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MUSIC MONDAY: Born #OnThisDay in 1917 — “First Lady of Song” Ella Fitzgerald (LISTEN)

MUSIC MONDAY: Born #OnThisDay in 1917 — “First Lady of Song” Ella Fitzgerald (LISTEN)

By goodblacknews on April 25, 2022

[Photo: Ella Fitzgerald via ellafitzgerald.com]

by Lori Lakin Hutcherson (@lakinhutcherson)

GBN is pulling a trifecta today — celebrating #MusicMonday, #JazzAppreciationMonth, and dropping in on absolutely one of the best singers past, present — or ever — Ella Fitzgerald!

Born 105 years ago #OnThisDay, through her stunningly timeless gifts (and vast catalog), Ella Fitzgerald is still surprising and delighting music lovers and casual fans alike.

To read about her, read on. To hear about her, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Monday, April 25th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Today, we offer a quote from the “First Lady of Song” born 105 years ago on this date, the incomparable Ella Fitzgerald.

“The only thing better than singing is more singing.”

Born in 1917 in Newport News, Virginia, Ella Fitzgerald’s earliest artistic ambitions were to become a dancer.

When the loss of her mother when she was 15 lead to a relocation to Harlem to live with her aunt and stints in an orphanage and a state reformatory school for girls, Fitzgerald hustled to get by on the streets and at 17 took her terpsichorean talents to Amateur Night at the Apollo Theater.

But when she saw two sisters with a dance act go on before her and wow the crowd, Ella didn’t think she could compete so she switched up her talent from dancing to singing and took to the stage to sing “Judy” and “The Object of My Affection” and won first prize in 1934.

Although she didn’t record either at the time, in 1968 Ella gave “The Object of My Affection” another onstage go when she sang it for her Live At Chautauqua, Volume 1 LP:

[Excerpt from “The Object of My Affection”]

Ella’s Amateur night win lead to an audition with Chick Webb to become the girl singer in his orchestra, and one of the best collaborations between bandleader and singer in the swing era.

Webb and Ella had hits with “Love and Kisses,” “(If You Can’t Sing It) You’ll Have to Swing It (Mr. Paganini)” and the classic turn on a nursery rhyme co-written by Ella that become of the best-selling songs in it’s decade, “A Tisket, A Tasket”:

[Excerpt from “A Tisket, A Tasket”]

Even as Chick Webb took the young Ella under his wing, his serious health challenges ended his life way too soon in 1939.

Ella stepped up and lead and toured with the orchestra for a few more years until she went solo as jazz turned increasingly towards the newer sounds of bebop.

It was around this time, while working with Dizzy Gillespie and his band, Ella developed her scat singing style, lauded on songs such as “Oh, Lady Be Good” and “Flying Home”:

[Excerpt from “Flying Home”]

Ella not only navigated and interpreted jazz standards with dazzling dexterity and clarity, during her heyday, she, like her quote implied, sang and sang and sang some more.

Ella took on several of America’s most popular composers with her unparalleled series of “songbooks,” where she devoted entire albums to covering the songs of Cole Porter, George Gershwin, Duke Ellington, Rodgers and Hart, Johnny Mercer, Jerome Kern and Irving Berlin.

You can’t go wrong with any of these incredible recordings, so I’ll share a personal favorite from Ella Sings Gershwin – Ella’s plaintively tender version of “Someone to Watch Over Me”:

[Excerpt of “Someone to Watch Over Me”]

Ella also paired up with jazz royalty, recording an album with Count Basie, three with Louis Armstrong, four with guitarist Joe Pass and four with Duke Ellington, one which included her version of – I can’t think of any better word than “banging” because Ella just goes so hard in “It Don’t Mean a Thing If It Ain’t Got That Swing”:

[Excerpt of “It Don’t Mean a Thing If It Ain’t Got That Swing”]

From big band to bebop to Broadway, standards, pop and R&B, throughout her career, Ella Fitzgerald recorded over 200 albums and 2,000 songs.

