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Posts tagged as “Tidal”

MUSIC MONDAY: Tribute Playlist to Reggae Legend Bob Marley and What GBN Will Do about Spotify (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

Hey, it’s Lori, GBN’s Editor-in-Chief, stepping in with this week’s Music Monday share. As yesterday was what would have been Bob Marley’s 77th birthday, and since Marlon West crafted such a lovely tribute playlist to the reggae legend in his honor last year, I thought it fitting to share it once again in case anyone missed it:

What I’d like to add this time around —  you can read Marlon’s words about Bob Marley and his indelible contributions to the genre of Reggae and music worldwide here — is some thoughts about the recent controversy around Spotify, Joe Rogan, india.arie and if GBN will continue to utilize the platform for our playlists.

In case anyone doesn’t know what I’m referring to, a handful of high-profile musicians including india.arie have requested their music be removed from Spotify while the streaming service continues to host Joe Rogan’s podcast.

Some musicians are upset about the COVID-19 disinformation he’s propagated on his show; india.arie said her choice stems from his racist comments and content:

India.arie’s protest has certainly hit home. GBN unequivocally does not support what Joe Rogan has said, and fully understands why artists and platform users alike may want to #DeleteSpotify.

So, the question remains: Will GBN, an outlet dedicated to promoting positivity about Black people, Black culture and Black history, continue to utilize a platform that is still supporting a high-profile voice that has spoken words and spouted ideas antithetical to our mission, even if they have removed the offending episodes?

The simple answer is yes. And here is the main reason why.

When we started offering music lists regularly in 2020, we chose Spotify because of the biggest platforms out there – Apple Music, Spotify, Tidal – Spotify is the only one that offers a free tier that makes its platform accessible to all without the need of a paid subscription.

That felt (and still feels) like a democratic offering that made it the best choice for GBN. And because this free access eliminates an economic barrier to what we feel is a form of education as much as it is entertainment, we will continue to post our playlists through Spotify for as long as the music we highlight and seek to honor remains available there.

At the same time, we respect and support anyone who no longer wants to be on that platform. So going forward, we also are looking into offering our playlists on Apple Music and Tidal as well and providing those links in our Music Monday or other Music posts.

Whatever your take on the situation, we appreciate your convictions as well as your support.  And as always, we hope you enjoy the music.

Jay-Z’s ‘Family Feud’ Video Directed by Ava DuVernay Enlists A-List Cast

Jay Z released his video for his single “Family Feud” last night exclusively on Tidal, although it was more than a standard music video premiere. Much like anything else he and Beyoncé create, it was a cultural event to punctuate 2017 with the most inclusive, woke A-list cast you will ever see in a music video.
Helmed by Ava DuVernay, the seven-minute-plus video is a short film, serves up some sci-fi, futuristic realness that can very well be a taste of what’s to come in the celebrated director’s adaptation of A Wrinkle in Time. Joining JayZ, Beyoncé and the heiress to their throne, Blue Ivy, includes an inspiring roster of actors from every part of the color spectrum: Michael B. Jordan, Trevante Rhodes, Thandie Newton, Jessica Chastain, Irene Bedard, Omari Hardwick, David Oyelowo, Emayatzy Corinealdi, America Ferrera, Aisha Hinds, Henry G. Sanders, and Storm Reid — who is the star of Wrinkle in Time. Rounding out the cast is the “founding mothers”, which feature Mindy Kaling, Rashida Jones, Rosario Dawson, Janet Mock, Brie Larson, Constance Wu, Niecy Nash, and Susan Kelechi Watson, who, as the video shows, are different women from all walks of life who are enlisted to change the country’s constitution.

Even though there is a cinematic scope to the video, which was co-written by Jay-Z and DuVernay, it is highly personal for the Grammy-nominated rapper, who uses the track from his critically acclaimed 4:44 album to confess his sins to his wife and all-around queen of everything, Beyoncé. Where Beyoncé used her visual album, Lemonade as a platform for working through her personal issues with Jay-Z, he used 4:44 to respond and tell his side of the story. In other words, it’s an artistic way of saying, “Yea, I messed up.”
https://youtu.be/88EB0TEGQDA
Jay’s track serves as an atonement and one key lyric sets the tone for the short film: “nobody wins when the family feuds.” Of course, he is referring to his familial relationships, but it goes beyond that and applies it to feuding within the country and the world. There’s layers of meaning in the short that starts off with a poignant James Baldwin quote and goes into a Godfather-meets-Game of Thrones scene, moments of war, moments reflecting today’s volatile political climate, and a group of empowering females looking to build a utopian rather than dystopian future.
DuVernay took to Twitter to share her thoughts, inspiration and behind-the-scenes photos from the video.
https://twitter.com/ava/status/946886159472279552?ref_src=twsrc%5Etfw&ref_url=http%3A%2F%2Fdeadline.com%2F2017%2F12%2Fjay-z-famly-feud-beyonce-ava-duvernay-jessica-chastain-michael-b-jordan-mindy-kaling-1202233845%2F

