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Crenshaw Boulevard to Break Ground on Mile-Long Artistic Tribute to Black History and Culture of Los Angeles

Crenshaw Boulevard to Break Ground on Mile-Long Artistic Tribute to Black History and Culture of Los Angeles

By goodblacknews on December 26, 2018
A rendering of views to the east from the upper level of the viewing deck at Sankofa Park, located where Crenshaw Boulevard and Leimert Boulevard split. (Courtesy of Perkins+Will)

by Mike Roew via laist.com

When the Metro’s new Crenshaw/LAX line opens in summer 2020, riders will travel through a 1.3-mile-long art project celebrating Los Angeles’ African-American achievement.

“Destination Crenshaw” is set to break ground in early 2019, and will flank the route along Crenshaw Boulevard. Renderings were released earlier this month.

“The hope,” Councilman Marqueece Harris-Dawson said, “is that [people] understand that L.A., among other things, is quintessentially a black city. In the same way that it’s a Latino city, in the same way it’s a Jewish city, in the same way that it’s a Japanese city. The stories of black people in this town are central to what this town is, and what it continues to develop into.”

Harris-Dawson called Destination Crenshaw an “open-air museum” that is set to feature monuments, art, park space, and other cultural experiences celebrating black Los Angeles. It’ll be one of the first stops for people taking the Metro from LAX, with clear views of the surrounding art.

An aerial rendering of Crenshaw Boulevard from the Hyde Park Station at Slauson Avenue (left) to Leimert Park (right) showing various Destination Crenshaw project element locations. (Courtesy of Perkins+Will)

The inspiration for the project was the Crenshaw Wall, Harris-Dawson said. That’s the massive graffiti project that already stands in Crenshaw, which Harris-Dawson wants to see restored and enhanced.

“But also many of our artists that are in this community have art that you have to travel outside South L.A. to see,” Harris-Dawson said. “We wanted to create a space for them to show their work in their own neighborhoods.”

An open call went out for artists earlier this year, but another is planned for 2019.

The space will have more than 125 spots for art, according to Harris-Dawson, including 3D art, street art, fine art, and more. The art will tell stories curated by the project’s historian.

Even the parks will be part of telling the story.

“There may be a [play structure] there that may spell out the words, ‘say it loud,'” Harris-Dawson said. “So that’s a way in which, as a park, it is a functional tool, but it tells a story about political protest, and community confrontation, and African-American music in a direct way.”

Harris-Dawson hopes Destination Crenshaw will help bring back creative businesses and boost the local economy. “African-American culture is consumed by the world, in every corner of the world, but African-American neighborhoods have not necessarily been able to take advantage of that,” Harris-Dawson said.

“Whether it’s streetware and street fashion that is largely generated by young people in the Crenshaw neighborhood — they make a sneaker popular, and then you have to go to Melrose to get the sneaker. And the same is true for all forms of art,” he said.

Destination Crenshaw is set to open in spring 2020. They also have a public kickoff event planned for Feb. 8, 2019, where they hope to reveal a couple of the key artists contributing to the project, according to Harris-Dawson.

Here’s a promotional video from earlier this year:

Good Black News Wishes You a Very Merry Christmas and Happy Holidays!

Good Black News Wishes You a Very Merry Christmas and Happy Holidays!

By goodblacknews on December 25, 2018

GBN thanks you for your support and goodwill throughout the years, and we wish you a Merry Christmas, Happy Hanukkah, a blessed and bountiful Kwanzaa and Happy Holidays all around. May honesty, positivity, responsibility and fortitude help us all do our part to change ourselves and the world for the better in 2019 and beyond!

Love and Peace,

The Good Black News Team

Coca-Cola Executive G. Scott Uzzell Named President & CEO of Converse, Inc. by NIKE

Coca-Cola Executive G. Scott Uzzell Named President & CEO of Converse, Inc. by NIKE

By goodblacknews on December 22, 2018

by Ny Magee via thegrio.com

NIKE has named Florida A&M University alumni and FAMU Foundation Board member, G. Scott Uzzell, President and CEO of Converse, Inc., the company announced Friday, Dec 21.

