For #JazzAppreciationMonth, we explore the term “bop” — a word often used today to describe a song with a good groove. I
ts musical reference origins however, are rooted in the early 1940s when “bop” was used to describe an new and exciting intricate form of jazz. To read about it, read on. To hear about it, press PLAY:
[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, April 26th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
It’s in the category we call “Lemme Break It Down,” where we explore the origins and meanings of words and phrases rooted in the Black Lexicon and Black culture. Today’s phrase is another one in honor of #JazzAppreciationMonth… “Bop.”
“Bop” is a slang term most currently used to mean a really good song, but originally used to reference the jazz genre “bebop,” “rebop” or “hard bop.”
Invented in the 1940s and 1950s by musicians like Charlie Parker, Dizzy Gillespie, Sonny Rollins, Charlie Christian, Max Roach, Miles Davis, Mary Lou Williams and Thelonious Monk – right now you’re listening to the song called “Be-Bop” by Dizzy Gillespie, originally written, recorded and released by him in 1945.
The “bop” style of playing consisted of intricate phrasings and harmonic improvisations over chord melodies of standards as well as original compositions. Dizzy Gillespie even titled his 1979 autobiography To Be or Not to Bop.
To learn more about the term “bop,” links to sources are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.
This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.
Intro and outro beats provided by freebeats.io and produced by White Hot.
The excerpt from “Be Bop” by Dizzy Gillespie is included under Fair Use.
If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
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GBN is pulling a trifecta today — celebrating #MusicMonday, #JazzAppreciationMonth, and dropping in on absolutely one of the best singers past, present — or ever — Ella Fitzgerald!
Born 105 years ago #OnThisDay, through her stunningly timeless gifts (and vast catalog), Ella Fitzgerald is still surprising and delighting music lovers and casual fans alike.
To read about her, read on. To hear about her, press PLAY:
[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Monday, April 25th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Today, we offer a quote from the “First Lady of Song” born 105 years ago on this date, the incomparable Ella Fitzgerald.
“The only thing better than singing is more singing.”
Born in 1917 in Newport News, Virginia, Ella Fitzgerald’s earliest artistic ambitions were to become a dancer.
When the loss of her mother when she was 15 lead to a relocation to Harlem to live with her aunt and stints in an orphanage and a state reformatory school for girls, Fitzgerald hustled to get by on the streets and at 17 took her terpsichorean talents to Amateur Night at the Apollo Theater.
But when she saw two sisters with a dance act go on before her and wow the crowd, Ella didn’t think she could compete so she switched up her talent from dancing to singing and took to the stage to sing “Judy” and “The Object of My Affection” and won first prize in 1934.
Although she didn’t record either at the time, in 1968 Ella gave “The Object of My Affection” another onstage go when she sang it for her Live At Chautauqua, Volume1 LP:
[Excerpt from “The Object of My Affection”]
Ella’s Amateur night win lead to an audition with Chick Webb to become the girl singer in his orchestra, and one of the best collaborations between bandleader and singer in the swing era.
Webb and Ella had hits with “Love and Kisses,” “(If You Can’t Sing It) You’ll Have to Swing It (Mr. Paganini)” and the classic turn on a nursery rhyme co-written by Ella that become of the best-selling songs in it’s decade, “A Tisket, A Tasket”:
[Excerpt from “A Tisket, A Tasket”]
Even as Chick Webb took the young Ella under his wing, his serious health challenges ended his life way too soon in 1939.
Ella stepped up and lead and toured with the orchestra for a few more years until she went solo as jazz turned increasingly towards the newer sounds of bebop.
It was around this time, while working with Dizzy Gillespie and his band, Ella developed her scat singing style, lauded on songs such as “Oh, Lady Be Good” and “Flying Home”:
[Excerpt from “Flying Home”]
Ella not only navigated and interpreted jazz standards with dazzling dexterity and clarity, during her heyday, she, like her quote implied, sang and sang and sang some more.
