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Naomi Campbell Welcomes Pharrell Williams on Limited-Time YouTube Series “No Filter With Naomi” Today at 3PM EST (VIDEO)

International supermodel, activist and philanthropist Naomi Campbell welcomes musician, record producer, songwriter, singer, fashion designer and entrepreneur Pharrell Williams for an iconic conversation on “No Filter with Naomi,”  a limited-time series under her “Being Naomi” YouTube channel, live today at 3pm EST / 12pm PST.

With more than 500,000 views, the web series has invited fans to #stayhome during this pandemic to save lives and has focused on intimate conversations on multiple topics between Naomi and a diverse collection of her friends, including a variety of designers, musicians, activists, actors and media personalities. Recently, during Black History Month 2021, Campbell used her platform to highlight the “New Black Talent You Need to Know in the Fashion Industry”:

The series debuted on April 6, 2020 and has since featured guests Tracee Ellis RossDemi Moore, Mariah Carey, Chelsea Handler, Cameron Diaz, Lenny Kravitz, Whoopi Goldberg, James Charles, Charlamagne Tha God, Mary J. Blige, Gabrielle Union, Kate Hudson, Cynthia Erivo, Cindy Crawford, Marc Jacobs, Nicole Richie, Ashley Graham, Pierpaolo Piccoli, Lee Daniels, Christy Turlington, Adut Akech, Sharon Stone, Paris Hilton, Serena Williams and Venus Williams, Karlie Kloss, Anna Wintour, and Sean “Diddy” Combs.

The “No Filter with Naomi” series returned after hiatus on June 23rd and featured a select group of episodes focused on impactful conversations dedicated to #BlackLivesMatter, social justice issues, racial and human inequalities. These critical conversations included featured guests: Opal Tometi, Rev. Al Sharpton, Alphonso Reed, Cleo Wade, Bethann Hardison, Tyler Mitchell, Indya Moore, Chase Strangio and Tori Cooper.

WHERE: Streaming live on Naomi Campbell’s YouTube Channel. View all “No Filter with Naomi” episodes here.

Academy Award-Winning Costume Designer Ruth E. Carter Honored with Hollywood Walk of Fame Star

In 2019 when Ruth E. Carter won the Academy Award for her work on Disney/Marvel’s 2018 global box-office smash Black Panther, she made history as the first Black woman to receive the Oscar for costume design.

Carter made history again today as she became the first Black and only the second costume designer ever (Edith Head was the first) to receive a star on the Hollywood Walk of Fame.

Carter started her costume design career on films with Spike Lee including School Daze, Do The Right Thing and Malcolm X. Carter also worked on Amistad, The Five Heartbeats, What’s Love Got to Do With It, How Stella Got Her Groove Back, Lee Daniels’ The Butler, Selma and most recently, Coming 2 America, which debuts March 5 on Prime Video.

Carter currently sits on the Academy of Arts and Sciences Board of Governors and recently started the Mildred Blount Scholarship Fund in honor of “the Black woman who did the millinery work in Gone With the Wind” who was the first African American member of the Motion Pictures Costumers Union.

You can watch a recap of Carter’s career, tributes from Oprah Winfrey, Eddie Murphy and the virtual Walk of Fame ceremony below:

Serena Williams Donates Proceeds from Unstoppable Jewelry Collection to Relief Fund for Black-Owned Small Businesses

Tennis legend Serena Williams is the latest celebrity and entrepreneur to help Black business owners in need of relief during the COVID-19 crisis.

Williams announced via Instagram that until August 5 proceeds from her Unstoppable capsule jewelry collection will go to the Opportunity Fund’s Small Business Relief Fund, according to a Black Enterprise report.

Williams, who has won a career-defining 23 Grand Slam titles, started the business in late 2019 and has been wearing pieces from her brand during her tennis matches.

“I wore a circular necklace the last time I won all four Grand Slams in a row,” Williams told People about her collection. “I had won four in a row wearing that necklace. I was just really unstoppable.”

The collection includes a sterling silver bracelet and necklace, and also features a simple polished circle with a glittering round diamond that represents serenity and unity. Check out Serena’s Unstoppable offerings here.

Tyra Banks aka BanX Launches Mini-Series “Beauty” via Quibi to Promote Body Positivity

Tyra Banks (photo via commons.wikipedia.org)

Tyra Banks has announced plans to executive produce and star in a multi-part docu-series called “Beauty,” according to People.

