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Fox’s "Empire’" Delivers 8th Straight Week of Growth with 14.3 Million Viewers

Empire Fox
UPDATE: In updated Nielsen nationals released Thursday afternoon, Fox’s “Empire” was adjusted up to a 5.8 rating/17 share in adults 18-49 and 14.33 million viewers overall. That leaves it up 53% from its Jan. 7 premiere in 18-49 (5.8 vs. 3.8) and 45% higher in total viewers (14.33 million vs. 9.90 million).
Another week, another record high for Fox phenomenon “Empire,” which continued to show no signs of slowing down Wednesday, two weeks from its first-season finale.
“Empire” has now grown seven consecutive weeks in total viewership since its Jan. 7 premiere: 9.90 million (Jan. 7), 10.32 million (Jan. 14), 11.07 million (Jan. 21), 11.35 million (Jan. 28), 11.47 million (Feb. 4), 11.96 million (Feb. 18), 13.02 million (Feb. 18), 13.90 million and now to 14.3 million.
And in adults 18-49, it’s been up seven times in those eight weeks: 3.8/11, 4.0/12, 4.4/13, 4.3/13, 4.6/14, 4.8/15; 5.2/15; 5.4/15; and now 5.8/17.
Compared to its premiere, Wednesday night’s ninth episode was up 50% in 18-49 (5.7 vs. 3.8) and 43% in overall audience (14.2 million vs. 9.9 million).
With the exception of ABC’s “Modern Family,” no other Wednesday show could generate even half as many young adults as Fox’s “Empire.” And in adults 18-34 and women 18-34, “Empire” more than doubled every series (including “Modern Family”).
Last night’s 5.7 rating in 18-49 for “Empire” puts it ahead of the season premiere of CBS’ “The Big Bang Theory” as the season’s top-rated regularly scheduled broadcast. The last broadcast drama to do a higher same-night rating in its regular timeslot was ABC’s “Grey’s Anatomy” in October 2009.
article by Rick Kissell via Variety.com

Robin Roberts Presents New Series about Medical Breakthroughs

(Image: Facebook)
(Image: Facebook)
If you’re a big Robin Roberts fan and can’t get enough of the radiant personality, you can now catch her in a brand new web series. The Good Morning America host’s company Rock’n Robin Productions is teaming up with WebMD to premiere WebMD’s Future of Health with Robin Roberts. Each episode of the new digital series tells stories of “cutting-edge medical breakthroughs, inspiring individuals working to improve people’s lives, and the people that are benefiting from their efforts.”
In an official statement, Dr. Steven Zatz, President at WebMD, said “We want to create experiences that engage, inspire and motivate people, and we believe that working with great storytellers like Robin Roberts, and producing powerful video content like Future of Health, will enable us to do just that.”
Roberts leads viewers on a fascinating journey through cutting-edge research labs, playgrounds, classrooms and people’s homes as they explore the wonders of medicine and science. The series gives a front seat to the following: innovative use of 3-D printing for prosthetics and organ transplantation, a new obesity treatment that offers a much-needed alternative to highly invasive gastric surgery, transformative new technology that restores vision to the blind, a highly experimental procedure enabling women without a womb to carry and deliver babies of their own, and advances in wireless medicine that turn smartphones into life-saving devices.
Roberts said, “What’s on the medical horizon is incredible, and I hope this is just the first of many series that we will work on together.”
You can catch the five-part digital video series here.
article by Essence Gant via blackenterprise.com

Denzel Washington, Ethan Hawke and "Training Day" Director Antoine Fuqua Reteam on "Magnificent Seven"

