Happy Women’s History Month! Welcome to another Music Monday at GBN. Your monthly groove wrangler is back with a new collection for your musical pleasure.
When discussing Jamaica’s greatest reggae producers, names like Lee “Scratch” Perry, Clement “Coxsone” Dodd, King Tubby,Bunny Lee, and Joe Gibbs are frequently bandied about. However, Sonia Pottinger—the “First Lady of Reggae”—is seldom included in that conversation.
Against all odds, Pottinger became a formidable force in Jamaica’s male-dominated music industry as the country’s first female record producer, record shop owner, and label head. Today, we are shining an audio light on her incredible work.
Affectionately known as “Miss P,” she was one of Jamaica’s most noteworthy producers from the 1960s through the 1980s. She excelled through an individualized approach to production bolstered by keen business acumen, leaving behind a catalog of outstanding breadth and quality.
Reggae producer Sonia Pottinger (photo via reggaereport.com)
From the rocksteady craze of 1966 and ’67 to the classic roots reggae recordings of The Gladiators, I have gathered this collection of Sonia Pottinger’s essential tracks.
Please enjoy!
As always, stay safe, sane, and kind. See you next month for another dose.
by Lori Lakin Hutcherson, GBN Founder and Editor-in-Chief
You’ve likely heard of Jack Johnson, the first Black world heavyweight champion boxer and Jesse Owens, the first Black world champion sprinter. But have you ever heard of Marshall “Major” Taylor, the first Black world champion of cycling?
Taylor not only was the first African-American world champion in cycling, he might have been the first internationally known sports celebrity ever.
Born in 1878 in Indianapolis, Taylor was one of eight children and the son of a formerly enslaved Civil War veteran. In his youth, Taylor was given a bicycle by the wealthy family his father Gilbert worked for, and was soon earning money delivering newspapers and riding barefoot for miles a day.
When he wasn’t working his paper route, Taylor mastered several stunts and tricks on his bicycle. To drum up business, Taylor was hired by a local bicycle shop to dress in a military uniform and perform his feats in front of the store – and it worked.
Marshall “Major” Taylor (photo via wikipedia commons)
Taylor was nicknamed “Major” and was soon hired to work for the shop full-time. By the 1890s, America was experiencing a bicycle boom, so shop’s owners also entered Taylor into local cycling races, which he easily won.
Though Taylor was prevented from joining any local riding clubs, he kept competing and winning. When there were “whites only” races, friends would smuggle him in and though he couldn’t officially compete, his times could be measured.
At 17, Taylor knocked two-fifths of a second off the world record held by professional racer Ray MacDonald. Taylor’s time could not be submitted for official recognition, but everyone watching the race knew what they had witnessed. Major Taylor earned a second nickname: “The Black Cyclone.”
Taylor soon became a professional racer and won 29 of the 49 races he entered. By 1899, he won the cycling world championship officially, and the victory earned Taylor widespread fame.
Even so, Taylor remained barred from cycling races in the South. Even when he wasn’t, racist spectators would at times throw ice or nails at him, and several white cyclists would jostle him, shove him or box him in.
Taylor started using his competitors’ hatred as fuel — in order to ensure that he wouldn’t be physically accosted or pulled from his bike, he would ride several lengths ahead and stay there.
At the end of a one-mile race in Massachusetts however, cyclist W.E. Becker, upset he finished behind Taylor, pulled Taylor to the ground after the race. “Becker choked him into a state of insensibility,” the New York Times reported, “and the police were obliged to interfere. It was fully fifteen minutes before Taylor recovered consciousness.” Becker was fined $50 for the assault.
After that, Taylor started competing in Europe, where a Black athlete could ride
without fear of racially-motivated violence. Promoters shifted events from Sundays to accommodate Taylor, who refused to race on the Sabbath. In 1902, Taylor dominated the European Tour, winning the majority of races he entered and cementing his reputation as the fastest cyclist in the world.
Taylor in Paris 1902
Reportedly earning $30,000 a year, Taylor raced consistently for the rest of the decade, making him one of the wealthiest athletes of his day, Black or white. But as the automobile emerged as a more exciting mode of movement, mass interest in cycling began to ebb.
