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MUSIC MONDAY: “AfroPunk: Reggae Meets Punk” Playlist (LISTEN)

MUSIC MONDAY: “AfroPunk: Reggae Meets Punk” Playlist (LISTEN)

By goodblacknews on May 13, 2024

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

While Reggae is a true import from Jamaica, it really gained a global footing in England. It and Punk both arose out of the economic depression and social inequality in the late 1960’s and 1970’s.

Many Reggae songs of the time like Bob Marley’s “Punky Reggae Party” and “Concrete Jungle” were overt commentary on life in London, while many Punk artists adopted some of these traits and spreading a message of rebellion against the Establishment.

The Clash, The Police, and others used reggae beats in the early tracks. “(White Man) In Hammersmith Palais” tells he story of The Clash’s Joe Strummer, Don Letts and others attending an all-night reggae showcase that was headlined by Dillinger, Leroy Smart and Delroy Wilson.

He was not the only one to see that punks and Rastas shared a same idea of freedom and of rebellion against social norms and the setting of said norms.

Hope you enjoy this free-wheeling collection of songs celebrating the intersection of Reggae and Punk. As always, stay, safe, sane, and kind.

I’ve included tracks for the “Second Wave” of ska where bands like The Specials, English Beat, and Selector combined traditional ska song and grooves with a sped-up rhythms of punk music, introducing ska to new generations.

I’ve also included tracks from “Rocket To Kingston” credited to Bobby Ramone. It is a melding of the isolated vocal tracks from Bob Marley dropped over edited Ramones backing tracks. It shouldn’t work, but it does.

Hope you enjoy this free-wheeling collection of songs celebrating the intersection of Reggae and Punk. As always, stay, safe, sane, and kind.

Marlon West
REVIEW: I’ve Got Such Big Feelings for WILLOW’s Emotive, Exploratory and Excellent New LP “empathogen”

REVIEW: I’ve Got Such Big Feelings for WILLOW’s Emotive, Exploratory and Excellent New LP “empathogen”

By goodblacknews on May 10, 2024

by Lori Lakin Hutcherson, GBN Editor-in-Chief

I’m starting off straight up corny by saying I’ve been a “transparent soul” with anyone who’d listen to me about my anticipation of WILLOW’s sixth and latest solo LP, which finally dropped May 3rd.

My owning of my corniness, turns out, totally vibes with the messages about the freedom to express & accept your feelings, warts and all, coursing throughout the #greatalbum “empathogen” (2024).

Not only do I absolutely love how WILLOW wrestles lyrically (and musically) with Big Ideas such as existence, ego, anxiety, pain, self-sabotage, fear and love, she does so in such soul-felt, sophisticated & surprising ways, I have to compliment the precise production by WILLOW and her fellow producers Chris Greatti, Eddie Benjamin and Jon Batiste.

There are myriad sounds, echo effects and vocal arrangements involved in each track, even the stripped down ones, but none ever feel overdone — just purposeful and fresh. It’s as if WILLOW threw her hands into the cosmic river of music, tapped into its source, and allowed it to flow freely through her.

There’s a lot going on technically in the music I can’t speak on with any authority (e.g. the multiple time signatures, turnarounds, uncommon verse/chorus structures) but what I can talk about is how it hits the ears and how it feels — free, unexpected, relatable, or, in one word — embracing.

WILLOW is clearly a student of music and draws on varied influences (her IG post of her working her voice out to Ella Fitzgerald’s legendary scat on “How High The Moon” blew my mind a few months ago and still lives rent free in what’s left of my head), but right now she’s reminding me most of the great Esperanza Spalding, particularly during her “Emily’s D+Evolution” (2016) jazz/pop/rock era.

WILLOW’s own pop/rock/punk/soul explorations from the past few years also inform her current jazz/funk/fusion present (and hopefully future).

The singles released from the LP, “symptom of life” and “bigfeelings”, are the best ambassadors for this tight 12-song offering which literally begins with what sounds like an off-mic Jon Batiste screeching, as if being born, “I love everything!”

(BTW, could Batiste be on more of a roll? He also co-produces and co-writes “Ameriican Requiem”, the opening track on COWBOY CARTER. If I’m an artist, I’m thinkin get this man to help kick off my LP, stat, cuz greatness will surely follow!)

After Batiste, we hear steady rimshots underneath WILLOW’s “ah oo ah ah” breaths until she sings “I live my life” — and I didn’t conjure my previous cosmic music river metaphor out of nowhere as WILLOW then sings “I trust this river to carry me / home” in this mystifyingly captivating LP opener titled “home”.

