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Shea Moisture Founder Richelieu Dennis to Transform Madam C.J. Walker’s Estate into Training Center for Black Women Entrepreneurs

Richelieu Dennis; Villa Lewaro Estate (Photos via becauseofthemwecan.com)

by Lori Lakin Hutcherson (@lakinhutcherson)

In this 100th year anniversary of its completion, the historic Villa Lewaro estate of the nation’s first self-made female millionaire and beauty pioneer, Madam C.J. Walker, has been purchased.

The New Voices Foundation, which helps women of color entrepreneurs achieve their vision through innovative leadership initiatives, will spearhead the stabilization of the structure and planning for future uses. The acquisition was facilitated by the Dennis Family, including entrepreneur, investor, and social impact innovator Richelieu Dennis, who once owned Shea Moisture and currently owns Essence Magazine.

The 28,000 square foot property is a historic residence that embodies the optimism and perseverance of the American entrepreneurial spirit.

“In the one hundred years since Madam Walker built her majestic home, Villa Lewaro, it has served as a landmark both to her own success and to her endeavor to create a space dedicated to the achievement and empowerment of African Americans,” said Brent Leggs, director of the National Trust for Historic Preservation’s African American Cultural Heritage Action Fund.

Designated a National Historic Landmark in 1976 for its architectural significance, Madam Walker’s Villa Lewaro estate, named after her daughter (A’LElia WAlker RObinson), was once a social and cultural gathering place for notable leaders of the Harlem Renaissance, such as James Weldon Johnson, Zora Neale Hurston, W. E. B. Du Bois, and Langston Hughes.

The home, which Madam Walker called her “dream of dreams,” was designed and completed 100-years ago by the first licensed Black architect in the state of New York and a founder of Alpha Phi Alpha fraternity, Vertner Tandy.

Walker was the first person of color to own property in Irvington, close to Lyndhurst, a National Trust Historic Site. During the time it was built, Villa Lewaro was located on what was referred to as Millionaire’s Row and in an area that was also home to Rockefellers and Astors. Purchased in 1993, for the last 25 years Villa Lewaro served as the family home of Ambassador Harold E. Doley, Jr. and his wife Helena.

With a long admiration of Madam C.J. Walker, the Dennis family first reignited her cultural, entrepreneurial and hair care legacy through the acquisition of the Madam C.J. Walker brand in 2013 – when conversations to acquire Villa Lewaro also first began – and the brand’s subsequent relaunch on retail shelves in 2016 at Sephora.

“To be able to steward something so rich in our culture, history, legacy and achievement through the New Voices Foundation and guide it into its next phase of impact and inspiration is an incredible honor that my family and I welcome with tremendous responsibility and humility,” said Dennis. “When we relaunched the Madam C.J. Walker brand two and half years ago, our goal was to give the brand back to our community and elevate it in the iconic way deserving of such a phenomenal woman. Today, we have a similar focus with Villa Lewaro as its significance is much greater than just a house or property or historic landmark. It is a place where – against all odds – dreams were formed, visions were realized and entrepreneurs were born, and we look forward to returning its use to support that mission.”

Dennis continued, “Squarely aligned with the mission of the New Voices Foundation, we are excited to announce that the vision for future use of the property includes utilizing Villa Lewaro as both a physical and virtual destination where women of color entrepreneurs will come for curriculum-based learning and other resources aimed at helping them build, grow and expand their businesses. When people think of entrepreneurship services for women of color, we want them to think of the New Voices Foundation and Villa Lewaro.”

Madam Walker’s great-great-granddaughter and biographer, as well as brand historian, A’Lelia Bundles, added, “No one at the time believed that a Black woman could afford such a place. So, I can think of no better way to celebrate Villa Lewaro’s 100th anniversary than the vision of the New Voices Foundation and the Dennis family for this historic treasure as a place to inspire today’s entrepreneurs, tomorrow’s leaders and our entire community. Richelieu’s own success story – from a humble family recipe to an international enterprise with an economic empowerment mission – very much mirrors Madam Walker’s journey of empowering and uplifting women. Just as Madam Walker aided in the preservation of abolitionist Frederick Douglass’s Washington, DC home, the Dennis family continues this tradition of preserving historic sites that raise awareness about the contributions people of color have made to the American narrative.”