Because frankly, with a voice like hers, the only thing better than Ella singing was more Ella singing. I’m going to put a link to a much longer Ella playlist in the show notes, but let’s hear from her one more time, in 1977, when one of her biggest fans, Stevie Wonder, lovingly sings her praises right before she helps him sing his song:

[Excerpt of “You Are the Sunshine Of My Life”]

To learn more about Ella Fitzgerald, watch the 2019 documentary Ella Fitzgerald: Just One of Those Things now streaming on Netflix, the 1999 American Masters biography on Ella called Something To Live For currently posted on YouTube, read ELLA: A Biography of the Legendary Ella Fitzgerald by Geoffrey Mark from 2018, Ella Fitzgerald: A Biography of the First Lady of Jazz by Stuart Nicholson from 1994.Watch incredible clips of her on YouTube performing with Duke Ellington, Frank Sinatra and Count Basie.

And of course, buy or stream as much of her music as you can. Links to these sources and more are provided in today’s show notes and in the episodes full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Intro and outro beats provided by freebeats.io and produced by White Hot.

All excerpts of Ella Fitzgerald’s music are included under Fair Use.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

MUSIC MONDAY: “Mo’ Better Music” – Spike Lee’s Greatest Hits Playlist in Honor of his 65th (LISTEN)

MUSIC MONDAY: “Mo’ Better Music” – Spike Lee’s Greatest Hits Playlist in Honor of his 65th (LISTEN)

By goodblacknews on March 21, 2022
by Jeff Meier (FB: Jeff.Meier.90)

In honor of Academy Award-winning filmmaker Spike Lee‘s 65th birthday yesterday, we’re celebrating the music from his movies in today’s Music Monday playlist, “Mo’ Better Music: Spike Lee’s Greatest Hits“:

Lee first made his mark on the Hollywood scene in the summer of 1986 with his independently-financed debut feature, She’s Gotta Have It.  From that start, it was clear that not only was Lee an original filmmaking voice, but also that he valued the role of music in his movies.

The body of musical work he has enabled through his movies spans the history of Black music, including Blues, Hip Hop, traditional R&B. His early career bloomed in the heyday of new jack swing, but he’s also served us gospel, jazz, and plenty of Stevie Wonder.

Lee’s  usual composer of choice, Terence Blanchard, has earned two Oscar nominations for his work on BlacKkKlansman and Da Five Bloods.

There also have been Number One Billboard R&B/Hip-Hop Hits, E.U.‘s “Da Butt” from School Daze and Teddy Riley & Guy‘s “My Fantasy” from Do the Right Thing.

Working with his father, jazz musician Bill Lee (still alive at age 93) through his first four movies, Spike’s soundtrack choices displayed a musical depth of knowledge from the start.

“Nola” – the song about Nola Darling, the central character in She’s Gotta Have It – was sung on the original soundtrack by legendarily unsung vocalist Ronnie Dyson (the subject of a previous GBN playlist and profile – https://goodblacknews.org/?s=ronnie+dyson).

Though that soundtrack is one of the few Spike Lee soundtracks unavailable on Spotify, we’ve included a fairly faithful rendition of the song from contemporary jazz vocalist Jose James on our playlist.

To celebrate his 65 years, the playlist is comprised of 65 original songs and score selections from all of Spike Lee’s scripted features films with tracks were available for streaming (all the rest of his movies are included except Summer of Sam and the recent made-for-streaming Pass Over).

We’ve focused on titles that were either newly released or recorded for Spike’s movies, not on classic hits that just made their way onto the soundtrack.

And there’s plenty of great material to choose from, including multiple tracks from Prince, backup singer turned indie soul darling Judith Hill, Public Enemy, Terence Blanchard, and Stevie Wonder.

The Spike Lee soundtrack for Bamboozled introduced the first major song ever released by India.Arie — “Always In My Head.”

Though the soundtracks to Girl 6 and Get on the Bus are also unavailable on Spotify in album form, we’ve located the original Prince track “She Spoke 2 Me” from Girl 6 as well as a number of songs from the Get on the Bus soundtrack from God’s Property, Stevie Wonder, and Curtis Mayfield.

While Lee has mostly worked with Black composers and musicians, rootsy White rock musician Bruce Hornsby has worked on multiple Spike Lee movies, including songs for Bamboozled and Chi-raq, and a full score for Red Hook Summer.  He was also the composer for the lovely ballad “Love Me Still,” sung by Chaka Khan for the soundtrack to Clockers.

