11 year-old college freshman Carson Huey-You (photo via risingafrica.org)
In this day and age, 11-year olds don’t usually go to college. But it’s those who break the rules that get the most recognition. Carson Huey-You is amazing and brilliant. The young prodigy was accepted to Texas Christian University at the age of 10, where he chose to study the difficult field of Quantum Physics. In case you’ve never heard of Quantum Physics, it is defined as: The study of the behavior of matter and energy at the molecular, atomic, nuclear, and even smaller microscopic levels.
The young student speaks Mandarin Chinese fluently, and got 1770 on his SAT. He is also a very good piano player, among other things. He was so young that he wasn’t able to actually apply to the school online. It turns out that the software would not allow applicants to state that they were born in the year 2002.
The child is expected to be a college graduate by the age of 16, which would make him a year younger than the youngest graduate the school has ever had. ‘‘I’m taking calculus, physics, history and religion. Those are my four classes,’ Huey-You told CBS DFW. Claretta Huey-You and Carson Huey-You (photo via risingafrica.org)
This is not the first time that young Carson showed such promise. He was reading by the age of 1 and doing pre-algebra by the age of 5, according to his parents.
“He’s definitely very talented and also he’s very serious about his work and he really enjoys it. And that’s the best that a professor can hope for his students, right?’ Associate math professor Qao Zhang said to CBS DFW.
Carson says that his first week of college was “overwhelming, but exciting and fun.”
In the spirit of family learning and growth, Carson’s mother expects to join him on campus to get education of her own. Claretta Huey-You says that she herself is planning on going back to school to study nursing. Additionally, his brother is expected to finish high school by the age of 13. To read more, go to: risingafrica.org
Zora Neale Hurston (Photo via LIBRARY OF CONGRESS)
She was born in Notasulga, Ala., but she didn’t like the way her story started, so she rewrote it and claimed Eatonville, Fla., as her birthplace instead. She wasn’t too partial to 1891, the year her mother delivered her, so she remixed it, and for the rest of her life, she took liberties with the mathematics of her age, knocking as many as 10 years off if the notion felt good to her.
Zora Neale Hurston was a master of creative invention and reinvention, from the personal details of her own life to her artistic catalog, which included four novels, two books of folklore, an autobiography, and dozens of short stories, essays, articles and plays. She was an original black girl unboxed.
It’s appropriate today, on what would be Zora’s 125th birthday, to honor the social and cultural freedoms she cleared for black female writers who stand on her platform and use our words to tell our own stories instead of allowing them to be told to and for us. She made it OK to be bold and conflicted, to wrestle with our identities and explore our differences as we chip away at the monolith, even to sometimes contradict ourselves and swerve, midaction, without apology. Toni Morrison and Gloria Naylor, both literary geniuses, have credited Hurston as an inspiration, as do others, the famous and not so famous among us, who strip away pretense and dig into our personal wells of realness when we sit at a keyboard. We awe at the musicality of her prose and absorb what she said even in between the lines. This is what Hurston taught us, the black women creatives who came up in her shine. You don’t need anybody’s permission to love who you uniquely are.
“My mother had a number of books from the canon of black women’s literature. Among them was I Love Myself When I Am Laughing … and Then Again When I Am Looking Mean and Impressive, Alice Walker’s anthology of Hurston’s work. Just the book cover and the quote did so much to shift my thinking of what it means to be a woman. Her whole damn self is inspiring, a woman who loved herself at a time when self-hatred was expected of her. I find her to be contrary, instructive, insightful, bold and a perfect guide of who I can be if I dare.” —Writer and painter Kiini Ibura Salaam Be audacious whenever appropriate, which is pretty much always.
“I first read Their Eyes Were Watching God in college and fell in love. The lyrical prose, dynamic black female protagonist, fresh use of humor and powerful affirmation of sisterhood all bewitched me. Zora’s personal narrative, however, scared me. I aspired to write, had already started publishing some of my work, and the experience of silence and invisibility both in Zora’s work and in her life freaked me out. I was inspired by her resistance to erasure, her insistence on voiced expression, but the last years of her life seemed so tragic. I was haunted by fear of a similar kind of dispossession, even as my own writing took off after college and graduate school. Then I read Wrapped in Rainbows by Valerie Boyd. She helped me understand Zora wasn’t dispossessed at all. She was free. And she could free me.” —AuthorEisa Nefertari Ulen
Your talent will stretch across as many mediums and platforms as you will go.