The National Trust holds a perpetual preservation easement on Villa Lewaro that ensures the property’s historic character will be preserved. This easement was jointly supported by the Dennis and the Doley families. The home was named a National Treasure by the National Trust in 2014 and is part of a growing portfolio of African American historic sites protected through the African American Cultural Heritage Action Fund, an initiative designed to raise the profile of African American sites of achievement, activism, architecture, and community.

Memorial Park to be Built Commemorating Huntsville, Alabama’s 1st Public School for African Americans

City of Huntsville breaks ground on William Hooper Councill High School Memorial Park (photo via Twitter)

via waff.com

HUNTSVILLE, AL (WAFF) – On Friday, the William Hooper Councill Alumni Association broke ground on a memorial park celebrating Huntsville’s first public school for African-Americans.

Councill High School opened in 1867 and closed in the era of desegregation in the 1960s. The school was named after Dr. William Hooper Councill, a former slave and founder and first president of what would become Alabama A&M University. Councill also became a lawyer, newspaper editor, legislator and Alabama Supreme Court justice.

William Hooper Councill (photo via clio.com)

Crews will start work on a memorial park in 2019, on the school’s old site.

Members of the alumni association spoke about what the school means to them.

“We found friendship in William Hooper Councill High School, and we found affection,” said Brenda Chunn, president of the William Hooper Councill Alumni Association.

“It’s important because African-American history sometimes gets lost, and this is a way of preserving the heritage of the African-Americans, particularly with the celebration of the bicentennial that is coming up,” said Laura Clift, an alumni of Councill High School.

Read more: http://www.waff.com/2018/12/14/ground-broken-park-commemorating-huntsvilles-first-public-black-school/

U.S. Armed Forces All-female African American WWII Unit Honored with Monument at Fort Leavenworth

6888th Postal Battalion (photo via radio.com)

by Kaylah Jackson via radio.com

The contributions of over 800 African American women who sorted mail in a segregated unit during WWII were recognized last month in Fort Leavenworth, Kansas, with a monument erected in their honor.

“No mail, no morale,” was the motto of the 6888th Central Postal Directory Battalion, the U.S. Army’s only all-African American and all-female unit during the Second World War.

Often referred to as the “Six-Triple-Eight,” the unit was made of up 824 enlisted and 31 officer women, who were originally from the Women’s Army Corps, Army Service Forces and Army Air Forces.

(Photo courtesy of Women of 6888th)

While many African American nurses served overseas in combat zones, WAC units remained separated and women of color were only allowed to serve overseas depending on the “needs of the Army.” The military faced pressure for African Americans WACs to serve in overseas components and eventually a request for 800 women to serve in the European Theatre was approved.

In 1945, warehouses and Red Cross workers in England became overwhelmed with a backlog of mail and packages addressed to U.S. service members. The hundreds of women who eventually made up the 6888th were selected to train for this exact mission.

Under the direction of Lt. Col Charity Edna Adams, the women traveled to Camp Shanks, New York after enduring boot camp, and eventually arriving in Birmingham, England, in 1945. Upon arrival to Europe, the women were welcome to a dimly lit and rat-infested warehouse with mail stacked to the ceilings.

Of the over 800 servicewomen, five were present at their monument dedication ceremony at Fort Leavenworth.

6888 Battalion Monument (Photo courtesy of George Marcec)

“Servicemen want their mail. That’s a morale booster,” Lena King told KCTV.  Now 95-years-old, then Corporal King worked among other women in the warehouse identifying miswritten pieces of mail and ensuring the men fighting received letters from their loved ones.