To read more, go to:  Jay-Z’s ‘Family Feud’ Directed By Ava DuVernay Enlists A-List Cast | Deadline

Kanye West Becomes The 1st Artist to Reach No.1 On Billboard Albums Chart From Streaming Only

article by Richy Rosario via vibe.com
Kanye West is reportedly the first artist in history to have an album at No. 1 solely on music streams from major outlets. His latest project The Life of Pablo, was distributed and consumed by the masses through some paid downloads from his personal G.O.O.D / Def Jam page, but most of the revenue (a nice 90k), came from music streaming services like Apple Music and Tidal, according to HITS Daily Double. 
Reports state that this strategy was created by Ye’s new management team: Scooter Braun, Steve Bartels and Def Jam. You can also catch Kanye at the top of the iTunes chart along with Drake in their collaboration on “Pop Style.”
This comes as no surprise to us as it was reported last month that TLOP was streamed over 250 million times since its release.

Jay Z’s Tidal Donates $1.5M to Black Lives Matter and Several Other Social Justice Organizations

468163348-deadmau5-kanye-west-jay-z-and-j-cole-onstage-at-the_1
Madonna, Deadmau5, Kanye West, Jay Z and J. Cole onstage at the Tidal launch event #TIDALforALL at Skylight at Moynihan Station on March 30, 2015, in New York City.  (JAMIE MCCARTHY/GETTY IMAGES FOR ROC NATION)

article by Angela Bronner Helm via theroot.com

Jay Z’s fledgling music streaming platform Tidal is donating $1.5 million to Black Lives Matter and several other local and national social justice organizations from money raised at an October concert, reports Mic.

The announcement was made on Friday, the same day Trayvon Martin would have turned 21 years old. The Trayvon Martin Foundation will receive a portion of the monies.
Tidal raised the funds at its Tidal X: 10/20 charity concert at Brooklyn, N.Y.’s Barclay Center. The live-streamed show featured Jay, Beyoncé, Nicki Minaj, Lil Wayne, Meek Mill, Usher, T.I. and Damian Marley, among others.
The October concert was billed as a fundraiser for the New World Foundation, which will distribute the funds.
The nonprofits that will share the bounty include national organizations such as Opportunity Agenda, and Sankofa.org, as well as local grassroots groups such as Hands Up United, in Ferguson, Mo.; Dream Defenders in Tallahassee, Fla.; the Black Youth Project 100 in Chicago; the Baltimore Justice Fund; the Ohio Students Association and Million Hoodies and the Justice League in New York City.
Donations will also be given to organizations created by the families of victims of police brutality, including the Trayvon Martin Foundation, the Michael O.D. Brown We Love Ours Sons and Daughters Foundation and the Oscar Grant Foundation.
Read more at Mic.

Jay Z’s TIDAL Adding Exclusive Drama & Comedy Shows to Service

Jay Z At Tidal
Jay Z at Tidal (photo via theurbandaily.com)

Jay Z’s music streaming service TIDAL is expanding its content beyond just music, according to exclusive reports on Variety.
Today (November 3), a new show titled “No Small Talk” is set to premiere on the service. The comedy, which will initially include five, 25-30 minute episodes, is hosted by DJ Cipha Sounds, who himself is signed to the management arm of Jay Z’s Roc Nation. Each episode is set to detail the lives of three burgeoning comedians performing at Manhattan’s Comedy Cellar.
“I didn’t want it to feel polished like the standup specials you see on TV,” Cipha Sounds says. “My goal is to help new guys get known, like Def Comedy Jam set up a lot of people’s careers.”
Elsewhere, TIDAL has ordered the second season of “Money & Violence,” an urban drama based on the lives of a group of thieves and drug dealers in Flatbush, Brooklyn. The second season, which is scheduled to premiere in January, is set to be comprised of 12 episodes and will be available exclusively on TIDAL for one week prior to wider distribution, Variety reports.
This change in strategy is part of TIDAL’s next step forward to increase value to its subscribers, Tim Riley, TIDAL’s Senior VP of Artist and Label Relations, said.
“If someone is paying for Tidal, we want that to be the best experience they can have,” Riley said.
article by Henry Mansell via theurbandaily.com

