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Posts published in “Pop/R&B/Dance”

MUSIC MONDAY: “Get Down On It” – an Old School and New Funk Mix – (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Sorry, not sorry for this more than a workday’s worth of rump-shaking tunes. Perhaps some of you are at stand-up desks and can get that groove on.

This week’s offering is devoted to Funk music. In the words of Parliament/Funkadelic, “Uncut funk, the bomb.” This mixture of soul, gospel, jazz, and rhythm, and blues was started in the mid-1960s by the “Godfather of Soul” James Brown.

Funk had its hey in the 1970s and ‘80s, though its impact is still felt around the world. Funk grooves have been sampled by hip-hop artists and rock bands alike.

If you’re like me, you’ll be thrilled to know there’s plenty of new funk music being created today. Lady Wray, Yola, Anderson.Paak, and others will make you a believer.

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This collection is devoted to funk masters like James Brown, Sly Stone, George Clinton and Lyn Collins, and new practitioners like Tank & The Bangas, Emily Wright, Thundercat, Los Coast and others.

Have a great week. And as ways stay safe, sane and kind. More soon.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “A Song For You” – The Best of St. Louis Musical Artists (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

I have done a few playlists, so far devoted to specific cities. Chicago, New Orleans, and DC are among them.

My own hometown, St. Louis, doesn’t get the same props as many other musical towns. Though from Josephine Baker to Chuck Berry to Donny Hathaway to Nelly, descendants of The Gateway City have made their mark.

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This collection brings together artists across several genres that are from, based, or got their start in St. Louis. Though Ike Turner was from Mississippi and Tina Turner was from Tennessee, it was during a gig at St. Louis’ Club Manhattan where Tina, then Anna Mae Bullock, first grabbed Ike’s microphone on stage and their tumultuous path to fame began.

From the advent of ragtime at the turn of the 20th century to hip-hop at the turn of the 21st, though, St. Louis has always profoundly impacted the direction of American music.

As always, stay sane, safe, and kind. “See” ya next week.

Marlon West (photo courtesy Marlon West)

The Weeknd Donates $1M to United Nations World Food Program to Aid Hunger Relief in Ethiopia

The Weeknd donated one million dollars to the United Nations World Food Program to bolster hunger relief efforts in Ethiopia, according to his recent Instagram post.

Born Abel Tesfaye in Toronto, Canada to his Ethiopian immigrant parents Makkonen and Samra Tesfaye, the “Blinded By The Lights” performer is using his platform to shine a light on the conflict between the government in Addis Ababa and the Tigray region that has been going on for months and lead to deaths and the displacement of over two million people.

https://www.instagram.com/p/CNQBL4ihjUU/

Last year, the Weeknd made several large donations to COVID-19 relief, victims of the explosion in Beirut, and to organizations fighting against racial inequity, including the Know Your Rights Camp Legal Defense Initiative.

The Weeknd also has sold “XO” face masks, with all of the proceeds going to MusiCares.

MUSIC MONDAY: “I’ll Take You There” – A Collection of Live Concert Recordings (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday from your friend and selector, Marlon. Hope this playlist and missive finds you safe and well.

For most of this lockdown, I have not been able to listen to crowds enjoying great music. While I’m still months away from attending a live show myself, the vaccine rollout has me seeing light at the end of the proverbial tunnel.

To that end, I have made this collection to celebrate great live music performances. Live records aren’t nearly as plentiful as they once were. Though to many old-school music lovers, live albums were ubiquitous especially in the 1970s and ’80s, where live-recorded albums seemed to come out every week.

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That being said, there are recent offerings by The Black Pumas, Beyoncé, and Gary Clark Jr. Along with B.B. King at Cook County Jail, Jimi Hendrix at Woodstock, and Sam Cooke at The Harlem Square Club, there are “Unplugged” performances by Jill Scott, The Roots, Jay-Z, Erykah Badu, Maxwell, and Lauryn Hill.

At upwards of 12 hours, I am still sure to have missed some gems. Feel free to make suggestions in the comments so I may add them. This is another eclectic journey through hip-hop, R&B, reggae, and rock ‘n roll. I didn’t even touch on jazz.

