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Psychologist Dr. Joy Bradford Makes Mental Health Care More Accessible Via Therapy for Black Girls

Dr. Joy Bradford (photo via therapyforblackgirls.com)

by Dominique Fluker via forbes.com

According to the U.S Department of Health and Human Services Office of Minority Services, African-Americans are 20%  more likely to experience psychological distress such as depression, suicide, PTSD and anxiety than their non-Hispanic white counterparts.

Meet Dr. Joy Bradford, a licensed psychologist based in Atlanta, Georgia and founder of Therapy for Black Girls. Passionate about changing the stigma surrounding mental health issues and therapy which often prevents black women from taking the step of seeing a therapist, Bradford aims to alleviate the process of seeking relief for mental health-related issues within the black community, by fostering a safe space to present mental health topics to black millennial women in a digestible way.

Previously a college counselor, Bradford leveraged her people person and problem solver skills to create the Therapy for Black Girls platform in 2014. The Therapy for Black Girls platform now reaches over 32,000 members with its blog, podcast, social media communities, and very own national therapist directory, that lists black women mental health providers nationally.

I spoke with Bradford about what inspired her to create Therapy for Black Girls, why there’s a stigma surrounding mental health in the black community and the challenges that isolate black women millennials from seeking mental health care.

Dominique Fluker: As a licensed psychologist, speaker and host of the popular mental health podcast, Therapy for Black Girls, share why you decided to create the online space dedicated to encouraging the mental wellness of black women and girls? 

Dr. Joy Bradford: I created the space because I really wanted Black women to have a place to go to get information about mental health that felt relevant and accessible to them. I wanted to be able to share information about recognizing signs and symptoms of mental illness but also to have conversations about the kinds of things we can do to encourage mental wellness.

Fluker: How is the Therapy for Black Girls platform combating the stigma surrounding mental health issues and therapy for African-American women?

Bradford: I think it’s combating stigma because it is making topics that were once taboo, okay to be publicly discussed. I think that topics covered on the podcast have given people language for some of the things they may have been struggling with, and I think the directory has allowed scores of women to connect with mental health professionals across the country who are excited about providing high-quality care to them.

Fluker: What are the challenges that black women millennial face daily that might make them feel isolated from mental health care?

Bradford: I think that sometimes black millennial women worry that their issues are not “big” enough to go to therapy and so they don’t utilize the service. I also think that sadly a lot of black millennial women also don’t feel like providers will really get them and it feels really hard to go into space where you’re supposed to be very transparent but not able to be comfortable. Additionally, I think that the cost may be prohibitive for some people who may want to go to therapy. Even with insurance, it may be difficult to afford therapy, but without it, there can be a lot of hoops to jump through to find lower cost therapy that is a good fit.

Australian Sudanese Model Duckie Thot is Stunning New Face of L’Oréal Paris

Duckie Thot Announced as New L’Oréal Paris Global Ambassador
Duckie Thot (photo via L’Oréal Paris)

Duckie Thot, an Australian model of Sudanese descent, just put some major points on the board for inclusivity and diversity in the beauty industry. A Fenty Beauty muse, the rising star just signed on as the newest global ambassador for L’Oréal Paris.

Even with game-changing newer beauty brands constantly pushing for more diversity in the industry (Fenty Beauty’s 40-shade range of foundations was so innovative when it dropped that its foundation won Time’s “Invention of the Year” award in 2017), there are still a lot of strides to be made. Case in point: Thot, who has appeared in major campaigns for designers including Moschino and Oscar de la Renta, admitted earlier this year that she still has to bring her own foundation to shoots because makeup artists still often don’t often carry shades dark enough to match her skin.

But perhaps the more beauty brands see models like Thot, the more inclusive the industry can actually be. That certainly seems to be the hope behind Thot’s major new gig as a L’Oréal ambassador. “I’m looking forward to helping more girls love the beauty of their dark skin,” she said in a statement. “In my mind, I’m going back in time and telling the young girl I was, ‘Dream big, work hard and trust in yourself girl because one day you’re going to say ‘yes’ to the number-one beauty brand!’”