The Forbes Five: Hip-Hop's Wealthiest Artists in 2015

Last May, shortly after word began to spread that Dr. Dre had sold his eponymous headphone line to Apple, the superproducer made a proclamation: rap’s first billionaire was about to be crowned, and he hailed from Los Angeles.
“The first billionaire in hip-hop, right here on the [expletive] West Coast,” exclaimed Dre in a video clip that went viral almost instantly. But the deal, whose value was initially reported at $3.2 billion, ended up at an even $3 billion in cash. After taxes, Dre’s 25% stake left him with a $500 million windfall–$100 million more than FORBES estimated his stake to be worth last April–and a net worth of $700 million.
Amazingly enough, Dre is not the richest man in hip-hop; that honor goes to Diddy, who clocks in at $735 million. The news may come as a surprise to many, but while Dre’s wealth derived from a single jackpot idea, Diddy’s is the product of his interests in a slew of companies, a handful of which could one day give him a Beats-esque exit.
Diddy has a deal with Diageo’s Ciroc vodka that guarantees him a split of the proceeds if the brand is ever sold, an event that would surely land him a nine-figure check. He also owns a controlling stake, or close to it, in clothing lines Sean John and Enyce, alkaline water brand Aquahydrate, new tequila DeLeon and multimedia network Revolt. Diddy founded the latter as a sort of next generation MTV with a renewed focus on music.
“Revolt got built out of the frustration Sean was having with music media being able to get his albums out there,” says Revolt chief executive Keith Clinkscales. “Sean has been aggressive in being sure that we put the power of the platform in the hands of musicians to be able to create with fans in their authentic voice.”
2015 Top 5 Hip-Hop Artists By Wealth:

  1. Diddy        $730 Million
  2. Dr. Dre      $700 Million
  3. Jay Z        $550 Million
  4. 50 Cent    $155 Million
  5. Birdman   $150 Million

Diddy isn’t the only hip-hop mogul with that aim. Jay Z, who ranks third with a fortune of $550 million, purchased and relaunched Scandinavian streaming service Tidal this year with promises of creating an artist-owned Spotify competitor set apart by exclusive content.
Though the star-studded rollout struck some as tonedeaf—prompting a flurry of rich-getting-richer criticism, and perhaps a change in strategy for Jay Z—Tidal is still early in its life as a company, and may yet prove to be an increasingly valuable asset to Jay Z and to the whole industry.
“It’s alerting people that streaming is a viable option for them to listen to music,” says Jay Frank, chief of digital marketing outfit DigMark, of Tidal. “The more that we have positive conversations on that, the more opposition we have to grow the business.”
50 Cent and Birdman round out the list of five, with fortunes of $155 million and $150 million, respectively. The latter’s total dipped slightly due to uncertainty surrounding Cash Money Records, by far his biggest asset, which has been dogged by rumors of the departure of big acts including superstar Lil Wayne.

Jay Z Launches Tidal, the First Artist-Owned Streaming-Music Service

Jay Z Kanye Rihanna Madonna Tidal
(JAMIE MCCARTHY/GETTY IMAGES)

Music impresario Jay Z has launched Tidal — positioned as an ad-free, high-quality streaming-music subscription service priced starting at $10 per month — with the participation of numerous big-name artists including Alicia Keys, Beyoncé, Chris Martin of Coldplay, Usher, Nicki Minaj, Rihanna, Kanye West and Madonna.
In January, Jay Z acquired Sweden-based Aspiro for $56 million. The artists announced onstage at the New York event Monday were introduced as co-owners of the company, representing the first artist-owned digital-music service — as opposed to companies like Spotify and Pandora.
“Our goal is simple: We want to create a better service and a better experience for both fans and artitsts,” Alicia Keys said at the event. “We believe that it is in everyone’s interests — fans, artists and the industry as a whole — to preserve the value of music, and to ensure a healthy and robust industry for years to come.”
Tidal’s mobile launch partner is Sprint. Other artists participating in the service include Arcade Fire, Calvin Harris, Daft PunkJack White (formerly of the White Stripes) and Deadmau5. Tidal was launched with the hashtag “#TIDALforALL” — although, obviously, it’s only for those able or willing to pay at least $120 annually for audio and video content.
The Tidal service will compete with other subscription-music services including Spotify and Apple’s forthcoming music-streaming service, based on its acquisition of Beats Music, which is expected to launch this summer.
Tidal will not offer a free version of the service; the standard-audio version (Tidal Premium) will be $9.99 per month and the high-def audio version (Tidal HiFi) will be $19.99 per month. Both tiers are free to try out for 30 days, according to the company.
Tidal says it provides a library of more than 25 million tracks, 75,000 music videos and curated editorial articles. The service is available across iOS and Android devices, as well as in Web browsers and desktop players, available in the U.S. and 30 other countries at launch. Tidal provides streaming quality at more than four times the bit rate of competitive services, according to the startup.
article by Todd Spangler via Variety.com