According to The AP, Uzzell comes to Converse from The Coca-Cola Company where he most recently served as President, Venturing & Emerging Brands Group (VEB).

“Scott’s unique blend of experience driving both strategic business growth and strong brand development is well-suited to help unlock the full potential of the Converse Brand and lead its next phase of growth globally,” said Michael Spillane, President, Categories and Product, NIKE, Inc.

Uzzell began his career in sales and marketing at various companies, including Procter & Gamble, Coca-Cola and Nabisco and has held leadership positions at brands such as  McDonald’s U.S. Division. Is that’s not impressive enough he reportedly serves on the boards of State Bank and Trust Co., Fairlife LLC and Suja Juice Co.

As head of Coca-Cola’s VEB Group, Uzzell led the development portfolio of high-growth brands for The Coca-Cola Company, including Honest Tea, ZICO Coconut Water, Fairlife Milk and Suja Juice, famunews.com reports.

Uzzell holds an MBA from the University of Chicago and a bachelor’s degree in business administration from Florida A&M. He is also a member of the FAMU’s Foundation Board as well as a member of the Executive Leadership Council (ELC).

Uzzell starts work at Converse on Jan. 22 and will report directly to Michael Spillane, President, Categories and Product, NIKE, Inc. Uzzell reportedly replaces Davide Grassowho retires at the end of the year.

Source: https://thegrio.com/2018/12/22/nike-names-hbcu-alum-g-scott-uzzell-president-ceo-of-converse/

Shea Moisture Founder Richelieu Dennis to Transform Madam C.J. Walker’s Estate into Training Center for Black Women Entrepreneurs

Shea Moisture Founder Richelieu Dennis to Transform Madam C.J. Walker’s Estate into Training Center for Black Women Entrepreneurs

By goodblacknews on December 20, 2018
Richelieu Dennis; Villa Lewaro Estate (Photos via becauseofthemwecan.com)

by Lori Lakin Hutcherson (@lakinhutcherson)

In this 100th year anniversary of its completion, the historic Villa Lewaro estate of the nation’s first self-made female millionaire and beauty pioneer, Madam C.J. Walker, has been purchased.

The New Voices Foundation, which helps women of color entrepreneurs achieve their vision through innovative leadership initiatives, will spearhead the stabilization of the structure and planning for future uses. The acquisition was facilitated by the Dennis Family, including entrepreneur, investor, and social impact innovator Richelieu Dennis, who once owned Shea Moisture and currently owns Essence Magazine.

The 28,000 square foot property is a historic residence that embodies the optimism and perseverance of the American entrepreneurial spirit.

“In the one hundred years since Madam Walker built her majestic home, Villa Lewaro, it has served as a landmark both to her own success and to her endeavor to create a space dedicated to the achievement and empowerment of African Americans,” said Brent Leggs, director of the National Trust for Historic Preservation’s African American Cultural Heritage Action Fund.

Designated a National Historic Landmark in 1976 for its architectural significance, Madam Walker’s Villa Lewaro estate, named after her daughter (A’LElia WAlker RObinson), was once a social and cultural gathering place for notable leaders of the Harlem Renaissance, such as James Weldon Johnson, Zora Neale Hurston, W. E. B. Du Bois, and Langston Hughes.

The home, which Madam Walker called her “dream of dreams,” was designed and completed 100-years ago by the first licensed Black architect in the state of New York and a founder of Alpha Phi Alpha fraternity, Vertner Tandy.

Walker was the first person of color to own property in Irvington, close to Lyndhurst, a National Trust Historic Site. During the time it was built, Villa Lewaro was located on what was referred to as Millionaire’s Row and in an area that was also home to Rockefellers and Astors. Purchased in 1993, for the last 25 years Villa Lewaro served as the family home of Ambassador Harold E. Doley, Jr. and his wife Helena.