It’s Thot’s strong voice on inclusivity (in addition to her impressive-as-hell resume) that made her a perfect face for the brand, L’Oréal said. “She launched online conversations where others shared their stories,” the brand told WWD in reference to her speaking out about inequality in the modeling industry. “By speaking out, she has contributed to the redefinition of what [being] a model is. Her uplifting messages are shared to inspire her followers to love themselves.”

Thot will make her L’Oréal debut later this week on the Le Défilé L’Oréal Paris runway show during Paris Fashion Week and will be starring in upcoming campaigns for L’Oréal Volume Million Lashes, Colorista, Rouge Signature, and most notably the brand’s Infallible Foundation. We have a feeling that this time, Thot won’t have to bring her own shade.

Source: https://www.allure.com/story/duckie-thot-loreal-paris-global-ambassador?mbid=social_twitter

How Four Millennial Entrepreneurs Established Tupuca, Angola’s 1st Food, Grocery and Pharmaceutical Delivery Startup

Erickson Mvezi and Wilson Ganga (Photograph — Ventureburn)

by Hadassah Egbedi via venturesafrica.com

Erickson Mvezi, Wilson Ganga, Patrice Francisco and Sydney Teixeira set up Tupuca in 2015, Angola’s first food delivery platform that allows users order food from multiple restaurants straight from their smartphone. Fast forward to the present; Tupuca has added groceries and pharmaceutical delivery to their services.

Originally, the idea was to create a clothes delivery platform but legal and market issues forced them to place the project on hold. After a while, influenced by a personal need to always order food, Mvezi, who is also CEO of the startup, began a research on how food delivery platforms operated outside Angola.

“It was then that I took the model on hold, adjusted it by replacing the fashion stores with restaurants, and then started doing some feasibility studies and noticed that it would be a profitable thing, and then Tupuca was born,” Mvezi said in an interview.

“We realised that people living in Luanda had a difficult time going around to pick up food and other essentials. Tupuca has validated many assumptions in the delivery industry in Angola. Many people were sceptical about the readiness of the market,” Mvezi told Disrupt Africa.

Since its establishment four years ago, the startup only managed to get a total of $200,000 from two investors, U.S. businessman Rohit Daswani who lives in Nigeria and a local restaurant owner Pramod Asija. Prior to those investments, funding for the startup was bootstrapped.

As at Q3 2017, Tupuca had a total of 30 employees. In a bid to minimise costs, the delivery drivers(Tupuquinhas) have to bring their own motorbikes, while the startup supplies backpacks and smartphones, along with insurance. “That way it minimises our costs… and they get a cut from the commission we make from the delivery fees,” Mvezi said.

According to the founders, the initial set up phase wasn’t easy. It took six months to get their first client signed on. But once they were able to convince the first, second and third restaurant, which happens to be well known, everything got easier from there. Currently, the platform has over 100 restaurants signed up and over 20,000 users with orders increasing from 400 monthly in January 2017, to 8000 monthly in January 2018.

In 2016, Tupuca was selected as one of the top 10 startups in Angola by Seedstars World, Luanda. And last year, the startup won the Angolan leg of the global Seedstars World competition, the world’s biggest startup competition in emerging markets. Now, the startup is getting solicited by investors and entrepreneurs from neighbouring countries like Congo and Mozambique to replicate the model by franchising, something the founders have said they would consider.

For founders, Mvezi, Ganga, Francisco and Teixeira, Tupuca is unfazed by increasing competition in Angola’s food delivery space instead the startup is focused on guaranteeing quality service, setting the market trend by introducing new services and inspiring young entrepreneurs across Africa.

Source: http://venturesafrica.com/how-4-millennials-established-tupuca-angolas-first-food-grocery-and-pharmaceutical-delivery-startup/

Howard University Alumni Damon Lawrence and Marcus Carey Open The Moor, a Hotel Dedicated to Black Culture

Marcus Carey and Damon Lawrence of Homage Hospitality (Photo credit: Kim Davalos)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to blavity.com, while attending Howard University, Damon Lawrence worked in the hotel industry as a front desk agent, and decided he would own his own hotels one day with one exception–his business would cater exclusively to blackness. “Black culture leads American culture and American culture leads global culture, so [we] think it’s time a hotel property reflected the best of black culture,” Lawrence.

