 

Mack succumbed Monday to heart failure at a hospital near his home in Walterboro, South Carolina, the producer said. He had been ill for some time. “It was a pleasure to know you & rock with you,” tweeted LL Cool J, who performed on Mack’s remix for “Flava in Ya Ear” with Notorious B.I.G., Busta Rhymes and Rampage.

The New York City-born rapper hit it big in his debut album for Bad Boy, “Project: Funk Da World,” which also generated a second single, “Get Down,” Billboard noted.

To read more about Craig Mack’s life and music, click here.

Lena Horne, Legendary Performer and Civil Rights Activist, Honored with U.S. Forever Stamp

by Lori Lakin Hutcherson (@lakinhutcherson)

The U.S. Postal Service today celebrates the life and legacy of Lena Horne as the 41st honoree in the Black Heritage stamp series during a first-day-of-issue ceremony at Peter Norton Symphony Space.

“Today, we honor the 70-year career of a true American legend,” said Deputy Postmaster General Ronald Stroman, who dedicated the stamp. “With this Forever stamp, the Postal Service celebrates a woman who used her platform as a renowned entertainer to become a prolific voice for civil rights advancement and gender equality.”

Joining Stroman to unveil the stamp were Gail Lumet Buckley, an author and Horne’s daughter; Christian Steiner, photographer; and Amy Niles, president and chief executive officer, WBGO Radio.

The stamp art features a photograph of Lena Horne taken by Christian Steiner in the 1980s. Kristen Monthei colorized the original black-and-white photo using a royal blue for the dress, a color Horne frequently wore. Monthei also added a background reminiscent of Horne’s Stormy Weather album, with a few clouds to add texture and to subtly evoke the album title. Art director Ethel Kessler designed the stamp. Anyone can share the news of the stamp using the hashtags #LenaHorneForever and #BlackHeritageStamps.

Born in Brooklyn, NY, on June 30, 1917, Horne was a trailblazer in Hollywood for women of color and used her fame to inspire Americans as a dedicated activist for civil rights.

Horne began her career as a dancer at Harlem’s Cotton Club and later became a featured vocalist with touring orchestras. The rampant racial discrimination she encountered from audiences, hotel and venue managers and others was so disconcerting that she stopped touring, and in 1941, she made her move to Hollywood. A year later, she signed a contract with MGM — one of the first long-term contracts with a major Hollywood studio — with the stipulation that she would never be asked to take stereotypical roles then available to black actors. Her most famous movie roles were in Cabin in the Sky and Stormy Weather, both released in 1943.

https://www.youtube.com/watch?v=zJvYo5pZEfE

During World War II, Horne entertained at camps for black servicemen, and after the war worked on behalf of Japanese Americans who were facing discriminatory housing policies. She worked with Eleanor Roosevelt in pressing for anti-lynching legislation. In the 1960s, Horne continued her high-profile work for civil rights, performing at rallies in the South, supporting the work of the National Council for Negro Women, and participating in the 1963 March on Washington.

Horne’s awards and honors include a special Tony Award for her one-woman Broadway show, Lena Horne: The Lady and Her Music; three Grammy Awards; the NAACP Spingarn Medal; and the Actors Equity Paul Robeson Award. She was a Kennedy Center Honors recipient in 1984, and her name is among those on the International Civil Rights Walk of Fame at the Martin Luther King Jr. National Historic Site.

Customers may purchase the Lena Horne Forever stamp at The Postal Store at usps.com/shop, by calling 800-STAMP24 (800-782-6724) and at Post Office facilities nationwide. A variety of stamps and collectibles also are available at ebay.com/stamps.

"Girls Trip, "Get Out," "Black-ish," Garner Multiple Wins at 49th NAACP Image Awards

The cast and crew of “black-ish” accepts award for outstanding comedy series at the 49th annual NAACP Image Awards at the Pasadena Civic Auditorium, in Pasadena, Calif. Pictured from left are Laurence Fishburne, Anthony Anderson, Jeff Mecham, Jenifer Lewis, Tracee Ellis Ross, Kenya Barris, Yara Shahidi, Miles Brown, Peter Mackenzie, Marsai Martin, and Marcus Scribner (Credit: Photo by Chris Pizzello/Invision/AP/Shutterstock)

by Lori Lakin Hutcherson (@lakinhutcherson)

The winners of the 49th NAACP Image Awards were announced last night during the live broadcast from the Pasadena Civic Auditorium which aired on TV One. The two-hour live special was hosted by Anthony Anderson and opened with a powerful moment in support of #TIMESUP featuring Angela Robinson, Kerry Washington, Jurnee Smollett-Bell, Laverne Cox, Lena Waithe and Tracee Ellis Ross.

Ava DuVernay was honored as the NAACP Entertainer of the Year. NAACP Chairman Leon W. Russell presented the NAACP Chairman’s Award to William Lucy, NAACP President and CEO Derrick Johnson presented the NAACP President’s Award to Danny Glover and several members of the Memphis Sanitation “I Am A Man” Workers were also in attendance – they were presented with the NAACP Vanguard Award earlier in the week during a press conference at the National Civil Rights Museum in Memphis, TN.

