by Dennis McLellan via latimes.com
Dick Gregory, who became the first black stand-up comic to break the color barrier in major nightclubs in the early 1960s, a decade in which he satirized segregation and race relations in his act and launched his lifetime commitment to civil rights and other social justice issues, died Saturday. He was 84.
His death was confirmed on his official social media accounts by his family. “It is with enormous sadness that the Gregory family confirms that their father, comedic legend and civil rights activist Mr. Dick Gregory departed this earth tonight in Washington, DC.,” his son Christian Gregory wrote. Even before the confirmation from the family, Rev. Jesse Jackson, a longtime friend of Gregory’s, had memorialized him in a tweet: “He taught us how to laugh. He taught us how to fight. He taught us how to live. Dick Gregory was committed to justice. I miss him already.”
In a life that began in poverty in St. Louis during the Depression, the former Southern Illinois University track star became known as an author, lecturer, nutrition guru and self-described agitator who marched, ran and fasted to call attention to issues ranging from police brutality to world famine. An invitation from civil rights leader Medgar Evers to speak at voter registration rallies in Jackson, Miss., in 1962 launched Gregory into what he called “the civil rights fight.” He was frequently arrested for his activities in the ’60s, and once spent five days in jail in Birmingham, Ala. after joining demonstrators in 1963 at the request of the Rev. Martin Luther King Jr.
Gregory, who was shot in the leg while trying to help defuse the Watts riots in 1965, made a failed run for mayor of Chicago as a write-in candidate in 1967. A year later, he ran for president as a write-in candidate for the Freedom and Peace Party, a splinter group of the Peace and Freedom Party. Hunter S. Thompson was one of his most vocal supporters.
In the late ’60s, Gregory began going on 40-day fasts to protest the Vietnam War. In 1980, impatient with President Carter’s handling of the Iranian hostage crisis, he flew to Iran and began a fast, had a “ceremonial visit” with revolutionary leader Ayatollah Ruhollah Khomeini and met with the revolutionary students inside the embassy. After four and a half months in Iran, his weight down to 106 pounds, he returned home.
But before Dick Gregory the activist, there was Dick Gregory the groundbreaking comedian. He was a struggling 28-year-old stand-up comic in Chicago who had launched his career in small black clubs when he received a life-changing, last-minute phone call from his agent in January 1961: The prestigious Playboy Club in Chicago needed someone to fill in for comedian Irwin Corey on Sunday night. Gregory was so broke he had to borrow a quarter from his landlord for bus fare downtown. Never mind that his audience turned out to be a convention of white frozen-food-industry executives from the South.
“Good evening, ladies and gentlemen,” Gregory said, coolly eyeing the audience. “I understand there are a good many Southerners in the room tonight. I know the South very well. I spent 20 years there one night. …“Last time I was down South, I walked into this restaurant, and this white waitress came up to me and said: ‘We don’t serve colored people here.’ I said: ‘That’s all right, I don’t eat colored people. Bring me a whole fried chicken.’ ”Despite having to deal with what he later described as “dirty, little, insulting statements” from some members of the audience, the heckling soon stopped as Gregory won them over with his provocatively funny but nonbelligerent satirical humor.
“Segregation is not all bad,” he said on stage. “Have you ever heard of a wreck where the people on the back of the bus got hurt?” What was supposed to be a 55-minute show, Gregory later recalled, went on for about an hour and 40 minutes. And by the time he walked off stage, the audience gave him a thundering ovation. He did so well, he was booked at the club for two weeks and then held over for several more.
To read full article, go to: Dick Gregory, who rose from poverty to become a groundbreaking comedian and civil rights activist, dies at 84 – LA Times
Posts published in “Entertainment”
by Justin Kroll via variety.com
NBA superstar LeBron James is continuing to make moves off the court. James’ production company, SpringHill Entertainment, is adding the first scripted drama to its growing slate. The project also boasts Oscar-winning talent: Octavia Spencer.
Spencer is attached to star in the limited series about entrepreneur and social activist Madam C.J. Walker’s life, with James executive producing along with his company’s co-founder, Maverick Carter. Sources tell Variety that Netflix is interested in the series and is the likely destination. The steaming service had no comment on their involvement in the project.
Nicole Asher is on board to write and co-exec produce and “Black Nativity” helmer Kasi Lemmons will direct the pilot and also executive produce. The series is based on the book “On Her Own Ground” by A’Lelia Bundles, Walker’s great-great-granddaughter, who will also serve as a consultant on the series.