Next week’s offering will be devoted to live jazz recordings.

Until then, stay safe, sane, and kind.*

Marlon West (photo courtesy Marlon West)

*A note to those listening to Spotify on a desktop or laptop. This is a good one to put your crossfade settings at the 12-second maximum. It will carry the crowd reactions across the tracks, making it feel like one long show. Kinda.

MUSIC MONDAY: “Twilight Time” – A Doo-Wop Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Doo-Wop is a style of rhythm-and-blues and rock-and-roll vocal music most popular in the 1950s and ’60s. The term “doo-wop” is derived from the sounds made by the group as they provided the harmonic background for the lead singer.

Doo-Wop music is before “the time” me and most followers of Good Black News and these weekly playlists. Though there isn’t a genre called “musically transportive to that time period,” Doo-Wop tracks have been used on many film and television scores for that very reason.

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It started in African-American neighborhoods all around the United States including New York, Los Angeles, Philadelphia, Chicago, Baltimore, Newark, Detroit, and Washington, DC.

Though its roots can be found as early as the records of the Mills Brothers and the Ink Spots in the 1930s and ’40s, Motown’s premier groups like The Shirelles and Temptations of the 1960s and ’70s were based in this classic doo-wop style.

Berry Gordy’s songwriting powerhouse, Smokey Robinson, had early hits with The Miracles that were straight Doo-Wop songs. Its influence has been felt on punk, alternative rock, and modern R&B artists.

I’ve gathered classics by The Platters, The Flamingos, Little Anthony and The Imperials, The Orions, The Moonglows, and many others for this playlist. Do enjoy.

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

“How I Got Over”: Celebrating Aretha Franklin with Comprehensive Playlist of Her Cover Songs on Her Birthday (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

It’s always nice to have an excuse to celebrate the Queen of Soul and her music. Although this week in particular it’s been a somewhat fraught proposition, as the National Geographic Channel began airing its Genius: Aretha series starring Cynthia Erivo on Sunday, to which some of Franklin’s immediate family publicly objected.

But if, like me, you’re inclined to want to celebrate Aretha on what would have been her 79th birthday and can’t wait for the MGM feature Respect starring Jennifer Hudson (which, so far, the family does approve of) to come out, you can always rewatch the glorious Amazing Grace concert film released in 2019, or go right to the source and listen to all Aretha all day.

For my 2020 celebration, I compiled a collection of her original works in a Spotify playlist called  “Rock Steady”: Songs Aretha Franklin Wrotein honor of her ability to compose incredible music and lyrics that have stood the test of time, a talent which is often overshadowed by Aretha’s unparalleled singing mastery.

This year, I chose to celebrate Aretha Franklin’s lifelong love of all musical styles and her unmatched ability to turn any song from any genre from any time by anybody into her own unique moment. Below is the compilation playlist “How I Got Over”: Aretha Franklin’s Cover Songs

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In it, you’ll find the songs you already know were recorded by others that Aretha made her own signature songs (“Respect,” “Spanish Harlem,” “Until You Come Back to Me”), along with songs where her version became as famous as the original, if not more (“You’re All I Need To Get By,” “I Say A Little Prayer,” “Wholy Holy,” “Bridge Over Troubled Water,” “Don’t Play That Song,” “Son of A Preacher Man”).

Also included are songs you may not know she covered (many were deep cuts on LPs or only recently released) but as soon as you hear Aretha’s version you won’t be able to forget it (“At Last,” “A Change Is Gonna Come,” “A Song For You,” “What a Fool Believes,” “I Want to Be With You,” “My Kind of Town (Detroit Is)”).

Aretha also dips into her Detroit roots with her covers of Motown classics like “My Guy,” “Tracks of My Tears” and “You Keep Me Hangin’ On,” as well as her love of her British Invasion contemporaries with covers of The Beatles“Eleanor Rigby,” “Let It Be” and “The Long and Winding Road” and The Rolling Stones‘ “Satisfaction” and “Jumpin’ Jack Flash.”