MUSIC MONDAY: “AfroStones” – A Blues and R&B-Filled Rolling Stones Collection (LISTEN)

MUSIC MONDAY: “AfroStones” – A Blues and R&B-Filled Rolling Stones Collection (LISTEN)

By goodblacknews on February 12, 2024

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Back in the fall of 1981 when I was in my first semester at Columbia College, I became friends with a fellow from a Chicagoland suburb.

He was a dyed-in-the-wool Rolling Stones fan. One afternoon their version of “Just My Imagination” played on the radio near us. I recall mentioning it was a Temptations cover, and with some level of indignation, he told me that Jagger and Richards wrote EVERY song The Stones performed.

I was shocked. We were decades away from being able to Google such matters at the moment. I was forced to leave him to the dubious opinion. I can only hope in the decades since that he’s come to know better.

Not only was that song a cover but the Rolling Stones, for better or worse, have been the heralds of Blues and R&B for generations of Americans who would rather enjoy Black music through the filter of whiteness.

Here is AfroStones, a collection of essential songs performed by Black artists that the Rolling Stones covered.

You will find Chuck Berry, Robert Johnson, The Drifters, and Solomon Burke to name a few. Throughout this collection, the original songs are presented back to back with the Stone’s covers.

Needless to say, along with touring as the opening act for Little Richard, the Stones learned a lot from these songs and built a 50-year career on them.

Mick Jagger has long acknowledged his debt to Black America, but is not a one-way street. This collection also features Black artists covering the Stones.

Sharon Jones, Musiq Soulchild, Etta James, and others. Merry Clayton, who’s featured prominently on “Gimme Shelter”, is present with her own version of the Stones classic.

I’ve also included tracks by De La Soul, Little Simz, Snoop Dogg, and others that feature samples of their music.

As Muddy Waters said in an interview, “They stole my music, but they gave me my name.” Yet he also provided them with their name when they adopted the title of his song, “Rollin’ Stone.”

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “MLK Day 2024” – A Celebration Playlist (LISTEN)

MUSIC MONDAY: “MLK Day 2024” – A Celebration Playlist (LISTEN)

By goodblacknews on January 14, 2024

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy MLK Holiday and Music Monday. Here is our first playlist of 2024.

“MLK Day 2024” is a collection of songs and music from across the globe. They are tracks devoted to struggle, liberation, and celebration.

I’ve included songs like “You’re A Winner,” “How I Got Over,” and “A Change Is Gonna Come” that were the real-time soundtracks to the America’s civil rights struggle in the 1960s.

There’s tracks from the turbulent 1970s and ‘80s from Marvin Gaye, Stevie Wonder, Freda Payne, Gil Scott-Heron and others.

We got new and old school hip-hop by Lupe Fiasco, KRS-One, M.I.A. and Kendrick Lamar to name a few.

This 13-hour exploration on shining a light into our societies dark places and making the world a better place features jazz, soul, reggae and afrobeat.

Nina Simone and Max Roach are here beside Uganda’s Bobi Wine and Ivory Coast’s Alpha Blondy.

Please enjoy this daylong celebration of tenacity and hope. See ya next month!

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Soulful Christmas 2023” – a New Holiday Recordings Playlist (LISTEN)

MUSIC MONDAY: “Soulful Christmas 2023” – a New Holiday Recordings Playlist (LISTEN)

By goodblacknews on December 11, 2023

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Holidays, you all.

We are half way through Hanukkah, with Christmas and Kwanzaa coming up quick. We’ve offered several funky and soulful and jazz and reggae seasonal playlists over the years. Search Spotify by “marlonwest” and they are all still there to enjoy this Yuletide Season.

This Music Monday offering features holiday-themed songs that have all been dropped in 2023.

There are new tracks from new and emerging artists like Cliff Beach, Samara Joy, Fitz and The Tantrums, and the ever-versatile Keke Palmer.

There’s new offers from Mary J. Blige, Brandy, War, and Kirk Franklin. Plus releases from the likes of Johnny Mathis and Carla Thomas.

Hope and yours have a delightful holiday season. Please enjoy this soulful collection offering in the days and weeks to come.

It has been an utter delight to sling good music your way here at Good Black News. See ya in January!

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Ultimate Soul of the Season” – The Black Christmas Soundtrack – Expanded Edition 2023

MUSIC MONDAY: “Ultimate Soul of the Season” – The Black Christmas Soundtrack – Expanded Edition 2023

By goodblacknews on December 4, 2023

by Jeff Meier (FB: Jeff.Meier.90)

Welcome to the holiday season, Good Black News family!  We hope you had a wonderful Thanksgiving – and are counting down the 25 days of Christmas now that it’s December.

In what’s become a holiday tradition, we’ve updated our now massive Black Christmas music Spotify playlist with a whole heap of new songs. The month of November was spent searching far and wide across the internet for new releases, old classics now on Spotify, and other tunes and artists we missed in previous years.