The young entrepreneur, along with his business partner and co-founder of Homage Hospitality, Marcus Carey (also a Howard alum), opened the doors to The Moor in New Orleans, Louisiana, this week. The upscale 10-room hotel pays homage to the Moors of North Africa  through its architecture aesthetic. (You can use the promo code “Launch” through July 4th for 60% off your stay.)

https://www.instagram.com/p/BktbVPoHK8o/

Lawrence and Carey plan to open locations where black “culture is thriving;” such as Washington, D.C., Brooklyn and Detroit. The duo plans to open a 102-room property called The Town Hotel in Downtown Oakland by 2019. Even sooner, they plan to launch another property in the Treme section of New Orleans called The Freeman; it is known as the first place in the U.S. black people could purchase property.

“We want to go everywhere that culture exists and thrives, so there’s plenty on the plate”, Lawrence says.

To learn more about these men and their mission, check out their recent interview with Rolling Out.

Planting Justice: Urban Farming Nonprofit in Oakland Helps Ex-Cons Re-enter Society

Anthony Forrest spent 25 years in prison before joining Planting Justice. “Working in the garden calms me down,” he said. (Credit: Jason Henry for The New York Times)

by Patricia Leigh Brown via nytimes.com

OAKLAND, Calif. — Even by the standards of the Bay Area, where sourcing local, organic chicken feed is seen as something of a political act, the spectacle of 30,000 fruit and nut trees being tended by formerly incarcerated orchardists is novel.

The green thumbs are there because of Planting Justice, a nine-year-old nonprofit that combines urban farming with environmental education and jobs for ex-offenders. From its headquarters in a pair of salvaged shipping containers on a dead-end street in East Oakland, Calif., Planting Justice has forged a trail in which revenue-generating businesses help subsidize the group’s core mission: hiring former inmates, many from nearby San Quentin State Prison, and giving them a “family sustaining” wage, along with health benefits and a month of paid leave annually. About half the total staff of 30 have served time in prison.

Two years ago, the group’s founders — Gavin Raders, 35, and Haleh Zandi, 34 — established an orchard on a weedy, vacant lot in this area of stubborn poverty, where the pruning is serenaded not by birds but droning trucks from the adjacent freeway. Planting Justice’s Rolling River Nursery now sells and ships some 1,100 varieties of potted trees and plants — among them, 65 different kinds of pomegranates, 60 varieties of figs, and loads of harder-to-find species such as jujubes (Chinese dates), Japanese ume plums and rue, an aromatic herb used in Ethiopian coffee. Signs warn visitors that they have entered a pesticide- and soda-free zone.

Though still young, the organic orchard generates roughly $250,000 of Planting Justice’s yearly $2 million operating budget. Another $250,000 comes from an edible landscaping business, in which roving horticulturalists hired by well-off clients install beehives, fruit trees, chicken coops, massive barrels for harvesting rain water and “laundry to landscaping” systems that funnel used washing machine water into the garden. The money helps subsidize pro bono edible landscapes in low-income neighborhoods.

In addition, there are the 2,000 or so “subscribers” who make monthly pledges to Planting Justice, which brings in another $450,000 annually, and grants from a variety of nonprofit organizations, among them the Kresge FreshLo program, the Thomas J. Long Foundation and Kaiser Permanente’s community benefit programs.

Planting Justice cultivates metaphors along with the food. “We’re composting and weeding the things in our lives we don’t need and fertilizing the parts of ourselves we do need,” Mr. Raders explained, sitting on a eucalyptus stump.

The guiding principle: kale, not jail.

Meghan Markle, The Duchess of Sussex, Receives Her Own Coat of Arms

Coat of Arms
(Image copyright: KENSINGTON PALACE)

via bbc.com

A coat of arms created for the Duchess of Sussex that reflects her Californian background has been unveiled. It includes a shield containing the color blue, representing the Pacific Ocean, and rays, symbolising sunshine. The duchess worked closely with the College of Arms in London to create the design, Kensington Palace said. The lion supporting the shield relates to her husband, the Duke of Sussex, and dates back to the House of Stuart’s ascent to the throne in 1603.