Ella took on several of America’s most popular composers with her unparalleled series of “songbooks,” where she devoted entire albums to covering the songs of Cole Porter, George Gershwin, Duke Ellington, Rodgers and Hart, Johnny Mercer, Jerome Kern and Irving Berlin.
You can’t go wrong with any of these incredible recordings, so I’ll share a personal favorite from Ella Sings Gershwin – Ella’s plaintively tender version of “Someone to Watch Over Me”:
[Excerpt of “Someone to Watch Over Me”]
Ella also paired up with jazz royalty, recording an album with Count Basie, three with Louis Armstrong, four with guitarist Joe Pass and four with Duke Ellington, one which included her version of – I can’t think of any better word than “banging” because Ella just goes so hard in “It Don’t Mean a Thing If It Ain’t Got That Swing”:
[Excerpt of “It Don’t Mean a Thing If It Ain’t Got That Swing”]
From big band to bebop to Broadway, standards, pop and R&B, throughout her career, Ella Fitzgerald recorded over 200 albums and 2,000 songs.
Because frankly, with a voice like hers, the only thing better than Ella singing was more Ella singing. I’m going to put a link to a much longer Ella playlist in the show notes, but let’s hear from her one more time, in 1977, when one of her biggest fans, Stevie Wonder, lovingly sings her praises right before she helps him sing his song:
And of course, buy or stream as much of her music as you can. Links to these sources and more are provided in today’s show notes and in the episodes full transcript posted on goodblacknews.org.
This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.
Intro and outro beats provided by freebeats.io and produced by White Hot.
All excerpts of Ella Fitzgerald’s music are included under Fair Use.
If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
[Photo: Derrick Adams; Photographer: Mark Poucher]
According to news.artnet.com, Brooklyn-based, Baltimore-born artist Derrick Adams will receive $1.25 million from the Andrew W. Mellon Foundation to build the Black Baltimore Digital Database, a new archive cataloguing important cultural contributions by Black Baltimoreans.
The archive will catalogue local achievements in art, entrepreneurship, and other areas and will be developed over the next three years, with the Mellon Foundation supporting two years of organizational capacity.
“The Black American experience has strong roots in Baltimore—I am both honored and eager to share this project with the city,” Adams said in a statement. “It will live as a modernized historical society, whose dedication is equally important and inclusive.”
With the funding, the database will set up shop in a new building in the city’s historic Waverly neighborhood. It will feature a gallery (named after the late Baltimore photographer I. Henry Phillips, Sr.,), a digital archive lab, and a screening room, as well as a cafe and gift shop that will spotlight local Black-owned businesses.
The Baltimore Museum of Art and the Johns Hopkins campus are in close proximity to the future site of the database. It is also near Last Resort Artist Retreat, a residency program for Black creatives that was also founded by Adams.
The two upstart initiatives will work together closely and collaborate on programming. Charm City Cultural Cultival, a local non-profit supporting cultural projects in Baltimore’s inner city, will also contribute to programming efforts.
“Our goal,” Adams explained, “is to provide a distinct entry point for a wider network of initiatives. This will not only support our archival endeavors, but also local community building—social engagement through events, workshops, and conversation.
As #JazzAppreciationMonth nears its end, today GBN celebrates the “Home of Happy Feet” that was one of the first integrated public entertainment spaces in the U.S., Harlem’s once famous Savoy Ballroom.
To read about the Savoy, read on. To hear about it, press PLAY:
[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Sunday, April 24th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
It’s in the category for Black Museums and Landmarks we call “Get The Knowledge”:
Located in Harlem, New York, the Savoy Ballroom was known as “The World’s Finest Ballroom” and the “Home of Happy Feet” from its 1926 opening to its 1958 close.
Unlike other ballrooms of the era, the Savoy always had a no-discrimination policy and showcased the finest swing music in the city.
The Savoy offered non-stop music from two bandstands that attracted dancing pros like Whitey’s Lindy Hoppers as well as everyday people looking to have a good time.