So here it is – a refreshed and revived “Ultimate Soul of the Season – The Black Christmas Soundtrack – Expanded Edition 2023”.

We’ve now got over 700 songs across 40+ hours (and we’ll add more if some crucial tunes get released in the next few weeks) – with the goal to be one of the most definitive Black Christmas playlists around.

If you’re still subscribed to the list from a previous year, we’re here to let you know it’s now updated and bigger/better than ever.

If you’ve not subscribed, check it out while you are wrapping presents, baking cookies, decorating your tree, or just sitting cozily in front of a nice roaring fire, with football on mute in the next room.

As a reminder, we set out to make a mainstream Christmas radio station that you can use in the background all season long. But in the GBN tradition, the focus is on Black artists (plus occasional duet partners and a little Robin Thicke).

While other holiday radio focuses on Brenda Lee and Bing Crosby, we’ve got Ella Fitzgerald and Nat King Cole. When they play Michael Buble, we play John Legend, or Hamilton star Leslie Odom.

Of course, we’ve got The Jackson 5, Donny Hathaway, the original Eartha Kitt version of “Santa Baby,” Stevie Wonder, and two different renditions of The Temptations doing “Silent Night.” And just like everyone else, Mariah Carey!

We’ve sequenced the list carefully – so that you don’t overload on the same songs, tempos or artists too frequently. You can just let it play – or hit shuffle. Or you can even use it as a base of songs to edit down into your own personal list of favorites.

In addition to soul and pop, there’s some jazz, some gospel, some blues, some a capella, and even disco, reggae and Black country in the mix. Hopefully you find all the classics you need, and some brand new surprises you didn’t know you wanted.

This year’s big new Christmas releases include albums from Brandy (currently starring in the new Netflix hit Best. Christmas. Ever!), jazz star Gregory Porter, and hot new soul star October London.

Ace producer Adam Blackstone has assembled an album with friends that include Keke Palmer and Boyz II Men. And on the traditional side, Grammy-winning Best New Artist Samara Joy has issued an EP, and the legendary Johnny Mathis has issued new tracks as well. We’ve got a couple songs from all of these.

MUSIC MONDAY: “AfroBeatles” – A Soul-Filled Beatles Collection (LISTEN)

MUSIC MONDAY: “AfroBeatles” – A Soul-Filled Beatles Collection (LISTEN)

By goodblacknews on November 20, 2023

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Monday, y’all!

I’m back with another collection in my “Afro” playlist series — “AfroBeatles.”

Earlier this month the first new Beatles song “Now And Then” dropped with the help of master filmmaker, Peter Jackson, and the surviving members. It is the first new release from the group in 45 years.

The Beatles are rightly known for the unmatched songwriting partnership of John Lennon and Paul McCartney. Towards their later years, George Harrison and Ringo Starr also pitched in with originals. Together, the group created a body of work that inspired no shortage of covers.

Few songwriters have been so thoroughly covered as Lennon/McCartney, and the diversity of Beatles covers is a tribute to their indelible mark on pop music. Here at Good Black News, we are going to focus on the covers by Black artists around the world.

The Beatles (and The Rolling Stones) cut their teeth opening for Little Richard; both bands came away forever altered by his singing style and stage presence.

Paul McCartney and Mick Jagger have made no secret of biting his vocal stylings and dance moves. When it came to doing covers they overt about acknowledging it.

On their first five albums of 1963-1965, almost all of the covers were originally recorded by Black soul artists, including Arthur Alexander’s “Anna (Go To Him)”, The Cookies’ “Chains”, The Shirelles’ “Boys” & “Baby It’s You”, The Top Notes’ “Twist & Shout”, The Marvelettes’ “Please Mr. Postman”, The Miracles’ “You Really Got A Hold On Me”, The Donays’ “Devil In Her Heart”, Barrett Strong’s “Money (That’s What I Want)” and Larry Williams’ “Dizzy Miss Lizzy.”

They are all included here, including their versions of Chuck Berry, Little Richard, and other greats of Soul giants, though the lion’s share of the collection is devoted to R&B, reggae, ska, and jazz covers of Beatles songs.

Here are hours of Beatles music by Stevie Wonder, Bill Withers, Nina Simone, Marica Griffiths, Gary Clark, Jr., and so many others. Please enjoy AfroBeatles!!

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Funky Halloween Music” Playlist (LISTEN)

MUSIC MONDAY: “Funky Halloween Music” Playlist (LISTEN)

By goodblacknews on October 2, 2023

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy first Monday of October, you all!

It’s Halloween time once again, and I’m back with another Funky Halloween Music playlist for this spooky season. Here is 13 hours of more Soul, Reggae, Funk, Jazz, and movie soundtracks.