In 1910, 32 year-old Taylor retired, living off his sizable earnings. But by 1929, with the Wall Street crash and some other bad investments, Taylor’s fortune was all but wiped out. He self-published his autobiography, The Fastest Bicycle Rider in the World in 1929 and spent the last years of his life in Chicago selling it door-to-door. When Taylor died in 1932 at 53, he was buried in a pauper’s grave at the Mount Glenwood Cemetery in Chicago.
When some former racing stars learned of this, they convinced Frank Schwinn, owner of the Schwinn Bicycle Company, to have Taylor’s remains exhumed and transferred to the cemetery’s Memorial Garden of the Good Shepherd and mark it with a bronze tablet that reads: “Worlds champion bicycle racer who came up the hard way —Without hatred in his heart—An honest, courageous and God-fearing, clean-living gentlemanly athlete. A credit to his race who always gave out his best—Gone but not forgotten.”
Happy Music Monday! It’s your monthly Groove Agent back with another playlist on this Reverend Martin Luther King Holiday. Today we are celebrating the life and music of the legendary Fela Kuti.
He famously asserted “Music is the weapon. Music is the weapon of the future.” and some nearly 30 years after his death in 1997, his music is still inspiring generations.
Fela Kuti has been described as Malcolm X, James Brown, Bob Marley, Muhammad Ali, and Dr. King all rolled into one defiant package. All contemporary forms of Black music, from funk to hiphop, owe debt to the driving grooves of the Afrobeat genre that he created.
Fela recorded more than 60 albums and spent a lifetime fighting against political corruption in his homeland of Nigeria. He was in a decades-long cycle of recording music, being arrested and beaten for it, making a song about that – REPEAT. In his homeland and around the world he was affectionately called “Black President.”
This collection was inspired by Jad Abumrad’s “Fela Kuti: Fear No Man” podcast. It’s a twelve- episode exploration of Fela Anikulapo-Kuti and an amazing deep dive into the life and legacy of the multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat.
Kuti endures as one of the most important musical figures of the 20th century.
It’s your friend and selector, Marlon West, with another collection for GOOD BLACK NEWS. GROOVE CHRISTMAS 2025 is an eclectic mix of Christmas music, much of which was released this year.
This collection features favorites from Donny Hathaway, Nina Simone, Lou Rawls and John Legend, alongside recent releases by artists like Rebel Rae, Aloe Blacc, Alex Harris and CoCo Jones. I’ve also included selections from Duke Ellington’s classic 1960 “Nutcracker Suite” as a unifying thread.
I hope this seasonal collection introduces you to new classics and favorites to enjoy this year and beyond.
Happy Music Monday, you all. It’s your pal and selector, Marlon, back once more with a collection to brighten your month.
We are into July and for my money, a particularly good time to enjoy some sweet reggae music.
This “Fresh Reggae Tracks” playlist is devoted to new reggae. Many of these tracks were released this year, while others are from recent years. Reggae has always been infused with social change, love, and unity.
Today the genre is as vibrant and diverse than ever. This collection gathers roots, dancehall, dub, and hip hop to showcase range of artists and styles.
Aza Lineage, Lila Iké and Burna Boy are but a few of the artists featured in this collection. There are members of the Marley Family and emerging acts gathered here for your listening and dancing pleasure.
While Reggae is a true import from Jamaica, it really gained a global footing in England. It and Punk both arose out of the economic depression and social inequality in the late 1960’s and 1970’s.
Many Reggae songs of the time like Bob Marley’s “Punky Reggae Party” and “Concrete Jungle” were overt commentary on life in London, while many Punk artists adopted some of these traits and spreading a message of rebellion against the Establishment.
He was not the only one to see that punks and Rastas shared a same idea of freedom and of rebellion against social norms and the setting of said norms.
Hope you enjoy this free-wheeling collection of songs celebrating the intersection of Reggae and Punk. As always, stay, safe, sane, and kind.
I’ve included tracks for the “Second Wave” of ska where bands like The Specials, English Beat, and Selector combined traditional ska song and grooves with a sped-up rhythms of punk music, introducing ska to new generations.
I’ve also included tracks from “Rocket To Kingston” credited to Bobby Ramone. It is a melding of the isolated vocal tracks from Bob Marley dropped over edited Ramones backing tracks. It shouldn’t work, but it does.