Chick Webb, of the prominent house band leaders at the Savoy, had a top 10 hit in 1934 with the song composed by his saxophonist Edgar Sampson that you are hearing now, called – what else – “Stompin’ At The Savoy.”
In 2022, Frankie Manning and Norma Miller, members of Whitey’s Lindy Hoppers, unveiled a commemorative plaque for the Savoy Ballroom on Lenox Avenue:
To learn more about the Savoy Ballroom, check out welcometothesavoy.com, a site that’s restoring the Savoy with a VR experience, and they have a great collection of photos from the Savoy’s heyday on view now, watch the 1992 television movie Stompin’ At The Savoydirected by Debbie Allen, available on Amazon Prime Video or Roku.
Watch clips about the history of the Savoy on YouTube, or read Swinging At The Savoy: The Memoir of a Jazz Dancer by Norma Miller. Links to these and other sources are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org
This has been a bonus daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.
Intro and outro beats provided by freebeats.io and produced by White Hot.
“Stompin’ At The Savoy” by Chick Webb’s Orchestra is included under fair use.
If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
Today, GBN celebrates Hazel M. Johnson, the community activist who sought to clean up the “Toxic Doughnut” that encircled her community on the South Side of Chicago, and in the process became known as the “Mother of Environmental Justice.”
To read about Johnson, read on. To hear about her, press PLAY:
[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Friday, April 22nd, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Known as the “Mother of Environmental Justice,”Hazel M. Johnson did not choose the path that lead her to her title, but rather was called to it when her husband died of cancer in 1969 and her world was turned upside down.
Soon after his passing, the widowed mother of seven learned from a local TV program that people who lived on the South Side of Chicago had the highest cancer rates in the city. Hazel was determined to find out why.
Johnson discovered that chemical companies, refineries, and steel mills nearby were shooting toxins into the air and dumping industrial waste into the local river, which locals fished in, making Altgeld Gardens where she lived a perfect storm of air, water and land contamination which Johnson herself would later call the “Toxic Doughnut.”
She also found out that Altgeld Gardens had a toxic past that went even deeper.
Originally established as a federal housing project for World War II African American veterans, Altgeld Gardens was built atop land that had been an industrial sludge dump for the Pullman Motor Company from 1863 until the early 20th century.
Altgeld Gardens, it turned out, had the highest concentration of hazardous waste sites in the entire nation.
Hazel Johnson went door-to-door collecting data from friends and neighbors and started calling city and state health departments to investigate the industrial pollution in her community.
In 1982, she founded an organization called People for Community Recovery to fight environmental racism at the grassroots level.
PCR, made up mainly of mothers and local residents who were volunteers, pushed for city and state officials to do epidemiological studies of Altgeld Gardens because before Hazel started pushing and organizing, no legislative mandate existed to address how industrial pollution was affecting the quality of life for low-income and minority communities.
Hazel and PCR also worked to get rid of the toxins in their physical living spaces and put pressure on the Chicago Housing Authority to remove asbestos from Altgeld Gardens.
Johnson was equally instrumental in convincing city health officials to test the drinking water at Maryland Manor, a South Side neighborhood dependent on well water. Hazel convinced city and state officials to meet her in Altgeld Gardens and she took them on a “toxic tour” so they could see the problems first-hand.
After this tour, tests were conducted in 1984, which revealed cyanide and toxins in the water, and that lead to the installation of new water and sewer lines.
In continued celebration of #JazzAppreciationMonth, today we drop in on Billie Holiday, the singer and artist who not only influenced peers and progeny alike with her innovative interpretation of and phrasing in songs, but also composed several of her signature songs which became jazz and blues standards in the decades that followed.
To read about Holiday, read on. To hear about her, press PLAY:
[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, April 19th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Billie Holiday famously said she styled her singing after two major influences – blues empress Bessie Smith and jazz trumpeter and legend Louis Armstrong.
The alchemy Holiday found by combining her favorites inspired many of her contemporaries as well as subsequent generations of singers, who were impressed with her pioneering phrasing and improvisation.