Denzel Crushes "Fences"!It’s been over a decade since Denzel Washington, Ethan Hawke, and director Antoine Fuqua patrolled the mean streets of Los Angeles in “Training Day,” and it looks like that team is looking to head to the Wild West for their next collaboration.
Sources say the Oscar-nominated Hawke is in final negotiations to join Washington in MGM’s “Magnificent Seven” remake with Fuqua directing.
Chris Pratt and Haley Bennett are also on board to star.
The 1960 original, itself a remake of Akira Kurosawa’s “Seven Samurai,” starred Yul Brynner and Steve McQueen. It centered on seven gunslingers who protect an oppressed Mexican village from a group of outlaws.
The script was most recently reworked by John Lee Hancock, with “True Detective” creator Nic Pizzolatto writing the previous draft.
MGM is hoping the pairing of Hawke with Washington leads to the same success the two saw on crime drama “Training Day,” which overperformed at the box office and led to both men receiving Oscar nominations, with Washington eventually taking home the prize.
article by Justin Kroll via Variety.com

Phylicia Rashad to Star in CBS’ "For Justice" Drama Pilot

Phylicia Rashad
(KEVIN MAZUR/GETTY IMAGES)

Phylicia Rashad has been cast as a series regular in CBS’ drama “For Justice.”
“The Cosby Show” co-star will play a gay woman by the name of Georgina Howe in the pilot, set to be directed by “Selma’s” Ava DuVernay.
Rashad’s character is described has a savvy Washington player who has faced discrimination for her race and sexual orientation, and fights to protect the independence and integrity of her high-profile Civil Rights Division.
The project, based on James Patterson’s novel “The Thomas Berryman Number,” follows a female FBI agent working in the Criminal Section of the Department of Justice’s Civil Rights Division who finds herself caught between her radical real family and her professional family.
“Law & Order” vet Rene Balcer wrote the pilot and will serve as executive producer, alongside DuVernay, Robert De Niro, Jane Rosenthal, James Patterson, Bill Robinson and Leopoldo Gout. Berry Welsh will co-executive produce. CBS TV is the studio.
article by Elizabeth Wagmeister via Variety.com

"Empire" Grows Audience for 7th Straight Week; Growth Spurt Fueled by Young Women, Urban Markets