Welcome to the holiday season, Good Black News family! We hope you had a wonderful Thanksgiving – and are counting down the 25 days of Christmas now that it’s December.
In what’s become a holiday tradition, we’ve updated our now massive Black Christmas music Spotify playlist with a whole heap of new songs. The month of November was spent searching far and wide across the internet for new releases, old classics now on Spotify, and other tunes and artists we missed in previous years.
We’ve now got over 700 songs across 40+ hours (and we’ll add more if some crucial tunes get released in the next few weeks) – with the goal to be one of the most definitive Black Christmas playlists around.
If you’re still subscribed to the list from a previous year, we’re here to let you know it’s now updated and bigger/better than ever.
If you’ve not subscribed, check it out while you are wrapping presents, baking cookies, decorating your tree, or just sitting cozily in front of a nice roaring fire, with football on mute in the next room.
As a reminder, we set out to make a mainstream Christmas radio station that you can use in the background all season long. But in the GBN tradition, the focus is on Black artists (plus occasional duet partners and a little Robin Thicke).
While other holiday radio focuses on Brenda Lee and Bing Crosby, we’ve got Ella Fitzgerald and Nat King Cole. When they play Michael Buble, we play John Legend, or Hamilton star Leslie Odom.
Of course, we’ve got The Jackson 5, Donny Hathaway, the original Eartha Kitt version of “Santa Baby,”Stevie Wonder, and two different renditions of The Temptations doing “Silent Night.” And just like everyone else, Mariah Carey!
We’ve sequenced the list carefully – so that you don’t overload on the same songs, tempos or artists too frequently. You can just let it play – or hit shuffle. Or you can even use it as a base of songs to edit down into your own personal list of favorites.
In addition to soul and pop, there’s some jazz, some gospel, some blues, some a capella, and even disco, reggae and Black country in the mix. Hopefully you find all the classics you need, and some brand new surprises you didn’t know you wanted.
This year’s big new Christmas releases include albums from Brandy (currently starring in the new Netflix hit Best. Christmas. Ever!), jazz star Gregory Porter, and hot new soul star October London.
Ace producer Adam Blackstone has assembled an album with friends that include Keke Palmer and Boyz II Men. And on the traditional side, Grammy-winning Best New Artist Samara Joy has issued an EP, and the legendary Johnny Mathis has issued new tracks as well. We’ve got a couple songs from all of these.
I’m back with another collection in my “Afro” playlist series — “AfroBeatles.”
Earlier this month the first new Beatles song “Now And Then” dropped with the help of master filmmaker, Peter Jackson, and the surviving members. It is the first new release from the group in 45 years.
The Beatles are rightly known for the unmatched songwriting partnership of John Lennon and Paul McCartney. Towards their later years, George Harrison and Ringo Starr also pitched in with originals. Together, the group created a body of work that inspired no shortage of covers.
Few songwriters have been so thoroughly covered as Lennon/McCartney, and the diversity of Beatles covers is a tribute to their indelible mark on pop music. Here at Good Black News, we are going to focus on the covers by Black artists around the world.
The Beatles (and The Rolling Stones) cut their teeth opening for Little Richard; both bands came away forever altered by his singing style and stage presence.
Paul McCartney and Mick Jagger have made no secret of biting his vocal stylings and dance moves. When it came to doing covers they overt about acknowledging it.
On their first five albums of 1963-1965, almost all of the covers were originally recorded by Black soul artists, including Arthur Alexander’s “Anna (Go To Him)”, The Cookies’ “Chains”, The Shirelles’ “Boys” & “Baby It’s You”, The Top Notes’ “Twist & Shout”, The Marvelettes’ “Please Mr. Postman”, The Miracles’ “You Really Got A Hold On Me”, The Donays’ “Devil In Her Heart”, Barrett Strong’s “Money (That’s What I Want)” and Larry Williams’ “Dizzy Miss Lizzy.”
They are all included here, including their versions of Chuck Berry, Little Richard, and other greats of Soul giants, though the lion’s share of the collection is devoted to R&B, reggae, ska, and jazz covers of Beatles songs.
Here are hours of Beatles music by Stevie Wonder, Bill Withers, Nina Simone, Marica Griffiths, Gary Clark, Jr., and so many others. Please enjoy AfroBeatles!!