What is less often praised about Holiday is her songwriting skill. She wrote several signature songs that are now standards. Let’s start with “Fine and Mellow,” which Holiday first recorded in 1939:
On Easter Sunday, GBN celebrates Thomas A. Dorsey, who once worked as Ma Rainey‘s pianist and musical director, and wrote and sang blues songs as the “Georgia Tom” half of the Georgia Tom and Tampa Red duo before revolutionizing gospel music by integrating the feeling of the blues into sacred songs.
To read about Dorsey, read on. To hear about him, press PLAY:
[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Sunday, April 17, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Gospel music existed before Georgia native Thomas Dorsey turned his ear and pen to it, but it was never the same after.
Working most famously as the piano player and musical director for blues legend Gertrude “Ma” Rainey in the 1920s under the moniker “Georgia Tom.” Despite this success, Dorsey fell into a prolonged period of depression for almost two years and barely performed.
In 1928, Dorsey attended a spirited church service where he claimed a minister pulled a live serpent from his throat. From that point on, Dorsey vowed to dedicate himself to composing gospel music. Dorsey wrote “If You See My Savior” in honor of a friend who passed, which combined a blues feeling into a more traditional hymnal structure:
[Excerpt of “If You See My Savior”]
Dorsey tried to sell his new sacred songs directly to publishers and churches but initially had no luck and returned to writing the blues. With duet partner Tampa Red, as “Georgia Tom” Dorsey had a big hit in 1928, selling over seven million copies of “It’s Tight Like That”:
[Excerpt of “It’s Tight Like That”]
This type of “dirty blues” or “Hokum” songs proved to be popular and the duo recorded and performed for years until Dorsey finally turned to gospel music for good.
He formed a gospel blues choir in Chicago, which helped the new style catch on, and soon became the musical director for Pilgrim Baptist Church and running his own music publishing company.
Dorsey worked with a young Mahalia Jackson in the late 1920s and originally composed for Jackson what became a beloved song not only in gospel blues circles, but country & western as well.
[Excerpt of “Peace in the Valley” by Red Foley & the Sunshine Boys]
“Peace in the Valley” has been recorded by over the decades by artists such as Sister Rosetta Tharpe, Little Richard, Red Foley & the Sunshine Boys, Johnny Cash,Elvis Presley and Dolly Parton.
And while he was still in his gospel group in the 1960s, Sam Cooke and his Soul Stirrers took their turn in the valley as well:
[Excerpt of “Peace in the Valley” by Sam Cooke & the Soul Stirrers]
In Dorsey’s lifetime, which was long – he lived to 93 – Dorsey composed over 3,000 songs, including the one Martin Luther King, Jr. said was his favorite, the one Mahalia Jackson ended up singing at his funeral, “Take My Hand, Precious Lord”:
[Excerpt of “Take My Hand, Precious Lord”]
Dorsey’s songs changed the sound of sacred music and influenced generations to come, which is why he is often called “The Father of Gospel Music.”
Dorsey has been inducted into the Gospel Hall of Fame, the Blues Hall of Fame, the Nashville Songwriters Hall of Fame and the Songwriters Hall of Fame. In 2002, the Library of Congress honored Dorsey by adding his album Precious Lord: New Recordings of the Great Songs of Thomas A. Dorsey, to the United States National Recording Registry.
You can also watch 2005’s The Story of Gospel Musicdocumentary, which is currently available on DVD.
And every year, Dorsey’s hometown of Villa Rica, Georgia holds an annual Thomas A. Dorsey Birthplace Heritage Festivalof gospel music. This year’s will be held on June 25thand 26th.
Links to these sources and more are provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.
And before we go, let’s hear a clip of Thomas Dorsey himself speaking on the meaning of gospel:
“Down through the ages gospel – what? What did they say was? You mean to tell me you don’t know that good news? On down to the ages, gospel was good news. Now if you don’t know that I’ll rush you out of here myself.”
This has been a daily drop of Good Black News, written, produced and hosted by yours truly, Lori Lakin Hutcherson. Intro and outro beats provided by freebeats.io and produced by White Hot.