Gap Band leader Charlie Wilson was honored with the Music Makes a Difference honor which is bestowed upon an individual within the recording industry who has achieved worthwhile success and inspiration for civic engagement, criminal justice, education, economic opportunity, or criminal justice.

“Girls Trip” triumphed as the winner in the Outstanding Motion Picture category, and picked up a second award for its breakout star Tiffany Haddish in the Supporting Actress category.

Jordan Peele

Jordan Peele‘s horror opus “Get Out” received three awards, including Best Actor honors for lead Daniel Kaluuya, and Best Director and Best Writing wins for Peele. “Black-ish” took home the award for best television series, while host Anderson won Best Actor, Tracee Ellis Ross repeated as Best Actress and Marsai Martin won for Best Supporting Actress in a TV series.
In recording, Bruno Mars took home awards for Outstanding Male Artist, Outstanding Music Video/Visual Album  and Outstanding Song – Traditional for “That’s What I Like.” Kendrick Lamar owned the Outstanding Album, Outstanding Song – Contemporary and Outstanding Duo, Group or Collaboration categories (the latter with Rihanna).

The winners of the 49th NAACP Image Awards in the non-televised categories were announced during a gala dinner celebration that took place Sunday, January 14, 2018, at the Pasadena Conference Center – the event was hosted by The Real’s Adrienne Houghton, Loni Love, Jeannie Mai and Tamera Mowry-Housley.

The NAACP Image Awards is the premiere multicultural awards show. It celebrates the accomplishments of people of color in the fields of television, music, literature and film, and also honors individuals or groups who promote social justice through creative endeavors.

For all information and the latest news, please visit the official NAACP Image Awards website at: http://www.naacpimageawards.net.

Below are all of the winners for the 49th NAACP Image Awards:

MOTION PICTURE

Outstanding Motion Picture – “Girls Trip” (Universal Pictures)

Outstanding Directing in a Motion Picture – Jordan Peele – “Get Out” (Universal Pictures)

Outstanding Actor in a Motion Picture – Daniel Kaluuya – “Get Out” (Universal Pictures)

Outstanding Actress in a Motion Picture – Octavia Spencer – “Gifted” (Fox Searchlight Pictures)

Outstanding Supporting Actor in a Motion Picture – Idris Elba – “THOR: Ragnarok” (Marvel Studios)

Outstanding Supporting Actress in a Motion Picture – Tiffany Haddish – “Girls Trip” (Universal Pictures)

Outstanding Independent Motion Picture – “Detroit” (Annapurna Pictures)

Outstanding Writing in a Motion Picture – Jordan Peele – “Get Out” (Universal Pictures)

Grammy Award Winner Mary J. Blige to Receive Star on Hollywood Walk of Fame

Mary J. Blige (Source: TARA ZIEMBA / Getty)

by Rebecca Rubin via variety.com
Mary J. Blige will be honored with a star on the Hollywood Walk of Fame in the recording category.
The ceremony will take place on Jan. 11 at 6201 Hollywood Blvd. in front of Eastown. Sean “Diddy” Combs will join Hollywood Chamber president and CEO Leron Gubler to unveil the star.
“Mary J. Blige is one of the most popular singers of our generation. Fans will be thrilled to see her star on the Boulevard as her career milestones are celebrated on this very famous sidewalk,” said Ana Martinez, producer of the Walk of Fame ceremonies.
The Grammy Award-winning artist has recently been recognized for her acting work. Blige received Golden Globe Award, SAG Award, and Critics’ Choice Award nominations for her role in Dee Rees’ period drama “Mudbound,” as well as a Golden Globe nom for best original song for “Mighty River.”
Born in the Bronx, N.Y., Blige got her start in music by signing with Uptown Records in 1989. At 18 years old, she was the label’s youngest and first female artist. Her debut album, “What’s the 411?,” was executive produced by Combs and spun off hits including, “You Remind Me” and “Real Love.” Since then, she’s released 12 additional albums that have garnered nine Grammy Award wins from her 31 nominations.
Among her most popular songs are “Family Affair,” “No More Drama,” “Be Without You,” “Not Gon’ Cry,” “Love Is All We Need,” and “Seven Days.”
Her film debut was in 2001’s “Prison Song,” followed by Tyler Perry’s “I Can Do Bad All by Myself.” She also starred alongside Tom Cruise, Alec Baldwin, and Russell Brand in 2012’s “Rock of Ages,” and appeared in 2013’s musical drama “Black Nativity.”
On the TV front, Blige has guest starred on “How to Get Away With Murder,” “Empire,” and “30 Rock.” She also played Evillene, the Wicked Witch of the West, on NBC’s musical “The Wiz Live!”
Source: http://variety.com/2018/music/news/mary-j-blige-hollywood-walk-of-fame-star-1202653233/