By dividing their work in shifts that ran 365 days a week, the women processed an average of 65,000 pieces of mail per shift, clearing the previous six-month backlog of letters in just three months.

(Photo courtesy of George Marcec)

Designed by sculptor Eddie Dixon, the monument features all of the names of the women of the Six-Triple-Eight, a bust of Lt. Col Adams and iconic photos highlighting the unit’s mission.

The monument sits near a series of other historical tributes on Fort Leavenworth. From honoring the first African American West Point graduate to the first African American four-star general, this monument will be another addition highlighting the “firsts” of our nation’s history at war.

Source: https://connectingvets.radio.com/articles/6888th-central-postal-directory-battalion-receives-monument-fort-leavenworth?fbclid=IwAR23Ae4QeZECbojxZvVOyPMVIjURCO9z3Uc4GqS4GPulDlmCwoukLX709mk

Viola Davis Stars As Shirley Chisholm in New Movie “The Fighting Shirley Chisholm”

viola-davis-shirley-chisholm-now-113018.pngThe first Black actress to earn a lead dramatic Emmy will bring another pioneering Black woman, Shirley Chisholm, to life on screen.

Deadline reported yesterday (November 29) that Viola Davis will produce and star in “The Fighting Shirley Chisholm.” This will be the “Widows” star’s first project under the first look deal that JuVee Productions, the company she co-heads with husband Julius Tennon, recently signed with Amazon Studios. Davis confirmed the project today (November 30) by retweeting JuVee’s tweet with one of the late Democratic politician’s quotes:

Read more via Viola Davis Stars As Shirley Chisholm in New Movie | Colorlines

Common’s Freedom Road Productions and Lionsgate to Bring Zora Neale Hurston’s ‘Barracoon’ to TV

Zora Neale Hurston (l), Cudjo Lewis (r) [photo via blackyouthproject.com]
by Lori Lakin Hutcherson (@lakinhutcherson)

According to Deadline.com, hip hop artist and Academy-Award winner Common‘s Freedom Road Productions in conjunction with Lionsgate Entertainment, has optioned the rights to Barracoon: The Story of the Last ‘Black Cargo’, the recently discovered book by Zora Neale Hurston, to develop as a limited television event series.

Barracoon centers on 86-year-old Cudjo Lewis, who Hurston identified as the last known formerly enslaved person to survive the Middle Passage.

Hurston’s book chronicles Cudjo’s time of slavery and the profound complexities of reconstruction and freedom after the Atlantic slave trade was abolished.

This is the second project to emerge from Lionsgate and Freedom Road’s TV deal. They are already developing the Saturday Night Knife and Gun Club TV adaptation starring and produced by Common.

Washington and Lee University Replaces Slaveholder’s Name On Building With John Chavis’, the 1st Black U.S. College Graduate

Bust of John Chavis at Washington & Lee University (photo via columns.wlu.edu)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to The Journal of Blacks in Higher Education, the Board of Trustees at Washington and Lee University in Lexington, VA, will make changes to two of its buildings, Robinson Hall and Lee Chapel, after a student and faculty committee issued a report on how the university’s history is represented on campus. The committee was created after White supremacists rallied at the University of Virginia in Charlottesville last year.

Robinson Hall was originally named for John Robinson, a founder of the university. When Robinson died he left his estate, farm, and 73 slaves to the college. In 1836, the college sold the slaves and used the money to build Robinson Hall.

The board decided to rename the building Chavis Hall, in honor of John Chavis, the first African-American to receive a college education in the United States. He graduated from the university’s predecessor – first Liberty Hall Academy, then Washington Academy – in 1799.

Additionally, the university will make changes to Lee Chapel. The university will replace the portraits of Robert E. Lee and George Washington in military uniforms with new portraits of the two men in civilian clothing.

Also, the doors to the statue chamber in Lee Chapel will be closed during university events. However, Lee Chapel will keep its name. Robert E. Lee is buried below the chapel.

