Press "Enter" to skip to content

Posts tagged as “Stevie Wonder”

Black Oscar Firsts: A Brief History of the Trailblazing Academy Award Winners in Each Category (LISTEN)

Black Oscar Firsts: A Brief History of the Trailblazing Academy Award Winners in Each Category (LISTEN)

By goodblacknews on March 27, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

You might know about Hattie McDaniel, Sidney Poitier or Halle Berry being the first Black recipients of Oscars in their respective acting categories, but have you ever wondered who were the first in all the others? Writing? Producing? Hair and Make-Up? Sound?

Today’s GBN Daily Drop podcast is a bonus episode for Sunday, March 27 — the day the 94th Academy Awards ceremony are being held — that takes note of every Black Oscar first:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website.

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Sunday, March 27th, 2022, based on the format of the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

The 94th Academy Awards ceremony is being held today and with Will Packer producing, Wanda Sykes and Regina Hall among the hosts and Will Smith, Denzel Washington, Aunjanue Ellis and Questlove among the nominees, I thought I’d take a brief look at the talented Black people in film who were the first in their category to ever win an Oscar.

The very very first was Hattie McDaniel, who won in the Best Supporting Actress category for the 1939 film Gone With The Wind.

In 1948, actor James Baskett received a special Academy award for his characterization of Uncle Remus in Song of the South, but the next to win an award in competition was Sidney Poitier in 1963, who won Best Actor for his role in Lilies of the Field.

It took almost a decade after that for the next win, which was Isaac Hayes in the Original Song category for 1971’s “Theme from Shaft.”

[Excerpt from “Theme from Shaft”]

Up next 11 years later was Lou Gossett, Jr. for his Best Supporting Actor win in 1982 for An Officer and a Gentleman.

[Excerpt of “The Beautiful Ones”]

In 1984 Prince won Best Original Song Score for Purple Rain, and he was the first and last Black person to win in that category because after 1984, it was retired as a category from the Academy.

Contrary to popular belief, Prince didn’t win for the actual song “Purple Rain” — the Original Song Oscar that year went to Stevie Wonder for “I Just Called to Say I Love You” from the film The Woman in Red.

[Excerpt of “I Just Called To Say I Love You”]

The following year, in 1985, jazz titan Herbie Hancock took home the Oscar for his Original Score for ‘Round Midnight.

And jazz kept the Gold Guys a coming – in 1988 Willie D. Burton accepted the Best Sound Oscar for his and his team’s work on the Charlie Parker biopic Bird, and in 1994, though nominated for several of his scores, the Oscar that Quincy Jones brought home was the Jean Hersholt Humanitarian Award.

In 2001, Halle Berry won the Best Lead Actress Oscar for her work in Monster’s Ball, and 2009 saw Roger Ross Williams win for Best Documentary Short Subject for Music By Prudence and Geoffrey Fletcher won for Best Adapted Screenplay for Precious, which was based on the novel Push by Sapphire.

In 2012, T.J. Martin won for Best Documentary Feature for Undefeated, and in 2013, Steve McQueen shared his Best Picture Oscar with his producing partners for 12 Years A Slave.

In 2017, NBA legend Kobe Bryant won in the Best Animated Short Film category for Dear Basketball, and Jordan Peele won in the Best Original Screenplay category for Get Out.

The following year, Peter Ramsey won an Oscar in the Animated Feature Film category for co-directing Spider-Man: Into the Spider-Verse. 2018 also saw Ruth Carter win in the Costume Design category for her work on Black Panther and Hannah Beachler for Production Design for the same marvel of a movie directed by Ryan Coogler.

And for 2020, Travon Free won in the Best Live Action Short Film category for Two Distant Strangers, and Mia Neal and Jamika Wilson took home Oscars in the Make-Up and Hairstyling category for Ma Rainey’s Black Bottom.

To learn more about Black Academy Award winners and nominees, read Black Oscars: From Mammy to Minny, What the Academy Awards Tell Us About African Americans by Frederick Gooding, Jr. and check out the links to more sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a bonus daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Beats provided by freebeats.io and produced by White Hot.  And any additional music included is done so under Fair Use.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com,Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, you can check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(paid links)

Born 80 Years Ago #OnThisDay: Aretha Franklin, Queen of Soul (LISTEN)

Born 80 Years Ago #OnThisDay: Aretha Franklin, Queen of Soul (LISTEN)

By goodblacknews on March 25, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Today we celebrate the one and only Aretha Franklin, who was born 80 years ago #OnThisDay.