The new show is set to premiere on Quibi, an entertainment platform built for mobile viewing spearheaded by former DreamWorks and Disney CEO Jeffrey Katzenberg and launches in April 2020.

According to a press release, “Beauty” aims to “break down barriers” and “challenge traditional notions” of attractiveness, all while serving up a thought-provoking viewer experience.

Banks has always been about supporting non-traditional beauties, such as plus-size models, and she often posts motivational messages on social media.

In May, Banks announced her decision to go by the name “BanX” during her latest Sports Illustrated cover story. The new moniker signifies her rebirth in the modeling scene after exiting in 2005 and “X-ing out cookie-cutter beauty,” the star told SI.

Gucci and Dapper Dan Announce $5M Changemakers Initiative Aimed at Diversity and Inclusion

Since being under fire for its balaclava sweater that resembled blackface, luxury brand Gucci is attempting to redeem itself. According to harpersbazaar.com, the Italian fashion house has announced a new global program and scholarship fund called Gucci Changemakers that will promote diversity and inclusion throughout the company with a multi-step action plan.

The program includes three tiers: the Gucci Changemakers Fund, a scholarship program, and a company-wide volunteering initiative. All three programs intend to foster racial diversity within the company as well as the fashion industry as a whole. Legendary designer Dapper Dan, who launched a street style-themed collection for Gucci last year, has been working with Gucci to develop Changemakers. Dan took to Instagram yesterday to publicize these steps towards progress:

Time will tell if these actions will be enough to redeem the brand and establish true inclusion and equity, but with DeRay McKesson, will.i.am, writer/activist Brittany Packnett as part of the Changemakers Council as well, Gucci is at least setting itself up to be held accountable.

Australian Sudanese Model Duckie Thot is Stunning New Face of L’Oréal Paris

Duckie Thot Announced as New L’Oréal Paris Global Ambassador
Duckie Thot (photo via L’Oréal Paris)

Duckie Thot, an Australian model of Sudanese descent, just put some major points on the board for inclusivity and diversity in the beauty industry. A Fenty Beauty muse, the rising star just signed on as the newest global ambassador for L’Oréal Paris.

Even with game-changing newer beauty brands constantly pushing for more diversity in the industry (Fenty Beauty’s 40-shade range of foundations was so innovative when it dropped that its foundation won Time’s “Invention of the Year” award in 2017), there are still a lot of strides to be made. Case in point: Thot, who has appeared in major campaigns for designers including Moschino and Oscar de la Renta, admitted earlier this year that she still has to bring her own foundation to shoots because makeup artists still often don’t often carry shades dark enough to match her skin.

But perhaps the more beauty brands see models like Thot, the more inclusive the industry can actually be. That certainly seems to be the hope behind Thot’s major new gig as a L’Oréal ambassador. “I’m looking forward to helping more girls love the beauty of their dark skin,” she said in a statement. “In my mind, I’m going back in time and telling the young girl I was, ‘Dream big, work hard and trust in yourself girl because one day you’re going to say ‘yes’ to the number-one beauty brand!’”

It’s Thot’s strong voice on inclusivity (in addition to her impressive-as-hell resume) that made her a perfect face for the brand, L’Oréal said. “She launched online conversations where others shared their stories,” the brand told WWD in reference to her speaking out about inequality in the modeling industry. “By speaking out, she has contributed to the redefinition of what [being] a model is. Her uplifting messages are shared to inspire her followers to love themselves.”

Thot will make her L’Oréal debut later this week on the Le Défilé L’Oréal Paris runway show during Paris Fashion Week and will be starring in upcoming campaigns for L’Oréal Volume Million Lashes, Colorista, Rouge Signature, and most notably the brand’s Infallible Foundation. We have a feeling that this time, Thot won’t have to bring her own shade.

Source: https://www.allure.com/story/duckie-thot-loreal-paris-global-ambassador?mbid=social_twitter

Rihanna Becomes 1st Black Woman to Land Cover of British Vogue’s September Issue

photos via eveningstandard.com

by Andrea Park via cbsnews.com

Rihanna made history by becoming the first black woman to appear on the cover of British Vogue‘s September issue. Like the publication’s U.S. edition, the September issue is the most prestigious edition of the fashion magazine.

Rihanna shared her cover photo on Instagram. She’s wearing a hot pink Prada dress, Savage x Fenty gloves, a flower headdress and thin, drawn-on eyebrows a la Marlene Dietrich. The “Wild Thoughts” singer also posted photos from inside the issue, in which she dons different oversized floral headpieces.

