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Posts tagged as “Tananarive Due”

MUSIC MONDAY: “Golden Time of Day” – A Tribute to Frankie Beverly Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)

Editor’s Note: Marlon’s piece on the late, great Frankie Beverly was lovingly crafted by him days ago and scheduled to post today. Last night’s untimely passing of musical legend Tito Jackson and the legacy he left behind will be addressed by GBN in the very near future.

Black Lexicon: What “Afrofuturism” Means (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

In today’s Daily Drop, we explore the term “Afrofuturism” and its origin. To read about it and see links to sources, read on. To hear about it, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, May 3rd, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

It’s in the category we call “Lemme Break It Down,” where we explore the origins and meanings of words and phrases rooted in the Black Lexicon and Black culture. Today’s word? “Afrofuturism.”

[Excerpt from “Space Is The Place” by Sun Ra]

“Afrofuturism” is a term that was coined in the 1994 essay “Black to the Future” by Mark Dery that describes a movement within Black culture from the 1950s to the present that employs science fiction and fantasy as frameworks to reimagine the African diaspora in music, art, literature, film, and fashion.

Musicians such as Sun Ra, who you are hearing right now, George Clinton, Janelle Monae, Erykah Badu; visual artists such as David Alabo, Ellen Gallagher, Kerry James Marshall, Kaylan F. Michael; and authors such as Octavia E. Butler, Samuel R. Delany, Tananarive Due and N.K. Jemisin all explore Afrofuturism in their work.

To learn more about “Afrofuturism,” read Mark Dery’s 1994 essay, available online in PDF, read Afrofuturism: The World of Black Sci-Fi and Fantasy Culture by Ytasha L. Womack, Afrofuturism 2.0: The Rise fo Astro-Blackness edited by Reynaldo Anderson and Charles E. Jones.

 You can also watch the short PBS documentary called Afrofuturism 101 at pbs.org, download the This American LifeWe Are The Future” podcast episode on Afrofuturism by Neil Drumming, check out the list of other Afrofuturism-themed podcasts on player.fm, and listen to the awesome “Space is The Place” Afrofuturism playlist curated by Good Black News contributor Marlon West.

Links to these sources and more are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.

Intro and outro beats provided by freebeats.io and produced by White Hot.

Excerpts from Sun Ra’s “Space is the Place” are included under Fair Use.

If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon,Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

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‘Get Out’ Inspires New College Course Taught by Tananarive Due, Sci-Fi Author and UCLA Professor

(photo via elev8.hellobeautiful.com)

by Tami August via elev8.hellobeautiful.com
This fall, award-winning science fiction writer and UCLA professor Tananarive Due will teach a “Get Out”–inspired course called “Sunken Place: Racism, Survival, and Black Horror Aesthetic,” i09 reports. Jordan Peele‘s directorial debut, which couches America’s history of racist scientific experimentation in a romantic horror plot, continues to make waves months after it became a blockbuster hit. “Get Out” inspired Due to consider the history of Black horror in fiction and film.
In an interview with i09’s Evan Narcisse, Due calls herself a “horror head” who considers horror a subgenre of speculative fiction, where she reigns supreme. Winner of The American Book Award, the NAACP Image Award for Outstanding Literature, and the Carl Brandon Kindred Award, Due has published over ten novels since 1995. She told i09 that “Get Out” has given film executives a way to understand her own horror adaptations for the screen.
Prior to “Get Out,” Due noted, the most popular contemporary Black horror film was “Beloved,” the movie adaptation of Toni Morrison‘s novel that didn’t perform as well in the box office as it did in the bookstore. “Get Out” may have helped Due move forward in her screenwriting projects, but it also prompted her to look back at the genre’s Black history. Due said that for African Americans, the horror genre is “a great way to address this awful, festering wound in the American psyche, the slavery and genocide that was present during our nation’s birth.”
The professor mentioned film examples such as “Blacula,” “Def by Temptation,” and “Tales From the Hood.” She also plans to teach the short fiction of W.E.B. DuBois, whose story “The Comet” imagines a Black man and White woman as the sole survivors of apocalypse in the “era of lynching.” Due said, “These are two very different artists in two very different times, but DuBois’ story is a great companion, in a way, to what Jordan Peele was doing with the Black man and White woman in his movie.”
Source: ‘Get Out’ Inspires New College Course | Elev8