article by Sameer Rao via colorlines.com
Add “Black Panther” to Ta-Nehisi Coates’ list of best-selling titles.
The culture critic and “The Atlantic” journalist’s first foray into comic books was not only the top-selling comic last month, but according to Vulture, it’s the top-selling comic of 2016 so far.
Less than a year after the success of his memoir, “Between the World and Me,” the first issue of Coates’ reboot of the classic Marvel character’s story tops the list with 253,259 orders from North American retailers. While that number doesn’t account for actual sales (or orders from oustide the continent), Vulture notes that it “is the only industry statistic available and it’s generally a good indicator of interest in a comic.” The closest runner-up, the inaugural issue of Marvel’s “Star Wars: Poe Dameron,” received just 175,322 orders.
Source: Ta-Nehisi Coates’ ‘Black Panther’ Is 2016’s Best-Selling Comic So Far
Posts tagged as “Ta-Nehisi Coates”
NEW YORK (AP) — Ta-Nehisi Coates is a prize-winning nonfiction author, journalist and comic book writer. Now he is taking on fiction.
Random House’s One World imprint announced Thursday that Coates has two more books planned, one nonfiction and the other fiction. The books were acquired by One World publisher Chris Jackson, who edited Coates’ best-selling “Between the World and Me.” The book was a Pulitzer Prize finalist last month and winner of the National Book Award.
The first new book is scheduled to come out next year. No other details were made available.
Coates is a national correspondent for The Atlantic and is working on a new Black Panther comic book series for Marvel. He is also the author of “The Beautiful Struggle,” a memoir about his childhood.
article by Ta-Nehisi Coates via theatlantic.com
Last year I was offered the opportunity to script an 11-issue series of Black Panther, for Marvel. The Black Panther—who, when he debuted in an issue of Fantastic Four, in 1966, was the first black superhero in mainstream American comics—is the alter ego of T’Challa, the king of Wakanda, a mythical and technologically advanced African country.
By day, T’Challa mediates conflicts within his nation. By night, he battles Dr. Doom. The attempt to make these two identities—monarch and superhero—cohere has proved a rich vein for storytelling by such creators as Jack Kirby, Christopher Priest, and Reginald Hudlin. But when I got the call to write Black Panther, I was less concerned with character conflict than with the realization of my dreams as a 9-year-old.
Some of the best days of my life were spent poring over the back issues of The Uncanny X-Men and The Amazing Spider-Man. As a child of the crack-riddled West Baltimore of the 1980s, I found the tales of comic books to be an escape, another reality where, very often, the weak and mocked could transform their fallibility into fantastic power. That is the premise behind the wimpy Steve Rogers mutating into Captain America, behind the nerdy Bruce Banner needing only to grow angry to make his enemies take flight, behind the bespectacled Peter Parker being transfigured by a banal spider bite into something more.
But comic books provided something beyond escapism. Indeed, aside from hip-hop and Dungeons & Dragons, comics were my earliest influences. In the way that past writers had been shaped by the canon of Fitzgerald, Hemingway, and Wharton, I was formed by the canon of Claremont, DeFalco, and Simonson. Some of this was personal. All of the comics I loved made use of two seemingly dueling forces—fantastic grandiosity and ruthless efficiency. Comic books are absurd. At any moment, the Avengers might include a hero drawn from Norse mythology (Thor), a monstrous realization of our nuclear-age nightmares (the Hulk), a creation of science fiction (Wasp), and an allegory for the experience of minorities in human society (Beast).
Finalists for the National Book Critics Circle Awards have been announced. Awards are given out in six categories: autobiography, biography, criticism, fiction, nonfiction, and poetry. Five finalists are chosen in each category. The winners will be announced on March 17 at a ceremony at the New School in New York City.
Several of the finalists are African Americans who have ties to the academic world:
Elizabeth Alexander is the Frederick Iseman Professor of Poetry at Yale University. Professor Alexander has been a member of the faculty at Yale since 2000. She previously taught at the University of Chicago. Professor Alexander is the author of six collections of poetry. She is being honored in the autobiography category for her book The Light of the World (Grand Central Publishing, 2015). Professor Alexander is a graduate of Yale University. She earned a master’s degree at Boston University and a Ph.D. at the University of Pennsylvania.
Ta-Nehisi Coates is a finalist in the criticism category for his book Between the World and Me (Spiegel & Grau, 2015). The book is a memoir of his life as a Black man in America. The book earlier won the National Book Award. Coates is a national correspondent for The Atlantic magazine. Coates has served as a visiting scholar at the Massachusetts Institute of Technology and the City University of New York’s Graduate School of Management. Coates attended Howard University in Washington, D.C. In 2015, he was named a MacArthur Fellow.
Ross Gay teaches in the creative writing program at Indiana University and for the low-residency master of fine arts degree program in poetry at Drew University in New Jersey. He is a finalist in the poetry category for his collection Catalogue of Unabashed Gratitude (University of Pittsburgh Press, 2015). Dr. Gay is a native of Youngstown, Ohio. He holds a bachelor’s degree from Lafayette College in Easton, Pennsylvania. Dr. Gay earned a master of fine arts degree from Sarah Lawrence College in Bronxville, New York, and a Ph.D. in American literature from Temple University in Philadelphia.