“Roll Jordan Roll” by the Fisk Jubilee Singers is in the Public Domain.
Excerpts of songs composed by Thomas A. Dorsey are included under Fair Use.
If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon,Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
Matthew Mackenzie “Mack” Robinson was an outstanding track and field athlete who won the silver medal in the 200-meter event at the 1936 Berlin Olympics, finishing just four tenths of a second behind Jesse Owens.
To read about Robinson, read on. To hear about him, press PLAY:
[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:
Pasadena Robinson Memorial
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Saturday, April 16th, 2022, based on the format of the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
In yesterday’s daily drop we celebrated some of Jackie Robinson’s greatest achievements in the realm of sports. But did you know his older brother Mack Robinson has his own sports claims to fame as well?
Born in 1914, Matthew Mackenzie “Mack” Robinson was an outstanding track and field athlete who went from competing at Pasadena City College in California to the 1936 Olympics in Berlin after local Pasadena business owners paid his way to the Olympic trials in New York.
With no coaching and worn-down shoes – the same ones he’d used all season to compete with at junior college, Robinson won a silver medal in the 200-meter event, finishing just four tenths of a second behind the gold medal winner from Ohio State University who became world-renowned for his track and field feats in those same Olympics — Jesse Owens.
Mack Robinson with his Silver Medal from the 1936 Olympics
And for Robinson, with all he was up against, was rightfully proud of his achievement, as he explained in a 1985 interview conducted for the educational series, Black Champions:
[Clip of Mack Robinson]
“You know, we had sixty-four individuals that was in the two hundred meters in the very beginning, and they had to be eliminated down to eight.
So when you look at, you’re inside of the eight out of sixty-four, that’s not bad; and you go on down, and you’re number two out of the eight and, which covers the whole world, to me, it’s great.
I have no qualms about finishing second. I’ve enjoyed placing second. My silver medal has a lot of meaning to me, and I believe it has as much meaning in it as the gold.”
After the Olympics, Robinson went on to attend the University of Oregon, where in 1938 he won the National Collegiate Athletic Association and Amateur Athletic Union titles in the 220-yard dash.
Robinson left college soon after to return to Pasadena to work and care of his family. Robinson worked menial jobs for the city, and it’s been reported that he lost his job as a street sweeper when Pasadena fired all of its Black municipal employees in retaliation for a court order demanding it desegregate its public pools.
Though Robinson later went on to work as a Park Director in East Hollywood, he stayed locally active in Pasadena at all times, determined to advocate for the betterment of his community. He regularly went down to City Hall and pushed for playgrounds, YMCAs, swimming pools — anything that would help keep the local youth active and out of trouble.
Robinson also lobbied for better books in the libraries, fought to keep the local parks clean, safe and free of drugs and alcohol, and he organized clothing drives to help the less fortunate in different parts of the country.
Robinson is even reported to have gone after a local liquor store where neighbors were being accosted. He took down a local den of gambling and prostitution, and he also crusaded to get streets, sidewalks and gutters fixed. Robinson was often seen at the Pasadena Board of City Directors meetings, and himself is quoted as saying, “I’m a thorn in their side. I’m a squeaky wheel that gets the grease, but what I’m trying to get is lubricant for a lifetime.”
Robinson eventually got a job working as a truant officer at John Muir High School, the same high school he attended in Pasadena, and also worked in that capacity to help keep youth out of trouble.
In 1981, Mack Robinson was inducted into the Oregon Sports Hall of Fame and in 1995 he was inducted into the University of Oregon Hall of Fame.
In 1984 Robinson was part of a select group chosen to carry a large Olympic flag in the Opening Ceremonies of the Los Angeles Olympics.
And in 1997, Mack Robinson received one of the best recognitions of all the dedication he put in locally and civically. The memorial created in Pasadena, called the Pasadena Robinson Memorial, not only honored his famous younger brother Jackie for his nationally-renowned achievements, but also honored Mack for his lifetime of activism in the community.