“She refused to be pigeonholed into a single genre and craft. She was an amazing storyteller and cultural curator, as interested in collecting stories as she was in crafting them. Our creative lives are similar in that we study our people, culture and spirituality and write about them in plays, novels, stories and essays.” —M. Shelly Conner, Ph.D., writer and English instructor at Loyola University Chicago You can’t do black womanhood one way, and you can’t do it wrong.
“I’ve often said Zora Neale Hurston saved my life. My mother gifted me her copy of Their Eyes Were Watching God when I was 16 and immersed in agoraphobic depression. Reading Zora kept me afloat and made me realize my life would and could be bigger than my sorrows. Because she wrote so powerfully and honestly and amazingly about love and oppression and navigating turmoil from the perspective of a black woman, I wield my pen as a sword to cover the same terrain.” —Evette Dionne Brown, freelance culture, race and gender writer Know that the minutiae of everyday life can be woven into literary tapestry.
“Zora was the first writer to make me feel like I could tell a story that mattered, a story that people would listen to. Her words have so much power, she makes me feel like mine do, too.” —Author Shameka Erby Say what you have to say in only the way you can say it.
“Zora Neale Hurston was fearless. At a time when being black was frowned upon and many writers were hoping to appease white America, she reveled in our culture and wrote in its voice. Whenever I question my voice, or whether or not I should ‘tone it down’ for the ‘mainstream,’ I think of her, and I write.” —Britni Danielle, freelance journalist and novelist
Speak for the people who don’t have the opportunity to be heard.
“Her work was honest. She wrote based on her experiences with people and provided voice to the voiceless through her characters. She was a true ethnographer depicting working-class black folks through her writing. Like her, I hope to give voice to the women that I write about in my scholarly endeavors.” —VaNatta Ford, Ph.D., visiting professor of Africana studies at Williams College
Trust your own (unconventional) approaches.
“It wasn’t until recently that I realized how much influence Zora Neale Hurston’s life and work had on my own life and work as a young ethnographer. The more I learned about and read her lesser-known anthropological work on black folklore, the more I realized that she, too, struggled early on to find her voice in academia. But what made her a significant influence to me was the fact that she lived by her wits, intuition and imagination. She continued to document black life even when academics criticized her approach. She trusted herself.” —Tara L. Conley, ethnographer and doctoral candidate, Columbia University Outfit yourself in resilience and perseverance.
“My heart breaks knowing she died in poverty, buried in an unmarked grave. And yes, I know the great Alice Walker found the grave years later and purchased a headstone. Her end-of-life story, however, reminds me that literary notoriety is fickle and arbitrary and, as African-American women writers, we can help redeem the final chapter of Zora Neale Hurston’s life by never giving up in word or deed. That’s how her life and writing inspire me. Never give up. Keep going. Don’t stop. Ever. Always.” —Author Patricia Raybon
A Kansas man overcame the odds to graduate college. Joshua Woods said he never believed he would attain his dreams, but that all changed when he graduated from Wichita State in December. That’s because Woods was homeless and lived on his sister’s floor.
Woods’ parents had both died and he was ready to give up. Instead, he used his last $30 to apply to Wichita State and was accepted. “I was disappointed. Mostly in myself but also at life. I felt like I wasn’t dealt a good hand to begin with. I was in foster care. My father passed away when I was 16. I was the only kid on my block with no guardian.”
He worked his way through college, which included working overnight at a grocery store. In the mornings, he would run five miles to school because he had no vehicle. “It was hard to hold my tears as I walked across that stage,” Woods said. “To be considered stupid all your life and you graduate from college with a bachelor’s degree… I don’t know about anyone else, but it was a triumph for me.”