The songbird supporting the shield on the right relates to the Duchess of Sussex. Traditionally wives of members of the Royal Family have two – one of their husband’s supporters on the shield and one relating to themselves. Beneath the shield is California’s state flower – the golden poppy – and Wintersweet, a flower that grows at Kensington Palace and was also depicted on the duchess’ wedding veil. The three quills illustrate the power of words and communication.
The duchess has also been assigned a coronet bearing fleurs-de-lys and strawberry leaves.

Meghan Markle arrives for the wedding ceremony to marry Prince Harry at St George's Chapel, Windsor Castle
Wintersweet also featured on the Duchess of Sussex’s wedding veil (Image copyright: PA)

Garter King of Arms Thomas Woodcock, who is based at the College of Arms said: “The Duchess of Sussex took a great interest in the design. Good heraldic design is nearly always simple and the Arms of The Duchess of Sussex stand well beside the historic beauty of the quartered British Royal Arms.”
“Heraldry as a means of identification has flourished in Europe for almost nine hundred years and is associated with both individual people and great corporate bodies such as cities, universities and, for instance, the livery companies in the City of London.”
Coats of arms date back to 12th Century and were traditionally worn over armour in tournaments so participants could identify their opponents.

Good Black News Wishes You and Yours a Happy Mother's Day in 2018


Good Black News joins in the honoring and remembrance of the women who gave us life, nurtured and raised us, and also offered us solace, counsel and wisdom. To all the mothers out there – be they Aunties, Grandmothers, Cousins or Friends – thank you for all you do!  Happy Mother’s Day!

Rihanna Covers June Vogue, Talks Body Positivity and New Direct-To-Consumer Lingerie Line Savage X Fenty

