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African Billionaire Tony Elumelu Launches $100 Million Dollar Program for African-American Entrepreneurs

By goodblacknews on October 16, 2015
African billionaire Tony Elemelu and President Barack Obama (photo via financialjuneteenth.com)

Tony Elumelu, an attributed philanthropist and African billionaire, is a stellar businessman with specialized training in economics, seeking to change the economic standing of those in the African-American community.  Elumelu chairs Heirs Holdings and Transcorp, and is also the founder of the esteemed Tony Elumelu Foundation.
In 2014, Elumelu, along with other prominent American and African business moguls, partnered to form a summit in Washington DC that consisted of more than 45 African and American business heads, along with 50 African business leaders. The common theme of the platform was to see to the improvement in the economic stance of Africans, as well as African-Americans, and to create advancement opportunities for all who interacted.
Elumelu’s statements to the media explained that the summit presented a promising opportunity for individuals to make positive returns on contributions made to valuable incentives around the Atlantic. He expressed that this was not mere chatter, but an outlet to expose those involved to greater opportunities in business growth.
Speaking to the Wall Street Journal, Elumelu said, “An opportunity to move beyond the usual conversations on aid and instead explore new opportunities to collaborate and co-invest in initiatives that generate value on both sides of the Atlantic.”
Elumelu also spoke with Black Enterprise on his vision for a real partnership between the United States and Africa, not just a relationship of providing aid, but trade as equal partners, engaging investors and the need for consistent electricity.
“We should welcome the fact that the journey has finally begun. I like the nature of the imagined engagement between Africa and America. President Obama’s visit to Africa last year was the starting point,” Elumelu says. “The fact that they have realized the need to engage with Africa at the scale and magnitude that they are going about it now is welcome.”
His foundation is also playing its part in reaching out to minority and women-owned businesses. “The Tony Elumelu Foundation will launch an entrepreneurship program with 100 million dollars that will touch 10,000 entrepreneurs across Africa and the United States,” he says. “We will train and mentor them and create platforms for them to have commercial business engagements.”
The vision set forth by Tony Elumelu is one that he believes merges more than simple aid; it creates a solid partnership between Africa and the U.S. It’s the beginning of a business journey that takes a different, but more rewarding, path for all of those invested. The trip to Africa taken by President Obama was another key indicator that steps are being taken in the right directions to strengthen business ventures between Africa and America.
This newly-formed relationship between Africa and the U.S is one that can create a positive mode of growth for African American entrepreneurs who stay the course and take the route the foundation has designed. The overwhelming occurrences of negativity surrounding African Americans in the press makes it necessary for many to find outlets that help them reach their full business potential. The summit created the opportunity and the foundation’s program provides the means to capitalize on the opportunity.
article by Angela Wills via financialjuneteeth.com

Jamaican Novelist Marlon James Wins Man Booker Prize

By goodblacknews on October 14, 2015
Marlon James won the 2015 Man Booker Prize for "A Brief History of Seven Killings" on Tuesday.
Marlon James won the 2015 Man Booker Prize for “A Brief History of Seven Killings” on Tuesday.  (photo via cnn.com)

Marlon James, the Jamaican novelist, has won the prestigious Man Booker Prize for Fiction for “A Brief History of Seven Killings,” his fictional retelling of the 1976 attempted murder of Bob Marley.

James, 44, who now lives in Minneapolis and teaches at Macalester College, is the first Jamaican author to win the prize in the British award’s 47 years. It’s also the first for his publisher, Oneworld Publications.

‘It is a crime novel that moves beyond the world of crime and takes us deep into a recent history we know far too little about. It moves at a terrific pace and will come to be seen as a classic of our times,” said Michael Woods, chairman of the judging committee.

James didn’t expect to wow the critics, but that’s what he did with his 686-page epic novel.

“It’s like a Tarantino remake of ‘The Harder They Come’ but with a soundtrack by Bob Marley and a script by Oliver Stone and William Faulkner, with maybe a little creative boost from some primo ganja,” wrote Michiko Kakutani in The New York Times.

“It’s epic in every sense of that word: sweeping, mythic, over-the-top, colossal and dizzyingly complex. It’s also raw, dense, violent, scalding, darkly comic, exhilarating and exhausting — a testament to Mr. James’s vaulting ambition and prodigious talent.”

James’ other works includes two novels, “John Crow’s Devil” (2005) and “The Book of Night Women” (2009).