[spotifyplaybutton play=”https://open.spotify.com/playlist/6Sry7T5O1DwY2mzATClKC6?si=979978a5499a44c7″]

I freely admit to casting a very wide net for this playlist, including tracks simply featured in The Blackening, Nope, Get Out, Us, The Master and others.

Screamin’ Jay Hawkins, Beyoncé, Gravediggaz, The Weekend, Ella Fitzgerald, Little Simz, Exuma, King Tubby, Geto Boys, Bessie Smith, The Specials, Ray Parker Jr., and others are all present on the ever-evolving collection of Halloween music.

This music won’t scare trick-or-treaters from your porch — you can use my collections, “Blacula Strikes!: Black Horror Music” and “Phantom Of The Panther: Black Horror Scores and More” for that.

However, this collection will keep your spooky spirits up all month long.

Until next month, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “AfroZeppelin” – A Rhythm & Blues-Filled Led Zeppelin Collection (LISTEN)

MUSIC MONDAY: “AfroZeppelin” – A Rhythm & Blues-Filled Led Zeppelin Collection (LISTEN)

By goodblacknews on September 4, 2023

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Labor Day, y’all! It is no toil for me to offer up another playlist on this holiday Monday.

After June’s AfroBowie collection, our editor-in-chief, Lori Lakin Hutcherson, suggested a few more in a series of collections of rock musicians inspired by and in collaboration with Black artists.

So here is the second offering: AfroZeppelin. While David Bowie championed and collaborated with Black music-makers throughout his long career, Led Zeppelin’s connections were not as overt.

[spotifyplaybutton play=”https://open.spotify.com/playlist/0QkE8My0fAKL099UNg0n0m?si=d44ac4291a2449bb”]

Outselling the Beatles and toppling them as icons of a new era of rock and roll, Zeppelin was the perfect combo of the Delta blues, London’s swinging scene and the myriad of cultural influences.

The influence of the street-tough Chicago blues of Muddy Waters and Howlin’ Wolf taught them much about swinging boogie. Over the decades many of their famous riffs and lyrics would come under fire. The allegations have brought several lawsuits as well, most of them settled out of court discreetly.

In the case of “Whole Lotta Love”, the song credits were later amended to include Willie Dixon, who claimed Robert Plant used his lyrics from “You Need Love”.

“The Lemon Song” is an expansion of a musical phrase featured in Robert Johnson’s “Traveling Riverside Blues”.

I’ve gathered many of the songs covered and referenced by Led Zeppelin, and their own versions of said tracks. Of course, they have been covered many times themselves.

I’ve included Zeppelin covers by Mary J. Blige, Lizz Wright, and Stanley Jordan. You’ll also find many classic cuts that feature Led Zeppelin samples too.

Here’s Beyoncé, Ice T, Jurassic 5, D12, Dr. Dre, Beastie Boys and many others.

This collection of great tracks stands as another example that no artist creates in a vacuum. Whether the influences are readily acknowledged, each creator makes offerings informed by what came before.

Do enjoy! Until next month! Stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “I’ll Take You There” – The Best of Mavis Staples (LISTEN)

MUSIC MONDAY: “I’ll Take You There” – The Best of Mavis Staples (LISTEN)

By goodblacknews on August 14, 2023

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Mavis Staples is eighty-four years old as I peck these words. She has been a gospel and soul singer longer than Elizabeth II wore the crown.

Many R&B vocalists started in gospel music, though she and her family have always kept a foot in both worlds. The Staple Singers have brought their spirituality, and devotion to civil rights to all of their studio and stage offerings.

[spotifyplaybutton play=”https://open.spotify.com/playlist/7JKYZGlQXPJsg3UmONk7Zp?si=e7589239e7e346cc”]

From the churches across the South Side of Chicago and the Rock ‘n Stages with artists a third her age, Mavis Staples has brought her unique smokey voice to audiences for decades.

This collection brings together her many works with The Staple Singers from 1948 until 1999, and her own solo offerings from 1969 to the present.

Mavis Staples is still an in-demand guest vocalist to boot. She has dueted or sung background with Mahalia Jackson, The Band, Gorillaz, Jon Batiste, Run the Jewels, Hozier, Benjamin Booker, Sheryl Crow, Abraham Alexander and so many others.

Mavis Staples is the only subject of one of these playlists that I have had the pleasure of spending any meaningful time with. Back in 2012 I was honored to be one of the Alumni Of The Year at Columbia College Chicago. She received an honorary doctorate from the college.

I was delighted to spend hours visiting with her that graduation weekend. She could not have been more warm, insightful, and kind.

Please enjoy this collection featuring decades of Doctor Mavis’ work with The Staple Singers, as a solo artist, and generous collaborator.

As always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)