June 2019 marks the fourth anniversary of the Charleston, South Carolina tragedy at Emanuel A.M.E. Church. The feature-length documentary “EMANUEL,” opens in movie theaters nationwide as a limited release event with Fathom Events on June 17 and 19 only.
The new trailer, released today, gives a glimpse into the emotional documentary that recalls the events of June 17, 2015 and examines how faith, hope and forgiveness healed a devastated community after the heinous church shooting, carried out by white supremacist Dylann Roof.
The film is executive produced by Stephen Curry for Unanimous Media, Viola Davis and Julius Tennon for JuVee Productions, Arbella Studios and Mariska Hargitay, and is directed by Brian Ivie (The Drop Box) and presented by SDG and Fiction Pictures.
For more information on EMANUEL, visit www.emanuelmovie.com. You can also follow the film on social media:
Facebook and Instagram – @emanuelmovie and #emanuelmovie.
Malachi Jones, the 17-year-old wunderkind who is heading to Columbia University this fall, has been awarded a Gold Medal Portfolio, the highest honor of the 2018 Scholastic Art & Writing Awards presented by the nonprofit Alliance for Young Artists & Writers.
The high school senior, who attends the Charleston County School of the Arts in Charleston, South Carolina, says he greeted the news, which he received by phone, with a “loud silence.”
“I felt like a siren was going off inside my head, but I was speechless,” Malachi is quoted as saying in a Charleston Chronicle article. “I had been submitting work to Scholastic since 7th grade, so it is insane to me to think an audience outside my family and peers wants to read and appreciate my work.”
Malachi has joined a prestigious group of former youth winners, now all household names, including Truman Capote, Sylvia Plath, Joyce Carol Oates, and Stephen King, according to the Post and Courier website.
None of them, however, have grappled in their writing with the constraints of race in the arresting way Malachi has. According to the Post and Courier, Malachi has rejected the trope of the stereotypical black man and instead chosen to forge his own way of being black in the world.
The article states, “Jones’s award-winning work—a collection of lyric essays and free-verse poems—revolves around his experience as a black teenager struggling with and finally coming to terms with his identity.
“In a poem titled ‘Pantoum for my Mother,’ Jones writes, ‘Stripped of my blackness, / uprooted by judgement. / I was never dark enough for you / or for the ones who called me whitewashed.’
“It’s about the questions and judgment he endures from both his white and black peers for not fitting the stereotypical ‘formula of a black male.’”
CHARLESTON – A swift, cool breeze lifts off the Cooper River. It frisks through the crowns of the towering palm trees that line the paved walkway. Small boats wobble in the calm waters on the east side of the Charleston peninsula. A neatly manicured patch of grass provides a tranquil spot for a blanket and a book. In the distance, the steel cables of the Ravenel Bridge stretch in splendor. To the right, flags fly over Fort Sumter, where the first shots of the Civil War were fired.
Soon, this waterfront will be home to the International African American Museum. The $100 million, 40,000-square foot facility will bridge solemn history and modern magnificence. It will offer captivating exhibits, engaging events and a breathtaking view of the Charleston Harbor.
However, this land is more than prime riverfront real estate. It connects deeply to the heritage the museum aims to commemorate. Ship voyage records reveal that nearly half of the enslaved Africans who were shipped to North America disembarked in Charleston. Many slaves took their first steps on American soil on this patch of land, which was once the largest wharf in North America. Historians estimate that more than 90 percent of all African-Americans can trace at least one ancestor to this land.
Eighteen years ago, former Charleston mayor Joe Riley pledged to build an iconic museum that honors that heritage and illuminates the achievements cultivated from that regrettable past. Since then, 37 other museums dedicated to African-American history and culture have been constructed. However, IAAM supporters contend that this land grants it a distinctive, visceral magnetism.
Riley’s vision has attracted support from city, county and state government, local business owners, national organizations and historians. Yet, Riley and IAAM chief executive officer and president Michael Boulware Moore (who is the great-great-great grandson of Civil War Hero and Congressman Robert Smalls) must raise millions more before construction can begin.
Moore’s passion for this project is personal. When he walks this pristine patch of grass, he can hear the shackles rattling as they dragged against the wooden planks. He can see his great-great-great-great grandmother walking across the wharf. “We know that she landed here. That’s sort of my original anchor to Charleston. It’s really deep emotional territory for me,” Moore said. “Every time I go, it hits me.”
“I understand the history that occurred there,” he said. “I understand tens of thousands of people, including my ancestors, disembarked there in chains. I am confronted by the emotions that must have been felt on that space and just by the enormity of what happened.”
The land’s significance
This serene site was once the epicenter of America’s ugliest enterprise. Nearly 250 years ago, this area was merely brackish marsh. Charleston merchant Christopher Gadsden converted it into the largest wharf in North America. It covered 840 feet from the Charleston Harbor to East Bay Street, between what are now Calhoun and Laurens Streets. Initially, Gadsden’s Wharf primarily serviced the rice industry. Eventually, it became a hub of the international slave trade. From 1783 to 1808, approximately 100,000 enslaved African men, women and children were forced into ships and carried on a voyage through darkness across the Atlantic Ocean into the Charleston Harbor.