With a long admiration of Madam C.J. Walker, the Dennis family first reignited her cultural, entrepreneurial and hair care legacy through the acquisition of the Madam C.J. Walker brand in 2013 – when conversations to acquire Villa Lewaro also first began – and the brand’s subsequent relaunch on retail shelves in 2016 at Sephora.

“To be able to steward something so rich in our culture, history, legacy and achievement through the New Voices Foundation and guide it into its next phase of impact and inspiration is an incredible honor that my family and I welcome with tremendous responsibility and humility,” said Dennis. “When we relaunched the Madam C.J. Walker brand two and half years ago, our goal was to give the brand back to our community and elevate it in the iconic way deserving of such a phenomenal woman. Today, we have a similar focus with Villa Lewaro as its significance is much greater than just a house or property or historic landmark. It is a place where – against all odds – dreams were formed, visions were realized and entrepreneurs were born, and we look forward to returning its use to support that mission.”

Dennis continued, “Squarely aligned with the mission of the New Voices Foundation, we are excited to announce that the vision for future use of the property includes utilizing Villa Lewaro as both a physical and virtual destination where women of color entrepreneurs will come for curriculum-based learning and other resources aimed at helping them build, grow and expand their businesses. When people think of entrepreneurship services for women of color, we want them to think of the New Voices Foundation and Villa Lewaro.”

Madam Walker’s great-great-granddaughter and biographer, as well as brand historian, A’Lelia Bundles, added, “No one at the time believed that a Black woman could afford such a place. So, I can think of no better way to celebrate Villa Lewaro’s 100th anniversary than the vision of the New Voices Foundation and the Dennis family for this historic treasure as a place to inspire today’s entrepreneurs, tomorrow’s leaders and our entire community. Richelieu’s own success story – from a humble family recipe to an international enterprise with an economic empowerment mission – very much mirrors Madam Walker’s journey of empowering and uplifting women. Just as Madam Walker aided in the preservation of abolitionist Frederick Douglass’s Washington, DC home, the Dennis family continues this tradition of preserving historic sites that raise awareness about the contributions people of color have made to the American narrative.”

The National Trust holds a perpetual preservation easement on Villa Lewaro that ensures the property’s historic character will be preserved. This easement was jointly supported by the Dennis and the Doley families. The home was named a National Treasure by the National Trust in 2014 and is part of a growing portfolio of African American historic sites protected through the African American Cultural Heritage Action Fund, an initiative designed to raise the profile of African American sites of achievement, activism, architecture, and community.

Memorial Park to be Built Commemorating Huntsville, Alabama’s 1st Public School for African Americans

By goodblacknews on December 15, 2018
City of Huntsville breaks ground on William Hooper Councill High School Memorial Park (photo via Twitter)

via waff.com

HUNTSVILLE, AL (WAFF) – On Friday, the William Hooper Councill Alumni Association broke ground on a memorial park celebrating Huntsville’s first public school for African-Americans.

Councill High School opened in 1867 and closed in the era of desegregation in the 1960s. The school was named after Dr. William Hooper Councill, a former slave and founder and first president of what would become Alabama A&M University. Councill also became a lawyer, newspaper editor, legislator and Alabama Supreme Court justice.

William Hooper Councill (photo via clio.com)

Crews will start work on a memorial park in 2019, on the school’s old site.

Members of the alumni association spoke about what the school means to them.

“We found friendship in William Hooper Councill High School, and we found affection,” said Brenda Chunn, president of the William Hooper Councill Alumni Association.

“It’s important because African-American history sometimes gets lost, and this is a way of preserving the heritage of the African-Americans, particularly with the celebration of the bicentennial that is coming up,” said Laura Clift, an alumni of Councill High School.