For his soundtrack to Da Sweet Blood Of Jesus, a 2014 horror film that Lee funded through Kickstarter, he issued a social media call for unsigned artists to submit songs and picked through over 800 submissions to find the songs he used – which included “As We May Dream,” another beautiful ballad from singer/songwriter Siedah Garrett of Michael Jackson duet fame.

Spike’s movies have also yielded some smooth new remakes of R&B standards – and we’re happy to include Stevie Wonder’s take on Bob Marley‘s “Redemption Song,” Erykah Badu‘s cover of Rufus featuring Chaka Khan’s “Hollywood,” Marc Dorsey‘s version of The Stylistics‘ “People Make the World Go Round,” and of course, Aretha Franklin‘s beautiful contribution to the Malcolm X soundtrack – her epic 8 minute rendition of Donny Hathaway‘s “Someday We’ll All Be Free.”

Most recently, Spike introduced his BlacKkKlansman‘audiences to a Prince rendition of the gospel classic “Mary Don’t You Weep” that had been originally recorded in 1983, but left in the vaults until its appearance in the closing credits of Lee’s movie.

In addition to all the above, you’re sure to uncover plenty of great but lesser-known material from Spike’s movies. With 24 scripted feature films under his belt, a Spike Lee film festival might take you a week of evenings to complete – but with our GBN playlist, you can cover all the musical memories from Spike’s movies in an afternoon.

Happy 65th birthday to Spike Lee! Though for many that’s retirement age, we hope to be updating this playlist with more great music from many more movies in the years to come.

Born On This Day in 1894: American Comedy Pioneer Moms Mabley (LISTEN)

Born On This Day in 1894: American Comedy Pioneer Moms Mabley (LISTEN)

By goodblacknews on March 19, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN’s Daily Drop podcast features Jackie “Moms” Mabley, the first woman comedian in the U.S. to have a long-lasting and successful career.

It’s based on the Saturday, March 19 entry from the Black Comedians category called “Yeah, You Funny”in our “A Year of Good Black News” Page-A-Day®️ Calendar for 2022:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Saturday, March  19th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing. It’s in the category for Black Comedians we call, “Yeah, You Funny”:

Jackie “Moms” Mabley was the first woman comedian in the U.S. to have a long-lasting and successful career. Born #onthisday in 1894, in Brevard, North Carolina, Mabley got her start performing on vaudeville’s “chitlin’ circuit” for years before becoming widely known from the 1940s to the 1970s for her movie appearances, hit comedy albums, variety show guest spots, and as a headlining stand-up act at venues such as the Apollo Theater, where she appeared more than any other performer in history.

Mabley mostly played the character of an older woman in a housedress who offered subtle commentary on politics, racism, sexism… all while musing on her desire for younger men.

Today we share one of Mabley’s clever quips of the latter variety, which juxtaposed so greatly with her presentation and still feels contemporary:

“There ain’t nothin’ an old man can do for me but bring me a message from a young one.”

To learn more about Moms Mabley, check out the Whoopi Goldberg-directed documentary on her from 2013 called Moms Mabley: I’ve Got Somethin’ To Tell You, watch her in movies such as Amazing Grace from 1974, Killer Diller or Boarding House Blues, both from 1948, or check out her comedy albums like Moms Mabley at the Playboy Club, Moms Mabley at the Geneva Conference, Young Men, Si – Old Men – No, Moms Mabley at the U.N. or her Top 40 pop and Top 20 R&B hit version of “Abraham, Martin & John” from 1969.

All albums are available to stream on Apple Music and some of them are also on Spotify. You can also check out Wanda Sykes’ Emmy-nominated portrayal of Moms Mabley in the Amazon original series The Marvelous Mrs. Maisel.

Links to these sources and more are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing. Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

And today, in honor of Moms Mabley’s birthday, we’re closing with a snippet of her version of “Abraham, Martin and John,” written by Dick Holler:

[Excerpt of “Abraham, Martin and John”]

Sources:

MUSIC: Celebrating Stevie Wonder’s 71st Birthday with “Stevie For The Sweeties” – a Kid-Friendly Playlist (LISTEN)

MUSIC: Celebrating Stevie Wonder’s 71st Birthday with “Stevie For The Sweeties” – a Kid-Friendly Playlist (LISTEN)

By goodblacknews on May 13, 2021

by Lori Lakin Hutcherson (@lakinhutcherson)

As any regular (or even new) follower of Good Black News may have noticed, we really love music here. Its creators, its history, its present and its future. And days like today – the 71st birthday of musical legend, genius and icon Stevie Wonder – are some of the most exciting, because we get to think of new ways to share about an artist who has given so much to the culture and community.