According to historian and former South Carolina Historical Society archivist Nic Butler, on Feb. 17, 1806, the City Council of Charleston passed an ordinance stipulating that all vessels importing enslaved Africans port in Gadsden’s Wharf. Enslaved Africans were stored like crops in a wharf warehouse. Shackled to despair, hundreds of men, women and children died from fevers or frostbite. They were buried unceremoniously in a nearby mass grave. Those who survived those subhuman conditions were advertised in newspapers, sold and dispersed.
“Some have described it as the enslaved Africans’ Ellis Island,” University of South Carolina history professor Bobby Donaldson said. “If you can imagine people who endured and survived the Middle Passage from West Africa across the Atlantic, Gadsen’s Wharf is where they see land, where they see a dark and unknown future.”
Slaves were taken to different corners of the fledgling country. They toiled in fields to quicken the economy and fostered a lineage of influential American inventors, educators, soldiers, politicians, writers, philosophers, entrepreneurs, entertainers, activists and athletes.
Many — perhaps most — African Americans can trace family roots back to Charleston. About 40 percent of enslaved Africans brought to North America arrived on ships that docked in Charleston Harbor.
Slaves then were sold to plantation owners throughout the Antebellum South. During the “Great Migration,” about 6 million blacks moved from the South to the Northeast, Midwest and West between 1916 and 1970, chastened by the ghosts of their oppressed ancestors and motivated by the prospect of a better life.
On the cusp of the Civil War, the U.S. was home to 4 million slaves, 400,000 of whom lived in South Carolina. Their labor created enormous wealth for white rice and cotton planters, and it built whole cities, including Charleston.
Now, 50 years since the death of Martin Luther King Jr., the South Carolina African American Heritage Commission has named 10 top black history sites to visit in the state, including several associated with King and the civil rights movement. The commission also has compiled a much larger list of about 300 sites for its new online travel guide, Green Book of South Carolina (www.GreenBookofSC.com).
Dawn Dawson-House, an ex officio board member who works for the S.C. Department of Parks, Recreation and Tourism, said the initiative is meant to raise awareness of black history and to assist the commission’s efforts to identify, preserve, mark and protect the state’s many sites connected to black history and heritage.
“In the past 24 years, more than 200 markers have been added to the official state markers program,” Dawson-House said. “When the commission started, there were only about 35 markers dedicated to black history.”
She said historical sites can be found throughout the state, and many local people know about the ones near them.
“No matter where you are in South Carolina, there is an important African-American heritage element or place to visit,” Dawson-House said. “But the entire story is not told collectively. It’s told in bits and pieces in everybody’s community. At the commission we’ve decided we have to pull together an entire portrait of this history.”
Michael Allen, a founding board member of the commission, said the Green Book — “a manifestation of out 24-year journey” meant to assist anyone interested in black history — is a reference to the Jim Crow-era guide that African Americans used when traveling through the South. The old guide provided information about black-owned businesses (gas stations, hotels, restaurants, hospitals) that were safe for black travelers during the period of legal segregation.
“When you went traveling some place, you cooked your food, packed your food, the food was in your car,” Allen said. “You planned visits according to where relatives lived, or drove straight to where you needed to be.”
A renewed interest in Gullah has propelled the language to one of the highest rungs in academia.
Charleston native and performance artist Sunn m’Cheaux spent the fall semester at Harvard teaching an introductory version of a course on Gullah: A language indigenous to the Lowcountry region often described as a combination of English and Central and West African languages.
The pidgin language originally allowed enslaved African people from various tribes to communicate with each other and with their overseers, and is still spoken by African-American communities across coastal regions of South Carolina, Georgia, and Florida.
The Gullah class is the first of its kind at the Ivy League school. It’s part of the African Language Program within the Department of African and African American Studies.
The class is the brainchild of a graduate student who knows m’Cheaux. The student phoned him and asked if he would be willing to meet with the head of the program, Dr. John Mugane. M’Cheaux, who graduated from Goose Creek High School and didn’t go to college, found that Dr. Mugane was impressed with how quickly m’Cheaux was able to teach him some Gullah basics.
“He starts talking about getting my information and taking a picture for the website, and I’m thinking to myself, ‘Wait a minute — did I just get hired?'” m’Cheaux said in a phone interview with CP.
Mugane argues that offering Gullah, along with the 44 other languages taught in the program, increases students’ chances of accurately portraying different communities. “To engage in intellectual and professional work in the Gullah community, we deem it necessary even critical that scholars be literate in Gullah whose basic demonstration is an ability to hold non-trivial conversations with the people they write about, including (and especially) in Gullah, the language of the people they write about,” Dr. Mugane said in an e-mail to CP.
M’Cheaux says that his time bouncing between Charleston, Los Angeles, and New York as an artist and activist influenced his teaching methods. “Ultimately, my arts and entertainment career kind of dovetailed into social activism and commentary, and in a sense, I feel like this is an extension of that as well,” m’Cheaux said. “How to use literal and figurative language to communicate with people and teach people how to make it their own.”
