Sylvester Stallone’s fictional character, Rocky Balboa, in the memorable film, “Rocky” is what many will conjure up when they think about a Philadelphia-born prizefighter, but the City of Brotherly Love is working on changing that. Artist Stephen Layne is in the final stages of completing a 9-foot tall, 1,800-pound clay sculpture of the late boxing great Joe “Smokin’ Joe” Frazier as a tribute to the hometown champ, according Fox 23. The former World heavyweight champ, who passed away three years ago at age 67 from liver cancer, was actually born in Beaufort, South Carolina but settled in Philly and called the city home.
The statue project came to fruition two years ago but there were stumbling blocks along the way. The original sculptor passed away and then fundraising efforts to pay for the endeavor hit a brick wall. Finally, Layne was commissioned to finish the project, after four private donors ponied up $160,000, and the process resumed again in March.
Frazier, who was an Olympic gold medal winner in 1964, had a stellar boxing career that ended with a record of 32-4-1, with 27 knockouts. He was, however, most noted for his professional matches with Muhammad Ali, another titan of the ring. As a matter of fact, two of Frazier’s losses were during matches with Ali, including the legendary 1975 “Thrilla In Manilla.”
The sculpture will be placed about five miles south of the Philadelphia Museum of Art and Frazier’s daughter, Weatta Collins, is reportedly working with tourism officials to have her dad’s memorial will be included on sightseeing maps.
The statue will reportedly be unveiled next spring. article by Ruth Manuel-Logan via newsone.com
The City of Seattle officially broke ground on a long-awaited park in honor of former resident, Jimi Hendrix. Jimi Hendrix Park will be a memorial garden encompassing two-and-a-half acres in the city’s Central District.
The park’s organizers, the Jimi Hendrix Park Foundation, have raised over $1million for the project and say they envision the land as being “a place where people of different backgrounds will find the motivation to explore music and art, while celebrating Seattle’s cultural heritage,” according to Rolling Stone. RELATED:
The guitar legend’s sister, Janie Hendrix, who is also the president and CEO of Experience Hendrix – the company that manages the singer’s estate, said: “Every project endorsed by our family which bears Jimi’s name is meaningful to us, but this park holds special significance.
“Seattle will always be Jimi’s home. This very area is where Jimi grew up, where his dreams cultivated and his creative energy awakened, in many ways. So to see this amazing place of beauty, dedicated to Jimi and his artistry, blossom into reality is indescribably fulfilling.
“Having been involved in every facet of the park’s creation, I can honestly say that this musical garden is a fitting representation of Jimi’s imagination. It is truly inspired.”
The concept for the park was first announced by the organization in 2011 and was intended for completion in time for what would’ve been the singer’s 70th birthday the following year. It is believed the bulk of construction work is set to take place next year. article via blackamericaweb.com
David Adjaye photographed at his London office in Marylebone by Suki Dhanda for the Observer New Review.
I am looking at plans of the presidential palace in Libreville, Gabon, as existing and as proposed. The first shows gates, walls, guardhouses, accommodation for the president’s elite soldiers. The second shows public space, welcome zones, trees, landscaping, the elements of enlightened contemporary city planning. It is a diagram of liberalisation, of a new era assisted by design.
I am also looking at an image of a business school in Moscow, an unabashed work of oligarchic bling, that pre-empts its future rediscovery as a piece of ironic-lovable kitsch. There is a cool, white, slatted structure in an idyllic Mediterranean landscape, apartment blocks in Doha, and a composition of 10 inverted cones, to be arranged in a giant circle in Kampala. These are works of a realigned world, where the distribution of money and power ignores former distinctions of third and first worlds. They collectively offer the same reorientation as those world maps that dispense with the Eurocentric bias of Mercator’s projection. David Adjaye’s Buildings in Pictures
The location is a black-floored, black-walled office on the edge of Marylebone, London, with shelves of black files with small white lettering. Galvanised steel shelves denote work, but a black, oblong pool of water, bright green curtains, and an impressive bunch of lilies suggest more an exclusive club or hotel. Possibly the lair of a Bond villain, only more benign. Architectural models are displayed like artworks, although inopportune beige printers puncture the stylishness. The entrance to the office, as often in David Adjaye’s projects, is barely perceptible. David Adjaye with his wife, Ashley Shaw-Scott. Photograph: Alexander Tamargo/Getty Images for Design Miami
Adjaye is late, as he often is, but is then generous with his time, as he also often is. He says something nice about my personal life, as I make to sit down in the Eames chair by his desk. “Er, that’s mine,” he then says, directing me to a plywood seat opposite, which turns out to be a touch excruciating, in front of shelves bearing a discriminating selection of architectural books, and opposite a wall of inspirational images – great buildings, beautiful bodies, maps of Africa, the former model Ashley Shaw-Scott, whom he recently married. “Do you mind if I eat?” he asks, as he uncovers a late lunch from a local curry house, “I have to eat.” He is on the move, as usual. Where has he come from? “Just New York.” Diplomacy and charm are at work here and a tiny assertion of status, which have helped get him where is, but the warmth is also genuine. The Smithsonian National Museum of African American History and Culture
New York is where he has another office, a more informal, light-filled place above an old bank on Canal Street. He has a third in Accra. This tri-continental practice is not bad for an architect in his 40s who seven years ago, when the credit crunch hit, nearly went bust, but the nature of the commissions is more impressive. He has a knack for projects freighted with significance, the foremost of which is the Smithsonian National Museum of African American History and Culture on the highly charged turf of the National Mall in Washington DC, just across from the Washington Memorial. (To be more precise, Adjaye is one of a team of four architectural practices working on the museum, with his role described as “lead designer”.) It is due to open next year, a century after the idea of such a museum was first mooted by some black veterans of the civil war.
He also has a knack for associating with conspicuous and interesting people. In the early years of his practice these tended to be creative types – the artists Jake Chapman, Tom Noble and Sue Webster, Ewan McGregor, Alexander McQueen. Now it is more people like Kofi Annan, the former secretary-general of the United Nations, for whom Adjaye has designed a house in Ghana. Or the new mayor of New York, Bill de Blasio, who recently toured Adjaye’s housing development in Sugar Hill, Harlem, or Barack Obama.
He doesn’t want the latter connection to be exaggerated – “I am not on his speed dial” – and he scotches rumours that he is to design Obama’s presidential library: the choice of architect hasn’t been considered yet. But the Smithsonian museum will be the most significant architectural project of Obama’s presidency, and Adjaye has had more contact with the White House than most architects.
Adjaye’s friends praise the range of his influences and interests. “I was incredibly, incredibly inspired by the breadth of his vision,” says Thelma Golden, director of the Studio Museum in Harlem, of the time she first heard him speak. “There’s Bauhaus in it,” says the artist Lorna Simpson, for whom Adjaye designed a studio building in Brooklyn, “but also the places where he grew up as a child – ornament, pattern, the way light comes in, different things from different places.”
Adjaye was born in Tanzania to Ghanaian parents, his father a diplomat, so these formative places included parts of Africa, Saudi Arabia, and eventually London. It was in London that he studied architecture, launched his practice, and designed his first projects.
James Baldwin in Paris in 1986. (Credit: Peter Turnley/Corbis)
James Baldwin, a Harlem native who died in 1987, would have turned 90 on Saturday. Among the many tributes in a year in which his legacy as a major writer is being celebrated, a portion of East 128th Street, between Fifth Avenue and Madison Avenue, was renamed James Baldwin Way.
Baldwin, whose classic works include the novel “Go Tell It on the Mountain” and the essay collections “The Fire Next Time” and “Notes of a Native Son” attended Public School 24 (now the Harlem Renaissance School) on that block. Nearby, the marquee of the Apollo Theater, at 253 West 125th Street, read “Happy 90th Birthday James Baldwin.”
“We’re reclaiming him as a son of Harlem,” said Rich Blint, a Baldwin scholar and associate director in the Office of Community Outreach and Education at the Columbia University School of the Arts. The university, along with Harlem Stage and New York Live Arts, is participating in a citywide consideration of Baldwin.
In this year of all things Baldwin, some fans and scholars have expressed concern that his complex presence is fading in too many high schools. “We want to reintroduce his contemporary relevance,” said Trevor Baldwin, a nephew who attended the Saturday festivities.
The writer was known for fiery works about race and for frank portrayals of sexuality, in novels like “Giovanni’s Room” and “Another Country,” as well as for his work in the civil rights movement.
“I want people to be interested in the courage of his life choices,” Trevor Baldwin said.
The street renaming concluded with a musical procession to the National Black Theater at 2031 Fifth Avenue, between 125th and 126th Streets, with readings from “The Fire Next Time” and testimonials from those who knew Baldwin.
GARY, Ind. (AP) — Plans are in the works to name a school after Michael Jackson in the late pop star’s Indiana hometown.
The Gary Community School Board approved Tuesday a memorandum of understanding with Jackson’s mother, Katherine Jackson. The agreement that Jackson signed last month says the district “seeks to honor Michael Jackson and to inspire children to excel in the arts and education.”
District superintendent Cheryl Pruitt said she’s working with the Jackson family on which school to rename.
“A close relationship with the Jackson family to improve the quality of programs for the Gary Community School Corp. can mean tremendous gains for the school district and the city as a whole,” she told the Post-Tribune (http://bit.ly/1luhGfp ).
Michael Jackson spent the first 11 years of his life in Gary. His family moved to California after the Jackson 5 struck it big in 1969 with the release of their first album. Jackson, who died in 2009, last returned to Gary in 2003 and received an honorary diploma from Roosevelt High School near his childhood home.
Pruitt said renaming the school came up in a conversation with Katherine Jackson, who donated $10,000 during the Gary Promise scholarship event hosted by former NBA star Magic Johnson in April.
“She’s always wanted something left here,” Pruitt said.
The district has long struggled with high poverty levels, and the school board voted in June to close six of its 17 schools because of a $27 million deficit blamed in part on declining enrollment and the state’s property tax caps. article via huffingtonpost.com
CHARLESTON, S.C. (AP) — Organizers say a $75 million International African American Museum will be built beside the Charleston harbor where tens of thousands of slaves first set foot in the United States.
Charleston Mayor Joe Riley announced Tuesday that the museum will be built near where a wharf once stood in the South Carolina city where the Civil War began. During the late 1770s and early 1800s, tens of thousands of slaves crossed the wharf entering the nation. Riley says there is no better site for the museum. The location is on the waterfront, just down and across the street from the original site planned for the museum.
The project was first announced 13 years ago. Riley says construction on the 42,000-square-foot museum could begin in early 2016 with completion in 2018. article via newsone.com
Legendary comedian-actor-activist Dick Gregory will receive a coveted star on the Hollywood Walk of Fame next year, reports Variety.com.
The Walk of Fame Selection Committee announced the list of 30 honorees—which also includes iconic R&B group Kool & The Gang and super-producer Pharrell Williams last week.
“We know that the new selections represent the best of the entertainment industry and will be a great addition to the Walk of Fame for both the Hollywood community and fans from around the world who visit Hollywood every year,” Maureen Schultz, Chair of the Walk of Fame selection committee, said in a statement.
Will Farrell, Melissa McCarthy, Jennifer Garner, Peter Jackson, Eugenio Derbez, Daniel Radcliffe, Paul Rudd, Christoph Waltz, James L. Brooks, Ken Ehrlich, Bobby Flay, Seth MacFarlane, Julianna Margulies, Chris O’Donnell, Jim Parsons, Amy Poehler, Kelly Ripa, Sofia Vergara, Lukasz ‘Dr. Luke’ Gottwald, Pitbull, Al Schmitt, Raymond Chandler, Bob Kane and Larry Elder round out the diverse and sure to debated over list.
Of the 30 ceremonies planned for the recipients, approximately 24 of them will be broadcasted to a worldwide audience. article via newsone.com
Portraits of rights activists at the National Center for Civil and Human Rights. (Credit: Dustin Chambers for The New York Times)
ATLANTA — Far from his typical Broadway haunts, the director George C. Wolfe was walking through a construction site here this spring when, amid a cacophony of saws and drills, he stopped and stood before what was to become a replica of a lunch counter that he said would claw visitors back into history.
The display at the National Center for Civil and Human Rights, Mr. Wolfe said, would allow people to don headphones, rest their hands on the counter and hear a volley of heckles similar to what demonstrators heard during the civil rights movement.