Timbaland Empire Fox
In music biz terms, Fox’s “Empire” is zooming up the charts with a bullet.
On Wednesday the family soap centered on a hip-hop musical mogul continued its unprecedented growth streak by gaining audience for a seventh straight week, hitting 13.9 million. No series in the history of Nielsen’s People Meters (going back to 1991) had grown with the first five episodes following its premiere, and “Empire” has now bested that by two weeks.
The 20th Century Fox TV/Imagine TV drama stunned the industry with its Jan. 7 premiere, which averaged a 3.8 rating/11 share in adults 18-49 and 9.9 million total viewers, according to Nielsen. It built on its lead-in, the season premiere of “American Idol,” by 32% in  adults 18-34 and logged the net’s top premiere score in this demo in six years.
And it’s only gotten bigger since. “Empire” is part of the ratings boom this season for series that feature diverse casts and executive producers — as exemplified by ABC’s success with comedies “Blackish” and “Fresh Off the Boat” and drama “How to Get Away With Murder.” But “Empire’s” audience is so big that it is clearly a big-tent hit with broad viewership across a range of demographics.
In adults 18-49, it has grown in six of the last seven weeks, with Wednesday night’s rating (5.4) — a monster 42% build on its premiere — the top score for a regularly scheduled broadcast drama since ABC’s “Grey’s Anatomy” in the fall of 2010.
The biggest growth spurt for “Empire” has come in women 18-34, in which last night’s rating (6.2) was 68% larger than its premiere rating (3.7).
“Empire” figures to once again rank as the week’s top-rated broadcast series in adults 18-49, having leapfrogged CBS vet “The Big Bang Theory” for the first time last week. And for the season, “Empire” is on track to finish as broadcast television’s No. 1 drama; only AMC’s “The Walking Dead” rates higher.
(Fox estimates that in the month since the “Empire” pilot aired, it has been watched by 22.6 million when all time-shifting and viewership on other nonlinear platforms are included.)
“Empire” is being driven by a young, urban audience and is faring especially well in many of the nation’s biggest cities.
Among the top 12 markets, Wednesday’s episode of “Empire” won in the 18-49 demo in every one but Boston. The top scores in those cities came from Atlanta (14.9 rating/29 share), Detroit (9.2/24), Washington, D.C. (7.8/23), Cleveland (7.5/17) and New York (7.3/20) — all well above the show’s national average of 6.0/17.
Roughly two-thirds of those age 2 and older watching “Empire” last Wednesday night (66.9%) were African-Americans. It joins ABC’s Thursday tandem of “Scandal” (42% African-American) and newcomer “How to Get Away Murder” (41%) as broadcast dramas in which more than 4 in 10 viewers are black.
In addition to “How to Get Away With Murder,” ABC has also added two solid comedies featuring minority leads (“Black-ish” and “Fresh Off the Boat”) this season while its “Cristela” has fared decently on Fridays. CW, meanwhile, has garnered critical accolades and is slowly building an audience for its comedic hour “Jane the Virgin.”
All of these series are delivering a younger skew than other shows on their networks, which only makes sense based on U.S. Census data.
According to Nielsen’s calculation of the 116 million-plus TV homes in the U.S. this season, whites make up 75% of the nation’s 50-and-older population, but they comprise 59.3% of the adults 18-49 pie — down from 63.5% just five years ago.
African-Americans make up 14.2% (up from 13.3%) and Asian-Americans have jumped to 5.6% (from 5.0), but the biggest growth spurt has come among Hispanics, which have grown from 17.6% to 20.1% of the country’s TV-viewing population.
In addition to the two-thirds of its audience that is black, “Empire” has also dominated in the top-10 Texas markets of Dallas (7.2 local rating in 18-49/19 share last night) and Houston (7.0/18), where Hispanics make up more than 40% of the population.
In fact, with about 10% of its audience Hispanic, “Empire” ranks as the season’s No. 1 new series and No. 1 broadcast drama overall with Hispanic (English-language) adults 18-49 and 18-34.
The median age for “Empire” last night was 43.5, making it the night’s youngest-skewing program on the Big Four. The net’s “Gotham” is the only other current drama on ABC, CBS, NBC or Fox this season to consistently have a median age under 50.
Another indication of just how big “Empire” has become is that while roughly 63% of its 18-49 audience is female, it also ranks as the season’s No. 1 new series in men 18-49.
“Empire” is benefiting from increasingly strong buzz in social media. Based on Nielsen Social Guide and Twitter metrics, “Empire” now has the highest average number of tweets per episode during its live airings (381,770) than any other broadcast drama this season — overtaking ABC’s “Scandal” (355,012).
And last night’s episode generated a record 714,742 social comments.
Ratings for primetime shows tend to drift downward at the onset of Daylight Saving Time (which starts March 8), so it’s likely that “Empire’s” growth streak will come to an end in one of the weeks prior to its March 25 finale. But at this point, you’d be crazy to bet against it.
article by Rick Kissell via Variety.com

Pharrell Williams Lands A “Happy” Book Deal with Putnam Books

Prolific producer, musical artist and “The Voice” coach Pharrell Williams (pictured) recently secured a deal with publisher Putnam Books for a series inspired by his hit song, “Happy,” according to USA Today.
The 41-year-old Grammy Award winning singer-songwriter and trendsetter will write four books — the first one tentatively titled “Happy” — set to hit bookstores on September 22.  The book will reportedly have pictures of children from around the globe who will be “celebrating what it means to be happy,” according to the news site.
The mega-infectious ditty that was originally released in 2013 as part of the “Despicable Me 2″ soundtrack became a chart-topper last year.  “Happy” also earned Pharrell an Oscar nomination in 2014 in the “Best Original Song” category.  The song’s winning streak kept going this year at the Grammy Awards when it won Best Pop Solo Performance and Best Music Video.
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“Happy” will be Pharrell’s first venture into book writing and Putnam’s umbrella publisher, Penguin Books has reportedly already planned a 250,000 first run printing.
“I’m humbled by the global success of Happy, but especially in awe of the song’s young fans,” Pharrell said according to USA Today. “My collaboration with Penguin allows me to continue a dialogue with these children in a fresh, new way. We’re both committed to feeding the curiosity of young minds with imagination.”
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

Paula Patton Lands Lead Role In ABC Drama Pilot "Runner"

Paula Patton Medavoy Management
(KEVORK DJANSEZIAN/GETTY IMAGES)

Paula Patton will star in ABC’s drama pilot “Runner”.  Patton will play the lead, Lauren Marks, a woman whose perfect life is torn apart by one twist of fate. To uncover the truth, Lauren must follow a trail of lies that take her into the world of cartels and the illegal gun trade between the U.S. and Mexico.
Australian director Michael Offer (“How to Get Away With Murder,” “Longmire”) will direct the pilot from 20th Century Fox and ABC Studios. “Runner” was written by Michael Cooney, who will executive produce with Peter Horton, Ian Sander, Kim Moses and Jon Cowan, with Cowan as showrunner.
The project marks Patton’s first-ever TV series as a regular. She co-starred in “Mission: Impossible — Ghost Protocol” with Tom Cruise, “Deja Vu” with Denzel Washington and “Precious.” Patton will also star in “Warcraft,” alongside Travis Fimmel and Dominic Cooper, set to hit theaters in 2016.
article by Elizabeth Wagmeister via Variety.com

"Empire" Hits New High with 6th Week of Growth and over 13 Million Viewers

Empire Ratings Fox
According to Variety.com, primetime television has never seen a ratings growth story like Fox’s smash hit drama “Empire,” which continued to defy the odds on Wednesday night by drawing a series-high audience for a sixth consecutive week.
In its 7th week of airing, “Empire” moved above the 13-million mark in total viewers for the first time (13.02 million).  As a result, it gained week to week by a big 8% in the 18-49 demographic and 9% in total viewers; and vs. its premiere on Jan. 7, it’s up 37% in 18-49 and 32% in total viewers.
Since debuting with 9.9 million viewers on Jan. 7, “Empire” has grown with each week in total viewers: 10.32 million, 11.07 million, 11.35 million, 11.47 million, 11.96 million and now roughly 12.9 million. In 18-49, it has set highs with five of its six episodes following its premiere, which did a 3.8 rating/11 share: 4.0/12, 4.4/13, 4.3/13, 4.6/14, 4.8/15 and now 5.2/15.
Compared to its premiere, last night’s “Empire” was up 34% in adults 18-49, 55% in adults 18-34 and 30% in total viewers.
Additionally, in social media tracking, last night’s “Empire” episode generated a whopping 615,461 tweets on Twitter during its on-air broadcast. (By comparison, AMC’s “The Walking Dead” drew 243,986 on Sunday.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