It’s a foggy spring night in Paris, and Rihanna has just wrapped up a meeting with her accountant in the penthouse suite of the Four Seasons hotel, a place that will serve as her makeshift office for the next few days. The evening panorama from the terrace is about as picture-postcard pretty as Paris gets, though at this late hour the lights on the Eiffel Tower have long since gone out. Robyn “Rihanna” Fenty is a night owl. Her most intense bouts of creativity often come after midnight, a rhythm she picked up early in her music career. In the dark, soundproofed environment of a recording studio, time is elastic. And when you’re Rihanna, and the world is your oyster, then time is really elastic. It’s perhaps why she doesn’t seem particularly bothered that today’s to-do list is far from done. There is a stack of Fenty Beauty campaign printouts piled high on her desk awaiting her approval; a flood of unanswered emails from Fenty team members in various time zones, all happily waiting on her too. Right now, though, there is a more pressing issue on the agenda, one that demands her full attention: Rihanna has decided that it’s time to fix my love life.
“So wait, you’re on a dating app? You don’t seem like the dating-app type,” she says as her almond-shaped green eyes peer into my iPhone. “Come sit here; you gotta teach me how to do this swipe thing.” Rihanna is all curled up in a cozy hotel bathrobe and has a pair of comfy Fenty Puma slides on her feet, and yet she radiates flawless glamour—hair tousled in loose waves, skin luminous. Though I have taken great pains to put together what I think is a Rihanna-worthy look—Jacquemus blouse, vintage Yves Saint Laurent tuxedo pants—it’s hard not to feel like a tarnished penny next to a freshly minted gold coin as I sidle up to her on the sofa. Rihanna asks if she can take a look through the photos on my app, and I oblige. “What is that dress? Is that vintage Jean Paul Gaultier?” she asks, pausing on my profile picture, a bathroom selfie taken in a swanky Hollywood hotel. “You better werk, girl; you look gorgeous!” I do my best to play it cool, but the little fangirl inside me is freaking out. Hanging out with Rihanna is every bit as fun as her costars in the upcoming Ocean’s 8 movie make it sound: You know you’re in the presence of a superstar, but it’s like you’re chatting with an old friend. “It’s a combination of being starstruck and being immediately put at ease,” explains Sandra Bullock. “She also has this warmth, and when she shines it on you, it makes you feel pretty damn amazing!”
Before long, we’re on the hunt for potential suitors. “This guy is too pretty—if you’re pretty, you at least gotta have wrinkles,” Rihanna says, sizing up a male-model type who’s posing bare-chested on a surfboard. And so we’re on to the next. “OK, and this one is giving me Charlie Manson. No?” I nod in agreement; psychopaths are not an option. After swiping through a dozen profiles or more, she lands on a good one. “Now, this is your type!” she says. She’s not wrong: This man is scruffy but handsome, age appropriate (36), and appears to be gainfully employed (an actor, not my first choice, but hey, nobody’s perfect). “He looks smart, he’s British, and he’s got edges!” (Translation: He’s got all his own hair.) She swipes right, and a message pops up almost instantaneously on the screen: It’s a match! We both throw our heads back and start screaming with laughter.
But don’t be fooled: The giddy highs and lows of singledom are fast becoming a distant memory for Rihanna. Right now, she’s in a relationship. “I used to feel guilty about taking personal time,” she says, “but I also think I never met someone who was worth it before.” Though she’s reluctant to talk about her partner by name, rumors have been swirling around her connection to Hassan Jameel, a young Saudi businessman, since paparazzi photos of her vacationing with a handsome stranger in Spain made the rounds last summer. These recent romantic developments are, however, part of a much bigger sea change for Rihanna, who turned 30 this year. For the first time in her life, she’s fully committed to a healthy work-life balance. “Even mentally, just to be away from my phone, to be in the moment, that has been key for my growth,” she says. “Now, when I come to work, I’m all in. Because before you know it, the years will go by. I’m glad I’m taking the time. I’m happy.”
On the heels of the insanity of making a blockbuster movie, Rihanna somehow managed to launch Fenty Beauty in collaboration with Kendo, LVMH’s incubator for cool new makeup brands, last September. Leading with a range of foundations that cover a full spectrum of skin tones (there are 40 different shades), the brand shook up the beauty industry in ways few currently within it could have predicted, prompting a broader conversation about inclusivity that had long been ignored. The success of her cosmetics line was unprecedented, reportedly racking up a staggering $100 million in sales within 40 days. The wait lists at certain makeup counters continued for months. (I was among hundreds of women who lined up outside Harvey Nichols in London last fall, only to find that my shade had already sold out.)
Rihanna was initially taken aback by the response. She had grown up watching her mother apply makeup, so thinking about foundations for darker skin tones came naturally. “As a black woman, I could not live with myself if I didn’t do that,” she says. “But what I didn’t anticipate was the way people would get emotional about finding their complexion on the shelf, that this would be a groundbreaking moment.” She’s taken the same approach with Savage X Fenty, her direct-to-consumer lingerie line in partnership with online retail giant TechStyle launching May 11th, offering a range of nude underwear that goes far beyond the bog-standard beige T-shirt bra. She’s not alone in questioning the limited notion of “nude”: Kanye West’s debut fall 2015 Yeezy collection featured a diverse cast of models in flesh-toned looks that encompassed a wide range of colors, from palest white to richest brown. Now Rihanna is pushing that idea one step further, shedding light on the frustrations that many black women face in dressing their bodies at the most intimate level. She has said in the past that her biggest regret about the sheer Adam Selman dress she wore to the 2014 CFDA Fashion Awardswas that she didn’t throw on a bedazzled thong, mostly because the nude undies she ended up in weren’t the right match—“not my nude,” as she points out.
It should go without saying that the new line will carry a body-positive message, too. Rihanna’s lingerie models come in all shapes and sizes; they are real women with real bodies who stand as a refreshing counterpoint to the impossible supermodel dimensions that have defined the look of lingerie for decades. Like Gigi Hadid and Serena Williams, Rihanna has been the target of body-shaming internet trolls. Her public responses have been rare, but when she does brush off the haters it’s usually done with a razor-sharp dose of wit: Last summer she posted a hilarious before-and-after weight-loss meme of the rapper Gucci Mane, a tongue-in-cheek nod to her own fluctuations on the scale. Because what could be more sexy than a sense of humor? “You’ve just got to laugh at yourself, honestly. I mean, I know when I’m having a fat day and when I’ve lost weight. I accept all of the bodies,” she says, shrugging her shoulders. “I’m not built like a Victoria’s Secret girl, and I still feel very beautiful and confident in my lingerie.”
To read full article, go to: https://www.vogue.com/article/rihanna-vogue-cover-june-issue-2018