Franklin, whose voice was rightfully declared a natural resource by her home state of Michigan in 1985 is the focus of our Daily Drop podcast as GBN takes a brief look at her legacy through career highlights and offers sources to learn even more about the Queen of Soul.

Based on entries in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022, you can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

SHOW TRANSCRIPT:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Friday, March 25th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

“Queen of Soul” Aretha Franklin was born on this day 80 years ago and offered a heavenly blend of gospel, R&B, blues, jazz, rock and pop (and even classical!) that this Earth may never see again. A piano prodigy from childhood, this Grammy-winning Rock & Roll Hall of Famer wrote and performed classics such as “Think”:

[Excerpt from “Think”]

“Dr. Feelgood”:

[Excerpt from “Dr. Feelgood”]

“Day Dreaming”:

[Excerpt from “Day Dreaming”]

“Spirit in the Dark”:

[Excerpt from “Spirit in the Dark”]

and “Call Me”:

[Excerpt from “Call Me”]

Franklin also used her musical genius to turn cover songs into signature masterpieces such as “I Say a Little Prayer” – first recorded and released by Dionne Warwick:

[Excerpt from “Say a Little Prayer”]

“Until You Come Back to Me” – originally recorded by Stevie Wonder, though Aretha released her version first:

[Excerpt from “Until You Come Back to Me”]

And, the mother of all covers and remakes, ever, originally written, recorded and released by Otis Redding… “Respect”:

[Excerpt from “Respect”]

https://youtu.be/6S1_skidDFI

 

Additionally, Aretha Franklin’s 1972 Amazing Grace double album remains the best-selling live gospel music recording of all time, and her rendition of the title track to this day remains superlative:

[Excerpt from “Amazing Grace”]

Aretha continued to define and redefine singing and the sound of music in the 1980s and 1990s with songs like “Jump to It”:

[Excerpt from “Jump to It”]

“Freeway of Love”:

[Excerpt from “Freeway of Love”]

“I Knew You Were Waiting For Me” with George Michael:

[Excerpt from “I Knew You Were Waiting For Me”]

The anthemic “Sisters Are Doin’ It for Themselves” with Annie Lennox:

[Excerpt from “Sisters Are Doin’ It for Themselves”]

and her 1998 collaboration with Lauryn Hill, “A Rose Is Still A Rose.”

[Excerpt from “A Rose Is Still A Rose”]

That same year, Franklin made Grammy Awards show history and received a standing ovation when she filled in last-minute for an ailing Luciano Pavarotti by singing the operatic aria “Nessun Dorma”:

[Excerpt from “Nessun Dorma’]

Still going strong in the 21st century, in 2014 at the age of 72, Aretha scored a #1 hit on the U.S. Dance Charts with her remake of Adele’s “Rolling in the Deep”:

[Excerpt from “Rolling In The Deep”]

All hail, now and forever, the Queen.

To learn more about Aretha Franklin, read her 1999 autobiography Aretha: From These Roots, Respect: The Life and Times of Aretha Franklin by David Ritz, The Queen Next Door: Aretha Franklin, An Intimate Portrait by Linda Solomon, watch the must-see musical documentary Amazing Grace on DVD or currently streaming on Hulu [see my review here], the 2021 limited series Genius: Aretha starring Cynthia Erivo also now on Hulu or the 2021 feature film Respect starring Jennifer Hudson.

You can also check out a few Aretha Franklin playlists curated by me, one of the biggest Aretha Franklin stans around, on Spotify and Apple Music.

Links to these and other sources are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing, and available at workman.com, Amazon,Bookshop and other online retailers.

Intro and outro beats provided by freebeats.io and produced by White Hot. Excerpts of songs performed by Aretha Franklin are permitted under Fair Use.

If you like our Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon,Spotify or wherever you get your podcasts. You could give us a positive rating or review, share your favorite episodes on social media, or go old school and tell a friend.

For more Good Black News, you can check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(paid links)

MUSIC MONDAY: “Mo’ Better Music” – Spike Lee’s Greatest Hits Playlist in Honor of his 65th (LISTEN)

MUSIC MONDAY: “Mo’ Better Music” – Spike Lee’s Greatest Hits Playlist in Honor of his 65th (LISTEN)

By goodblacknews on March 21, 2022
by Jeff Meier (FB: Jeff.Meier.90)

In honor of Academy Award-winning filmmaker Spike Lee‘s 65th birthday yesterday, we’re celebrating the music from his movies in today’s Music Monday playlist, “Mo’ Better Music: Spike Lee’s Greatest Hits“:

Lee first made his mark on the Hollywood scene in the summer of 1986 with his independently-financed debut feature, She’s Gotta Have It.  From that start, it was clear that not only was Lee an original filmmaking voice, but also that he valued the role of music in his movies.

The body of musical work he has enabled through his movies spans the history of Black music, including Blues, Hip Hop, traditional R&B. His early career bloomed in the heyday of new jack swing, but he’s also served us gospel, jazz, and plenty of Stevie Wonder.

Lee’s  usual composer of choice, Terence Blanchard, has earned two Oscar nominations for his work on BlacKkKlansman and Da Five Bloods.

There also have been Number One Billboard R&B/Hip-Hop Hits, E.U.‘s “Da Butt” from School Daze and Teddy Riley & Guy‘s “My Fantasy” from Do the Right Thing.

Working with his father, jazz musician Bill Lee (still alive at age 93) through his first four movies, Spike’s soundtrack choices displayed a musical depth of knowledge from the start.

“Nola” – the song about Nola Darling, the central character in She’s Gotta Have It – was sung on the original soundtrack by legendarily unsung vocalist Ronnie Dyson (the subject of a previous GBN playlist and profile – https://goodblacknews.org/?s=ronnie+dyson).

Though that soundtrack is one of the few Spike Lee soundtracks unavailable on Spotify, we’ve included a fairly faithful rendition of the song from contemporary jazz vocalist Jose James on our playlist.

To celebrate his 65 years, the playlist is comprised of 65 original songs and score selections from all of Spike Lee’s scripted features films with tracks were available for streaming (all the rest of his movies are included except Summer of Sam and the recent made-for-streaming Pass Over).

We’ve focused on titles that were either newly released or recorded for Spike’s movies, not on classic hits that just made their way onto the soundtrack.

And there’s plenty of great material to choose from, including multiple tracks from Prince, backup singer turned indie soul darling Judith Hill, Public Enemy, Terence Blanchard, and Stevie Wonder.

The Spike Lee soundtrack for Bamboozled introduced the first major song ever released by India.Arie — “Always In My Head.”

Though the soundtracks to Girl 6 and Get on the Bus are also unavailable on Spotify in album form, we’ve located the original Prince track “She Spoke 2 Me” from Girl 6 as well as a number of songs from the Get on the Bus soundtrack from God’s Property, Stevie Wonder, and Curtis Mayfield.

While Lee has mostly worked with Black composers and musicians, rootsy White rock musician Bruce Hornsby has worked on multiple Spike Lee movies, including songs for Bamboozled and Chi-raq, and a full score for Red Hook Summer.  He was also the composer for the lovely ballad “Love Me Still,” sung by Chaka Khan for the soundtrack to Clockers.

For his soundtrack to Da Sweet Blood Of Jesus, a 2014 horror film that Lee funded through Kickstarter, he issued a social media call for unsigned artists to submit songs and picked through over 800 submissions to find the songs he used – which included “As We May Dream,” another beautiful ballad from singer/songwriter Siedah Garrett of Michael Jackson duet fame.

Spike’s movies have also yielded some smooth new remakes of R&B standards – and we’re happy to include Stevie Wonder’s take on Bob Marley‘s “Redemption Song,” Erykah Badu‘s cover of Rufus featuring Chaka Khan’s “Hollywood,” Marc Dorsey‘s version of The Stylistics‘ “People Make the World Go Round,” and of course, Aretha Franklin‘s beautiful contribution to the Malcolm X soundtrack – her epic 8 minute rendition of Donny Hathaway‘s “Someday We’ll All Be Free.”

Most recently, Spike introduced his BlacKkKlansman‘audiences to a Prince rendition of the gospel classic “Mary Don’t You Weep” that had been originally recorded in 1983, but left in the vaults until its appearance in the closing credits of Lee’s movie.

In addition to all the above, you’re sure to uncover plenty of great but lesser-known material from Spike’s movies. With 24 scripted feature films under his belt, a Spike Lee film festival might take you a week of evenings to complete – but with our GBN playlist, you can cover all the musical memories from Spike’s movies in an afternoon.

Happy 65th birthday to Spike Lee! Though for many that’s retirement age, we hope to be updating this playlist with more great music from many more movies in the years to come.

MUSIC MONDAY: “Love Is The Thing” – Valentine’s Day 2022 Playlist (LISTEN)

MUSIC MONDAY: “Love Is The Thing” – Valentine’s Day 2022 Playlist (LISTEN)

By goodblacknews on February 14, 2022

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy 14th of February! It’s your friend and selector, Marlon!

We are halfway through Black History Month. It’s Valentine’s Day! If you are like my kid, it could be your birthday too. And of course, it is Music Monday here at GBN.

I am thrilled to offer this collection of mushy stuff. Here is a full workday wit of music devoted to affairs of the heart. Love is the thing all right here, at Good Black News.

This playlist brings together classics by Aretha, Stevie, Marvin, Sade, and others, along with new voices of artists like Tamia, Mario, and Liza.

There are songs here about new and enduring love. Tracks about the peril and pain of romance, everything in between.

Hope you enjoy this Valentine’s Day offering. See you all next month.

Until such time, stay safe, sane, and kind.

-m-

Marlon West (photo courtesy Marlon West)

 

MUSIC MONDAY: “Black and Proud”: A Black History Month Playlist (LISTEN)

MUSIC MONDAY: “Black and Proud”: A Black History Month Playlist (LISTEN)

By goodblacknews on January 31, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Hey, it’s Lori, GBN’s Editor-in-Chief, with this week’s Music Monday share. Although it’s one day early, I offer a list to set the vibe for what February signifies to many in these United States: Black History Month!

Today’s playlist, “Black and Proud: Songs About Being Black” features songs that examine, express, critique and celebrate differing iterations of what it means to be Black in America.

The gamut of human emotions are present in this collection, as African Americans have been creating genres like Jazz, Blues, Soul and Hip Hop and transforming others from the 1600s on.

Artists such as Louis Armstrong, Chuck Berry, James Brown, Stevie Wonder, Beyonce, Esperanza Spalding, india.arie, Prince, Janet Jackson, Mickey Guyton, Nas, Jay Z, Common and Kendrick Lamar all have their takes on Blackness and the perceptions of it by themselves, lovers, strangers, authorities and oppressors.

I’ve also included several versions of “Young, Gifted and Black” by Nina Simone, Aretha Franklin, Donny Hathaway and Big Daddy Kane who each in their own way interpret the phrase popularized by playwright Lorraine Hansberry to great effect.

I hope you enjoy this compilation and that it gets you into the mood, groove and spirit of Black History Month.

MUSIC MONDAY: A Merry Motown Christmas Music Playlist (LISTEN)

MUSIC MONDAY: A Merry Motown Christmas Music Playlist (LISTEN)

By goodblacknews on December 13, 2021

by Lori Lakin Hutcherson (@lakinhutcherson)

Less that two weeks away, Christmas 2021 is fast approaching. Which means (if we’re lucky), more shopping, more gatherings, more cooking, eating and more time with loved ones. Which in turn means –more holiday music!

This week, we’re offering a collection near and dear to our ears that includes classic and modern takes on holiday favorites by artists who recorded on the legendary Motown label:

From Stevie Wonder, Marvin Gaye, Smokey Robinson and the Miracles, the Temptations, Four Tops, Jackson 5 to the Supremes, the Hitsville U.S.A. first gen hitmakers are doing their thing, as are next gen artists Ne-Yo, Boyz II Men, Kim Weston, Tiana Major 9 and more.

Wishing you all the best as we celebrate the season. Enjoy!

MUSIC MONDAY: “Respect” for the Queen – Aretha Franklin Playlists (LISTEN)

MUSIC MONDAY: “Respect” for the Queen – Aretha Franklin Playlists (LISTEN)

By goodblacknews on August 16, 2021

by Lori Lakin Hutcherson (@lakinhutcherson)

While our #MusicMonday main man and selector Marlon West takes a well-earned break from creating thoughtful and unique playlists exploring the musical diaspora, I’m stepping in to post two curations honoring the woman of the weekend, Aretha Franklin.

Respect, the MGM biopic starring Jennifer Hudson as the Queen of Soul, was released exclusively in theaters this past Friday and earned almost $9 million in its first weekend. In addition to being a satisfying film experience, Respect makes you appreciate even more how creative and intelligent Aretha was in her musical expression across all genres.

In addition to being an unparalleled singer who could turn tunes by other artists into her own signature songs, Franklin also composed, arranged and produced several of her biggest hits.

In honor of those aspects of her genius, I offer the playlists “How I Got Over”: Aretha Franklin’s Cover Songs, which includes (of course) “Respect,” by Otis Redding, “Until You Come Back To Me” by Stevie Wonder and “Spanish Harlem” originally recorded by Ben E. King:

and “Rock Steady”: Songs Aretha Franklin Wrote which includes classic compositions such as “Think,” “Rock Steady” and “Day Dreaming”:

Until next time, I’ll bid you farewell as Mr. West always (and lovingly) does:

Enjoy, and please, be safe, sane and kind.

MUSIC: Celebrating Stevie Wonder’s 71st Birthday with “Stevie For The Sweeties” – a Kid-Friendly Playlist (LISTEN)

MUSIC: Celebrating Stevie Wonder’s 71st Birthday with “Stevie For The Sweeties” – a Kid-Friendly Playlist (LISTEN)

By goodblacknews on May 13, 2021

by Lori Lakin Hutcherson (@lakinhutcherson)

As any regular (or even new) follower of Good Black News may have noticed, we really love music here. Its creators, its history, its present and its future. And days like today – the 71st birthday of musical legend, genius and icon Stevie Wonder – are some of the most exciting, because we get to think of new ways to share about an artist who has given so much to the culture and community.

Last year, in honor of Stevie’s 70th, GBN published a month of differently-themed Stevie playlists, (links to all below). But for the generations who didn’t grow up on Stevie Wonder — particularly the 10-and-under set — where to start? How about right here, with our curated, kid-friendly playlist “Stevie For The Sweeties”:

[spotifyplaybutton play=”spotify:playlist:3f5SgOPWpm8xS7AfrXHiDa”]

I remember exactly when I took my children’s musical education and exposure into my own hands — April 21, 2016 — the day Prince passed. My kids didn’t understand why Mommy was so upset and was playing Prince music all the time — in the car, in the house, on the TV, for weeks — because they didn’t know who he was or why his music was important.

It was a wake-up call for me to make a conscious effort to introduce them to the musical greats. Since they were 8 and 6 at the time, I started putting together kid-friendly playlists on iTunes (the very first I called “Prince for My Patooties”) that they could listen to on their own, with friends, or at school during breaks, without any worries about playing any songs that could be objectionable for language or subject matter, and sequenced in a way to keep their interest.

“Stevie For The Sweeties” starts with “Fun Day,” moves into “Sir Duke” (which has been a magic tonic to my sons ears since he was a toddler, and where Stevie himself does some hat tipping to generational forebears by name checking Count Basie, Glenn Miller, Louis “Satchmo” Armstrong, Ella Fitzgerald and of course, “Sir” Duke Ellington), “I Wish” (which I remember me, my sister Lesa and my cousins David and Darryl singing to as little kids while we played “Three Flies Up” in my Auntie Brenda’s front yard), and “Fingertips Pts. 1& 2”, where Stevie himself was barely double digits in age.

Those great songs and so many more classics to enjoy with the younger set like “Do I Do” (featuring trumpet-great Dizzy Gillespie on an effervescent solo), “I Love Every Little Thing About You,” “Isn’t She Lovely” (which Stevie wrote about his first-born daughter Iesha), “Bird of Beauty” and “You Are The Sunshine of My Life” are part of “Stevie For The Sweeties.”

I hope you enjoy with the sunshines and lovelies in your life, and thank you, thank you, thank you, Stevie Wonder, for your incredible music and life. We love you. Happy Birthday!

MUSIC MONDAY: “Manic Monday” – Soulful Cover Songs and Originals (LISTEN)

MUSIC MONDAY: “Manic Monday” – Soulful Cover Songs and Originals (LISTEN)

By goodblacknews on May 10, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Monday, you all. This week’s offering is a soulful collection of cover tunes and original versions of songs that went on to become hits for other folks.

The Pointer Sisters‘ version of Bruce Springsteen’s “Fire” and Whitney Houston’s take on Dolly Parton‘s “I Will Always Love You” are examples of covers that are as famous as the originals.

There’s Otis Redding’s live version of “Respect” where he explains how “This girl, she just took this song” to an amused audience. I’ve included Prince’s demos for “Manic Monday” and “Glamorous Life”, each went on to become hits for the Bangles and Sheila E., respectively.

[spotifyplaybutton play=”spotify:playlist:7Ium46pI0ASS0HvyPMh3Ty”]

There are so many Beatles covers by Bill Withers, Stevie Wonder, The Supremes, Black Pumas, and others.

Big Mama Thornton is early through the door of this playlist with her version of a song made world-famous by a young man from Tupelo, Mississippi.

Hope you all enjoy this collection of soul, R&B, reggae, and jazz versions of the songs you know, offered here by other voices.

Have a great week, and stay sane, safe, and kind.

Marlon West (photo courtesy Marlon West)
MUSIC: A Stevie Wonder Sing Off – “The Wonders of A Cappella” Playlist (LISTEN)

MUSIC: A Stevie Wonder Sing Off – “The Wonders of A Cappella” Playlist (LISTEN)

By goodblacknews on December 31, 2020

by Jeff Meier (FB: Jeff.Meier.90)

Maybe it’s the history of caroling in December. Or maybe its half a dozen years of NBC’s hit musical competition show The Sing Off – which also usually took place in December. In any case, beyond just Christmas music, December has us in the mood for some good a cappella music.

Today is also the sixth day of Kwanzaa where the principle of Kuumba — Creativity — is celebrated. So we’ve taken a different approach to today’s GBN playlist – combining a cappella singing with that superstar with the deep catalog of hits that we saluted here at Good Black News this past spring, Stevie Wonder (after all, we’re still in his 70th birthday year!)

So, if you are still in the mood for something cheery and fun to brighten up the waning moments of 2020 and welcome in the New Year, please check out “A Stevie Wonder Sing Off – The Wonders of A Cappella,” a playlist devoted to Stevie Wonder remakes done with voices only.  Early in the playlist Stevie himself joins the all-male group Straight No Chaser on his iconic hit “Signed, Sealed, Delivered (I’m Yours).”

[spotifyplaybutton play=”spotify:playlist:3143V2ZMVZAWdZEPa56r2G”]

With The Sing Off  in the early 2010s, and with hit musical dramedy series Glee and the trio of Pitch Perfect movies, vocal a cappella music hasn’t always been so culturally ubiquitous.

In the late 1970s, there was the famous vocal group Manhattan Transfer – but their hit “Boy From New York City,” while featuring doo wop styles, also featured plenty of instruments playing behind them.  And then there was Bobby McFerrin‘s memorable “Don’t Worry, Be Happy” – which ultimately seemed to be a fun novelty more than a musical movement.

For many of us, though, college was where we were first exposed us to a cappella singing.  It was at a Northeastern campus where this author first met GBN founder Lori Lakin Hutcherson, that we first ran into preppie kids in jackets and ties at Harvard and Yale singing in choral groups on campus that mixed contemporary pop songs with corny classics like “I’ve Got a Gal in Kalamazoo.”

Harvard’s Krokodiloes and Yale’s Whiffenpoofs date back to 1946 and 1909, respectively, but the Fisk Jubilee Singers, established in 1871, were among the first American (and African American) college choral ensembles to gain international prominence for their a cappella prowess.

Contemporary versions of the Krokodiloes and Whiffenpoofs are featured in today’s playlist (no Jubilee Singers – they primarily perform traditional spirituals), along with groups from Howard, Dartmouth, Stanford, Syracuse, Duke and MIT and other colleges.

Boyz II Men, the all-Black group Committed (Season 2 winners of The Sing Off) and other non-collegiate a cappella purveyors like The Nylons and Rockapella are also represented.

So, we hope you’re in the mood to take a slightly different approach to the holidays with this uplifting list of year-round classics from Stevie and this list of a cappella masters.  And if you don’t mind just a little more holiday cheer, we couldn’t resist throwing a cappella versions of Stevie’s “What Christmas Means to Me” and “Someday at Christmas” onto the list too.

And, a friendly reminder, for those who still haven’t jumped on the Christmas music train, but want to, you can also check out GBN’s already published holiday playlists:

Enjoy!