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WHM: How Evangelist and Guitar Pioneer Sister Rosetta Tharpe Turned Her Rock of Ages into Rock N Roll

Born on this day in 1915, Rosetta Tharpe revolutionized the sound of electric guitar by using distortion with her unique phrasing & picking, inspiring Chuck Berry, Little Richard, Johnny Cash & Elvis Presley

by Lori Lakin Hutcherson, GBN Editor-in-Chief

Born in 1915 in Cotton Plant, Arkansas to musical parents who also worked as cotton pickers, Tharpe was a musical prodigy who is reported to have picked up a guitar at four and began performing at age six with her mother, Katie Bell Nubin, a traveling evangelist and mandolin player for the Church of God in Christ.

Though strictly a gospel performer at the outset, by early adulthood, Tharpe started blending spiritual lyrics with the secular sounds of the time, bringing gospel music into nightclubs, while introducing elements of rhythm and blues to church audiences.

At 23, Tharpe started recording her genre-bending sound for Decca Records, resulting in hits such as “Rock Me” and “That’s All”. Tharpe was hired by Lucky Millinder in 1941 to sing and play with his swing band, and toured with them for years performing even more worldly material, including uptempo dance numbers such as I Want A Tall Skinny Papa.

Though considered transgressive and controversial at the time, causing an uproar among the gospel community, this boundary-crossing by Tharpe ultimately cemented her legacy as “Godmother of Rock and Roll.”

Though it was rare for women to play guitar in the 1930s and 1940s, Tharpe was among the first popular recording artists to use heavy distortion on her electric guitar, and her picking technique and phrasing influenced countless artists who followed, including Chuck Berry, Little Richard, Elvis Presley, and Johnny Cash.

Little Richard cited Tharpe as one of his major influences, and Chuck Berry once said his career was “one long Rosetta Tharpe impression.”

When you hear Tharpe-penned songs like “That’s All”, “This Train”, “I Want To Live So God Can Use Me” or her covers of gospel tunes like “Just A Closer Walk With Thee”, “Precious Lord, Hold My Hand”, “I Want Jesus To Walk Around My Bedside”or “Strange Things Happening Every Day”, you know neither Richard nor Berry were exaggerating.

Tharpe synthesized blues, hokum, hillbilly, gospel and swing music into her own rocking brand of strumming, bending, picking and vocalizing.

Tharpe’s inclusion on the brief-but-innovative track “Smoke Hour ⭐️ Willie Nelson” on Beyoncé’s Grammy-winning LP Cowboy Carter (2024) inspired me to revisit Tharpe’s foundational, liminal music last year via The Decca Singles, Volumes 1-5compilation series (streaming on Spotify and Apple Music), which covers her early recordings plus her big band, Trio and her later work.

“Smoke Hour ⭐️ Willie Nelson” features a radio dial switching between yodeling, blues, gospel & 50s rock n roll until we land on K-N-T-R-Y station DJ Willie Nelson teeing up Beyoncé’s “Texas Hold ‘Em” into this lineage. The lone female voice heard among the dial turns? Tharpe singing her iconic version of “Down By The Riverside”.

Tharpe was known for her exuberant performances (secular & non-secular) & often her only accompaniment was her own dynamic guitar playing.

A personal Tharpe favorite is “Didn’t It Rain”), where she’s backed by the Sam Price Trio, trades vocals with frequent collaborator Marie Knight and rips an electrifying guitar solo – this song goes so hard and is still so infectious, I can’t help myself from bopping along every time I hear it.

Below is video of her famous live 1966 performance of it in France:

Tharpe was finally inducted into the Rock n Roll Hall of Fame in 2018, and in 2024 Gibson Guitars debuted the Rosetta Tharpe Collection of merchandise in tribute to her (including a miniature replica of the iconic 1961 Les Paul she used to play, but she is still not well-known enough for her vital contributions to American music, even with the Cowboy Carter hat tip.

To learn more about Tharpe, check out the 2008 biography Shout, Sister, Shout: The Untold Story of Rock-And-Roll Trailblazer Sister Rosetta Tharpe by Gayle Wald, watch the 2011 documentary The Godmother of Rock and Roll – Sister Rosetta Tharpe, the Gibson Guitars-produced short documentary Shout, Sister, Shout: Sister Rosetta Tharpe, as well as performance clips of her available on YouTube.

Sources:

MUSIC MONDAY: “Running Away: The Essential Roy Ayers” Playlist (LISTEN)

by Marlon West (Bluesky: @marlonweststl.bsky.social, Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: Celebrating the “Afroclectic Best of 2024” on MLK Day (LISTEN)

by Marlon West (Bluesky: @marlonweststl.bsky.social, Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “The Essential Quincy Jones” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)

Stevie Wonder Aims to Help “Fix Our Nation’s Broken Heart” With 10-City Tour Leading Up to Presidential Election

Love is definitely in need of love today, and one of its most staunch and steadfast purveyors, legendary and visionary artist Stevie Wonder, is going on the road once again to offer just that.