Last year, the prize was opened to any novel published in Britain and written in English. In previous years, winners had to come from Britain, Ireland, Zimbabwe and Commonwealth nations.

article by Katia Hetter via cnn.com

Laurence Fishburne to Star in Nelson Mandela Miniseries ‘Madiba’ for BET

By goodblacknews on October 4, 2015

Laurence Fishburne Nelson MandelaLaurence Fishburne is set to play the lead role of Nelson Mandela in Madiba, a miniseries for BET Networks executive produced by the late South African hero’s grandson Kweku Mandela. The six-hour mini, directed by Kevin Hooks (Prison Break), is based on two Mandela books, Conversations With Myself and Nelson Mandela by Himself. Named after Madiba, the Thembu clan to which Nelson Mandela belonged, the project tells the story of a younger Nelson Mandela during the early-60s as he deals with the political unrest engulfing South Africa.

Madiba will be produced and financed by Toronto-based Blue Ice Pictures and also produced by UK-based Left Bank Pictures and South Africa’s Out of Africa Entertainment in association with Fishburne’s Cinema Gypsy Productions. Blue Ice Pictures president Lance Samuels executive produces alongside Kweku Mandela of Out of Africa and Daniel Iron, Neil Tabatznik, Steven Silver, Andy Harries, Marigo Kehoe and Loretha Jones.
Pre-production will begin later this year, with production slated for early 2016 in South Africa.
nelsonmandelabyhimselfconversationswithmyslef“Nelson Mandela’s journey of political activism and leadership is deeply inspirational and we are proud to have the talented and award-winning actor Laurence Fishburne join Madiba to tell this triumphant story” said Stephen Hill, President of Programming, BET Networks.
Fishburne executive produces and co-stars on the ABC comedy series Black-ish and will be seen next summer in Batman vs Superman: Dawn Of Justice. He recently signed on to star in the A&E remake of Roots and is in production on Sony’s romantic sci-fi drama Passengers starring Chris Pratt and Jennifer Lawrence.
There have been a number of feature and TV movies about Mandela, with the Nobel Peace Prize-winning anti-apartheid activist and political prisoner-turned-president portrayed by such actors as Morgan Freeman, Sidney Poitier, Idris Elba, Dennis Haysbert, Terrence Howard and Danny Glover.
article by Nellie Andreeva via deadline.com

Obama Allocates $300,000,000 to Fight HIV Infections in Young Women in Africa

By goodblacknews on September 27, 2015
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President Barack Obama (PHOTO BY ALEX WONG/GETTY IMAGES)
In an effort to combat HIV infections in girls and young women in 10 sub-Saharan African nations hit hardest by the virus, the Obama administration recently announced a $300 million program to help reduce the growing numbers according to The Associated Press.
The administration hopes to see a “25 percent infection reduction in females between ages 15-24 by the end of next year and a 40 percent reduction by the end of 2017,” the report says.
“No greater action is needed right now than empowering adolescent girls and young women to defeat HIV/AIDS,” said National Security Adviser Susan Rice of the program credited with saving millions of lives in Africa, writes The AP.
The new goals represent the next phase of the program, which was started by President George W. Bush and broadened by President Barack Obama, the report says.
The Obama administration releaased the new targets before “a U.N. summit on development goals for lifting people around the world out of poverty. Obama is scheduled to address the development meeting on Sunday,” writes The AP
About half of all new HIV infections among girls and young women last year are from the 10 countries countries targeted by the new initiatives, including Kenya, Lesotho, Malawi, Mozambique, South Africa, Swaziland, Tanzania, Uganda, Zambia, and Zimbabwe, The AP says.
Read more at The Associated Press
article by Lynette Holloway via theroot.com

Forest Whitaker Works on Training Youth and "Overwhelming the World with Good" Through the Whitaker Peace & Development Initiative

By goodblacknews on September 24, 2015
UNOCHA
Forest Whitaker (photo via huffingtonpost.com)
Three days ago, the world celebrated its 34th International Day of Peace. Two days from now, leaders from around the globe will gather at the United Nations and pledge their commitment to 17 Sustainable Development Goals, among them, Goal 16, promoting peace and justice. This week, then, is a perfect occasion for us to reflect on a concept that we all strive toward but whose true meaning often escapes us.
We usually think and talk about peace as the absence of bad things. Peace is a lack of war. Peace is a lack of violence. But true peace isn’t just the absence of bad; it is the presence of good. Peace is people having their most-basic human needs met. Peace is people exchanging knowledge and ideas. Peace is people sharing an abiding and mutual respect. Peace is people working together toward a common goal.
On the surface, this might seem like a small, semantic distinction. But, in practice, the difference between a negative peace — the absence of bad — and a positive peace — the presence of good — carries enormous consequences.
Over the past 10 years, I’ve worked with hundreds of former child soldiers. I’ve seen firsthand that, for these young men and women who have been forced to commit some of the most brutal atrocities imaginable, it is not enough to simply remove the violence from their lives. We can take a young man out of an army, but unless we fill that void with something positive — with an education, a job, a community — he is not truly free. He is still a soldier at heart, and when the next conflict breaks out five or 10 years in the future, he will be among the first recruited back to the battlefield.