Last year, in honor of Stevie’s 70th, GBN published a month of differently-themed Stevie playlists, (links to all below). But for the generations who didn’t grow up on Stevie Wonder — particularly the 10-and-under set — where to start? How about right here, with our curated, kid-friendly playlist “Stevie For The Sweeties”:

[spotifyplaybutton play=”spotify:playlist:3f5SgOPWpm8xS7AfrXHiDa”]

I remember exactly when I took my children’s musical education and exposure into my own hands — April 21, 2016 — the day Prince passed. My kids didn’t understand why Mommy was so upset and was playing Prince music all the time — in the car, in the house, on the TV, for weeks — because they didn’t know who he was or why his music was important.

It was a wake-up call for me to make a conscious effort to introduce them to the musical greats. Since they were 8 and 6 at the time, I started putting together kid-friendly playlists on iTunes (the very first I called “Prince for My Patooties”) that they could listen to on their own, with friends, or at school during breaks, without any worries about playing any songs that could be objectionable for language or subject matter, and sequenced in a way to keep their interest.

“Stevie For The Sweeties” starts with “Fun Day,” moves into “Sir Duke” (which has been a magic tonic to my sons ears since he was a toddler, and where Stevie himself does some hat tipping to generational forebears by name checking Count Basie, Glenn Miller, Louis “Satchmo” Armstrong, Ella Fitzgerald and of course, “Sir” Duke Ellington), “I Wish” (which I remember me, my sister Lesa and my cousins David and Darryl singing to as little kids while we played “Three Flies Up” in my Auntie Brenda’s front yard), and “Fingertips Pts. 1& 2”, where Stevie himself was barely double digits in age.

Those great songs and so many more classics to enjoy with the younger set like “Do I Do” (featuring trumpet-great Dizzy Gillespie on an effervescent solo), “I Love Every Little Thing About You,” “Isn’t She Lovely” (which Stevie wrote about his first-born daughter Iesha), “Bird of Beauty” and “You Are The Sunshine of My Life” are part of “Stevie For The Sweeties.”

I hope you enjoy with the sunshines and lovelies in your life, and thank you, thank you, thank you, Stevie Wonder, for your incredible music and life. We love you. Happy Birthday!

“How I Got Over”: Celebrating Aretha Franklin with Comprehensive Playlist of Her Cover Songs on Her Birthday (LISTEN)

“How I Got Over”: Celebrating Aretha Franklin with Comprehensive Playlist of Her Cover Songs on Her Birthday (LISTEN)

By goodblacknews on March 25, 2021

by Lori Lakin Hutcherson (@lakinhutcherson)

It’s always nice to have an excuse to celebrate the Queen of Soul and her music. Although this week in particular it’s been a somewhat fraught proposition, as the National Geographic Channel began airing its Genius: Aretha series starring Cynthia Erivo on Sunday, to which some of Franklin’s immediate family publicly objected.

But if, like me, you’re inclined to want to celebrate Aretha on what would have been her 79th birthday and can’t wait for the MGM feature Respect starring Jennifer Hudson (which, so far, the family does approve of) to come out, you can always rewatch the glorious Amazing Grace concert film released in 2019, or go right to the source and listen to all Aretha all day.

For my 2020 celebration, I compiled a collection of her original works in a Spotify playlist called  “Rock Steady”: Songs Aretha Franklin Wrote, in honor of her ability to compose incredible music and lyrics that have stood the test of time, a talent which is often overshadowed by Aretha’s unparalleled singing mastery.

This year, I chose to celebrate Aretha Franklin’s lifelong love of all musical styles and her unmatched ability to turn any song from any genre from any time by anybody into her own unique moment. Below is the compilation playlist “How I Got Over”: Aretha Franklin’s Cover Songs: 

[spotifyplaybutton play=”spotify:playlist:1ThrnFZemc4yzpq8cMEQPe”]

In it, you’ll find the songs you already know were recorded by others that Aretha made her own signature songs (“Respect,” “Spanish Harlem,” “Until You Come Back to Me”), along with songs where her version became as famous as the original, if not more (“You’re All I Need To Get By,” “I Say A Little Prayer,” “Wholy Holy,” “Bridge Over Troubled Water,” “Don’t Play That Song,” “Son of A Preacher Man”).