Read more: http://www.waff.com/2018/12/14/ground-broken-park-commemorating-huntsvilles-first-public-black-school/

R.I.P. Grammy Award Winner, Legendary Song Stylist and Civil Rights Activist Nancy Wilson, 81

R.I.P. Grammy Award Winner, Legendary Song Stylist and Civil Rights Activist Nancy Wilson, 81

By goodblacknews on December 14, 2018

by Jim Farber via nytimes.com

Nancy Wilson, whose skilled and flexible approach to singing provided a key bridge between the sophisticated jazz-pop vocalists of the 1950s and the powerhouse pop-soul singers of the 1960s and ’70s, died on Thursday at her home in Pioneertown, Calif. She was 81.

Her death was confirmed by her manager, Devra Hall Levy, who said Ms. Wilson had been ill for some time; she gave no other details.

In a long and celebrated career, Ms. Wilson performed American standards, jazz ballads, Broadway show tunes, R&B torch songs and middle-of-the-road pop pieces, all delivered with a heightened sense of a song’s narrative.

“I have a gift for telling stories, making them seem larger than life,” she told The Los Angeles Times in 1993. “I love the vignette, the plays within the song.

Some of Ms. Wilson’s best-known recordings told tales of heartbreak, with attitude. A forerunner of the modern female empowerment singer, with the brassy inflections and biting inflections to fuel it, Ms. Wilson could infuse even the saddest song with a sense of strength.

In her canny signature piece from 1960, “Guess Who I Saw Today”(written by Murray Grand and Elisse Boyd), a woman baits her husband by dryly telling him a story in which he turns out to be the central villain. In her 1968 hit, “Face It Girl, It’s Over” (by Francis Stanton and Angelo Badale), Ms. Wilson first seems to throw cold water in the face of a deluded woman who fails to notice that her lover has lost interest in her. Only later does she reveal that she is the benighted woman scorned.

“Face It Girl,” an epic soul blowout, became one of Ms. Wilson’s biggest chart scores, making the Top 30 of Billboard’s pop chart and Top 15 on its R&B list.ing News

Her biggest hit came in 1964, when “(You Don’t Know) How Glad I Am”(Jimmy Williams and Larry Harrison), a rapturous R&B ballad delivered with panache, reached No. 11 on Billboard’s pop chart.

Three years later she became one of the few African-Americans of her day to host a TV program, the Emmy-winning “Nancy Wilson Show,” on NBC.

Ms. Wilson released more than 70 albums in a five-decade recording career. She won three Grammy Awards, one for best rhythm and blues recording for the 1964 album “How Glad I Am,” and two for best jazz vocal album, in 2005 and 2007. In 2004, she was honored as a Jazz Master by the National Endowment for the Arts. Nancy Wilson’s album “How Glad I Am,” from 1964, won a Grammy Award for best rhythm and blues recording.

For her lifelong work as an advocate of civil rights, which included participating in a Selma to Montgomery, Ala., protest march in 1965, she received an award from the Martin Luther King Jr. Center for Nonviolent Social Change in Atlanta in 1993 and an N.A.A.C.P. Hall of Fame Image Award in 1998.

In 2005, she was inducted into the International Civil Rights Walk of Fame at the Martin Luther King Jr. National Historic Site, also in Atlanta.

“As an artist then, taking such a political stand came with professional risks,” she told the blog Jazz Wax in 2010. “But it had to be done.”

U.S. Armed Forces All-female African American WWII Unit Honored with Monument at Fort Leavenworth

U.S. Armed Forces All-female African American WWII Unit Honored with Monument at Fort Leavenworth

By goodblacknews on December 12, 2018
6888th Postal Battalion (photo via radio.com)

by Kaylah Jackson via radio.com

The contributions of over 800 African American women who sorted mail in a segregated unit during WWII were recognized last month in Fort Leavenworth, Kansas, with a monument erected in their honor.

“No mail, no morale,” was the motto of the 6888th Central Postal Directory Battalion, the U.S. Army’s only all-African American and all-female unit during the Second World War.