The magazine’s editor-in-chief, Edward Enninful, styled the cover and photo shoot, and Nick Knight served as photographer. Enninful wrote in his editor’s letter that he knew he wanted the singer on the cover for the magazine’s September issue.

“I always knew it had to be Rihanna,” he wrote. “A fearless music-industry icon and businesswoman, when it comes to that potent mix of fashion and celebrity, nobody does it quite like her. No matter how haute the styling goes, or experimental the mood, you never lose her in the imagery. She is always Rihanna. There’s a lesson for us all in that. Whichever way you choose to dress the new season, take a leaf out of her book and be yourself.”

Enninful wrote that the two talked about diversity and Rihanna’s life as a diva for the accompanying profile.

British Vogue’s September issue hits newsstands today.

Source: https://www-cbsnews-com.cdn.ampproject.org/v/s/www.cbsnews.com/amp/news/rihanna-becomes-first-black-woman-to-cover-british-vogues-september-issue/

Nigerian-Born Taofeek Abijako, 19, is Youngest Designer to Show at Men’s New York Fashion Week

Head-of-State+ founder Taofeek Abijako (Photo by Nicolas Hunt via Getty Images)

by  via teenvogue.com

At just 19-years-old, this week, Nigerian-born designer Taofeek Abijako became the youngest designer to present a collection at New York Fashion Week: Men’s. Taofeek held a presentation for his brand Head of State+s spring/summer 2019 collection, which paid homage to 70s afro-futurism styles and West African youth culture.

Head-of-State+ first caught the eye of the fashion community weeks after its official launch in 2016. According to The New York Times Style Magazine, Japanese luxury retailer United Arrows found his self-produced lookbook on Twitter and began stocking the brand shortly after. The following year The New York Times Style Magazine labeled Head of State+ a “brand to watch”, and sure enough, the industry took notice. At the time, Taofeek was a senior in high school living in his parents Albany, New York home. He had only immigrated from Nigeria just two years prior and had just retired his soccer cleats to focus on fashion completely.

The brand’s latest offering, entitled Genesis, is the fourth collection from Taofeek. Genesis reflects the high-end streetwear aesthetic Taofeek has been exploring since its inception, and featured light trucker jackets, white tailored pants, and fitted knitwear. Speaking to the CFDA Taofeek explained, “Genesis is the translation of Afro-futurism portrayed by the likes of Parliament-Funkadelic and Sun Ra through the lens of West African youth – while at the same time celebrating the vibrancy of West African youth culture in the ‘70s and drawing parallels to modern time. The continuous homage to Fela Kuti is also portrayed.”

https://www.instagram.com/p/BlOPDeMHQ3V/

Now in its second year of operation, Head of State+’s visions as a brand is beginning to manifest into something that is much bigger than clothing. “I approach Head of State+ as less of a brand and more of a case study,” Taofeek told the CFDA. “It’s me digging into my cultural upbringing while trying to have a firm grasp and understanding of it.” In addition to his cultural advocacy, Taofeek is making a case for youth culture and providing the blueprint for how young designers can bypass the fashion industry’s hierarchy and establish a solid brand with minimal financial backing or formal training.

Source: https://www.teenvogue.com/story/taofeek-abijako-mens-nyfw-youngest-designer

Beyoncé Collaborates With Olivier Rousteing to Create Balmain x Beyoncé Collection to Benefit United Negro College Fund

Beyoncé Knowles.(Photo: Kevin Mazur/Getty Images)

via vogue.com

Just before Coachella was rechristened Beychella, Beyoncé Knowles and Balmain creative director Olivier Rousteing had an idea. It happened in a rehearsal, while Beyoncé and her dancers were practicing in their Balmain-made looks inspired by the marching band uniforms of America’s historically black colleges and universities. “When she saw all the dancers loving the outfit—and she was loving her own outfit—she realized that what we were creating on stage for her, for all the dancers, was something really impactful,” says Rousteing. It clicked: Why not make a Beyoncé x Balmain collaboration that could make those poignant graphics available to all of Bey’s fans clamoring for a piece of history?

On Friday, July 13, Balmain will launch a three-piece Balmain x Beyoncé collection in its Paris flagship, with the items going on sale on balmain.com and beyonce.com the following day. Comprised of the yellow and pink sweatshirts Beyoncé wore on stage at Coachella, the collection also includes a black tee with the same sorority-inspired graphic.