Wonder announced today he will be playing select dates in October across 10 cities in a call for “joy over anger, kindness over recrimination, peace over war” during this most contentious election season in the United States.

As a special thank you to those in communities who are already working tirelessly to fix our nation’s broken heart, Wonder will be offering a designated amount of complimentary tickets to them.

This mini-tour, titled “Sing Your Song! As We Fix Our Nation’s Broken Heart,” is produced by Wonder Productions and promoted by AEG Presents in partnership with Free Lunch.

The tour kicks off  Tuesday, October 8 at PPG Paints Arena in Pittsburgh, PA, with stops in New York City, Philadelphia, Baltimore, Greensboro, Atlanta, Detroit, Milwaukee, and Minneapolis before concluding Wednesday, October 30 at the Van Andel Arena in Grand Rapids, MI.

MUSIC MONDAY: “Golden Time of Day” – A Tribute to Frankie Beverly Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)

Editor’s Note: Marlon’s piece on the late, great Frankie Beverly was lovingly crafted by him days ago and scheduled to post today. Last night’s untimely passing of musical legend Tito Jackson and the legacy he left behind will be addressed by GBN in the very near future.

VIDEO: Marques Houston Swags Out Country Style with “Cowgirl” (WATCH)

Immature/ImX singer and actor Marques Houston (You Got Served, House Party 3, Sister, Sister) just released the lead single “Cowgirl” from his forthcoming LP, The Best Worst Year Ever.

“Cowgirl” incorporates elements from Bobby Brown‘s 1988 hit “Rock Wit’cha” and touches of 1993 smash “Freak Me” by Silk from 1993 into a modern mid-tempo bop that’s already racked up close to 2 million YouTube views:

Jumping on the western wear trend and aesthetic Beyoncé reclaimed earlier this year via Cowboy Carter, in the Chris Stokes-directed video, Houston is dripped in a variety of swaggy boots, hats, vests and jeans, and lays out a line dance that is gaining momentum on TikTok via the #Cowgirldancechallenge.

Fans can look forward to the release of Houston’s new album, The Best Worst Year Ever, which debuts on August 30th.

The album is said to reflect a transformative year for Houston, filled with personal and professional highs and lows. It is set to be a landmark in his career.

Check out two of “Cowgirl”‘s throwback inspirations below:

MUSIC MONDAY: The “Say It To My Face/Mind Your Own D*mn Business” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

MUSIC MONDAY: “Keep Dayton Funky: Essential Tracks By Ohio Funk Masters” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday, you all. It’s your friend and selector back again with another collection for listening, and this time rump shaking, pleasure.

While Detroit is known as “Hitsville U.S.A.” thanks to Motown, and Memphis is known as the epicenter of “Southern Soul” thanks to Stax Records. Dayton, however, is known as “The Funk Capital of the World.”

 

When Lakeside dubbed it “The Land of Funk” in its swashbuckling 1980 hit “Fantastic Voyage”, Dayton’s west side was already the birthplace of several of the funkiest groups on the planet.

My lifelong pal, Duane Myers, was the first to hip me to this fact a few years back. He pointed out that Ohio Players, Slave, Faze-O, Heatwave, Lakeside, Shirley Murdock, Zapp, Roger, and others are all from Dayton, Ohio.

This collection features a stable of funk bands whose influence can still be heard in hip-hop, house and other musical forms today.

The Ohio Players, who kicked open the door for them all, have had their tracks sampled or remade by Salt-N-Pepa, Soundgarden, Snoop Dogg, and the Red Hot Chili Peppers to name a few.

They are not alone. 1970s and ‘80s funk is being sampled and provides inspiration for many bands and artists. Please enjoy this playlist for classic funk music from the “Gem City”.  

And as always, stay safe, sane, and kind.

Marlon West

MUSIC MONDAY: “The Legend of Stax Records” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday, y’all. If you haven’t already, please dig Jamila Wignot’s new documentary “Stax: Soulsville U.S.A.”, currently streaming on Max.

The four-part film tells the story of Stax Records, the iconic R&B label, from its late-1950s beginnings to its 1975 demise.

In its prime the label featured stars like Rufus Thomas and Carla Thomas, Sam and Dave, and Otis Redding, as well as the ace house band of Booker T. and the MGs.

Stax was a colorblind oasis of racial harmony in an otherwise fiercely segregated South. Stax has been eclipsed by Motown, with many of their hits mistakenly thought to be output from that Detroit Mecca, even though the comparative grittier Memphis studio had a sound all its own.

Look no further than Carla Thomas and Otis Redding’s “Tramp” to hear just how much their most popular artist was unapologetically “straight from the Georgia woods.”

Stax Records is critical to American music history as one of the most popular music record labels of all time.

In 15 years, Stax put more than 160 songs in the Top 100 on the pop charts and a staggering 243 hits in the Top 100 R&B charts. Please enjoy this 4 hours of essential Stax music featuring Redding, Isaac Hayes, The Bar-Kays, Johnnie Taylor, Shirley Brown, The Staple Singers and so many more.

As always, stay, safe, sane, and kind.

Marlon West
Marlon West