Often referred to as the “Six-Triple-Eight,” the unit was made of up 824 enlisted and 31 officer women, who were originally from the Women’s Army Corps, Army Service Forces and Army Air Forces.

(Photo courtesy of Women of 6888th)

While many African American nurses served overseas in combat zones, WAC units remained separated and women of color were only allowed to serve overseas depending on the “needs of the Army.” The military faced pressure for African Americans WACs to serve in overseas components and eventually a request for 800 women to serve in the European Theatre was approved.

In 1945, warehouses and Red Cross workers in England became overwhelmed with a backlog of mail and packages addressed to U.S. service members. The hundreds of women who eventually made up the 6888th were selected to train for this exact mission.

Under the direction of Lt. Col Charity Edna Adams, the women traveled to Camp Shanks, New York after enduring boot camp, and eventually arriving in Birmingham, England, in 1945. Upon arrival to Europe, the women were welcome to a dimly lit and rat-infested warehouse with mail stacked to the ceilings.

Of the over 800 servicewomen, five were present at their monument dedication ceremony at Fort Leavenworth.

6888 Battalion Monument (Photo courtesy of George Marcec)

“Servicemen want their mail. That’s a morale booster,” Lena King told KCTV.  Now 95-years-old, then Corporal King worked among other women in the warehouse identifying miswritten pieces of mail and ensuring the men fighting received letters from their loved ones.

By dividing their work in shifts that ran 365 days a week, the women processed an average of 65,000 pieces of mail per shift, clearing the previous six-month backlog of letters in just three months.

(Photo courtesy of George Marcec)

Designed by sculptor Eddie Dixon, the monument features all of the names of the women of the Six-Triple-Eight, a bust of Lt. Col Adams and iconic photos highlighting the unit’s mission.

The monument sits near a series of other historical tributes on Fort Leavenworth. From honoring the first African American West Point graduate to the first African American four-star general, this monument will be another addition highlighting the “firsts” of our nation’s history at war.

Source: https://connectingvets.radio.com/articles/6888th-central-postal-directory-battalion-receives-monument-fort-leavenworth?fbclid=IwAR23Ae4QeZECbojxZvVOyPMVIjURCO9z3Uc4GqS4GPulDlmCwoukLX709mk

Maryland Creates New Scholarship Program for HBCUS in Honor of 2nd Lt. Richard Collins III, Student Murdered in Hate Crime

By goodblacknews on December 6, 2018

2nd Lt. Richard Collins III (photo via amsterdamnews.com)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to via jbhe.com, the state of Maryland approved a new scholarship program in memory of slain Bowie State University student, 2nd Lt. Richard Collins III. In May 2017, Collins was fatally stabbed on the University of Maryland, College Park campus just days before he was scheduled to graduate from Bowie State. Police classified the murder as a hate crime because the attacker was a White man who allegedly went after Collins because he was African American.

In an effort to honor Collins legacy, Maryland Governor Larry Hogan approved legislation to establish the 2nd Lt. Richard W. Collins III Leadership with Honor Scholarship, which will be funded by the state with $1 million annually. Recipients must be eligible for in-state tuition, a member of a Reserve Officer Training Corps, part of an underrepresented group in the ROTC, and must attend a historically black college or university.

The scholarship will be split between Bowie State and Maryland’s three other historically Black universities: Morgan State University, Coppin State University, and the University of Maryland Eastern Shore.

Source: https://www.jbhe.com/2018/11/maryland-hbcus-to-benefit-from-a-new-scholarship-honoring-a-murdered-black-student/

Three African American Students, Lia Petrose, Anea B. Moore and Austin T. Hughes, Named 2019 Rhodes Scholars

By goodblacknews on November 30, 2018

2019 Rhodes Scholarship Recipients (l-r) Austin T. Hughes, Anea B. Moore and Lia Petrose (photos via jbhe.com)

via jbhe.com

Recently, the Rhodes Trust announced the 32 American winners of Rhodes Scholarships for graduate study at Oxford University in England. Being named a Rhodes Scholar is considered among the highest honors that can be won by a U.S. college student.

