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REVIEW: “Respect” Offers Moving Insight and Homage to Aretha Franklin’s Faith, Artistry and Legacy

by Lori Lakin Hutcherson (@lakinhutcherson)

Well, Aretha stans, the movie moment we’ve long been waiting for is finally –FINALLY– here. Today, just three days shy of the third anniversary of her passing, the MGM feature film about the one and only Queen of Soul, Respect, hits theaters nationwide.

As Editor-in-Chief of Good Black News (and not-so-undercover Aretha Franklin freak), I was able to attend a press screening of the movie a few weeks ago, as well as interview its writer Tracey Scott Wilson (The Americans) and original score composer Kris Bowers (The United States vs. Billie Holiday, Space Jam: A New Legacy, King Richard).

Directed by Tony Award nominee Liesl Tommy from a screenplay by Emmy Award nominee Wilson and starring Academy Award-winning vocal powerhouse Jennifer Hudson (who also executive produced), Respect is a treasure not only because it is a film about a Black woman made by Black women, but also because it satisfies on every level — visually, musically, and dramatically.

“Liesl wanted this to be a movie about and for and with and celebrating Black women because that’s what Aretha did her entire life,” writer Wilson said. “That was one of her missions in life, to honor Black women and put them front and center.”

The biopic covers a span of approximately 20 years in Franklin’s life, from her youthful choir solo singing in her father’s church to recording and producing Amazing Grace, a live double album of gospel music in the church of early teacher and friend Rev. James Cleveland (warmly and lovingly portrayed by Tituss Burgess).

Jennifer Hudson stars as Aretha Franklin and Forest Whitaker as her father C.L. Franklin in
RESPECT (Photo credit: Quantrell D. Colbert)

Performances across the board are top notch – Hudson not only understood the assignment, she embodied it and transcended it by capturing Aretha’s quiet and graceful exterior while navigating how to express the caldron of explosive feeling and creativity within.

Forest Whitaker‘s note-perfect performance as Aretha’s formidable, flawed, savvy and controlling preacher father C.L. Franklin again proves why he is a lauded master of the craft.

As Aretha’s first husband and manager Ted White, Marlon Wayans charms with his nuanced combination of sexiness, intelligence and manipulation that make the dynamic of White and Franklin’s relationship live so well in the gray areas of both real and fatal attraction, especially when it gets violent.

Although they had limited screen time, Audra McDonald has so much gravity and grace as Aretha’s mother Barbara Franklin, she is broken spirit personified and Mary J. Blige pops off the screen as Aretha’s mentor/menace/musical motivator Dinah Washington.

Actor Jennifer Hudson and director Liesl Tommy on the set of
RESPECT (Photo credit: Quantrell D. Colbert)

Tommy’s direction is as subtle as it is rich and powerful — the movie doesn’t feel like a movie if you know what I mean — but like an inside look into a lived experience. Franklin remains a mystery in many ways, which I found to be an insightful nod to Aretha’s own choice and agency to fiercely protect and guard her interior life.

Tommy and Wilson take what is known about the relationships and traumas in Franklin’s life and, like Franklin, let their fullest expression explode like dynamite through the music.

The way the music is presented within the storytelling (not to mention Hudson’s astounding vocals), from the expected highs like “Respect” or the emotional, fractured rehearsal of “Precious Memories,” is ambrosia for the ears, heart and soul.

The creation of “Ain’t No Way” in the movie plays as a grand glimpse into Aretha’s musicality and artistry as well as her connection with her sisters Erma and Carolyn (younger sister Carolyn Franklin wrote the song and is teaching it to Aretha in the scene) and this pivotal moment is a stand out.

According to Wilson, not only is that song a favorite of director Tommy, it also pays homage to rarely seen ABC news documentary footage of the same:

“It’s just them in rehearsal, and it’s Carolyn teaching her the song that she wrote. I must have watched that video like 100 times. Just seeing the dynamic between them — Ted White is standing there, the Muscle Shoals guys are standing there — and she’s just teaching her this song,” Wilson said.

“And Carolyn could read music and Aretha couldn’t, so she’s speaking to her not only in a way musically that Aretha can understand but she’s also speaking to her as a sister. And just seeing that I knew it had to be in the movie because it so encapsulates their relationship so well, it captures Carolyn’s brilliance, it captures their sisterly camaraderie and love, and also the dynamic of Ted who’s there who is clearly becoming just an appendage and not the main attraction anymore.”

Underpinning the emotional storytelling of Aretha’s narrative is the impactful and moving score, which composer Bowers, who was befriended by Aretha in 2011 when he won the prestigious Thelonious Monk Jazz Competition, crafted with thoughtful intention and care:

“Liesl had in mind that the score was going to handle a lot of her trauma in the story and that was going to be the focal point of the score. And the other thing that I started to feel was revealing itself in the story… is how much she’s finding her way back to God and her faith and church and also in a lot of ways this pure connection she had with her mother.”