True peace isn’t just the absence of bad; it is the presence of good. – Forest Whitaker

For these children — and in the world around us — building a lasting peace requires not only that we end conflicts and violence, but that we build societies that allow all women and men to learn freely, to become active participants in their local economies, and, most importantly, to feel safe in their homes and villages.
This principle is especially relevant in South Sudan, a country that has been at the forefront of my thoughts recently. A few weeks ago, the South Sudanese government and rebel forces finally signed a peace agreement after a 20-month civil war that has resulted in an unbearable amount of human suffering — tens of thousands of deaths and the displacement of approximately 2.2 million people. This peace agreement is an important step in the right direction, and all of us in the international community hope that both sides honor its terms. But even this cessation of violence is no guarantee of a true peace.
The agreement makes me optimistic that the people of South Sudan will soon have some relief from this terrible conflict, but what truly gives me hope for that nation’s future are the remarkable young women and men I’ve met and worked with there. I’ve spoken with youths at the protection-of-civilians camp in the capital city of Juba who, in spite of all they’ve been through, speak with such unwavering passion about working together to rebuild their country. I’ve met teachers who have told me how excited they are to finish their training and go back to their communities and help ensure that every child in South Sudan receives the education she or he deserves. I have seen women and men reaching across ethnic lines to warn others of danger and coming together to advocate for non-violence and reconciliation.
That is what true peace — a positive peace — entails. All of these young women and men have identified some need in their communities, and they have been working in whatever way they can, despite the violence, to fill that need. Their courage is an example for us all.

Actor/Producer Idris Elba and Director Thomas Ikimi Land Deal with Fox to Develop TV Drama "The Crusaders"

By goodblacknews on September 10, 2015

elbaikimi
Getty Images

Fox has put in development The Crusaders, an hourlong drama series from Legacy writer-director Thomas Ikimi, the 2010 film’s star Idris Elba, Legendary TV and studio-based Di Bonaventura Television.
Written by Ikimi, The Crusaders, which has a script commitment, focuses on an extended family of second-generation Africans living in the U.S. who specialize in locating and returning valuable objects stolen from Africa during colonial occupation. UK-born Ikimi and Elba are both of African descent. Elba executive produces the project through his Green Door Pictures, along with Ikimi through T&T Studios and Lorenzo di Bonaventura and Dan McDermott via Di Bonaventura Television.
Elba previously executive produced Fox’s Luther remake, which went to pilot stage but has had problems casting the lead, played by Elba in the original British series.

Ikimi’s short film Nostradamus premiered at this year’s Tribeca Film Festival.
article by Denise Petski via deadline.com

Hula-Hooping Wonder Marawa Ibrahim Celebrates Guinness World Records Inclusion

By goodblacknews on September 10, 2015
The 33-year-old Australian managed to twirl 160 hoops around her three times.

 A hula-hooping queen took over Manhattan on Wednesday as part of a tour celebrating her inclusion in the new Guinness World Records book.  Jaws dropped and cell phones were thrust into the air as Marawa Ibrahim showed off her supernatural hula-hooping skills in Bryant Park.

The 33-year-old Australian broke the record for the most hula hoops spun simultaneously — somehow managing to twirl 160 hoops a full three times around her 5-foot-4-inch frame.
Ibrahim grew up reading Guinness books and long dreamed about someday making it inside the famed tome.  “It was one of the absolute greatest days of my life because I wanted it for so long,” Ibrahim said of the day she learned she had shattered the old record of 132 hoops.
But Ibrahim is not planning to retire her hoops anytime soon. She has her sights — and hips — set on taking the hula-hooping-while-running crown.

“It’s kind of addictive,” she said.

The Guinness World Records 2016 edition will be available starting Thursday.  To Ibrahim’s in motion, you can catch her in the video below around the 1:40 mark:
https://youtu.be/zuUoNtospYE
article by Rich Schapiro via nydailynews.com

Mario Macilau, a Former "Street Child" in Mozambique, Becomes Top Photographer Through Exhibitions on Isolated Groups

By goodblacknews on September 9, 2015

As a boy, I dreamed of becoming a journalist. But then I got caught up with day-to-day troubles. When your life is full of worry it is like the future does not exist.
When I was about seven, my father left our home in a township near Maputo and travelled to South Africa to look for work. I was older than my sisters and had to help bring in some money. So I started to take my mother’s biscuits into town to sell in the market.
I got into doing odd jobs in the market – washing people’s cars and helping to carry their bags. Instead of going home, I often slept overnight in the market with my friends.

