The Los Angeles Board of Education on Monday named Deputy Supt. Michelle King as superintendent, ending a high-stakes search to fill a challenging and hard-to-fill job at a seminal time in California’s largest school system.
King, 54, was considered a reliable choice because she came up through the system. But some district observers voiced surpise at her selection after the board sent a prominent head-hunting firm on a months-long nationwide quest to recruit potential leaders, including those outside the field of education.
King, formerly a respected high school principal, has cultivated a low profile as a senior administrator, keeping her views on where she would like to take Los Angeles Unified a mystery, as is protocol for leaders within the $7-billion bureaucracy.
But board members said that she impressed them in their long interviews behind closed doors. They said they appreciated her knowledge of L.A. Unified, which, they concluded, would allow her to tackle the school system’s problems without delay.
The board’s decision comes at the end of a five-month process spurred by the departure of Supt. Ramon C. Cortines, whose retirement took effect Jan. 2.
In recent years the district has suffered from inconsistent direction as political factions have battled for control in the nation’s most costly school board elections. These power shifts have contributed to turnover — eight superintendents over the last 20 years — and have made deft political skills an essential quality for the schools chief.
“The district needs a strong diplomat but also someone who will burrow into the classroom and regain the momentum on student achievement,” said Bruce Fuller, professor of education and public policy at UC Berkeley.
Posts published in January 2016
Denzel Washington was honored with the Golden Globe lifetime achievement award, the Cecil B. DeMille, on Sunday evening, with his “Philadelphia” co-star Tom Hanks introduced him as an actor with the “mysterious power not just to hold our attention, but demand it.”
Hanks recited a list of legendary actors — Marlon Brando, Robert De Niro and the like — that command the most respect in the industry. “The list is finite,” Hanks said. “The club is exclusive. But it includes the actor who is being given the Cecil B. DeMille Award tonight,” said Hanks.
Washington brought his family onstage for a speech that appeared to be cut short by a failure to bring his glasses with him. His wife reminded him twice that he needed them — and the second time, he agreed.
Washington has won Oscars for roles in “Glory” and “Training Day,” Golden Globes for “Glory” and “The Hurricane”, and has a long list of credits including “Malcolm X,” ”Flight,” ”The Manchurian Candidate” and “Remember the Titans.”
In his speech, he thanked his mother for convincing his father that the family needed light bulbs more powerful than 25 watts. “God bless you all,” he said.
Another big winner last night was “Empire’s” Taraji P. Henson, who was awarded the Golden Globe for best lead actress in a television drama. Henson, in honor of her breakout character, handed out cookies as she walked to the stage to accept her award. To see a full list of last night’s winners, click here. To watch Taraji and Denzel’s acceptance speeches, click below:
[youtube https://www.youtube.com/watch?v=DCbMRz_ZKPo&w=560&h=315]
[youtube https://www.youtube.com/watch?v=YEJY7dmleE0&w=560&h=315]
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
As Stevie Wonder so aptly put it in his 1976 tribute to the 20th-century pioneers of sound, “Sir Duke”: “Music is a world within itself / With a language we all understand / With an equal opportunity / For all to sing, dance and clap their hands.”
Sir David Robert Jones, aka “Ziggy Stardust”, aka “The Thin White Duke”, but most commonly known around the world as David Bowie, fully understood and embodied the language of this universality, and connected with audiences around the world, no matter what genre he chose to explore. Some of his greatest commercial success came from his exploration of R&B music (“Young Americans”, “Fame”, “Golden Years”, “Under Pressure,” “Let’s Dance”), but his musical life was one of constant change and innovation, which made this unique singer, songwriter, multi-instrumentalist, record producer, arranger, painter and actor a prominent, global figure in popular music for over four decades.
According to the New York Times, Bowie’s last album, “Blackstar,” a collaboration with a jazz quartet that was typically enigmatic and exploratory, was released on Friday — his birthday. He had also collaborated on an Off Broadway musical, “Lazarus,” which was a surreal sequel to the 1976 film that featured his definitive screen role, “The Man Who Fell to Earth.”
Bowie wrote songs, above all, about being an outsider: an alien, a misfit, a sexual adventurer, a faraway astronaut. His music was always a mutable blend — rock, cabaret, jazz and what he called “plastic soul” — but it was suffused with genuine soul. Bowie, in turn, influenced many of today’s prominent R&B, soul, pop/rock and hip-hop artists, (remember Queen Latifah’s collab on the “Fame ’90” redux?) many of whom are already honoring him:
https://twitter.com/kanyewest/status/686449257767776256?ref_src=twsrc%5Etfw
https://twitter.com/Pharrell/status/686460230318698496
Bowie is to be honored with a concert at Carnegie Hall on March 31 featuring the Roots, Cyndi Lauper and the Mountain Goats.