The scholarships were created in 1902 by the will of Cecil Rhodes, an industrialist who made a vast fortune in colonial Africa. According to the will of Rhodes, applicants must have “high academic achievement, integrity of character, a spirit of unselfishness, respect for others, potential for leadership, and physical vigor.”

This year, more than 2,500 students applied to be Rhodes Scholars. A total of 880 college students were endorsed by 281 colleges or universities for consideration for a Rhodes Scholarship. Some 221 applicants from 82 colleges and universities were named finalists. Then, two Rhodes Scholars were selected from each of 16 districts across the United States. Students may apply from either the district where they reside or the district where they attend college. The 32 American Rhodes Scholars will join students from 23 other jurisdictions around the world as Rhodes Scholars. The Rhodes Trust pays all tuition and fees for scholarship winners to study at Oxford. A stipend for living and travel expenses is also provided.

In 1907 Alain LeRoy Locke, later a major philosopher and literary figure of the Harlem Renaissance, was selected as a Rhodes Scholar to study at Oxford University. It is generally believed that at the time of the award the Rhodes committee did not know that Locke was Black until after he had been chosen. It would be more than 50 years later, in 1962, until another African American would be named a Rhodes Scholar.

Other African Americans who have won Rhodes Scholarships include Randall Kennedy of Harvard Law School, Kurt Schmoke, former mayor of Baltimore, and Franklin D. Raines, former director of the Office of Management and Budget and former CEO of Fannie Mae. In 1978 Karen Stevenson of the University of North Carolina at Chapel Hill was the first African-American woman selected as a Rhodes Scholar.

A year ago, 10 African-Americans were among the 32 winners of Rhodes Scholarships for Americans. This was the most ever elected in a single U.S. Rhodes class. This year, there are three African Americans among the 32 Rhodes Scholars. This is a sharp reduction from a year ago. Yet, Blacks still make up 9.3 percent of all Rhodes Scholars selected this year in the United States.

Here are brief biographies of the three new African American Rhodes Scholars:

Austin T. Hughes from San Antonio, Texas, is a senior at the University of Iowa. He is triple majoring in creative writing, theatre arts, and Japanese language and literature. He is a cellist and a cross-country runner at the university. Hughes served as co-president of The English Society at the University of Iowa. In that role, he showcased student literature to the campus community and beyond. He has won numerous awards for his poetry and creative writing. At Oxford, Hughes will pursue a master’s degree in Japanese studies.

Washington and Lee University Replaces Slaveholder’s Name On Building With John Chavis’, the 1st Black U.S. College Graduate

By goodblacknews on November 25, 2018

Bust of John Chavis at Washington & Lee University (photo via columns.wlu.edu)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to The Journal of Blacks in Higher Education, the Board of Trustees at Washington and Lee University in Lexington, VA, will make changes to two of its buildings, Robinson Hall and Lee Chapel, after a student and faculty committee issued a report on how the university’s history is represented on campus. The committee was created after White supremacists rallied at the University of Virginia in Charlottesville last year.

Robinson Hall was originally named for John Robinson, a founder of the university. When Robinson died he left his estate, farm, and 73 slaves to the college. In 1836, the college sold the slaves and used the money to build Robinson Hall.

The board decided to rename the building Chavis Hall, in honor of John Chavis, the first African-American to receive a college education in the United States. He graduated from the university’s predecessor – first Liberty Hall Academy, then Washington Academy – in 1799.

Additionally, the university will make changes to Lee Chapel. The university will replace the portraits of Robert E. Lee and George Washington in military uniforms with new portraits of the two men in civilian clothing.

Also, the doors to the statue chamber in Lee Chapel will be closed during university events. However, Lee Chapel will keep its name. Robert E. Lee is buried below the chapel.