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Posts tagged as “Stax Records”

MUSIC MONDAY: “Keep Dayton Funky: Essential Tracks By Ohio Funk Masters” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday, you all. It’s your friend and selector back again with another collection for listening, and this time rump shaking, pleasure.

While Detroit is known as “Hitsville U.S.A.” thanks to Motown, and Memphis is known as the epicenter of “Southern Soul” thanks to Stax Records. Dayton, however, is known as “The Funk Capital of the World.”

 

When Lakeside dubbed it “The Land of Funk” in its swashbuckling 1980 hit “Fantastic Voyage”, Dayton’s west side was already the birthplace of several of the funkiest groups on the planet.

My lifelong pal, Duane Myers, was the first to hip me to this fact a few years back. He pointed out that Ohio Players, Slave, Faze-O, Heatwave, Lakeside, Shirley Murdock, Zapp, Roger, and others are all from Dayton, Ohio.

This collection features a stable of funk bands whose influence can still be heard in hip-hop, house and other musical forms today.

The Ohio Players, who kicked open the door for them all, have had their tracks sampled or remade by Salt-N-Pepa, Soundgarden, Snoop Dogg, and the Red Hot Chili Peppers to name a few.

They are not alone. 1970s and ‘80s funk is being sampled and provides inspiration for many bands and artists. Please enjoy this playlist for classic funk music from the “Gem City”.  

And as always, stay safe, sane, and kind.

Marlon West

MUSIC MONDAY: “The Legend of Stax Records” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday, y’all. If you haven’t already, please dig Jamila Wignot’s new documentary “Stax: Soulsville U.S.A.”, currently streaming on Max.

The four-part film tells the story of Stax Records, the iconic R&B label, from its late-1950s beginnings to its 1975 demise.

In its prime the label featured stars like Rufus Thomas and Carla Thomas, Sam and Dave, and Otis Redding, as well as the ace house band of Booker T. and the MGs.

Stax was a colorblind oasis of racial harmony in an otherwise fiercely segregated South. Stax has been eclipsed by Motown, with many of their hits mistakenly thought to be output from that Detroit Mecca, even though the comparative grittier Memphis studio had a sound all its own.

Look no further than Carla Thomas and Otis Redding’s “Tramp” to hear just how much their most popular artist was unapologetically “straight from the Georgia woods.”

Stax Records is critical to American music history as one of the most popular music record labels of all time.

In 15 years, Stax put more than 160 songs in the Top 100 on the pop charts and a staggering 243 hits in the Top 100 R&B charts. Please enjoy this 4 hours of essential Stax music featuring Redding, Isaac Hayes, The Bar-Kays, Johnnie Taylor, Shirley Brown, The Staple Singers and so many more.

As always, stay, safe, sane, and kind.

Marlon West
Marlon West

NYC’s Motown to Def Jam Art Exhibit Celebrates the Legacy of Black Music

Souleo, Aanisah Hinds, Macy Gray. From Motown to Def Jam.
Souleo, Aanisah Hinds, Macy Gray. From Motown to Def Jam. (Photo: John Brathwaite)

Curator and art afficiando Souleo has put together a multi-destination art exhibition called “Motown to Def Jam” in collaboration with ArtCrawl Harlem in New York City.
The meticulously planned, four-gallery, 49-artist exhibition takes visitors from the early days of Chess Records in the mid 20th century, all the way through to the contemporary offerings of rap and R&B label Def Jam in a series of visionary visual works.  Also referenced in the show are the legendary Stax and Philadelphia International labels that helped pave the way in bringing new African-American sounds to the mainstream.
For pieces in the show, participating artists created or contributed works that described their interpretations of specific songs from singers and rappers at these record labels. Each piece, inspired by a beloved song, or songwriter, from black and American pop music history, brings black music history to life in a new way.
“A lot of people don’t know that June is African-American Music Appreciation Month,” said Souleo. “I wanted to share our struggles and triumphs and the unique ways that we express ourselves. For example, instead of the usual pop hits from Motown, I wanted to use more of the later socio-political music that came out of Motown.”
A lively Black Music Month kickoff
Souleo kicked off the five-weeks exhibit with gallery tours and a series of parties. An exhibition this grand required not one, but four different galleries, and these ancillary events connected them all.
The guides for a special preview tour were celebrity columnist and author Flo Anthony, pop culture critic Patrick Riley, historian John T. Reddick and renaissance media man Walter Rutledge. “I chose these people as the tour guides because they are the experts and they have been in the same room with some of these musical artists. They can give those extra tidbits that you would not get anywhere else,” said Souleo.