“You’re in the moment,” Mr. Wolfe, the center’s chief creative officer, said, his voice rising. “You’re in the times. You’re experiencing the euphoria and the danger that was existing at the time.”
For Mr. Wolfe and the museum’s supporters, summoning the South’s past in a dramatic way is an unequaled opportunity for Atlanta to showcase a present well beyond CNN, Coca-Cola and a vast international airport. Civic boosters contend that the museum will fuel tourism, broaden the city’s reputation and become a place that could host international human rights events.
Whether the $80 million complex — backed by a mix of public and private funding, with the land donated by Coca-Cola — will fulfill the entirety of that lofty vision is a question that could take decades to answer. But Doug Shipman, the center’s chief executive, said it would be both a vivid link to the city’s rich civil rights history and a prod toward social change.
“This isn’t about specialists,” Mr. Shipman said. “This isn’t about academics. This is trying to take a 15-year-old and move them to interest and inspiration.”
The center, set along the northern edge of Pemberton Place, an area honoring the pharmacist who created Coca-Cola, is scheduled to open on Monday and will be the latest Southern museum to honor the region’s civil rights heritage. Birmingham, Ala., and Memphis are among the cities that host popular museums, and another is planned in Jackson, Miss.
The late Miles Davis (1926-1991) was an icon who changed the world of jazz and music forever. This Memorial Day, also the birthday of the beloved trumpeter, New York City will honor his legacy with a block party celebrating the official unveiling of “Miles Davis Way” (West 77th Street between Riverside Drive and West End Avenue). This location is the site of Davis’ infamous, former brownstone, where he lived for nearly a quarter of a century and created some of his best music.
I recently had the opportunity to chat with Miles Davis’ son Erin and nephew Vince Wilburn, Jr. for my podcast Whine At 9. The cousins shared their feelings about this special upcoming honor, their own music careers, and their family’s role in keeping the Miles Davis legacy alive.
When it comes to New York City’s block party celebration of his father, Miles’ son Erin admits, “We couldn’t be more excited–we’re just trying to wrap our heads around the whole situation.” He and cousin Vince, along with sister Cheryl Davis oversee Miles Davis Properties LLC and are intimately involved with maintaining the integrity and creativity of the music great’s legacy. The family plans to be in New York City to participate in this special honor.
MEMPHIS, Tenn. – The Lorraine Motel in Memphis holds a historic place in world history. Dr. Martin Luther King Jr. was assassinated there on the hotel balcony near his room on April 4, 1968. The site is now home to the National Civil Rights Museum and today, Saturday April 5, the museum will re-open to the public after $27.5 million of renovations.
“This museum after 22 years needed to be updated,” said Faith Morris, the museum’s director of marketing, governmental and community affairs. “[It] needed more technology, needed to be more engaging to a younger generation so that folks could really be a part of what the movement was about.”
The museum officially opened in 1991 and incorporates not only the historic motel, but the building across the street where James Earl Ray is alleged to have fired the fatal shot.
One new exhibit chronicles the trans-Atlantic slave trade and the economics of slavery in America from 1619-1861. There is an entire exhibit space dedicated to the ‘Black Power’ movement and its influence on policy and culture. Old exhibits have been enhanced with more audio/visual aids, touch screens and films touching on the different eras of the Civil Rights Movement.
Museum leadership said the renovations and fundraising efforts were critical to keep pace with the “2014 museum consumer.” The campaign to raise funds started in 2008 but because of the economic collapse, organizers regrouped in 2010 when conditions improved.
“People no longer want to walk through museums and experience a book on a wall,” said Beverly Robertson, the museum’s president. “When we opened in 1991, that was OK – because that was the museum experience. But times change. Technology changes.”
Robertson said it took “countless miracles” to raise the money and convince the museum’s board that the technological overhaul was necessary for the NCRM to thrive for many years to come. She said she is pleased with how well design teams, scholars, researchers and her staff adapted to the changing times.
“It’s a transformative experience,” Robertson said. “It’s an experience [visitors] won’t get anywhere else because it talks about the seminal events of the movement and it does it in ways that allows this history to resonate with those who are 8 years old or 80.” article by Todd Johnson via thegrio.com
The former World heavyweight champ, who passed away three years ago at age 67 from liver cancer, was actually born in Beaufort, South Carolina but settled in Philly and called the city home.
