The beautiful New York City brownstone once an incubator for “Bitches Brew,” breathed an “Essence of Miles.”
What took place was a commemoration of Miles Davis through the installation of a “cultural medallion” on the brownstone at 312 West 77 Street, Manhattan. Barbaralee Diamonstein-Spielvogel, Chairperson of the Historic Landmarks Preservation Center opened the dedication where all hands were on deck.
Old friends and family spoke at the event. Author-Biographer Quincy Troupe followed reading excerpts from his works describing Miles. Next up was composer/ arranger son of Jimmy Heath, Mtume, who expressed his experiences with the “genius.” Others who spoke were Lee Konitz, Gary Bartz, Wallace Roney, Phil Schaap, George Coleman and Miles’ nephew from Los Angeles drummer Vince Wilburn, Jr. Also present were Bill Saxton owner of Harlem’s Bill’s Place, Noah Evans son of arranger Gil Evans, Juini Booth bassist for Thelonious Monk and SunRa plus Sandra Trim-DaCosta (former Director of Marketing, Columbia Records/SONY Music) who worked closely with Miles for several years, after being assigned by the late legendary music industry executive Dr. George Butler (former Sr. Vice President, A&R, Columbia Records) to develop the overall marketing campaign for Miles and his recordings for the label … Dr. Butler played a significant role in the jazz icon’s return to the music scene and we are forever grateful to him for his tenacity and vision for Miles.
Of course, music filled the air and that was provided by Wallace Roney on trumpet, Gary Bartz on alto sax with Monty Alexander on keys. They performed a swinging version of Miles’ infamous “If I Were a Bell” a tune often used on the seventies hit The Cosby Show whenever a doorbell was written into the script. The trio was backed by the Advanced Jazz Combo at Harlem School of the Arts a brilliant young quartet with Matthew Whitaker on keys, Frank Rankin on Guitar, Dominic Gervais on drums and Oren Maximov on bass under the directorship of D.D. Jackson. An elegant set was provided by these young men prior to the event. All those present knew, contrary to popular belief, on this day… “Miles Smiles.”
article via eurweb.com
Posts tagged as “trumpet”
One hundred years ago, in the autumn of 1912, an African-American musician by the name of WC Handy published a song that would take the US by storm – Memphis Blues. It launched the blues as a mass entertainment genre that would transform popular music worldwide.
In 1903 William Christopher Handy was leading a band called the Colored Knights of Pythias based in Clarksdale, in Mississippi’s Delta country, when one day he paid a visit to the little town of Tutwiler.
“A lean loose-jointed Negro had commenced plunking a guitar beside me… His face had on it the sadness of the ages,” Handy writes in his 1941 autobiography, Father of the Blues.
“As he played, he pressed a knife on the strings of the guitar in a manner popularised by Hawaiian guitarists who used steel bars… The singer repeated the line three times, accompanying himself on the guitar with the weirdest music I had ever heard.”
[youtube http://www.youtube.com/watch?v=o1s5CWbYyao&w=420&h=315]
Ninety-five years ago today, jazz trumpet innovator and bebop pioneer John Birks “Dizzy” Gillespie was born in Cheraw, South Carolina. Gillespie, who famously lead his own orchestra as well as recorded with Charlie Parker and Miles Davis, is best known for his compositions “Salt Peanuts,” “Woody N’ You” and “A Night In Tunisia,” as well as popularizing Afro-Cuban jazz in the United States. Learn more about his life and music by clicking here and watch his “Manteca” above.
article by Lori Lakin Hutcherson
“Life is something like a trumpet. If you don’t put anything in, you won’t get anything out.”–W.C. Handy, composer and musician known as the “Father Of The Blues”