Virgil Abloh is Named New Men’s Wear Designer at Louis Vuitton – The New York Times

The designer Virgil Abloh at the Off-White show at Paris Fashion Week earlier this month. (Credit Francois Durand/Getty Images)

by VANESSA FRIEDMAN and ELIZABETH PATON via nytimes.com
Virgil Abloh, the founder of the haute street wear label Off-White and a longtime creative director for Kanye West, will be the next artistic director of men’s wear at Louis Vuitton, one of the oldest and most powerful European houses in the luxury business. He becomes Louis Vuitton’s first African-American artistic director, and one of the few black designers at the top of a French heritage house. Olivier Rousteing is the creative director of Balmain, and Ozwald Boateng, from Britain, was the designer for Givenchy men’s wear from 2003 to 2007.
“I feel elated,” Mr. Abloh said via phone on Sunday, adding that he planned to relocate his family to Paris to take the job at the largest brand in the stable of LVMH Moët Hennessy Louis Vuitton, the world’s largest luxury group. “This opportunity to think through what the next chapter of design and luxury will mean at a brand that represents the pinnacle of luxury was always a goal in my wildest dreams. And to show a younger generation that there is no one way anyone in this kind of position has to look is a fantastically modern spirit in which to start.”

The appointment, widely rumored in recent months, is part of a shake-up on the men’s wear side of LVMH, which began in January with the departure of Kim Jones, Mr. Abloh’s predecessor at Louis Vuitton. Last week, it was announced that Mr. Jones would become the men’s wear designer at LVMH stablemate Christian Dior, replacing Kris van Assche.

Mr. Abloh’s appointment is also a reflection of the increasing consumer-driven intermingling of the luxury and street wear sectors, which helped boost global sales of luxury personal goods by 5 percent last year to an estimated 263 billion euros (about $325 billion in today’s dollars), according to a recent study by the global consulting firm Bain & Company. And it is an acknowledgment on the part of the luxury industry that it must respond to contemporary culture in new ways.

Source: Louis Vuitton Names Virgil Abloh as Its New Men’s Wear Designer – The New York Times

FASHION: Entrepreneur Ayanna Smith Creates #AskMe Tees to Encourage Thoughtful Conversation

#AskMe Tees Creator Ayanna Smith (Photo courtesy Ayanna Smith)

#AskMe Tees are the brainchild of Washington D.C. entrepreneur Ayanna Smith. Ayanna has created a timely remix of the slogan tee – and we love it! These T-shirts encourage people, friends and strangers alike, to talk to each other by offering intriguing questions as conversation starters.

It’s a clever concept. #AskMe Tees promote listening and discussion in an age where it has become increasingly common for people to dismiss each other or make unfounded assumptions. The #AskMe Tees (and other #AskMe accessories) are emblazoned with light-hearted questions such as #AskMe who made the potato salad and #AskMe about my superpowers to other more provocative and socially-conscious questions like #AskMe Why Black Lives Matter, #AskMe why I voted for him, and #AskMe about autism… don’t assume. Whichever #AskMe Tee you choose, remember to be ready for a conversation!

You can find the entire collection here: https://askmetees.com To find out more about the #AskMe Tee mission: https://askmetees.com/pages/about
Ayanna Smith is also the founder of The Escape Lounge in Washington DC https://escapeloungedc.com and Ridlz (an escape game app launching next month. http://www.ridlz.com)
by Lesa Lakin, GBN Lifestyle Editor | follow me @whaatzgood