Showering by Mario Macilau
A boy washes himself with soap before a meeting with charity workers (Image copyright: Mario Macilau)

It wasn’t very safe. We had nowhere to keep anything, so we stole from one another. I got into some bad habits – minor criminality, but it was a question of survival. Dog eat dog.
My mother tried several times to send me to school but she just couldn’t afford the fees. But all this time I was learning – I read books, and through volunteering with NGOs I learned English.
When I was about 14, I borrowed a friend’s camera. I started to take photographs of my surroundings, documenting people from the townships as they travelled to the city to sell their things. They were black-and-white photos, which I developed in a darkroom I made in my mother’s house. I was teaching myself how to do things, practising whenever I could, but it was difficult for me to pay for the film and the chemicals.

Dreaming of Sunset by Mario Macilau
Street children live as nomads, moving from one point to the next with nothing but a little water and hand towels to wash cars. Macilau says they mostly sleep during the day because they are scared of night-time attacks by policemen, many of whom used to be street boys. (Image copyright: Mario Macilau)White line 10 pixels

My favourite photograph was taken near the township where I grew up early one morning. It was of a woman walking into town to sell cassava. She had her back to the camera and it was raining.

CULTURE: West Indian American Day Parade Comes Together One Costume at a Time

By goodblacknews on September 7, 2015
Karen Maynard putting the finishing touches on a headdress for Monday’s parade. (Credit: Michelle V. Agins/The New York Times) 

Reisha Maynard-Holder meticulously cut patterns for a collar out of foam rubber as a fan whirred in the sweltering heat. Next, she turned her attention to feathers, attaching them to the collars one at a time with a glue gun. It was another grueling evening in a monthslong effort to create some of the most elaborate and spectacular costumes seen on the streets of New York.

“These are our summers,” said Mrs. Maynard-Holder, one of hundreds of people who prepare the costumes worn in the West Indian American Day Parade, scheduled for Monday morning. More than 5,000 people were expected to take part in the parade, a tradition known as “playing mas.” And, over a million people are expected to gather on Eastern Parkway in Brooklyn for the event, which celebrates Caribbean culture with food and music. But the real stars of the parade are the bright array of costumes, visually stunning concoctions of feathers and beads, with headdresses often rising several feet in the air.

“The costumes are a symbol of the flair and vibrancy of the culture and demonstrate the pride of the Caribbean,” Jamell Henderson, spokesman for Karma Carnival NYC Band, said. “They are the centerpiece and main attraction.”

The “Heaven” costume. (Credit: Marlon Smart)

Making the costumes often begins a year in advance, shortly after the parade ends, with the bands — as the groups that participate are called — selecting themes in the fall and fabric samples in the spring. Fashion shows displaying prototypes are held in early summer, followed by production until Labor Day.

Black Victorian Photos Exhibit "Black Chronicles II" at Harvard University's Cooper Gallery Through December

By goodblacknews on September 6, 2015
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“We are not what we seem.” When the iconic novelist Richard Wright wrote those words, in 1940, he was describing the African-American experience. As a stunning new exhibit at Harvard University’s Ethelbert Cooper Gallery shows, the complexity of seeing and identity took its own twists on the other side of the Atlantic when the relatively new art of photography began producing images of people of color in Victorian England.
In more than 100 photographs, including a striking set that has been lost for more than 120 years, “Black Chronicles II” reveals a mash-up of racist imagery and cultural tropes that in many ways will be familiar to American viewers — and still often reveals the timeless humanity of the subjects.
Current issues of cultural identity and self-determination are at the fore of the exhibit, says gallery executive director Vera Grant, although the works themselves were largely made from 1862 to 1899. Curated by Renée Mussai and Mark Sealy of the London-based arts agency Autograph ABP, “Black Chronicles II” was produced through original research in private collections in the United Kingdom in collaboration with the Hulton Archive, London, a division of Getty Images. Part of a larger ongoing project called “The Missing Chapter,” it is the second in a series of exhibitions dedicated to excavating archives that began in 2011 with a small showcase done in collaboration with Magnum Photos in London.
570-Black_Peter Jackson Photo Hi
Despite the anonymity of many of its subjects (research is ongoing), “Black Chronicles II” reveals the complicated nature of life for people of color in Victorian England. Ndugu M’Hali, for example, came to the public’s attention as Kalulu, the boy servant of the explorer Sir Henry Morton Stanley. In this show, he is depicted several times, in both African and Western dress, a child between cultures.
A more formal series of small portraits — largely cartes de visites, or calling cards — opens the exhibit. These include images of Sarah Forbes Bonetta, a native of West Africa who was “given” to Queen Victoria as a slave and raised as her goddaughter. In two portraits from 1862, one with her husband, she appears the essence of a calm, well-dressed Victorian lady, despite her tragic history.