Walker, the daughter of slaves, was orphaned at age seven, married at 14, and widowed at 20. She spent two decades laboring as a washerwoman, earning $1.50 a week. However, everything changed following Walker’s discovery of a revolutionary hair care formula for black women. By the time she died in 1919, she had built a beauty empire from the ground up, amassing wealth unprecedented among black women. She counted W.E.B. Du Bois and Booker T. Washington among her friends.
Zero Gravity Management’s Mark Holder and Christine Holder optioned the book from Bundles in early 2016. Spencer got wind of the project and aggressively pursued the part. Once word spread that Spencer was attached, WME, who reps both Spencer and James, pitched the series to James as his production company’s entryway into the prestige genre.
SpringHill president Jamal Henderson brought the project to Carter’s attention and the two moved quickly to land the property. With Nicole Asher set to write, Spencer starring, and James and Springhill on board as producers, the package was presented to potential buyers, with Netflix acting fast and the favorite to land the series. “I am really proud of this project and that SpringHill will be partnering with Octavia to tell this important story,” James said. “Every American should all know the story of Madam C.J. Walker. She was an innovator, entrepreneur, social activist, and total game changer whose story has been left out of the history books. I hope this project lives up to her legacy with a story that will educate and inspire.”
To read full article, go to: Octavia Spencer, LeBron James Team on TV Series About Madam CJ Walker | Variety
via hollywoodreporter.com
Bruno Mars is donating $1 million from his Michigan concert to aid those affected by the Flint water crisis. Mars told the audience Saturday at his show in Auburn Hills that he and tour promoter Live Nation are redirecting funds from the concert to The Community Foundation of Greater Flint, a charity.
In 2014, Flint switched water sources and failed to add corrosion-reducing phosphates, allowing lead from old pipes to leach into the water. Mars says in a statement that “as people, especially as Americans, we need to stand together to make sure something like this never happens in any community ever again.”
To read more, go to: Bruno Mars Donates $1M to Flint Water Crisis | Hollywood Reporter
by Hazel Cills via jezebel.com
After Fox 2000‘s space race drama “Hidden Figures” was released last year, an unprecedented amount of United States embassies were reportedly calling the State Department requesting the film. Eventually the movie was screened to nearly 80 locations overseas and because of all those screenings, a new, publicly funded exchange program will bring women from around the world working in science, technology, engineering, and math (STEM) to the United States.
The program, called #HiddenNoMore, will bring 50 women from 50 different countries who are working in STEM fields to the United States. The chosen participants will travel to Washington in October before traveling across the country for three weeks meeting with universities, Girl Scouts, and other organizations.
Then they’ll all come together in Los Angeles for a two-day event on the 21st Century Fox lot. Across STEM industries, women, particularly women of color, are vastly underrepresented. “Hidden Figures” already shed light on the important history of black women in mathematics, but with programs like #HiddenNoMore it’s cool that the movie can now help create its future.
To read full article, go to: Hidden Figures Has Inspired a State Department Education Exchange Program
by Paula Rogo via essence.com
The year is not yet done and Jordan Peele’s horror masterpiece “Get Out” has already been declared the most profitable movie of the year. The movie, which is the highest-grossing original screenplay ever, had a 630 percent return on investment, according to TheWrap.
Peele was given a $4.5 million budget by Blumhouse Productions to work with on “Get Out,” grossing $252 million worldwide. M. Night Shyamalan‘s “Split,” also produced by Blumhouse, had a 610 percent return on investments on a global haul of $277 million. It is the second-highest most profitable film of the year.
To read more, go to: Jordan Peele’s ‘Get Out’ Is Most Profitable Film of 2017 | Essence.com
Since launching Green Box Shop in 2016, social media has played a huge part in how Kayla Robinson, 18, runs Green Box Shop: She heavily relies on Instagram and Twitter to promote her line of T-shirts bearing progressive, all-caps messages, and she’s found inspiration for some designs by connecting with people online and checking her feed, too.
A couple of famous fans have snapped up Green Box Shop shirts — including Zendaya, who posted an image of a Green Box tee on Snapchat before saying she’ll snap up a few shirts (or all of them) herself — thanks to their popularity on these platforms, and it was one of these well-known customers who let Robinson know that Frank Ocean was rocking one of her shirts for his headlining set at the Panorama Music Festival on July 28.
“Well, Jessica Williams, she DMed me,” says Robinson of the moment she realized her shirt was about to go viral. The star of The Incredible Jessica James and former Daily Show correspondent has been a Green Box shopper for a minute, and was all too eager to share that Ocean was broadcasting Robinson’s WHY BE RACIST, SEXIST, HOMOPHOBIC, OR TRANSPHOBIC WHEN YOU COULD JUST BE QUIET? design to a thousands-strong crowd.
“She texted me in all caps, all excited, like, ‘FRANK OCEAN IS WEARING ONE OF YOUR SHIRTS!’ I was like, ‘That’s not true! You’re lying!’ I didn’t believe her at first, but then she sent me some pictures, and I was like, ‘That’s crazy.’ I just started freaking out. I just remember doing something in my kitchen, and I just immediately started running around.”
Robinson’s reaction is completely understandable given the intense surge of interest in Green Box. During a typical week, Green Box sees a daily average of 50 orders. On July 29, the day after Ocean’s set, Robinson says that 3,500 orders were placed (though not all for the shirt he wore, specifically); an additional 1,000 orders came in before this article went to press on July 30. That means that Green Box sold ten times what they typically do in a week in a single day thanks to the exposure Ocean provided — and it also means that Green Box has a chance to give back more than they already do.
For Robinson, the focus of Green Box has always been more about freedom of expression than about fashion, as she launched the company to sell tees with activist messages she’d actually wear (and raise money to fund her yoga teacher certification in the process).
“I never really had an interest in fashion — you know, as in being really trendy or fashionable,” she says. “I was already in the phase of tie-dying a lot of shirts, and so I decided to put my ideas on shirts and sell them to raise money. I first started doing this through GoFundMe, and then the business grew. It basically came from a passion of speaking my mind and tie-dye.”
To read full article, go to: Meet The Teen Who Made Frank Ocean’s Powerful Panorama Tee – MTV
by Rodney Carmichael via npr.org
Thirty years after becoming rap’s first sex symbol, LL Cool J will be the first hip-hop artist to receive Kennedy Center Honors in its 40-year history.
The rapper-turned-actor born James Todd Smith will be inducted with a prestigious 2017 class — including pop stars Lionel Richie, Gloria Estefan, television icon Norman Lear and choreographer Carmen de Lavallade – on Sunday, Dec. 3 at the Kennedy Center Opera House in Washington, D.C.
The honorees will be saluted by performers while seated alongside President Trump and First Lady Melania Trump. While Kennedy Center Honors acknowledge the lifetime achievements of contributors to American culture, the list has traditionally been limited in scope. But the inclusion of LL, born James Todd Smith, in this year’s honoree list further expands the center’s growing embrace of hip-hop culture.
Earlier this year the center appointed Simone Eccleston as its first director of Hip-Hop Culture after naming A Tribe Called Quest’s Q-Tip as artistic director of Hip-Hop Culture in 2016. Historic performances by Kendrick Lamar and Common have also underlined the center’s investment, and more programming for the 2017-18 season is expected to be announced in the coming months.
At 49, LL will be the Kennedy Center’s youngest honoree since Stevie Wonder. It’s a long way from home for the St. Albans, Queens native who made his first record, “I Need A Beat,” at 16, after his demo tape made it to the ears of producer and Def Jam founder Rick Rubin. As rap’s first bona fide solo star, LL was larger than life in the 1980s, the first to embody the street-corner swagger and sex appeal that would become a blueprint for future hip-hop icons ranging from Big Daddy Kane to Biggie.
Before an artist like Drake could legitimately mix hip-hop lyricism with R&B vulnerability, LL turned out the first hit rap ballad with 1987’s “I Need Love.” And the ladies loved him for it. Best known today for his starring roles in TV and film, he received his star on the Hollywood Walk of Fame last year. But after a career spanning 30-plus years and 13 albums, he’s yet to leave rap alone — he’s rumored to be in the studio recording with Dr. Dre.
To read full article, go to: LL Cool J To Become Kennedy Center’s First Hip-Hop Honoree : The Record : NPR
via thegrio.com
Joy-Ann Reid‘s talk show AM Joy on MSNBC keeps pulling in the numbers. For the fifth straight month, her show beat out CNN viewership in the same time slot, according to Shadow and Act. In July, her Saturday edition averaged 1.02 million viewers, versus CNN’s 778,000, and her Sunday edition averaged 880,000 viewers versus CNN’s 878,000.