St. Cloud State University in MN Honors its 1st Black Graduate by Renaming Building Ruby Cora Webster Hall

Ruby Cora Webster, St. Cloud State University’s first black graduate (photo via St. Cloud State Archives)

via jbhe.com

St. Cloud State University in Minnesota recently dedicated one of the institution’s original academic buildings after the school’s first African American graduate, Ruby Cora Webster.

Webster graduated from the university in 1909 with a degree in elementary education. The daughter of former slaves, she was born in Ohio and moved with her family to St. Cloud, where she attended high school. After college, she became a teacher, married twice, and relocated to Missouri and later to Canada. Webster died in 1974.

The former Business Building, now known as Ruby Cora Webster Hall, houses the department of English, the Writing Center, the Intensive English Center, the department of political science, and the department of ethnic, gender, and women’s studies.

Last year, after the university implemented a non-donor related naming policy, Dr. Christopher Lehman, chair of the department of ethnic, gender, and women’s studies, spearheaded the proposal to rename the academic building after Webster. It received extremely positive feedback from the community, with 2,200 signatures collected to support the proposal.

“I commend and applaud Dr. Christopher Lehman for his initiative in researching and bringing to light the significance of Ruby Cora Webster to our school’s history and the importance of naming this building after her,” St. Cloud President Robbyn Wacker said. “Ruby is someone from our university’s early history that exemplified hope, courage and resilience and who believed in something greater than herself.”

Source: https://www.jbhe.com/2018/11/st-cloud-state-university-names-academic-building-after-its-first-black-graduate/?fbclid=IwAR37A-eVvZzIJjVhUqRpYbuAuAXJQ6CHvwCcOS08FDQeaXzztPf-d–KQ48

Marvin Gaye and Gregory Hines to be Honored with U.S. Postal Stamps in 2019

Gregory Hines and Marvin Gaye 2019 Commemorative Stamps (images via usps.com)

by Lori Lakin Hutcherson (@lakinhutcherson)

The United States Postal Service announced yesterday commemorative stamps honoring singing and dancing legends Marvin Gaye and Gregory Hines will be issued in 2019.

Though the specific release dates have yet to be revealed, Gaye’s stamp will be part of the Postal Service’s Music Icons series, which in the past has featured Ray Charles, Jimi Hendrix and Sarah Vaughan, and many other superlative talents.

Gaye, best known for early Motown hits with Tami Terrell such as “How Sweet It Is” and “Ain’t No Mountain High Enough” as well has his groundbreaking What’s Going On album has a stamp design features a portrait inspired by historic photographs. The stamp pane is designed to resemble a vintage 45 rpm record sleeve. (A pane is the unit into which a full press sheet is divided before sale at post offices.) One side of the pane includes the stamps, brief text about Gaye’s legacy, and the image of a sliver of a record seeming to peek out the top of the sleeve.

Another portrait of Gaye, also inspired by historic photographs, appears on the reverse along with the Music Icons series logo. Art director Derry Noyes designed the stamp pane with original art by Kadir Nelson.

Hines’ stamp will be the 42nd stamp in the Black Heritage series, which in the past has honored historian Carter G. Woodson, civil rights activist Dorothy Height, and tennis champion Althea Gibson, among others. Noyes designed this stamp as well, which features a 1988 photograph of Hines by Jack Mitchell.

Hines is best known for his unique style of tap dancing injected new artistry and excitement into tap dancing with his unique style. A versatile performer who danced, acted and sang on Broadway, on television and in movies such as “Tap,” “White Knights,” and “Waiting To Exhale,” Hines developed the entertainment traditions of tap into an art form for a younger generation and is credited with renewing interest in tap during the 1990s.

In related postal news, a bill naming the post office at 3585 S. Vermont Ave. in South Los Angeles, CA the Marvin Gaye Post Office was signed into law this July.