Also included are songs you may not know she covered (many were deep cuts on LPs or only recently released) but as soon as you hear Aretha’s version you won’t be able to forget it (“At Last,” “A Change Is Gonna Come,” “A Song For You,” “What a Fool Believes,” “I Want to Be With You,” “My Kind of Town (Detroit Is)”).

Aretha also dips into her Detroit roots with her covers of Motown classics like “My Guy,” “Tracks of My Tears” and “You Keep Me Hangin’ On,” as well as her love of her British Invasion contemporaries with covers of The Beatles‘ “Eleanor Rigby,” “Let It Be” and “The Long and Winding Road” and The Rolling Stones‘ “Satisfaction” and “Jumpin’ Jack Flash.”

Franklin effortlessly shows off her jazz chops on “Moody’s Mood,” “Skylark,” “How Glad I Am” and “Crazy He Calls Me” and her devastating blues acumen and feeling with “Today I Sing The Blues,” “The Thrill is Gone,” “Night Time Is The Right Time” and “Why I Sing The Blues.”

“Over The Rainbow,” “Somewhere” and “I Dreamed A Dream” let us all know a career on Broadway or movie musicals, should she have wanted it, would have been Aretha’s for the taking, and her takes on traditional gospel classics like “How I Got Over,” “What a Friend We Have In Jesus,” “Oh Happy Day” (with Mavis Staples), and, of course, “Amazing Grace” make it simple for anyone needing proof of God to listen and say, “Oh, okay. THAT.”

For those who love holiday fare, Aretha’s got that covered too, with undeniable versions of “Winter Wonderland,” “Silent Night” and “The Christmas Song.”

As late as 2014, at age 72, Aretha Franklin was still showing the world what she could do to a song she deigned to sing.

Franklin released an entire album of covers entitled Aretha Franklin Sings The Great Diva Classics, where she famously took on “Rolling In The Deep” by Adele, Alicia Keys‘ “No One” and created must-listen mash-up versions of Chaka Khan’s “I’m Every Woman/Respect” where Aretha blends those two classics together, and Gloria Gaynor‘s “I Will Survive,” which she mixes with Destiny’s Child‘s “Survivor.” 

All the songs mentioned and more are on the 85-track playlist above. There are even more enticing covers in the Aretha Franklin catalogue worth exploring, but at five and a half hours, I definitely feel this playlist is a great place to start. 

Enjoy, and all hail the Queen!

MUSIC MONDAY: “Roots, Rock, Reggae” – a Bob Marley Collection in Honor of his 76th (LISTEN)

MUSIC MONDAY: “Roots, Rock, Reggae” – a Bob Marley Collection in Honor of his 76th (LISTEN)

By goodblacknews on February 15, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Earlier this month was the 76th anniversary of the birth of Robert Nesta Marley.

It is hard to overstate his impact on popular music and culture. Marley was a Rastafari icon, and he infused his music with a sense of social consciousness and spirituality.

[spotifyplaybutton play=”spotify:playlist:6OsMQUWxzKzubeTmVwsSHr”]

He is still a global symbol of Jamaican music, culture, and Pan-Africanism. He co-founded The Wailers vocal group with Bunny Wailer, Peter Tosh, Beverley Kelso and Junior Braithwaite.

They created early ska and rocksteady in the studios of legendary producers Coxsone Dodd and Lee “Scratch” Perry.

Marley would go on to bring reggae music to an international audience, and was inducted into the Rock and Roll Hall of Fame in 1994.

Rolling Stone has ranked him No. 11 on its list of the 100 Greatest Artists of All Time.

Here’s a collection includes his many classics, early recordings, live performances, and remixes, and dub reworkings. This playlist is a testament to the lasting impact of Bob Marley.

As always stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

Happy 60th Birthday, Karen Clark-Sheard!

Happy 60th Birthday, Karen Clark-Sheard!

By goodblacknews on November 15, 2020

by Jeff Meier (FB: Jeff.Meier.90)

Today, Good Black News celebrates the milestone 60th birthday of gospel music icon Karen Clark-Sheard, famous as the youngest member of the legendary Clark Sisters, as well as for her dynamic solo recordings.