Bowie lost his 18-month battle with cancer on Sunday night, and is survived by his son, director Duncan Jones, wife Iman and their daughter Alexandria.
To read more about Bowie, his life and career, click here. To see him perform live in 1974 on “The Dick Cavett Show” with Luther Vandross on background vocals, check out the video below:
[youtube https://www.youtube.com/watch?v=ydLcs4VrjZQ&w=420&h=315]
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
The next time you find yourself in Philadelphia and in need of a comic books and coffee fix, there’s a destination in town that has you covered. Amalgam Comics and Coffeehouse is owned by Ariell R. Johnson, the first Black woman to open a comic book store on the East Coast.
Johnson, a Baltimore native, says she got the idea for Amalgam over 12 years ago when she was a student at Temple University. A comic books fan herself, her favorite store sat across from her coffee shop of choice. She would buy copies of comics then head across the street to have a cup of joe while reading her new finds. When the coffeehouse closed, Johnson’s wheels began turning and she began planting the early seeds for Amalgam.
Amalgam rests in Philly’s up-and-coming Kensington section, and she hopes that it becomes a haven for longtime comics fans and newbies alike. There is also a push for diversity, as there are comic book lines that focus on underrepresented groups such as people of color and the LBGTQ community.
Another focus of the store is to feature not only the major lines from top companies like Marvel and DC, but also the growing number of independent comic book lines from across the nation. Johnson envisions Amalgam as a place where everyone feels welcomed and has put in place a staff that will help guide the less experienced on their comic journey.
There has been some debate whether or not Johnson is the first Black female comic store owner ever, but nonetheless she is definitely a rarity in the white and male-dominated world of comics.
article by D.L. Chandler via blackamericaweb.com
With ticket prices upwards of $1,500 and advanced sales of $57 million last November, “Hamilton” is an official Broadway juggernaut. Helmed by certified genius Lin-Manuel Miranda, the musical mixes rap, R&B and pop to tell the story of Alexander Hamilton’s ascent from penniless orphan to chief architect of the American financial system. The twist, if you haven’t heard, is that a person of color plays nearly every major character—including Hamilton, George Washington, Thomas Jefferson and Aaron Burr.
Miranda, who plays Alexander Hamilton, has said that “Hamilton” is “a story about America then, told by America now.” By casting people of color as the founders of our nation, “Hamilton” forces audiences to engage with bodies and voices that would have been categorically marginalized in colonial times.
“Hamilton” also sheds light on lesser-known figures of colonial America, including proto-abolitionist John Laurens. Laurens is played by Anthony Ramos, a 24-year-old Puerto Rican actor and singer from Brooklyn, New York. Ramos also plays Philip Hamilton, Alexander Hamilton’s eldest son. Here, in this edited and condensed interview, Ramos talks about making his Broadway debut in a blockbuster show and his journey from the tough Brooklyn neighborhood of Bushwick to The Great White Way.
What’s the significance of having performers of color tell the story of the Founding Fathers?
You ever look at a painting like, “Wow, that’s so good, but I really can’t wrap my brain around why this thing that is so obscure feels so right?” “Hamilton” is that kind of painting. No one’s ever seen anything like it, and I think it’s one of the boldest pieces of art ever to hit. It’s also honest because “Hamilton“ looks like how we look like now.
Can you explain more?
Lin could have written a show and had the Founding Fathers be all White men, but at the same time, the show’s about Alexander Hamilton. A lot of people didn’t know whether or not Hamilton, who grew up in the British West Indies, was half [Black]. They had no idea. So it’s only right to have the rest of the cast embody that. Daveed Diggs, who plays Thomas Jefferson, is half Jewish and half Black. Phillipa Soo,* who plays Hamilton’s wife, Eliza, is Irish and Chinese. Lin and I are Puerto Rican. Having men of color play the Founding Fathers shows that anyone could have done what they did. This is showing our public what it would have looked like if things were different.
“Hamilton” also sheds light on lesser-known figures of colonial America, including proto-abolitionist John Laurens. Laurens is played by Anthony Ramos, a 24-year-old Puerto Rican actor and singer from Brooklyn, New York. Ramos also plays Philip Hamilton, Alexander Hamilton’s eldest son. Here, in this edited and condensed interview, Ramos talks about making his Broadway debut in a blockbuster show and his journey from the tough Brooklyn neighborhood of Bushwick to The Great White Way.