Franklin effortlessly shows off her jazz chops on “Moody’s Mood,” “Skylark,” “How Glad I Am” and “Crazy He Calls Me” and her devastating blues acumen and feeling with “Today I Sing The Blues,” “The Thrill is Gone,” “Night Time Is The Right Time” and “Why I Sing The Blues.”

“Over The Rainbow,” “Somewhere” and “I Dreamed A Dream” let us all know a career on Broadway or movie musicals, should she have wanted it, would have been Aretha’s for the taking, and her takes on traditional gospel classics like “How I Got Over,” “What a Friend We Have In Jesus,” “Oh Happy Day” (with Mavis Staples), and, of course, “Amazing Grace” make it simple for anyone needing proof of God to listen and say, “Oh, okay. THAT.”

For those who love holiday fare, Aretha’s got that covered too, with undeniable versions of “Winter Wonderland,” “Silent Night” and “The Christmas Song.”

As late as 2014, at age 72, Aretha Franklin was still showing the world what she could do to a song she deigned to sing.

Franklin released an entire album of covers entitled Aretha Franklin Sings The Great Diva Classics, where she famously took on “Rolling In The Deep” by Adele, Alicia Keys“No One” and created must-listen mash-up versions of Chaka Khan’s “I’m Every Woman/Respect” where Aretha blends those two classics together, and Gloria Gaynor‘s “I Will Survive,” which she mixes with Destiny’s Child‘s “Survivor.” 

All the songs mentioned and more are on the 85-track playlist above. There are even more enticing covers in the Aretha Franklin catalogue worth exploring, but at five and a half hours, I definitely feel this playlist is a great place to start. 

Enjoy, and all hail the Queen!

MUSIC MONDAY: “Everyday People” – A Sly and the Family Stone Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Sly Stone turned 78 years old on the 15th of this month. I thought it was a good time to spotlight him and The Family Stone with a playlist.

His work has had a potent effect on the course of modern music. Sly and The Family Stone served a dazzling fusion of psychedelic rock, soul, gospel, jazz, and Latin flavors.

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The trailblazing classic “Dance To the Music” has the distinction of being chosen for the Grammy Hall Of Fame, the Rock And Roll Hall Of Fame’s “500 Songs That Shaped Rock,” and Rolling Stone magazine’s “500 Greatest Songs Of All Time.”

This collection gathers many of his hits including “Everyday People,” “Thank You (Falletinme Be Mice Elf Again)” and “Family Affair,” “Stand!,” “Hot Fun in the Summertime,” “Runnin’ Away,” “If You Want Me To Stay,” “Time For Livin’,” and more.

From Miles Davis and Herbie Hancock to the halls of Motown and George Clinton’s P-Funk, from Michael Jackson and Curtis Mayfield, down the line to Bob Marley, the Isley Brothers, Prince, Public Enemy, Red Hot Chili Peppers, The Black Eyed Peas, Beastie Boys, The Roots, OutKast and on and on, Sly’s influence can be felt throughout popular music.

This is another one that comes with Rumpshaker Warning. Have a great week.

And always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

Beyoncé Breaks Record to Become Singer with Most Grammy Award Wins of all Time

As she won her 28th Grammy Award for R&B performance for Black Parade, Beyoncé made history as she surpassed country-bluegrass artist Alison Krauss’ former record of 27 Grammys and became the most honored singing artist of all time.

Beyoncé has also tied legendary producer and musician Quincy Jones for second-most Grammy wins ever.

Jones, who turned 88 on Sunday, has won 28 Grammys during his career. The late Hungarian-British conductor Georg Solti holds the all-time record with 31 Grammy Awards.

Read more: https://www.latimes.com/entertainment-arts/music/story/2021-03-14/beyonce-breaks-record-grammys-female-artist?utm_id=25322&sfmc_id=2415824

MUSIC: “Fire & Desire” – Celebrating the Ballads of Late Soul Singer Teena Marie on Her 65th (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

With today’s Good Black News Spotify playlist, we salute a true ally of the Black musical community, the late Christine Marie Brockert a/k/a the one and only Teena Marie, on what would have been her 65th birthday.