OPINION: Racebent "Frozen" Fan Art Reminds Us That Representation Matters

BlackElsa-BlackFrozen-RacebentFrozen-Crop
One Tumblr artist struck a nerve when she re-imagined the main characters from “Frozen” as Black girls. Here’s why haters need to find their chill.
Earlier this week, I saw some “Frozen” fan art from Brazilian artist Juliajm15 that gave me all of the warm fuzzies. It depicted the sisters Queen Elsa and Princess Anna as young Black women in remixed scenes. Julia didn’t just dip the original characters in chocolate, either! She gave her recreations afro-centric features and gloriously curly hair. Not only that, but that art style was so close to Disney’s traditional animation that it looked like concept art for film. It. Was. Everything!
When Buzzfeed posted the pieces online, it pointed to the “absolutely stunning” pics as an example of racebending. For those unfamiliar with the word “racebending,” it’s a term born of the egregious white‑washing in M.Night Shyamalan’s “The Last Airbender.” It was based on Nickelodeon’s hit cartoon “Avatar: The Last Airbender,” and the main characters that were obviously meant to be Brown and Asian were played by Caucasian actors. Shocker: all of the villains were Brown people. It’s not that M.Night couldn’t cast Asian actors that would better resemble the characters on the TV show, though, because he had plenty of them running through the background.
tumblr_njkzgpXhj81rqsahko2_500Anyway, many from the digital community have put the idea of racebending on its head by creating ethnic versions of their favorite characters from books, film and TV. It’s a fairly common practice among online artists. Julia, in particular, has gone on a run of re-doing Disney heroines with an Indian version of Rapunzel and a Latina incarnation of Merida from “Brave.” Her work is flaw-free. Go check it out. You will live for her human version of Nala.
It’s all for fun, but some Disnephiles are not feeling her vision. There are grown people having full-on conniptions over someone drawing the characters as Black. The problem for them, supposedly, is that her art is not accurate to the fable’s Scandanavian origins. There will be privilege-laced arguments–nasty little flame wars–all to defend the idea that the characters should remain as originally created…which is White. To that, I say, “Girl, bye.” God forbid anyone should use their creativity to imagine the beloved characters as an under-represented segment of society.
Julia’s not suggesting that Disney should re-do the movies to include Black people. She’s creating a reflection of herself (and many little girls that love Disney movies) that is missing from the cultural landscape in a fun little project. People want to see a piece of themselves in the art that they enjoy. In an odd way, it’s a form of validation that people who look like you matter, and that you can be an important part of a larger narrative. And in the case of Disney films, there has not been a great track record of having Black characters in their feature animation films. It took Disney 72 yeas to put a Black princess on screen. When we finally did get one with “The Princess And The Frog,” they turned her into an animal for a majority of the film. I love the movie, but WTF! That’s only after having two movies set in Africa with not one Black character in them (“The Lion King” and “Tarzan”).
However, this is not just a problem limited to Disney. It is still a huge surprise when people of color (whether Black, Asian or Latino) are present in the main cast of anything. Whenever a new project is announced, I find myself looking to see if there are any Black characters in the cast. Not that the lack of having a Black person on the cast will keep me from seeing the project, but there is still a twinge of disappointment when I do watch.

Tonight's CNN Special "Witnessed: The Assassination of Malcolm X" Hopes to Answer What Really Happened in Audubon Ballroom

malcolmprayer
Almost 50 years ago, El-Hajj Malik El-Shabazz, more popularly known as Malcolm X, who had risen to prominence as one of the most outspoken and public faces of the Nation of Islam, was gunned down inside the Audubon Ballroom in New York. And ever since his death Feb. 21, 1965, there has been speculation as to who had the civil rights leader murdered.
Some have argued that the government was complicit in his death; others have argued his public feud with NOI leader Elijah Muhammad may have led to his assassination. On Tuesday at 9 p.m., CNN premieres Witnessed: The Assassination of Malcolm X, a special report which asks some of those who were there when the shooting occurred—Earl Grant, former radio reporter Gene Simpson, Malcolm X’s daughter Ilyasah Shabazz and Peter Bailey, an associate of Malcolm’s—to share their memories.
“We failed him, I tried to help him,” photographer and friend Grant cries, when describing the horrifying day inside the Audubon Ballroom, and “describes the chaotic moments after the shooting.” Grant takes viewers inside his private photo collection, sharing never-before-seen images of the civil rights icon.
Zaheer Ali, who served as project manager of the Malcolm X Project at Columbia University, leads an online experience at cnn.com that delves into the unanswered questions surrounding the assassination. Bailey describes Malcolm’s plan to expose injustices against black Americans before he was gunned down, and Simpson, who was in the front row of the Audubon Ballroom when Malcolm took the stage, discusses the first time he interviewed the civil rights leader.
article by Stephen A. Crockett Jr. via theroot.com