Over the last 20 years, the channels for discovering new books, especially books by first-time and emerging authors, have shrunk or disappeared. Newspapers and magazines dedicate mere slivers of arts sections to book reviews — if at all. Those papers like the New York Times that do devote more space to book coverage rarely review debut authors. Likewise, bookstores prefer to invite already established, bestselling, or celebrity writers to do readings and signings. That leaves Oprah — and the Queen of Talk has endorsed only 72 books since she started her eponymous book club in 1996, including the two she has recommended since her 2.0 reboot.
It’s even more difficult for black authors — new and established — to get their books on readers’ radars. As it is, African-American interest books receive a mere fraction of the coverage noted above, and with the closing of more than 100 black-owned independent bookstores in the last 15 years, as well as the shuttering of Black Issues Book Review there are even fewer places for black authors’ work to gain visibility. Mosaic, African Voices, and the new Spook can only review so much. “The last [issue of] Essence covered the same book Oprah covered,” observed Troy Johnson, founder of the African-American Literature Book Club better known as AALBC.com.
In this landscape, black book clubs offer authors a valuable — albeit extremely competitive —promotion and sales channel. “[Book clubs] have advanced far beyond the small get-togethers in someone’s living room,” says Carol Mackey, editor-in-chief of direct-to-consumer book club Black Expressions.
June 30, 2024