What’s more, AM Joy has seen double-digit growth in the 25-54 demographic, with 45 percent growth on Saturday and 74 percent growth on Sunday. That same demographic, for comparison, has been down for both Fox and CNN in that same time period. Overall, AM Joy enjoyed 53 percent growth for the Saturday edition and 72 percent for total viewers for the Sunday edition.
To read more, go to: Joy-Ann Reid’s ‘AM Joy’ beats CNN in ratings for fifth straight month | theGrio
by Nellie Andreeva (with Mike Fleming) via deadline.com
A century and a half after slavery was abolished in the U.S., the wounds left by one of the darkest periods in American history are far from healed, as evidenced by the controversy surrounding the recent announcement of HBO’s upcoming drama series Confederate, from Game Of Thrones creators David Benioff and D.B. Weiss, which explores an alternate timeline of seceded southern states where slavery is legal and has evolved into a modern institution.
Another alternate history drama series, which has been in the works at Amazon for over a year, also paints a reality where southern states have left the Union but takes a very different approach. Titled Black America, the drama hails from top feature producer Will Packer (Ride Along, Think Like A Man) and Peabody-Award winning The Boondocks creator and Black Jesus co-creator Aaron McGruder.
It envisions an alternate history where newly freed African Americans have secured the Southern states of Louisiana, Mississippi and Alabama post-Reconstruction as reparations for slavery, and with that land, the freedom to shape their own destiny. The sovereign nation they formed, New Colonia, has had a tumultuous and sometimes violent relationship with its looming “Big Neighbor,” both ally and foe, the United States.
The past 150 years have been witness to military incursions, assassinations, regime change, coups, etc. Today, after two decades of peace with the U.S. and unprecedented growth, an ascendant New Colonia joins the ranks of major industrialized nations on the world stage as America slides into rapid decline. Inexorably tied together, the fate of two nations, indivisible, hangs in the balance.
The Packer/McGruder project was announced back in early February, but at the time, it was untitled, and the producers would not divulge any details about the storyline beyond it revolving around an alternate universe in the vein of Amazon’s flagship The Man in the High Castle. It was HBO’s announcement of Confederate this month that prompted the Black America team to reveal the project’s premise.
“It felt this was the appropriate time to make sure that audiences and the creative community knew that there was a project that preexisted and we are pretty far down the road with it,” Packer told Deadline. Black America, which Packer said is in “very, very active development” with McGruder “off and writing,” originated at Amazon Studios. The service’s head of content Roy Price called Packer more than a year ago while the producer was on the set of his latest box office hit, Girls Trip.
Price soon reached out to McGruder with whom Packer had briefly worked in the past on Think Like A Man and had been looking to team up again. “Being a fan of Aaron, I thought he definitely had the right tone, the right voice, the right wit to handle a project like this,” Packer said. “Aaron and I sat together and talked about what a huge opportunity and responsibility it would be to do this project and do it right.” As for the tone of the hourlong series, it’s “a drama, but it wouldn’t be Aaron McGruder without traces of his trademark sardonic wit,” Packer said.
Black America creates the kind of utopia that has been on the minds of generations of black Americans for whom the series may have a sense of wish-fulfillment. “It was something that was personally intriguing for me as a black American,” Packer said. “You would be hard pressed to find many black Americans who have not thought about the concept of reparation, what would happen if reparations were actually given. As a content creator, the fact that that is something that has been discussed thoroughly throughout various demographics of people in this country but yet never been explored to my knowledge in any real way in long-form content, I thought it was a tremendous opportunity to delve into the story, to do it right.”
via eurweb.com
Taraji P. Henson has been tapped to host BET’s 2017 Black Girls Rock Awards honoring “Insecure” creator, writer and star Issa Rae, “Black-ish” star Yara Shahidi and others. The ceremony will take place on Aug. 5 at the New Jersey Performing Arts Center in Newark. Rae is set to receive the Star Power Award while actress/activist Shahidi will take home the Young Gifted and Black honor.
Other honorees include singer Roberta Flack (Living Legend Award); financier Suzanne Shank (Shot Caller Award); and community organizers Derrica Wilson and Natalie Wilson of The Black & Missing Foundation (Community Change Agent Award).
The 2017 Black Girls Rock Awards will air on BET on Aug. 20.
Source: Taraji P. Henson to Host BET’s 2017 ‘Black Girls Rock’ Saluting Issa Rae, Yara Shahidi & More | EURweb