Princeton University Professor Tera Hunter Wins Two Book Awards From the American Historical Association

Princeton University’s Tera W. Hunter, Ph.D. (photo via princeton.edu)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to jbhe.com, Dr. Tera W. Hunter, the Edwards Professor of History and professor of African American studies at Princeton University, has earned the Joan Kelly Memorial Prize in women’s history and/or feminist theory as well as the Littleton-Griswold Prize in U.S. law and society from the American Historical Association. She will receive her honors at the association’s annual meeting in Chicago this coming January.

Professor Hunter’s book Bound in Wedlock: Slave and Free Black Marriage in the Nineteenth Century (Harvard University Press, 2017) is what garnered her the above awards. Hunter’s great-great grandparents were enslaved, freed, and married during the Reconstruction era in the U.S. In the book,Hunter used her research of court records, legal documents, and personal diaries to examine the constraints the system of slavery placed on intimate relationships.

Earlier in 2018, Hunter also garnered the Mary Nickliss Prize in U.S. Women’s and/or Gender History from the Organization of American Historians for Bound in Wedlock.

Professor Hunter joined the faculty at Princeton in 2007 after teaching previously at the University of North Carolina at Chapel Hill and Carnegie Mellon University in Pittsburgh. Dr. Hunter is a graduate of Duke University, where she majored in history, and holds a master’s degree and a Ph.D. in history from Yale University.

BOOKS: New Biography “Frederick Douglass: Prophet of Freedom” Focuses on the Man and his Voice

by Jennifer Szalai via nytimes.com

Time has a way of sanding off the rough edges of historical memory, turning even the most convulsive, contentious lives into opportunities for national triumphalism and self-congratulation. With “Frederick Douglass: Prophet of Freedom,” the historian David W. Blight wants to enrich our understanding of an American in full who, for more than half his life, wasn’t even legally recognized as such. Now that Douglass is enshrined on his pedestal, shorn of what made him “thoroughly and beautifully human,” Blight notes how the “old fugitive slave” has been “adopted by all elements in the political spectrum,” eager to claim him as their own.

Plenty has been written about Douglass in the 200 years since he was born, not least by Douglass himself, who recounted his life story in three autobiographies — a paper trail of memoirs that Blight deems “both a pleasure and peril” for the biographer. In tracing an arc from bondage to freedom, Douglass cast himself as a “self-made hero,” Blight writes, while leaving “a great deal unsaid.” A number of other books have filled in the gaps — exploring Douglass’s relationships with the women in his life, for instance, as well as his fraught and transformative friendship with Abraham Lincoln — but Blight’s is the first major biography of Douglass in nearly three decades, making ample use of materials in the private collection of a retired doctor named Walter O. Evans to illuminate Douglass’s later years, after the Civil War.

Blight, who has edited and annotated volumes of Douglass’s autobiographies, undertakes this project with the requisite authority and gravity. The result is comprehensive, scholarly, sober; Blight is careful to tell us what cannot be known, including the persistent mystery of Douglass’s father (who was most likely white, and may have been Frederick’s mother’s owner). On the stuff that’s known, Blight is an attentive if sometimes fastidious guide, poring over speeches and texts with the critical equivalent of a magnifying glass. Douglass, Blight says, was a “man of words,” making this book “the biography of a voice.”

That voice took shape and sharpened over time, but it would return again and again to the banks of the Tuckahoe River on Maryland’s Eastern Shore, where Frederick Augustus Washington Bailey was born in 1818. Twenty years a slave, then almost nine years a fugitive; as Douglass himself described it in his autobiographies (having adopted his new surname from a Sir Walter Scott poem), the first decades of his life were both thrilling and terrifying. Until his abolitionist allies helped to purchase his freedom in 1846, everything he did felt provisional; he lived with the incessant fear of someone who could be plunged back into captivity at any moment.

Read more: https://www.nytimes.com/2018/10/17/books/review-frederick-douglass-prophet-of-freedom-david-blight.html