by Daniel Holloway via variety.com
Diversity is on the uptick in comics-inspired TV and film. When “Luke Cage” exec producer Cheo Hodari Coker declared at his show’s San Diego Comic-Con panel last year, “The world is ready for a bulletproof black man,” the crowd erupted in cheers. So did the internet. “Right before I said it, I knew what I was feeling,” Coker later told Variety. “I had said variations of it during the day. It was coming from an emotional place, but I didn’t think it was going to reverberate the way that it did. But I’m glad that it did.”
The “Luke Cage” panel came in July on the heels of widespread protests sparked by the killings of unarmed black men by white police officers in Louisiana and Minnesota. When the show premiered in September, it became the first live-action series about a black superhero since 1994’s “MANTIS.” Now it’s getting some company. Next season the CW will premiere “Black Lightning,” based on the DC Comics superhero. And next year Marvel will debut “Black Panther,” the studio’s first feature with a black hero in the lead.
Social, political and business trends have converged to put black superheroes at the centers of burgeoning television and film franchises after years of being relegated to supporting status. Dan Evans, VP of creative affairs at DC Entertainment, cites the emergence of black superheroes on-screen as part of a larger trend in television and film. “There’s so many examples now, from ‘24’ to ‘The Fast and the Furious’ to ‘Creed,’” says Evans, whose office door features an oversize image of Cyborg, the black teen hero who will play a key role in the upcoming “Justice League” movie. “We’ve seen again and again that if you tell a good story with these characters, people will come.”
In superhero comics, the first appeals to underserved minority audiences came with the debuts of Black Panther (1966), Luke Cage (1972), Black Lightning (1977) and others. “These black superheroes emerge parallel to the changes in American race relations in the late 1960s with the emergence of the Black Power movement,” says Adilifu Nama, author of “Super Black: American Pop Culture and Black Superheroes.” The movement’s push for equality and representation rippled through popular culture. “It wouldn’t be very sensible to think that these demands for diversity would only be in the realm of lunch counters and bus transportation.”
To read full article, go to: ‘Black Panther,’ ‘Luke Cage’ Highlight Rise of Black Superheroes | Variety
Posts published in “Entertainment”
OWN (Oprah Winfrey Network) has given a series order to “Love Is __,” a new drama from Mara Brock Akil and Salim Akil. The Akils will create and executive produce the series through their company Akil Productions. Mara Brock Akil will serve as show runner. The series, which had previously been in development at ABC as a multi-camera comedy, will be produced in association with Warner Horizon. It is slated to premiere in 2018.
“I’ve dreamed of working with the Akils,” said Oprah Winfrey. “I’ve been a huge fan of their work since first viewing ‘Girlfriends.’ They know just how to hit the cultural nerve to make you think and laugh at the same time.”
“To have a partner that brings the attention to detail and sheer excellence that Oprah has built an empire on is an absolute dream come true for Salim and me,” said Mara Brock Akil. “That, and it’s Oprah! ‘Love Is ___’ is not only a passion project, but is a personal one for us as well. We’re grateful to have her wholehearted support and magic touch behind this story.”
Based on the Akils’ relationship, the series will tell the story of a power couple navigating the landscape of Black Hollywood. Mara Brock Akil is the creator of “Girlfriends” and “Being Mary Jane.” She and husband Salim Akil, director of the film “Jumping the Broom,” co-created “The Game.” The two are executive producers of the CW’s upcoming DC Comics-based superhero series “Black Lightning,” on which Salim Akil serves as showrunner.
Source: Oprah Winfrey Network Orders Drama From Mara Brock and Salim Akil | Variety
by Mike Fleming Jr. via deadline.com
Remember the Titans scribe Gregory Allen Howard has teamed with Chris Columbus’ 1492 production company to tell the story of Fannie Lou Hamer, a sharecropper with a sixth-grade education who became an important voting-rights advocate and founded the first integrated political party in the South in mid-’60s Mississippi.
Hamer grew up in a family of 20 kids and picked cotton for most of her life. After going to a doctor to have a tumor removed, she discovered she was given a hysterectomy at age 47 by a white doctor, without her consent, because of a movement by the state to sterilize women to reduce the number of poor blacks in Mississippi.
Hamer became a Civil Rights activist, surviving assassination attempts
and a near-fatal beating to get her moment at the Democratic National Convention, where she challenged President Lyndon B. Johnson in 1968 with her legendary, “Is This America?” speech.
While LBJ hastily called a ruse press conference in the hope of diverting attention away from her speech, Hamer’s powerful words were widely broadcast and reverberated around the world. Howard, who studied Hamer’s accomplishments as a college student, has long been obsessed with bringing her story to the screen. Hamer died in 1977.