Amidst the craziness of the coronavirus pandemic, lockdowns and quarantines, 2020 has nevertheless been a milestone year for Karen and her sisters, as they issued the acclaimed The Return in March, their first group release in over a decade.

Following the album drop was the April broadcast of The Clark Sisters: First Ladies of Gospel, a Lifetime movie about their lives that was seen by millions of people across numerous airings in its first few weeks, becoming Lifetime’s highest original rated movie in 4 years – and one of the top cable telecasts of the year across all cable channels.

We wrote about the movie and the history of The Clark Sisters, at that time: (https://goodblacknews.org/2020/04/11/bringing-the-sunshine-gbn-offers-clark-sisters-playlist-to-celebrate-lifetime-biopic-airing-tonight-listen/).

After 25 years recording with her sisters (since she was just an early teenager) as the group’s dedicated soprano, a break in the sisters’ group activities allowed Karen to release her debut solo album, appropriately titled Finally Karen in 1998.

She stepped out solo in a big way – on a major label (Island Records), with multiple producers and a guest appearance from Faith Evans.  The results – a gospel bestseller that was nominated for a Grammy and won a Lady of Soul Award.

The album also included a duet with her daughter, Kierra ‘Kiki’ Sheard, ultimately kicking off the successful recording career for yet another generation of the Clark gospel dynasty (The Clark Sisters themselves are the daughters of gospel choir pioneer Dr. Mattie Moss Clark.)

Not long after the release and promotion of her first album, Clark-Sheard was hit with a major health crisis, when complications from a minor operation put her in a coma for multiple weeks.

#AAMAM: “Sign O’ The Times” – Celebrating Prince and his Protest Music (LISTEN)

#AAMAM: “Sign O’ The Times” – Celebrating Prince and his Protest Music (LISTEN)

By goodblacknews on June 7, 2020

We wanted to get this post up earlier, but today? Server issues. Thankfully, those are resolved and Good Black News is happy to grab a moment during African American Music Appreciation Month to honor what would have been the 62nd birthday of the one and only Prince.

His music is legendary, no question, and we could offer a playlist full of his genius output that could keep your ears busy into the end of next week.

But in light of current events – the literal revolution unfolding before us born in Prince’s hometown of Minneapolis – today we offer an appreciation and compilation of Prince’s protest music.

Ever since he started recording, Prince has composed songs addressing war, racism, gender issues, inequality, usury and police brutality.

From well-known singles such as “Controversy,” “1999,” “Pop Life,” and “Sign O’ The Times” to lesser-known album cuts like “PartyUp,” “Colonized Mind,” “Avalanche,” “We March” and “Baltimore,” his 2015 tribute to Freddie Gray, Prince constantly used his unparalleled talent and voice to highlight injustice.

To read more about several of his protest songs, click here. To listen, click below. Power to the New Generation!

[spotifyplaybutton play=”spotify:playlist:0ccCsunMwAuRtwXOUI2dOs”/]

GBN’s Month of Stevie: Stevie Wonder’s Protest Music (LISTEN)

By goodblacknews on May 31, 2020

Stevie Wonder takes a knee at Global Citizens Festival 2018 (photo: YouTube)

by Lori Lakin Hutcherson (@lakinhutcherson)

Good Black News has been honoring Stevie Wonder‘s 70th birthday with posts and playlists all month long (links below). On this last day of May and in light of this past week’s events, GBN finds it only fitting to close out our celebration with some of the most powerful, enduring, soul-stirring music Stevie’s ever created and offered to this world – his protest music.

From “Living For The City” to “Big Brother” to “Black Man” to “Love’s In Need of Love Today” to “Happy Birthday” to “Pastime Paradise” – even his early covers of “Blowin’ in The Wind” and “A Place In The Sun” – Stevie Wonder has always used his artistry to protest racism and injustice while striving for healing, equity, love and “Higher Ground.”

Thank you, Stevie Wonder for using your heart, mind and genius to speak for the voiceless and fight on behalf of the oppressed. May your music continue to help fortify us for the long journey ahead:

[spotifyplaybutton play=”spotify:playlist:2FEKkFxEY84CAGGUWfv31b”/]