Terrance Hayes was nominated in the poetry category for his collection How to Be Drawn (Penguin Books, 2015). Professor Hayes joined the English department faculty at the University of Pittsburgh in 2013. He previously taught at Xavier University of Louisiana and Carnegie Mellon University in Pittsburgh. A graduate of Coker College in Hartsville, South Carolina, Professor Hayes earned a master of fine arts degree from the University of Pittsburgh. In 2014, he was named a MacArthur Fellow.
Margo Jefferson is a professor of writing in the School of the Arts at Columbia University and a professor at the Eugene Lang College of The New School for Liberal Arts in New York. She is nominated in the autobiography category for Negroland (Pantheon, 2015). She won the Pulitzer Prize for criticism while writing for The New York Times. Professor Jefferson is a graduate of Brandeis University in Waltham, Massachusetts, and holds a master’s degree from Columbia University.
article via jbhe.com
Ta-Nehisi Coates, already a National Book Award winner for “Between the World and Me,” now has a chance to add a National Book Critics Circle Award for criticism to his mantel. Mr. Coates’s book, a meditation on racism in America written in the form of a letter to his son, joins works by the novelist Lauren Groff, the memoirist and critic Vivian Gornick and the poet Ada Limón among those nominated for the awards.
The awards, determined by a jury of critics and book review editors, honor excellence in six categories – autobiography, biography, criticism, fiction, nonfiction and poetry. The winners will be named on March 17. On Monday, however, the group announced the recipients of its two annual citations: Wendell Berry, an environmentalist, farmer and novelist, won the Ivan Sandrof Lifetime Achievement Award, while Carlos Lozada, the nonfiction critic for The Washington Post, captured the Nona Balakian Citation for Excellence in Reviewing.
Besides Ms. Groff’s nomination for “Fates and Furies,” the fiction finalists include: Paul Beatty’s “The Sellout,” Valeria Luiselli’s “The Story of My Teeth,” Anthony Marra’s “The Tsar of Love and Techno” and Ottessa Moshfegh’s “Eileen.”
Nominees in other categories follow:
Nonfiction
Mary Beard, “SPQR: A History of Ancient Rome” (Liveright)
Ari Berman, “Give Us the Ballot: The Modern Struggle for Voting Rights in America” (Farrar, Straus and Giroux)
Jill Leovy, “Ghettoside: A True Story of Murder in America” (Spiegel & Grau)
Sam Quinones, “Dreamland: The True Tale of America’s Opiate Epidemic” (Bloomsbury)
Brian Seibert, “What the Eye Hears: A History of Tap Dancing” (Farrar, Straus and Giroux)
Journalist Ta-Nehisi Coates is one of 24 people selected for this year’s “genius grants” from the John D. and Catherine T. MacArthur Foundation announced Tuesday.
Coates, the author of current New York Times bestseller “Between the World and Me,” is a national correspondent for The Atlantic, where he writes about cultural, political and social issues, most prominently racial issues. Recipients receive $625,000 over five years to continue work in their respective fields. Other winners include playwright Lin-Manuel Miranda, puppeteer Basil Twist, poet Ellen Bryan Voigt and writer Ben Lerner.
“I wished I could be cool,” Coates told The New York Times. “But you just can’t be cool.”
“The Case for Reparations,” Coates’ 2014 centerpiece essay on the state of race relations in the United States, prompted a frenzy of online discussion and debate over the legacy of slavery and institutional racism in America.
article by Nick Gass via politico.com
Ta-Nehisi Coates can be identified in many ways: as a national correspondent for The Atlantic, as an author and, as of this month, as a nominee for the National Book Award’s nonfiction prize. But Mr. Coates also has a not-so-secret identity, as evidenced by some of his Atlantic blog posts and his Twitter feed: Marvel Comics superfan.
So it seems only natural that Marvel has asked Mr. Coates to take on a new Black Panther series set to begin next spring. Writing for that comics publisher is a childhood dream that, despite the seeming incongruity, came about thanks to his day job. “The Atlantic is a pretty diverse place in terms of interest, but there are no comics nerds,” besides himself, Mr. Coates said in an interview.
His passions intersected in May, during the magazine’s New York Ideas seminar, when he interviewed Sana Amanat, a Marvel editor, about diversity and inclusion in comic books. Ms. Amanat led the creation of the new Ms. Marvel, a teenage Muslim girl living in Jersey City, based on some of her own childhood experiences.
“It was a fruitful discussion,” he recalled.
After that event, Marvel reached out, paired Mr. Coates with an editor, and discussions about the comic began. The renewed focus on Black Panther is no surprise. Created in 1966, he is the first black superhero and hails from Wakanda, a fictional African country.
“He has the baddest costume in comics and is a dude who is smarter and better than everyone,” said Axel Alonso, the editor in chief of Marvel. The character not only adds to the diversity of Marvel’s comics; he will do it for their films too: Black Panther is set to make his big-screen debut next year in “Captain America: Civil War,” followed by a solo feature in 2018.