K Dot is making his mark on the world of music yet again.
According to Variety.com, Grammy Award and Pulitzer Prize-winning artist Kendrick Lamar and Dave Free‘s company, pgLang, is teaming up with philanthropic organization Global Citizen to create a major music touring circuit across the continent of Africa.
The initiative’s kickoff event Move Afrika: Rwanda, is slated to take place Dec. 6 with Lamar as the headliner.
Additionally, over the next five years, pgLang has committed to curating more “Move Africa” shows, with an expansion to producing shows in Rwanda’s neighboring countries by 2025.
“Global Citizen has been operating on the continent since our very inception,” says Global Citizen co-founder and CEO Hugh Evans, whose organization is renowned for its all-star consciousness-raiser concerts. “We were honored to be there to celebrate Mandela’s 100th anniversary in 2018, alongside Beyonce and Jay Z and so many incredible artists.
The CEO noted that Lamar has a history with his org that goes back to first performing at a Global Citizen Festival back in 2016. “I sat down recently with Kendrick and the pgLang team, and whether it’s Kendrick, Dave Free, Anthony or their entire team, they all share this massive passion to see that touring across the entire continent would become as prolific as it has become across Latin America, across North America, across Europe, across Australasia and across so many other continents.
“pgLang are going to be involved in every aspect of this initiative. They’re going to be involved from a musical curation point of view, helping to determine which artists are involved following in Kendrick’s footsteps. But they’re also going to be involved creatively as well, thinking through the creative rollout of the campaigns over the years, the look and feel, and the global broadcast. They really have become partners in this endeavor. And personally, I can’t think of anyone better on the planet than Kendrick Lamar and pgLang to be the curator. Kendrick has spent so much time on the continent himself; he’s so passionate about it. So when they said that the first performance that he does on the continent will be with Move Afrika, it’s a huge honor for this initiative.”
“The most exciting thing, honestly, is the hunger I see from the artist community to achieve this dream. I don’t think this is Global Citizen’s dream per se; I think this is the world’s dream,” he says. “I think everyone has dreamed of doing this, and we’re just working to modestly try to create some scaffolding around it. In fact, probably not a week goes by when I don’t speak to an artist about their dream to do more across Africa.”
To learn more about Move Afrika, including how to obtain tickets for the December show, go to this Global Citizen page, or via text on WhatsApp at +250 790 008 555.
Happy Labor Day, y’all! It is no toil for me to offer up another playlist on this holiday Monday.
After June’s AfroBowie collection, our editor-in-chief, Lori Lakin Hutcherson, suggested a few more in a series of collections of rock musicians inspired by and in collaboration with Black artists.
So here is the second offering: AfroZeppelin. While David Bowie championed and collaborated with Black music-makers throughout his long career, Led Zeppelin’s connections were not as overt.
Outselling the Beatles and toppling them as icons of a new era of rock and roll, Zeppelin was the perfect combo of the Delta blues, London’s swinging scene and the myriad of cultural influences.
The influence of the street-tough Chicago blues of Muddy Waters and Howlin’ Wolf taught them much about swinging boogie. Over the decades many of their famous riffs and lyrics would come under fire. The allegations have brought several lawsuits as well, most of them settled out of court discreetly.
In the case of “Whole Lotta Love”, the song credits were later amended to include Willie Dixon, who claimed Robert Plant used his lyrics from “You Need Love”.
“The Lemon Song” is an expansion of a musical phrase featured in Robert Johnson’s “Traveling Riverside Blues”.
I’ve gathered many of the songs covered and referenced by Led Zeppelin, and their own versions of said tracks. Of course, they have been covered many times themselves.
I’ve included Zeppelin covers by Mary J. Blige, Lizz Wright, and Stanley Jordan. You’ll also find many classic cuts that feature Led Zeppelin samples too.
Here’s Beyoncé, Ice T, Jurassic 5, D12, Dr. Dre, Beastie Boys and many others.
This collection of great tracks stands as another example that no artist creates in a vacuum. Whether the influences are readily acknowledged, each creator makes offerings informed by what came before.
Do enjoy! Until next month! Stay safe, sane, and kind.