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Teena Marie is a singularly unique presence in music – a white female artist who, over the course of an entire successful career, always felt most at home in Black music.

In fact, when Motown Records released her first album Wild and Peaceful in 1979, the cover consisted simply of a photo of clouds over an ocean – completely avoiding showing her racial identity so as not to bias listeners towards her soulful singing. (Interestingly, this was the reverse of a trick they had previously employed in the early ’60s, using random graphics instead of artist photos on album covers for Mary Wells and The Marvelettes down South to avoid showing Black faces.)

Along with Rick James‘ production, just focusing on Marie’s voice and not her image worked – by the time Black listeners learned Teena Marie was white, she had already won them over with her songs and commitment to Black music, and classic soul fans embraced her fully.

Growing up in the late ’70s, I first remember Teena Marie for her uptempo funk/dance hits – “Square Biz,” “I Need Your Lovin’, “and my personal fave, “Behind the Groove.”

But over time, I realized that Teena’s truest connection to R&B was in her ballads – dramatic, long, lushly orchestrated, poetic, sensuous.  She wrote and sang many bedroom classics over the course of a 30+ years, before her untimely death at the young age of 54 back in 2010.

Today’s playlist is entitled “Fire & Desire: Teena Marie’s 40 Best Ballads”. This playlist consists of hits and album tracks from across her career. “Deju Vu,” “Casanova Brown,” “Portuguese Love,” “If I Were a Bell,” “Out on a Limb,” “Aladdin’s Lamp” “Dear Lover,” “Irons in the Fire” – we’ve got them all here, along with her Rick James duets.

But we’ve also got stripped-down ballads like ‘The Greatest Love of All Time.” Released on the collection First Class Love: Rare Teena Marie, this acoustic ballad was one of the demo tracks Teena created prior to her first Motown album – and it’s clear to see that her talent was fully formed even then.

And we’ve got tracks you may not have heard from her end-of-career resurgence with the albums La Dona, Congo Square, Sapphire, and posthumous effort, Beautiful.

We hope you’ll check out our one-woman Quiet Storm session, and, in the process remember a true groundbreaker, musical innovator, and truly unique singer – a woman like no other – Lady T.

Happy Birthday in Heaven, Teena Marie.

Janet Jackson Two-Night Documentary Event to Debut on Lifetime and A&E Networks in 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Finally!

Internationally renowned, Grammy Award-winning, Rock N Roll Hall of Fame inductee Janet Jackson will be the focus of an upcoming documentary on Lifetime and A&E Networks in 2022.

The two-night, four-hour documentary will coincide with the 40th anniversary of Jackson’s first album – no, not Control – that 1986 juggernaut was her third LP and first collaboration with producers Jimmy Jam and Terry Lewis – but rather 1982’s eponymous Janet Jackson, which was released on the A&M records label and offered her early R&B hits “Say You Do” and “Young Love.”

Jackson is an executive producer with Randy Jackson, and according to Variety.com, producing teams from Workerbee and Associated Entertainment Corporation already have been working on the project with Janet for over three years.

To quote Variety.com:

The doc follows Janet as her family is going through the loss of her father, Joseph, the patriarch of the Jackson dynasty who passed in 2018. Producers were granted exclusive access to archival footage and never-before-seen home videos while developing the documentary for the past three years.

“JANET” will also detail the most talked-about moments of her life, including her 2004 Super Bowl appearance with Justin Timberlake in which she inadvertently exposed a portion of her breast, sparking controversy that would hover for more than a decade. The docu will also explore Jackson’s reaction to the death of her brother, the legendary and also controversial Michael Jackson, and her process of becoming a mother.

It’s about time the impact of Janet Jackson and her legacy on popular music and culture will be realized in-depth and, as a major Janet stan since even before her first LP – I’m talking Good Times and Fame days, people – I can’t wait! And I’m sure I’m not alone.

But until then, we’ll always have THIS: