“I remember the first day we brought Jordan home from the hospital a miracle child. For nine months, I fought to give this special child life. I remember asking God to keep him safe and out of harm’s way. I have said many prayers that he would be highly favored before God and man. I asked God that he would give him wisdom to navigate a world filled with uncertainty and danger.” – Lucia McBath
On November 23rd of 2012, Michael Dunn approached a red Dodge Durango and fired 10 shots at four black teenage boys. Their music too loud, skin too dark, and voices too opinionated. That same night, Jordan Davis drew his last breath and Lucia McBath lost her firstborn child. Now, just three years later, HBO will air 3 1/2 Minutes, Ten Bullets, an in-depth documentary chronicling the details of the murder of Davis.
Award-winning director and cinematographer Marc Silver debuted the film at the 2015 Sundance Film Festival, where it won the U.S. Documentary Special Jury Award for Social Impact. Now, HBO is providing a larger platform for the project, opening a door for further exploration into America’s current state of cultural turmoil. The film captures testimonies from the Michael Dunn trial, and moments of conquest as Lucia McBeth and Ron Davis fight to gain justice for black children nationally in the name of their departed son.
Children are scared, people are angry and the Black community is in constant mourning. The band-aid placed over the wound of racism has been ripped away. Now is the time for America to properly address the errors of it’s past — as it is clear that time will not heal racial inequality. Often times the actions of the offender are glorified while the life of the victim goes forgotten. This film stands as a catalyst for discussion, giving a voice to the grieving families of slain children around the country.
Take the time to tune in to HBO when 3 1/2 Minutes, Ten Bullets airs on television on November 23rd at 9:00pm EST. Check out the trailer below:
article by Chasidy Billups via saintheron.com
The floating-camera dolly shot and super-saturated color palette that are trademarks of Spike Lee’s work are the best known among several innovations that Howard-trained cinematographers have contributed to the films they’ve worked on. Early in his career, Lee developed these techniques in close collaboration with a Howard graduate, Ernest Dickerson.