Woods graduated with a communications degree and hopes to pursue a career in journalism. article via fox5atlanta.com
Kerry Washington (photo via atlantablackstar.com)
Actress Kerry Washington has been named Woman of the Year by Harvard University’s Hasty Pudding Theatricals, the nation’s oldest collegiate theatrical organization.
The Scandal star was chosen because she is a “talented and socially engaged film, TV and stage actress who keeps breaking barriers in Hollywood.”
Washington, the first black woman to headline a network TV drama since 1974, has earned Golden Globe, Emmy and SAG Best Actress nominations as well as an NAACP Image Award for Best Actress.
She will be given her pudding pot following a parade through Harvard Square and roast scheduled for Jan. 28.
Previous winners include Sarah Jessica Parker,Meryl Streep, Katharine Hepburn, and Elizabeth Taylor. Comedian Amy Poehler won last year. article via blackamericaweb.com
by Lori Lakin Hutcherson
I have to admit, I wasn’t planning on watching it, mainly because these days I don’t have the opportunity to view much television outside of what my 9 and 6 year-olds are viewing. If you want to ask me what’s happening on the Disney Channel or PBS Kids – I’m your woman. BET and Centric, not so much. But when I got an email from former colleague and uber-producer Debra Martin Chase announcing the premiere of her new sitcom “Zoe Ever After”, I made a point of setting my DVR to record it so I could carve out a moment to watch and support.
That moment came this morning, and I am so glad it did. “Zoe Ever After,” created and executive produced by Chase, Erica Montolfo-Bura and former “Moesha” lead Brandy Norwood (who stars in the titular role), is a delightful, smartly-written, acted and executed half-hour comedy about Zoe Moon, a woman restarting her life with a new cosmetics business, new love interests and a new parenting arrangement after filing for divorce from her famous boxer husband Gemini Moon(Dorian Missick).
Set in Manhattan,”Zoe Ever After” is actually filmed in Atlanta, but unlike some other half-hours shot there, its look and feel don’t come off as claustrophobic or cheap. The sets and visuals, though limited, are beautifully styled and on point. The costume design is equally striking, and if the show keeps it up, Brandy could add “fashion maven” to her actor/singer calling card.
But even more important than the look or basic premise is how well “Zoe” deals with its themes – the difficulty of dating after a break-up, co-parenting with an ex, the struggles of running a new business (the air conditioning breaks down in Zoe’s office and she is stubbornly against taking her ex’s help to fix it, even though the contractor he sends (Ignacio Serricchio) generates more heat than the system he’s repairing), and the internal tug-of-war that occurs when you still have feelings for the person who broke your heart.
All of the actors, including intended comic relief characters, on-a-mission-to-get-married best friend and publicist Pearl (Haneefah Wood), fashionable, openly gay assistant Valence (Tory Devon Smith) and bright, adorable son Xavier (Jaylon Gordon), make strong impressions, but Brandy in particular shines as she charmingly and believably navigates dramatic moments like where she tells her ex how he always made her feel invisible, or sillier ones where she gets pooped on by a dove (which is a clever metaphor tied to a story point, believe it or not).
The preliminary ratings and social media on “Zoe’s” debut are also strong, so BET looks to have a good compliment/counterpoint to “Real Husbands of Hollywood” on its slate, and I am personally looking forward to finding more time away from “Lab Rats” and “Arthur” to see if Zoe does indeed get her “ever after.” “Zoe Ever After” airs Tuesdays on BET. To view the premiere episode, check your local listings or access clips via BET.com.
Navy Secretary Ray Mabus, left, talks with Rep. John Lewis, D-Ga., during a ceremony on Capitol Hill in Washington on Wednesday to announce that the next generation of fleet replenishment oilers will be named the USNS John Lewis, after the civil rights movement leader and Georgia’s 5th District representative. (Photo: Jacquelyn Martin/AP)
The U.S. Navy will honor civil rights icon and Georgia congressman John Lewis in a big way — by naming a replenishment oiler ship after the leader.