“I worked really long with her on the Beychella moments, and the fact that we can release this collaboration that is based on our creativity, Beyoncé and I, is really a big, big step for fashion and music together,” continues the designer. “Beyoncé, she’s such a perfectionist; she’s someone that is so strong and has such a great point of view. She’s about feminism, empowering women, and the idea of bringing that collaboration where we can share the same ideas, the same vision of music, the same vision of fashion, the same vision of what is going on in the world, it’s more than just clothes. It’s a strong message, and I’m really proud to be a part of that.”

He continues: “Sometimes, you create a moment, and it’s just one moment. With the clothes that we are creating now, it’s going to be a moment that keeps going and going and going. This is something really important. Everybody is always telling me about millennials or about the future—this is the future. This is making sure that these iconic moments talk to the young people. This is something important and this collaboration is talking to the new generation and saying you can get that piece, you can be a part of the history.”

The message, as Rousteing tells it, is to never stop dreaming. He relates Beyoncé’s global success, her message of standing against racism and standing for women, as something he wishes he had growing up in France. “This to me feels really emotional because, as you know, I’m of mixed race. I’m black and my parents are white. I grew up in France without having a real identification of being black and being an adult. I couldn’t see myself in the future, in a way, because there were not so many people in the ’80s or early ’90s that could show me a direction,” he says. “For me, working with Beyoncé, it’s more than only music. It’s about history, working with a woman that’s going to be part of the history and has made her own revolution, not only in music, not only in fashion. She is an icon to an entire generation and so many more generations can follow the steps of Beyoncé and say, ‘You give us hope, you make us dream.’ ”

Proceeds from the collaboration will benefit the United Negro College Fund, following Beyoncé’s $100,000 donation to four historically black colleges after her Coachella set. “The donation was the main goal of this collaboration,” says Rousteing. “We don’t forget where we come from. This is really, really important—I come from an orphanage, you know. I think there is something really emotional about our collaboration.”

Balmain x Beyoncé will be available on July 13 at Balmain’s Paris flagship and from July 14 online and at select retailers; tee, $290; sweatshirts, $550–$1,790

Read more: https://www.vogue.com/article/beyonce-x-balmain-coachella-collaboration

Rihanna Covers June Vogue, Talks Body Positivity and New Direct-To-Consumer Lingerie Line Savage X Fenty