What’s the significance of having performers of color tell the story of the Founding Fathers?
You ever look at a painting like, “Wow, that’s so good, but I really can’t wrap my brain around why this thing that is so obscure feels so right?” “Hamilton” is that kind of painting. No one’s ever seen anything like it, and I think it’s one of the boldest pieces of art ever to hit. It’s also honest because “Hamilton“ looks like how we look like now.
Can you explain more?
Lin could have written a show and had the Founding Fathers be all White men, but at the same time, the show’s about Alexander Hamilton. A lot of people didn’t know whether or not Hamilton, who grew up in the British West Indies, was half [Black]. They had no idea. So it’s only right to have the rest of the cast embody that. Daveed Diggs, who plays Thomas Jefferson, is half Jewish and half Black. Phillipa Soo,* who plays Hamilton’s wife, Eliza, is Irish and Chinese. Lin and I are Puerto Rican. Having men of color play the Founding Fathers shows that anyone could have done what they did. This is showing our public what it would have looked like if things were different.
HBO is expanding its relationship with “Ballers” star Dwayne “The Rock” Johnson. Johnson will produce and appear in a documentary for the network about youth prison boot camps, which is inspired by his young life. The film is set to premiere in May.
Titled “Rock and a Hard Place,” the documentary captures the lives of incarcerated young people who are granted a second chance: the opportunity to trade an extensive prison sentence for a fresh start by completing the famed Miami-Dade County Corrections & Rehabilitation Boot Camp Program. The doc chronicles the harsh six-month program, in which drill sergeants push inmates to their limit, encouraging them to learn from their past mistakes and become constructive members of society so that they’re less likely to return to prison.
Inspired by Johnson’s own experiences with the law as a youth, the wrestler-turned actor will appear in the documentary — a passion project for him — as he visits a facility to speak with a group of young offenders who are on the brink of serving long prison terms.
“By the time I was 16, I had been arrested eight or nine times for a variety of things, and can relate to what these kids are going through,” Johnson said.
Hailing from Johnson’s Seven Bucks Productions — which he co-founded with Dany Garcia — and 44 Blue Productions, Johnson, Garcia and 44 Blue president Rasha Drachkovitch will serve as executive producers, in addition to HBO’s Sheila Nevins and Matthew O’Neill and Jon Alpert who are directors on the film. HBO’s Jacqueline Glover is a supervising producer.
Garcia commented, “Miami-Dade is making a difference and truly changing lives in the process of all their hard work. That is why we wanted to make a film about it.” Drachkovitch added, “Something remarkable is happening behind the scenes of this program — we’re going to find out exactly what that is.”
“Rock and A Hard Place” marks the second collaboration between Seven Bucks Prods. and HBO, following “Ballers,” which is heading into Season 2. The project is the latest partnership between Seven Bucks and 44 Blue, following the companies’ co-produced docu-series “Hard Corps,” which is set in the competitive world of Drum Corps International and was recently greenlit at Fuse.
Aside from a stacked slate with “Hard Corps,” “Ballers” and “Rock and A Hard Place,” Johnson is staying plenty busy this year. News of the HBO doc right on the heels of Seven Bucks Prods. landing a script deal for a LAPD drama “Boost Unit” at Fox.
article by Elizabeth Wagmeister via Variety.com
The three current members of Boyz II Men have been tapped to play a character popularized by just one actor in the original 1978 version of “Grease.”
The group has been cast in Fox’s production of “Grease: Live” which will air on January 31 at 7pm EST. They’ll collectively deliver a three-part harmony version of the guardian angel character made famous by Frankie Avalon.
They’ll sing the classic song “Beauty School Dropout,” a number normally addressed toward the character of Frenchy (played by Carly Rae Jepsen in this version).
The group announced the news via social media.
We’re so excited to announce we’re joining #GreaseLive! Catch us all play Teen Angel Jan 31 on FOX. #threeangelspic.twitter.com/W2wMBF70C4
— Boyz II Men (@BoyzIIMen) January 6, 2016
article via eurweb.com
Hip-Hop and art have once again merged in an exciting way, thanks to the inventive mind of a graduate student. Regina Flores Mir is the brains behind the Hip-Hop Project, a program being implemented at the Metropolitan Museum of Art that allows visitors to navigate the various collections with guiding narration from MCs. Lyrics from songs by artist including Missy Elliott, Notorious B.I.G., Eric B. & Rakim, Kendrick Lamar, Nas, Queen Latifah, and more are used as keywords and then cross-referenced with the Met’s massive archive of art, providing listeners with a Hip-Hop-centric blueprint by which to examine and understand the museum’s collections.