The announcement — delivered by Secretary of the NavyRay Mabus — was made Wednesday afternoon in Washington D.C. Lewis, who tweeted he was “grateful” for the honor, reportedly cried when he was informed of the idea months ago.
According to NBC: “As the first of its class, the future USNS John Lewis will play a vital role in the mission of our Navy and Marine Corps while also forging a new path in fleet replenishment,” said Mabus. “Naming this ship after John Lewis is a fitting tribute to a man who has, from his youth, been at the forefront of progressive social and human rights movements in the U.S., directly shaping both the past and future of our nation.” Lewis cried when Mabus stopped by his office a few months ago to share what was then an idea, he told NBCBLK. “He said, ‘I have been so moved and inspired by your work and others during the civil rights movement. My idea is to name a ship in your honor,’” Lewis said. When the surprised congressman asked him, “How can you do this,” Mabus responded, “I am the Secretary of the Navy; I have the power.”
https://twitter.com/repjohnlewis/status/684841235807354881/photo/1?ref_src=twsrc%5Etfw
Naming the ship after the civil rights leader is a first in many ways — the USNS John Lewis is said to be the “first of the next generation” of fleet replenishment oilers (T-AO-205), measuring more than 677 feet long and 97.5 feet wide. They are responsible for providing fuel and fleet cargo to ships at sea, NBC reports. The new generation of ships will all be named after Civil Rights heroes, a first also announced by Lewis’ office.
The irony of a ship donning his name is not lost on Lewis, 75, who told NBC he never actually learned to swim. “In Troy, we couldn’t use the swimming pool, so I never learned to swim,” he said. “All these years later, to hear the Secretary of the Navy say he wanted to name a ship after me — we cried a little together and we hugged.” I believe in freedom. I believe so much that people should be free. I was prepared to give it everything I had,” he said. “I didn’t do anything special. I just got in trouble. It was good trouble. It was necessary trouble. My parents would tell us, ‘Don’t get in the way.’ I just tried to help out.” It is that focus on freedom that Mabus says will live within USNS John Lewis. “T-AO 205 will, for decades to come, serve as a visible symbol of the freedoms Representative Lewis holds dear, and his example will live on in the steel of that ship and in all those who will serve aboard her, ” said Mabus.
Lewis, who is widely known for his role in the Freedom Rides of the 1960s and for serving as chairman of the Student Nonviolent Coordinating Committee (SNCC), was elected to Congress in 1986. The leader, who often demonstrated alongside Dr. Martin Luther King Jr., was also a keynote speaker at 1963’s March on Washington.
It is Lewis who, bloodied and beaten, can be seen in historic and disturbing photographs from Bloody Sunday in Selma, Alabama. State troopers beat Black activists attempting to cross the Edmund Pettus Bridge on March 7, 1965 into Montgomery. Lewis, only 24 at the time, led the march with activist Hosea Williams.
SOURCE: NBC article by Christina Coleman via newsone.com
Dr. Hadiyah-Nicole Green (photo via YouTube)
When Dr. Hadiyah-Nicole Green receives invitations to be a guest speaker for professional groups, schools and nonprofit organizations, she almost never turns them down.
“Usually if there is an invitation to speak at a forum like that, I accept it because I feel like it’s a responsibility,” she said. “There are so few of us (black women in STEM fields) I don’t feel like I have the luxury to say I’m too busy.”
By many measures, Green has been extremely busy. One of fewer than 100 black female physicists in the country, she recently won a $1.1 million grant to further develop her patent-pending technology for using laser-activated nanoparticles to treat cancer.
Green earned her master’s and Ph.D degrees at the University of Alabama at Birmingham, and is now is an assistant professor in the physics department at Tuskegee University.
Green’s personal history with cancer fuels her drive to find a way to treat it. She grew up in St. Louis and – after the death of her mother and father – was raised by her aunt and uncle, General Lee Smith and his wife, Ora Lee.
When Ora Lee was diagnosed with cancer, “She refused the treatment because she didn’t want to experience the side effects,” said Green. “It was heartbreaking, but I could appreciate she wanted to die on her own terms. “Three months later, my uncle was diagnosed with cancer.”