This kind of approach is especially necessary with Gullah — a language that is passed down orally without established standards for grammar and spelling. Aspects of the language may be familiar to English speakers, such as “han’ baby,” which means small infant, and “knee baby,” which can be interpreted as toddler in English.
“I want to build these students’ intuition in order to know when to apply something literally and figuratively, because that will help bring the language to life,” m’Cheaux said. “Those are figurative terms, not necessarily literal terms, but once you look at them literally, it makes total sense.”
M’Cheaux uses the few Gullah reference books and literature available as course materials, but has largely stuck to developing his own curriculum throughout the semester, which includes video chats between students and native speakers.
South Carolina school bus driver Teresa Stroble is being hailed as a local hero after leading fifty-six students to safety when the vehicle caught fire on Tuesday morning, cbs46.com reports.
Melissa Robinette, a spokesperson for the Spartanburg County School District, said the bus was carrying students to Duncan Elementary, Beech Springs Intermediate, and then eventually to Byrnes High School.
“From what we’ve been able to gather initially, two students seated at the rear of the bus noticed the smoke and notified their driver immediately,” Robinette said. “She did exactly as trained, reacted quickly and got all kids off the bus safely. Luckily, no one was injured.”
Superintendent Scott Turner said he was incredibly proud of driver Stroble. “She is our hero today,” Turner said of the driver. He said Stroble stayed calm, made student safety her first priority, and followed her training.
Hero!! Ms. Teresa Stroble. She evacuated 56 students in under a minute. God bless her. So grateful for her quick action pic.twitter.com/n3PYAHmgKX
South Carolina State University, the historically Black educational institution in Orangeburg, South Carolina, has announced a new effort to get students who had begun studies at the university but had not completed their degree for some reason to come back and complete what they had started.
The Bulldog Academic Resumption Covenant (BARC) Program enables students to complete their degree program through study with the University of Phoenix. Some 2,500 students in 20 degree programs who dropped out between 2010 and 2015 have been invited to join the BARC program.
These students will receive a 50 percent reduction in tuition costs and take online courses through the University of Phoenix that have been approved by the South Carolina State University faculty. These credits can then be used to satisfy degree requirements at South Carolina State. No more than 24 percent of all credits toward the South Carolina State University degree can be taken through the University of Phoenix.
James E. Clark, president of South Carolina State University, said that “the bottom line is we miss our students, and we want them to return home.”
After a swelling tide of protests, the president of Yale announced today that the university would change the name of a residential college commemorating John C. Calhoun, the 19th-century white supremacist statesman from South Carolina. The college will be renamed for Grace Murray Hopper, a trailblazing computer scientist and Navy rear admiral who received a master’s degree and a doctorate from Yale.
The decision was a stark reversal of the university’s decision last spring to maintain the name despite broad opposition. Though the president, Peter Salovey, said that he was still “concerned about erasing history,” he said that “these are exceptional circumstances.”
“I made this decision because I think it is the right thing to do on principle,” Mr. Salovey said on a conference call with reporters. “John C. Calhoun’s principles, his legacy as an ardent supporter of slavery as a positive good, are at odds with this university.”
Singer Sharon Jones, the lead singer of Sharon Jones & The Dap-Kings who found success after working for years as a prison guard, died Friday of pancreatic cancer, according to her Facebook page. She was 60.
The soul and funk singer was recently the subject of the documentary “Miss Sharon Jones!” directed by Barbara Kopple. Jones released her first album at the age of 40, and was nominated for her first Grammy in 2014 for best R&B album for “Give the People What They Want.”
Born in North Augusta, South Carolina, she moved to Brooklyn as a child. Though she worked sporadically as a session singer, she worked for many years as a corrections officer at Rikers Island and an armored car guard for Wells Fargo Bank.
In 1996, she appeared on a session backing soul singer Lee Fields, recording the song “Switchblade” which appeared on the Soul Providers’ album “Soul Tequila.”
Donella Wilson, at 107 years old, has never missed a local or national election since she cast her first vote in the 1940s. And Wilson, who was born in South Carolina to parents who were former slaves, says she is ready to cast her vote one more time and perhaps make history once again.
“I never thought I would live to see a day like this,” Wilson told WISTV.com. “I’m over 100 years old!”
Wilson has had to struggle some recently to retain her right to vote. She had to secure a new ID and registration card, but now she is ready and prepared for her opportunity to say something, and is heading to the polls, not just to back up her beliefs, but to remember those who came before who fought for the right she currently has.
“We couldn’t spell ‘vote,’” Wilson told the news station. “We didn’t know what the word meant other than we had an opportunity to say something and cast a vote, praying as we go along, that the vote could count to help us as a Negro race.”
Wilson said she remembers President Barack Obama’s historic election, expressing how “proud and thankful” she was to witness it.
And she hopes to witness history once again on Tuesday, saying that she planned to cast her vote for Hillary Clinton. “I’m looking for her to be our first female president,” she said. “I think it’s an honor, a precious gift from God.”