According to the Hip-Hop Project’s website, “although the rap lyric may not be directly correlated to the art work in meaning, it allows visitors to see work that they may not have otherwise known existed,” allowing for the kind of accidental discovery that could inspire Heads to establish bridges between music and art in uniquely individualized ways.
As Kari Paul wrote for Vice’s Motherboard channel, the relationship between the lyrics and pieces of art in question aren’t necessarily straightforward, but are nevertheless engaging. “For example, in ‘Juicy’ when the Notorious B.I.G. says ‘fuck all y’all hoes,’ the Hip-Hop Project pulls up an ancient hoe artifact. Users can click on it and explore this work and others,” she explains. The Hip-Hop Project’s site allows users to experience the museum tour without a trip to the Met, simply by picking a rapper and delving into the lyrical matches to items available for viewing. Heads will also appreciate the website’s domain (www.rappersdelight.nyc).
article by Bonita via ambrosiaforheads.com
ARRAY @ The Broad is a brand new, ongoing series featuring classic and contemporary films curated with an eye toward the intersection of art, history and cultural identity. ARRAY, founded in 2010 by filmmaker Ava DuVernay, is an arts collective dedicated to the amplification of films by people of color and women filmmakers.
The monthly series aims to engage audiences through post-screening conversations with a spectrum of artists and scholars for an immersive exchange of ideas and insights beyond the screen that enliven many issues addressed by artists in the Broad collection.
DuVernay launched the series on December 10, 2015, bringing to the screen the 1961 film “Paris Blues,” starring Oscar-winning actor Sidney Poitier and Golden Globe-winning actress Diahann Carroll. The 35mm print was projected at the REDCAT theater to a sold-out audience, and was immediately followed by panel discussion moderated by Ms. DuVernay with some of her celebrated colleagues; director Ryan Coogler, actress Tessa Thompson, actor Andre Holland and Grammy nominated singer Ledisi.
This weekend, TV One will premiere LisaRaye McCoy‘s directorial debut with the made-for-TV film Skinned, which tackles a very sensitive topic within the African-American community.
Skinned confronts colorism, pigmentocracy, and the outbreak of skin bleaching, as well as the use of lightening creams amongst many individuals in America and around the world.
According to Black Enterprise and the University of Cape Town, skin bleaching has ballooned into a $10 billion market and the long-term effects of bleaching one’s skin is currently unknown. Black Enterprise reports 35 percent of South African women bleach their skin, and 77 percent of Nigerian women bleach their skin.
On Friday, McCoy, best known for her roles in The Players Club, All of Us, Single Ladies and the TV One reality series The Real McCoy, joined Roland Martin on NewsOne Now to discuss the notion of colorism within the Black community through the muse of Skinned’s main character, Jolie.
Essence Magazine reports, “Jolie is a young woman who is uncomfortable with her complexion and begins to experiment with bleaching and lightening creams to alter her skin tone.”
When asked why she wanted to tackle the issue of colorism in her directorial debut, McCoy said Studio 11 Films asked her to direct the movie and once she read the script, the message behind it forced her to ask, “Why do they want a light-skinned woman to direct a dark-skinned project?”
McCoy explained the reason was controversy. She said, “Controversy now sells and I wanted to have all eyes on this epidemic, because not only is it happening in Africa and our Caribbean nations, but here in America too.”
During their conversation, McCoy mentioned the lightening of former MLB star Sammy Sosa and late King of Pop Michael Jackson as instances of skin bleaching’s prevalence in our society.
McCoy later added that skin bleaching “causes skin cancer, yet it is an over-the-counter drug.”
Psychologist Dr. Kevin Washington, a board member of The Association of Black Psychologists, also joined Martin to discuss the epidemic. He said people of color have been “indoctrinated into a system of European superiority.”
“Anything that is associated with the dominate group becomes desirable,” said Dr. Washington. Adding, “Even in Cote d’Ivoire — just in May — they’ve banned skin bleaching for the purpose of health and racial identity.”
According to Washington, skin lightening “is not just a Black issue.” Dr. Washington said, “The idea of pigmentocracy takes over as a result of a hierarchy that is ascribed to the features associated with Whiteness in this country and globally.”
Watch Roland Martin, LisaRaye McCoy, and Dr. Kevin Washington discuss colorism, pigmentocracy, self-esteem, and Skinned, which premieres Saturday night at 8PM ET on TV One.
article via newsone.com