To read more, go to: Civil Rights Icon Fannie Lou Hamer Movie; Gregory Allen Howard script | Deadline
by Seth Kelley via variety.com
The first footage from Ava DuVernay’s highly-anticipated “A Wrinkle in Time” is finally here. Disney did the honors during its D23 Expo on Saturday.
DuVernay, the director of “Selma” and the documentary “13th,” among other projects, joined “A Wrinkle in Time” in February 2016. The story follows a group of children as they travel through time and visit strange worlds in order to find their missing father. Storm Reid plays the oldest daughter, Meg Murray, in the movie.
The cast includes Oprah Winfrey as Mrs. Which, Reese Witherspoon as Mrs. Whatsit, Mindy Kaling as Mrs. Who, and Chris Pine, who all joined the stage to present “Wrinkle” alongside DuVernay and Reid. Zach Galifianakis and Gugu Mbatha-Raw also star, but were not in attendance.
Jennifer Lee, who wrote and co-directed “Frozen” with Chris Buck, is responsible for the film adaptation of Madeleine L’Engle’s classic children’s book for Disney.
Earlier in the weekend, Winfrey was honored as a Disney Legend. During her acceptance speech, the legendary actress spoke about the studio’s impact on her life. “Disney, ABC 7 let me be me,” she said of her long-running “Oprah Winfrey Show.”
“A Wrinkle in Time” is expected to hit theaters March 9, 2018. The teaser can be seen above.
To read full article, go to: http://variety.com/2017/film/news/a-wrinkle-in-time-trailer-disney-ava-duvernay-watch-video-1202496728/
by Lori Lakin Hutcherson (@lakinhutcherson)
The nominees for the 2017 Primetime Emmys were announced this morning, and among them are nods in the Best Comedy Series category for writer/creator/star Donald Glover‘s freshman FX half-hour “Atlanta” as well as writer/creator Kenya Barris‘ veteran ABC show “Black-ish,” which also garnered nods in the Lead Comedy Actor and Actress categories for its stars Anthony Anderson and Tracee Ellis Ross. Glover also picked up a nod for Lead Actor in a Comedy Series.
Emmy winner Viola Davis was recognized again for her role as Annalise Keating in ABC’s “How to Get Away With Murder,” and Sterling K. Brown came through in the Lead Actor in a Drama Series category for his work on the popular NBC hit “This is Us.” Jeffrey Wright and Thandie Newton were acknowledged for their Supporting Roles in “Westworld,” as was Samira Wiley for her work in the original Hulu series “The Handmaid’s Tale.” Up against Wiley in the same category is her former “Orange Is the New Black” castmate Uzo Aduba.
Additionally, Leslie Jones grabbed a nomination in the Supporting Role in Comedy category for her work on “Saturday Night Live,” and RuPaul Charles got some love in the Host for a Reality/Reality-Competition Program category for his work on “RuPaul’s Drag Race.”
Behind the scenes, Donald Glover earned his third Emmy nomination for “Atlanta” in the directing category, and his fourth, along with his brother Stephen Glover, for Writing for a Comedy Series. Ava DuVernay & Spencer Averick were nominated in the Writing for a Nonfiction Program category for their outstanding work on the Netflix documentary “13th.” The full list of nominees follows below:
Drama Series
“Better Call Saul” (AMC)
“The Crown” (Netflix)
“The Handmaid’s Tale” (Hulu)
“House of Cards” (Netflix)
“Stranger Things” (Netflix)
“This Is Us” (NBC)
“Westworld” (HBO)
Comedy Series
“Atlanta” (FX)
“Black-ish” (ABC)
“Master of None” (Netflix)
“Modern Family” (ABC)
“Silicon Valley” (HBO)
“Unbreakable Kimmy Schmidt” (Netflix)
“Veep” (HBO)
Drama Actress
Viola Davis (“How to Get Away with Murder”)
Claire Foy (“The Crown”)
Elisabeth Moss (“The Handmaid’s Tale”)
Keri Russell (“The Americans”)
Evan Rachel Wood (“Westworld”)
Robin Wright (“House of Cards”)
Drama Actor
Sterling K. Brown (“This Is Us”)
Anthony Hopkins (“Westworld”)
Bob Odenkirk (“Better Call Saul”)
Matthew Rhys (“The Americans”)
Liev Schreiber (“Ray Donovan”)
Kevin Spacey (“House of Cards”)
Milo Ventimiglia (“This Is Us”)
Comedy Actor
Anthony Anderson (“Black-ish”)
Aziz Ansari (“Master of None”)
Zach Galifianakis (“Baskets”)
Donald Glover (“Atlanta”)
William H. Macy (“Shameless”)
Jeffrey Tambor (“Transparent”)
Comedy Actress
Pamela Adlon (“Better Things”)
Tracee Ellis-Ross (“black-ish”)
Jane Fonda (“Grace and Frankie”)
Lily Tomlin (“Grace and Frankie”)
Allison Janney (“Mom”)
Ellie Kemper (“Unbreakable Kimmy Schmidt”)
Julia Louis-Dreyfus (“Veep”)
by Lori Lakin Hutcherson (@lakinhutcherson)
According to Variety.com, former Today show co-anchor Tamron Hall is returning to return to daily television after leaving NBC News in February in the wake of the Peacock’s hiring of Megyn Kelly.