Green took time off from school to help him through chemotherapy and radiation treatments. “I saw first-hand how devastating it was, and I could understand why my aunt didn’t want to go through that.”
She earned a bachelor’s degree in physics with a concentration in fiberoptics, and then a full scholarship to UAB. She got the idea to use lasers to treat cancer without the side effects of chemo and radiation. A physicist’s cancer treatment
A few months ago, Green was awarded a $1.1 million grant to work on a technology that targets, images and treats cancer. “I was completely overwhelmed with joy, with thanksgiving, humbled at the opportunity that a group of my peers thought that my work was worthy for such a grant,” she said. “This is a huge door opening. It outlines a path to take this treatment to clinical trial.”
Baseball Hall of Fame Inductee Ken Griffey Jr. (photo via blackamericaweb.com) NEW YORK (AP) — Ken Griffey Jr. was elected to Baseball’s Hall of Fame on Wednesday with the highest voting percentage ever, and Mike Piazza will join him in Cooperstown this summer.
A star slugger of the Steroids Era never tainted by accusations of drug use, Griffey was on 437 of 440 votes in his first appearance on the Baseball Writers’ Association of America ballot. His 99.3 percentage topped the previous mark of 98.84, set when Tom Seaver appeared on 425 of 430 ballots in 1992.
“Happy and shocked,” Griffey said on MLB Network, “that I get to be in such an elite club.”
“In case you don’t know, I’m really superstitious. I’ve played in the Hall of Fame game three times and I’ve never set foot in the building. I’ve never even seen the front of it,” Griffey said. “The one time I wanted to go in there, I wanted to be a member.”
After falling 28 shy last year, Piazza received 365 votes in his fourth time on the ballot and will be inducted along with Griffey on July 24.
“Incredibly special. Wow,” Piazza said on a call with MLB Network.
“I sat here with my mouth on the floor,” he said.
A player needs 75 percent to gain election, and Jeff Bagwell missed by 15 votes and Tim Raines by 23. Trevor Hoffman, on the ballot for the first time, was 34 short.
The vote total dropped by 109 from last year because writers who have not been active for 10 years lost their votes under new rules.
There were significant increases for a pair of stars accused of steroids use. Roger Clemens rose to 45 percent and Barry Bonds to 44 percent, both up from about 37 percent last year.
Mark McGwire, who admitted using steroids, received 12 percent in his 10th and final ballot appearance.
Half of baseball’s top 10 home run hitters are not in the Hall: Bonds (762), Alex Rodriguez (654), Jim Thome (612), Sosa (609) and McGwire (583). Rodriguez, who served a yearlong drug suspension in 2014, remains active. Thome’s first appearance on the ballot will be in 2018.
Curt Schilling rose from 39 percent to 52, Edgar Martinez from 27 percent to 43 and Mike Mussina from 25 percent to 43.
Griffey was known simply as “Junior” by many as a contrast to his father, three-time All-Star outfielder Ken Griffey, who played alongside him in Seattle during 1990 and ’91. The younger Griffey became a 13-time All-Star outfielder and finished with 630 homers, which is sixth on the career list. After reaching the major leagues in 1989, he was selected for 11 consecutive All-Star Games in 1990.
Wanting to play closer to his home in Florida, he pushed for a trade to Cincinnati — his father’s old team and the area he grew up in— after the 1999 season. But slowed by injuries, he never reached 100 RBIs again after his first season with the Reds, and he moved on to the Chicago White Sox in 2008 before spending his last season-plus with the Mariners. article by Ronald Blum, AP via blackamericaweb.com
About two dozen people demonstrate outside the Waller County Courthouse in Hempstead, Texas, where a grand jury reviewed the case of Sandra Bland. (Michael Graczyk / Associated Press)
The Texas state trooper who pulled over Sandra Bland was indicted on suspicion of perjury Wednesday, making him the only official criminally charged after Bland’s death last summer fueled criticism of police and their treatment of minorities.
The Texas Department of Public Safety announced it would move to fire Trooper Brian T. Encinia.