The score itself, Bowers said, was loosely inspired by the sound of the church, which, as Aretha’s life and career highs and lows unfold, is calling her back to it.

“A lot of the textures are organ sounds… and I just kind of stretched them out and did different things to them to create more of a texture and layers on top of the score.”

“The theme itself not only was meant to feel somewhat like a hymn but her trauma theme is actually her mother’s theme in reverse. A lot of [the score] is trying to find ways to create some sort of throughline to that so it can continue to pull her toward that calling of God and her faith.”

As a bonus, the film’s final moments close with the actual footage of Aretha’s unparalleled Kennedy Center Honors performance of “Natural Woman” from 2015. It’s such an outstanding narrative choice, it brought tears to the eyes of this Aretha devotee.

Although the film passes quickly through Aretha’s Columbia records output and ends well before her transition to her Clive Davis and Arista years, it’s an impressive exploration of, to paraphrase Wilson, “the woman with the greatest voice in the world finding her own voice.”

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FROM METRO GOLDWYN MAYER PICTURES, IN ASSOCIATION WITH BRON CREATIVE AND ONE COMMUNITY

RESPECT, in theaters nationwide August 13, rated PG-13

DIRECTOR: Liesl Tommy

SCREENPLAY BY: Tracey Scott Wilson

STORY BY: Callie Khouri and Tracey Scott Wilson

CAST: Jennifer Hudson, Forest Whitaker, Marlon Wayans, Audra McDonald, Marc Maron, Tituss Burgess, Kimberly Scott, Saycon Sengbloh, Hailey Kilgore, Heather Headley, Skye Dakota Turner, Tate Donovan and Mary J. Blige

PRODUCERS: Harvey Mason Jr., Scott Bernstein, p.g.a., Jonathan Glickman, Stacey Sher

EXECUTIVE PRODUCERS: Jennifer Hudson, Liesl Tommy, Sue Baden-Powell, Aaron L. Gilbert, Jason Cloth

Taraji P. Henson, Viola Davis, John Ridley, Key & Peele and Neil deGrasse Tyson are Among More Than 20 African-Americans Nominated for 2015 Primetime Emmys

2015 Primetime Emmy Nominees Viola Davis, John Ridley (top), Keegan-Michael Key and Taraji P. Henson (bottom)
2015 Primetime Emmy Nominees Viola Davis, John Ridley (top), Keegan-Michael Key and Taraji P. Henson (bottom)

The 2015 Primetime Emmy Awards nominations were announced today, and it’s clear that diverse casting in television is finally impacting more than ratings. Eighteen African-American actors and actresses were acknowledged by the Television Academy for their work on the small screen this past season, including best actress in a drama nominees Taraji P. Henson (“Empire”) and Viola Davis (“How To Get Away With Murder”), Queen Latifah for the HBO movie “Bessie”, Angela Bassett for limited series “American Horror Story” and Cicely Tyson for her guest turn on “How To Get Away With Murder.”
Other acting nominees include David Oyelowo for the limited series “Nightingale”, Anthony Anderson and Don Cheadle for their respective comedy leads in “Black-ish” and “House of Lies”, Uzo Aduba for “Orange Is The New Black”, Khandi Alexander for her guest role on “Scandal”, Andre Braugher for his supporting role in the comedy “Brooklyn Nine-Nine”, Keegan-Michael Key for his comedy sketch show “Key & Peele” Niecy Nash for her supporting role in “Getting On”, Tituss Burgess for his supporting comedic role in “Unbreakable Kimmy Schmidt” , Michael Kenneth Williams for his supporting dramatic role in “Bessie”, Regina King for “American Crime”, Mo’Nique for her portrayal of Ma Rainey in “Bessie”, Tituss Burgess  and Reg E. Cathey for his guest role on “House Of Cards.”
Additionally, Academy Award-winning writer John Ridley (“12 Years A Slave”) scored big with 10 nominations for his critically-acclaimed ABC series “American Crime”, including Best Limited Series and Writing for a Limited Series.  Additionally, writer/director Dee Rees (“Pariah”) is nominated for writing as well as directing for “Bessie.”
More writing nods went to Key and Jordan Peele for “Key & Peele” and the “Key & Peele Super Bowl Special”.  Key & Peele were also acknowledged in the Short-Form Live Action category for “Key & Peele Presents Van And Mike: The Ascension”.  Beyoncé continues to dominate all media with a nod in the Special Class Program category for “Beyoncé and Jay Z On The Run.”
Astrophysicist-turned-television personality and host Neil deGrasse Tyson was rewarded for his ventures into the entertainment space with two nominations: one as narrator for “Hubble’s Cosmic Journey” and the other for his nascent talk show “Star Talk with Neil DeGrasse Tyson.”
The 2015 Primetime Emmy Awards will be held on September 20, hosted by Andy Samberg and broadcast live on Fox from the Microsoft Theater in downtown Los Angeles.
To see a full list of all the nominees, click here.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)