While the 9-foot-tall bust of Jackie faces northeast towards Brooklyn, where he famously integrated Major League Baseball, Mack’s equally tall bust looks directly at Pasadena City Hall.
Mack Robinson passed in the year 2000, and in that same year Pasadena City College, which he attended and which he represented on the track and field, dedicated its stadium to him. And the United States Post Office named its new Pasadena branch the Matthew “Mack” Robinson Post Office Building.
To learn more about Mack Robinson, watch the 2021 CBS Los Angeles feature story about him on YouTube, the 2016 documentary Olympic Pride, American Prejudice which follows the 18 Black athletes who competed in the 1936 Berlin Olympics and that’s currently streaming on Amazon Video.
Links to these sources and more are provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.
This has been a bonus daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson. Beats provided by freebeats.io and produced by White Hot.
If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
Seventy five years ago today, Jackie Robinson made sports and U.S. history when he took to the infield as a Brooklyn Dodger against the Boston Braves and integrated Major League Baseball.
To read about Robinson, read on. To hear about him, press PLAY:
[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Friday, April 15th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
#Onthisday seventy-five years ago, Jackie Robinson sprinted right over the Major League Baseball color line when he took to the infield to play first base for the Brooklyn Dodgers.
Robinson earned the first ever MLB “Rookie of the Year” Award that same year, and in 1949 he became the first Black player to win the National League MVP Award.
In 1956, after six straight years as an All Star, Robinson led the Dodgers to a World Series Championship, proving all haters, detractors, and racists wrong with his undeniably stellar statistics and play. To quote Robinson:
“I’m not concerned with your liking or disliking me. All I ask is that you respect me as a human being.”
To learn more about Georgia native and U.S. Army veteran Robinson, check out the official website jackierobinson.com for information, stats, interviews, photos and more, read I Never Had it Made: An Autobiography of Jackie Robinson, originally published in 1972.Read True: The Four Seasons of Jackie Robinson by Kostya Kennedy, a new biography on Robinson just released this week, watch The Jackie Robinson Story, the 1950 biopic which Robinson starred in as himself — it’s currently streaming on Hulu and Amazon Prime Video.
Also check out the 2013 film 42, starring Chadwick Boseman that’s currently streaming on HBO Max, and the 2016 documentary Jackie Robinson by Ken Burns, which is on DVD or somewhere on PBS.
Additionally, consider donating to the Jackie Robinson Foundation at jackierobinson.org, which offers financial aid to Black college students under its JRF Scholars program, and also supports job placement and the development of leadership and life skills.
The site also provides updates on the upcoming opening this year of the Jackie Robinson Museum in New York.
This has been a daily drop of Good Black News, written, produced and hosted by yours truly, Lori Lakin Hutcherson. Beats provided by freebeats.io and produced by White Hot.
If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
According to Variety.com, Hulu has ordered from Lee Daniels’ company eight episodes of a biographical limited series about legendary entertainer Sammy Davis Jr. based on the book In Black and White: The Life of Sammy Davis Jr. by Wil Haygood. Elijah Kelley is set to play the lead role.
Daniels is writing the series with Thomas Westfall, as well as executive producing and directing at least the first two episodes.
Kelley, who has starred in musical projects such as BET‘s record-breaking New Edition miniseries in 2017, NBC’s The Wiz Live in 2015 and the 2007 remake of Hairspray, will collaborate on some of the show’s music in addition to starring and producing.
Davis rose from childhood stardom on the vaudeville stage to become one of the most famous African American entertainers of the 1950s and 1960s, famed for his impeccable tap dancing skills and his warm and inviting vocal style. Davis even overcame losing an eye in an accident and re-learned how to move onstage and perform.
At the same time, he faced several career challenges — over his relationships with white film stars, his 1960 marriage to Swedish actress May Britt, his conversion to Judaism, his closeness to the Kennedys and later Richard Nixon, his problems with alcohol and drugs, and difficulties with identity within the Black community as the times and attitudes changed.
Watch incredible clips of her on YouTube performing with 
Read 