The indictment marked the conclusion of the grand jury’s investigation of the case.
If convicted of the misdemeanor perjury charge, Encinia faces up to a year in jail, according to Warren Diepraam, a spokesman for the Waller County district attorney’s office. The grand jury declined to indict on a charge of aggravated perjury, Diepraam said.
Bland, 28, who was black, was found hanging by a plastic bag in her jail cell three days after she was arrested July 10 during a routine traffic stop about 55 miles west of Houston.
Encinia pulled over Bland for making an improper lane change. The confrontation that ensued, which led to Bland’s arrest on suspicion of assaulting Encinia, was captured on a dashboard camera video that went viral.
The charge against Encinia stemmed from a one-page probable cause affidavit that Encinia filed with jail officials justifying Bland’s arrest, in which he wrote that the reason he removed her from her car was to conduct a safer traffic investigation, said special prosecutor Shawn McDonald.
“The grand jury found that statement to be false,” McDonald said.
After she was arrested, Bland was taken to the Waller County Jail in nearby Hempstead, where she was unable to make $500 bail. Officials said Bland hanged herself with a plastic bag.
Bland’s family and Black Lives Matter supporters questioned why she had been arrested at all, with some asking whether she had taken her own life. At the time Bland was stopped, she had just accepted a job at her alma mater, Prairie View A&M University.
Dwayne “The Rock” Johnson (STEWART COOK/REX/SHUTTERSTOCK)
Dwayne “The Rock” Johnson is off to a busy 2016. One week after announcing his return to WrestleMania, the pro wrestler-turned-actor/producer announced a new scripted series he’s developing through his Seven Bucks Productions company.
Fox has ordered a script for “Boost Unit,” a cop drama revolving around the newest recruit of the LAPD’s Auto Theft Task Force, who’s a notorious getaway driver with a hidden past. Described as a high-octane, action-packed hour, the project is said to capture Johnson’s trademark edge and humor, along with the turbo-charged speed of the “Fast and the Furious” franchise, in which Johnson has famously starred.
The project hails from Seven Bucks Prods. and Imperative Entertainment, and will be written by Jonny Umansky and Zach Hyatt. Seven Bucks was co-founded by Johnson and Dany Garcia. The duo will serve as executive producers with Umansky and Hyatt.
Johnson announced the script deal on social media on Tuesday — a news-breaking method that’s now become typical for the star who’s uber plugged into his fans with nearly 40 million followers on his Instagram account and more than 100 million across all of his social platforms. Just yesterday, he announced Kelly Rohrbach‘s casting in the upcoming “Baywatch” flick by way of posting a humorous video, which went viral.
In a statement, Johnson said, “We’re bringing to life the high stakes street pursuits and grueling work of this very specialized elite task force and we’re excited to partner with Imperative Entertainment to combine an epic mix of gripping action and sophisticated storytelling.” Garcia added, “This is a powerful partnership with Imperative. We couldn’t be more excited to work together in a world that we know and love – fast cars, high stakes and iconic characters.” Tim Kring, co-founder of Imperative and creator of “Heroes,” commented: “Rarely do you hear a pitch that checks all the boxes and feels so immediately commercial, new and timely. We couldn’t be more thrilled to be involved with Seven Bucks Productions on ‘Boost Unit.”
“It’s not often a project comes together so perfectly. Seven Bucks and Imperative have already proven to be invaluable assets,” Umansky said, to which Hyatt added, “With both of them riding shotgun, we couldn’t be more excited to get ‘Boost Unit’ moving and shine a light on such a badass division of the LAPD.”
“Boost Unit” marks the first joint production between Seven Bucks and Imperative. For Seven Bucks, it marks yet another project in the works as of late, following the company’s unscripted marching band series “Hard Corps” getting the greenlight at Fuse.
For Johnson,“Boost Unit” only amps up his busy slate, as the multi-hyphenate is currently filming “Ballers,” which will be returning to HBO with a second season, in addition to the “Baywatch” movie revival, which is among his many projects coming up. article by Elizabeth Wagmeister via Variety.com