It’s a foggy spring night in Paris, and Rihanna has just wrapped up a meeting with her accountant in the penthouse suite of the Four Seasons hotel, a place that will serve as her makeshift office for the next few days. The evening panorama from the terrace is about as picture-postcard pretty as Paris gets, though at this late hour the lights on the Eiffel Tower have long since gone out. Robyn “Rihanna” Fenty is a night owl. Her most intense bouts of creativity often come after midnight, a rhythm she picked up early in her music career. In the dark, soundproofed environment of a recording studio, time is elastic. And when you’re Rihanna, and the world is your oyster, then time is really elastic. It’s perhaps why she doesn’t seem particularly bothered that today’s to-do list is far from done. There is a stack of Fenty Beauty campaign printouts piled high on her desk awaiting her approval; a flood of unanswered emails from Fenty team members in various time zones, all happily waiting on her too. Right now, though, there is a more pressing issue on the agenda, one that demands her full attention: Rihanna has decided that it’s time to fix my love life.
“So wait, you’re on a dating app? You don’t seem like the dating-app type,” she says as her almond-shaped green eyes peer into my iPhone. “Come sit here; you gotta teach me how to do this swipe thing.” Rihanna is all curled up in a cozy hotel bathrobe and has a pair of comfy Fenty Puma slides on her feet, and yet she radiates flawless glamour—hair tousled in loose waves, skin luminous. Though I have taken great pains to put together what I think is a Rihanna-worthy look—Jacquemus blouse, vintage Yves Saint Laurent tuxedo pants—it’s hard not to feel like a tarnished penny next to a freshly minted gold coin as I sidle up to her on the sofa. Rihanna asks if she can take a look through the photos on my app, and I oblige. “What is that dress? Is that vintage Jean Paul Gaultier?” she asks, pausing on my profile picture, a bathroom selfie taken in a swanky Hollywood hotel. “You better werk, girl; you look gorgeous!” I do my best to play it cool, but the little fangirl inside me is freaking out. Hanging out with Rihanna is every bit as fun as her costars in the upcoming Ocean’s 8 movie make it sound: You know you’re in the presence of a superstar, but it’s like you’re chatting with an old friend. “It’s a combination of being starstruck and being immediately put at ease,” explains Sandra Bullock. “She also has this warmth, and when she shines it on you, it makes you feel pretty damn amazing!”
Before long, we’re on the hunt for potential suitors. “This guy is too pretty—if you’re pretty, you at least gotta have wrinkles,” Rihanna says, sizing up a male-model type who’s posing bare-chested on a surfboard. And so we’re on to the next. “OK, and this one is giving me Charlie Manson. No?” I nod in agreement; psychopaths are not an option. After swiping through a dozen profiles or more, she lands on a good one. “Now, this is your type!” she says. She’s not wrong: This man is scruffy but handsome, age appropriate (36), and appears to be gainfully employed (an actor, not my first choice, but hey, nobody’s perfect). “He looks smart, he’s British, and he’s got edges!” (Translation: He’s got all his own hair.) She swipes right, and a message pops up almost instantaneously on the screen: It’s a match! We both throw our heads back and start screaming with laughter.
But don’t be fooled: The giddy highs and lows of singledom are fast becoming a distant memory for Rihanna. Right now, she’s in a relationship. “I used to feel guilty about taking personal time,” she says, “but I also think I never met someone who was worth it before.” Though she’s reluctant to talk about her partner by name, rumors have been swirling around her connection to Hassan Jameel, a young Saudi businessman, since paparazzi photos of her vacationing with a handsome stranger in Spain made the rounds last summer. These recent romantic developments are, however, part of a much bigger sea change for Rihanna, who turned 30 this year. For the first time in her life, she’s fully committed to a healthy work-life balance. “Even mentally, just to be away from my phone, to be in the moment, that has been key for my growth,” she says. “Now, when I come to work, I’m all in. Because before you know it, the years will go by. I’m glad I’m taking the time. I’m happy.”
On the heels of the insanity of making a blockbuster movie, Rihanna somehow managed to launch Fenty Beauty in collaboration with Kendo, LVMH’s incubator for cool new makeup brands, last September. Leading with a range of foundations that cover a full spectrum of skin tones (there are 40 different shades), the brand shook up the beauty industry in ways few currently within it could have predicted, prompting a broader conversation about inclusivity that had long been ignored. The success of her cosmetics line was unprecedented, reportedly racking up a staggering $100 million in sales within 40 days. The wait lists at certain makeup counters continued for months. (I was among hundreds of women who lined up outside Harvey Nichols in London last fall, only to find that my shade had already sold out.)
Rihanna was initially taken aback by the response. She had grown up watching her mother apply makeup, so thinking about foundations for darker skin tones came naturally. “As a black woman, I could not live with myself if I didn’t do that,” she says. “But what I didn’t anticipate was the way people would get emotional about finding their complexion on the shelf, that this would be a groundbreaking moment.” She’s taken the same approach with Savage X Fenty, her direct-to-consumer lingerie line in partnership with online retail giant TechStyle launching May 11th, offering a range of nude underwear that goes far beyond the bog-standard beige T-shirt bra. She’s not alone in questioning the limited notion of “nude”: Kanye West’s debut fall 2015 Yeezy collection featured a diverse cast of models in flesh-toned looks that encompassed a wide range of colors, from palest white to richest brown. Now Rihanna is pushing that idea one step further, shedding light on the frustrations that many black women face in dressing their bodies at the most intimate level. She has said in the past that her biggest regret about the sheer Adam Selman dress she wore to the 2014 CFDA Fashion Awardswas that she didn’t throw on a bedazzled thong, mostly because the nude undies she ended up in weren’t the right match—“not my nude,” as she points out.
It should go without saying that the new line will carry a body-positive message, too. Rihanna’s lingerie models come in all shapes and sizes; they are real women with real bodies who stand as a refreshing counterpoint to the impossible supermodel dimensions that have defined the look of lingerie for decades. Like Gigi Hadid and Serena Williams, Rihanna has been the target of body-shaming internet trolls. Her public responses have been rare, but when she does brush off the haters it’s usually done with a razor-sharp dose of wit: Last summer she posted a hilarious before-and-after weight-loss meme of the rapper Gucci Mane, a tongue-in-cheek nod to her own fluctuations on the scale. Because what could be more sexy than a sense of humor? “You’ve just got to laugh at yourself, honestly. I mean, I know when I’m having a fat day and when I’ve lost weight. I accept all of the bodies,” she says, shrugging her shoulders. “I’m not built like a Victoria’s Secret girl, and I still feel very beautiful and confident in my lingerie.”
To read full article, go to: https://www.vogue.com/article/rihanna-vogue-cover-june-issue-2018