Weinstein Television is working to develop a daytime talk show featuring Hall, who will co-create the program with Weinstein and serve as host and executive producer of the series. Weinstein and Hall will also collaborate to develop other non-scripted programming under the terms of their deal.
The talk show is currently untitled, and is expected to focus on current events, human-interest stories and interviews with celebrities and newsmakers. The daily series is slated to be shot in front of a live studio audience.
“I’ve been working towards developing a talk show for a long time, but needed to make sure I did it the right way and with the right person to take the lead,” said Harvey Weinstein, co-chairman of The Weinstein Company, in a prepared statement. “Tamron is far and away that person. She’s an exceptionally talented journalist whose interviews masterfully walk the line between entertainment and hard hitting. We couldn’t be more thrilled to begin this new venture with her.”
by Justin Kroll via variety.com
Barry Jenkins is set to direct an adaptation of “If Beale Street Could Talk” for Annapurna Pictures, marking his first feature film since his hit “Moonlight” won the Academy Award for Best Picture and Original Screenplay.
Based on the novel by James Baldwin, “If Beale Street Could Talk,” the story follows Tish, a newly engaged Harlem woman who races against the clock to prove her lover’s innocence while carrying their child. It is a celebration of love told through the story of a young couple, their families and their lives, trying to bring about justice through love, for love and the promise of the American dream.
Production on the film is expected to start in October. Jenkins, who has wanted to make the film for many years, wrote the screenplay during the same summer sojourn in 2013 when he penned “Moonlight.” Since then, Jenkins has been working with the Baldwin Estate. Baldwin’s sister, Gloria Karefa-Smart, says, “We are delighted to entrust Barry Jenkins with this adaptation. Barry is a sublimely conscious and gifted filmmaker, whose medicine for melancholy impressed us so greatly that we had to work with him.”
“James Baldwin is a man of and ahead of his time; his interrogations of the American consciousness have remained relevant to this day,” Jenkins said. “To translate the power of Tish and Fonny’s love to the screen in Baldwin’s image is a dream I’ve long held dear. Working alongside the Baldwin Estate, I’m excited to finally make that dream come true.”
To read full article, go to: Moonlight Director Barry Jenkins New Movie: If Beale Street Could Talk | Variety
by Elizabeth Wagmeister via Variety.com
Ava DuVernay is continuing her relationship with Netflix, bringing a limited series about the Central Park Five case to the streaming giant. Netflix has greenlit the five-part scripted series for a 2019 debut. DuVernay created the project and will write and direct all five installments.
Participant Media, Tribeca Productions and Harpo Films are behind the limited series with Oprah Winfrey, Jeff Skoll, Jonathan King, Jane Rosenthal and Berry Welsh serving as executive producers alongside DuVernay. The project is the latest collaboration for Winfrey and DuVernay who worked together on the Oscar-winning “Selma” and OWN’s “Queen Sugar.”
For DuVernay, the project marks a return to Netflix for the filmmaker who wrote and directed the platform’s 2016 documentary “13th.” “I had an extraordinary experience working with Netflix on ’13th’ and am overjoyed to continue this exploration of the criminal justice system as a narrative project with Cindy Holland and the team there,” said DuVernay. “The story of the men known as Central Park Five has riveted me for more than two decades. In their journey, we witness five innocent young men of color who were met with injustice at every turn — from coerced confessions to unjust incarceration to public calls for their execution by the man who would go on to be the President of the United States.”
Based on the true story of the notorious Central Park Five case, each part of the limited series will focus on one of the five teenagers from Harlem — Antron McCray, Kevin Richardson, Yusef Salaam, Raymond Santana and Korey Wise — who were wrongly convicted of raping Trisha Meili in Central Park. The series will span from the spring of 1989, when each were first questioned about the incident, to 2014 when they were exonerated and a settlement was reached with the city of New York.
To read full article, go to: Central Park Five Limited Series From Ava DuVernay Greenlit at Netflix | Variety
by Michaela DePrince via positive.news
Sierra Leonean-American ballet dancer Michaela DePrince was orphaned at the age of three. Born Mabinty Bangura to a Muslim family, she was sent to an orphanage where the ‘aunties’ who cared for the children believed that her skin condition, vitiligo, was a curse and called her the ‘devil’s child’. In 1999, DePrince was adopted by a US couple. Inspired by a picture of a ballerina she saw on a magazine in Sierra Leone, DePrince trained as a ballet dancer, winning a scholarship for the Jacqueline Kennedy Onassis School at the American Ballet Theatre. In 2013, she joined the Dutch National Ballet. Her story features in a book called The Female Lead.
My uncle took me to the orphanage after my father was shot and my mother starved to death. He knew he’d never be able to get a bride price for me, because of my vitiligo. There were 27 children in the orphanage and we were numbered. Number 1 got the biggest portion of food and the best choice of clothes. Number 27 got the smallest portion of food and the leftover clothes. The aunties thought I was unlucky and evil because of my vitiligo. I was number 27. I was always dirty. They used to braid my hair too tightly because they wanted me to be in pain and they told me I’d never be adopted.
The only moments I was happy were because of my friend, who was also called Mabinty. We slept on the same mat and she used to sing to me and tell me stories when I couldn’t sleep. She was number 26. I thought nothing good would ever happen to me and then, one day, I found a magazine outside the gate of the orphanage. On the cover was a picture of a ballerina in a tutu. I thought she was a fairy on her tippy toes in her beautiful pink costume. But what struck me most was that she looked so happy. I hadn’t been happy in a long time. I ripped off the picture and hid it in my underwear.
We had a teacher who came to give us English lessons and I showed it to her. She explained to me that the girl was a dancer. I was walking with this teacher one day when some rebels came towards us. A boy was following them and another truck full of them around the corner. They had been drinking, I think. They saw Teacher Sarah was pregnant and started betting whether she was having a girl or a boy. So then they thought they’d find out and they got their machetes and cut her open. Her baby was a girl. They killed her and my teacher in front of me. The small boy thought he should imitate the older ones and he cut my stomach.
Later, the rebels occupied the orphanage and threw us out. We walked across the border to Guinea. There were plans for most of us to be adopted, but not me. Finally, there was a plane to Ghana. I was miserable because I thought I would never see my best friend, number 26, again. Then a lady with blonde hair, which seemed amazing to me, and wearing bright red shoes grabbed my hand and my friend’s hand too, and said: ‘I’m your new momma.’ Number 26 became my sister Mia.
My parents made me see that it is OK to be different and to stand out. When we got to the hotel, I started looking through my momma’s luggage for my tutu and pointe shoes. I thought all Americans were doctors, models or ballerinas and she would have brought my clothes with her. I didn’t speak English so the only way I could explain was to take the picture out of my underwear and show her. She understood straight away. She said I could dance if I wanted to.
When we got to America, I started going to ballet class once a week, then twice a week. I found a video of The Nutcracker and I must have watched it 150 times. I begged my mother to take me to a performance and I knew it so well that I could tell when they went wrong. By the time I was ten I was going to ballet classes five times a week.
I worried that my vitiligo would be a problem but my skin turned out to be an issue in a different way. A lot of people are still very traditional in their views and they want to see the same thing in the corps de ballet – white skinny dancers. Early on, my mother was told by one of my ballet teachers, ‘We don’t put a lot of effort into the black girls. They all end up getting fat, with big boobs.’ I have strengths as a dancer. I am muscular and I have strong legs. More importantly, I work very hard.
To read full article, go to: ‘I went from being a war orphan to a ballerina’
by Ashley Monaé via madamenoire.com
Young Thug has a huge heart and a soft spot for Planned Parenthood. After performing at New York City’s Terminal 5, the rapper, who is also a father of six, shared that he would donate all the proceeds to the non-profit organization.
“I’m donating the proceeds from my show tonight to @PPFA,” he tweeted. “I was a teenage parent. Planned + unplanned parenthood is beautiful.” Young Thug had his first child at the tender age of 17, so he knows the aid that Planned Parenthood brings to many families.
The organization, which provides reproductive health care, has recently been under fire for their abortion services. In particular, Donald Trump signed legislation just a few months back aimed at cutting off federal funding to Planned Parenthood and other groups.The trickle down has since continued as four Indiana clinics were officially shut down on Friday (June 30) after the state’s governor signed a bill to stop Medicaid funding for the organization in May.
To read original article, go to: Young Thug Donates Proceeds From NYC Show To Planned Parenthood