President Barack Obama (PHOTO BY ALEX WONG/GETTY IMAGES)
In an effort to combat HIV infections in girls and young women in 10 sub-Saharan African nations hit hardest by the virus, the Obama administration recently announced a $300 million program to help reduce the growing numbers according to The Associated Press.
The administration hopes to see a “25 percent infection reduction in females between ages 15-24 by the end of next year and a 40 percent reduction by the end of 2017,” the report says.
“No greater action is needed right now than empowering adolescent girls and young women to defeat HIV/AIDS,” said National Security Adviser Susan Rice of the program credited with saving millions of lives in Africa, writes The AP.
The new goals represent the next phase of the program, which was started by President George W. Bush and broadened by President Barack Obama, the report says.
The Obama administration releaased the new targets before “a U.N. summit on development goals for lifting people around the world out of poverty. Obama is scheduled to address the development meeting on Sunday,” writes The AP
About half of all new HIV infections among girls and young women last year are from the 10 countries countries targeted by the new initiatives, including Kenya, Lesotho, Malawi, Mozambique, South Africa, Swaziland, Tanzania, Uganda, Zambia, and Zimbabwe, The AP says. Read more at The Associated Press article by Lynette Holloway via theroot.com
As a boy, I dreamed of becoming a journalist. But then I got caught up with day-to-day troubles. When your life is full of worry it is like the future does not exist.
When I was about seven, my father left our home in a township near Maputo and travelled to South Africa to look for work. I was older than my sisters and had to help bring in some money. So I started to take my mother’s biscuits into town to sell in the market.
I got into doing odd jobs in the market – washing people’s cars and helping to carry their bags. Instead of going home, I often slept overnight in the market with my friends.
A boy washes himself with soap before a meeting with charity workers (Image copyright: Mario Macilau)
It wasn’t very safe. We had nowhere to keep anything, so we stole from one another. I got into some bad habits – minor criminality, but it was a question of survival. Dog eat dog.
My mother tried several times to send me to school but she just couldn’t afford the fees. But all this time I was learning – I read books, and through volunteering with NGOs I learned English.
When I was about 14, I borrowed a friend’s camera. I started to take photographs of my surroundings, documenting people from the townships as they travelled to the city to sell their things. They were black-and-white photos, which I developed in a darkroom I made in my mother’s house. I was teaching myself how to do things, practising whenever I could, but it was difficult for me to pay for the film and the chemicals.
Street children live as nomads, moving from one point to the next with nothing but a little water and hand towels to wash cars. Macilau says they mostly sleep during the day because they are scared of night-time attacks by policemen, many of whom used to be street boys. (Image copyright: Mario Macilau)
My favourite photograph was taken near the township where I grew up early one morning. It was of a woman walking into town to sell cassava. She had her back to the camera and it was raining.
Lupita Nyong’o, Academy Award-winning Kenyan actress
Lupita Nyong’o, Miriam Makeba, Alek Wek, Chimamanda Ngozi Adichie and Wangari Maathai are just a few of the dynamic women featured in Ruramai “Rudo” Musekiwa‘s Sibahle poster series. The Zimbabwe-born, Johannesburg-based artist and activist created the collection to acknowledge the contributions made by both well-known and unsung heroines from the continent in time for South Africa’s National Women’s Day on August 9th.
Chimamanda Ngozi Adichie, award-winning Nigerian novelist
“The Sibahle Poster Series is an ongoing body of work paying tribute to phenomenal African women,” Musekiwa said in a press release. “The statement it seeks to make, is that our young girls can and should find inspiration right here, within the continent, within our context as a people. Women are the pillars of our society and it is imperative that we pay homage to inspirational women that not only radiate authenticity and passion within their respective crafts, but also understand how their purpose is connected to others (Ubuntu).”
Also spotlighted in the collection are Lira, Mpho Sebina, Albertina Sisulu, Winnie Madikizela Mandela, Noni Gasa, Simphiwe Dana, Claire Mawisa, Lebo Mashile, Lufuno Sathekgeand Nandi Mngoma. “These are some of the most exceptional and influential African women of today,” Musekiwa says.
The posters are part of Musekiwa’s larger Sibahlemovement, which you can learn more about here and via Facebook, Twitter and Instagram.
NBA players interact with the children during the NBA Cares Court Dedication as part of the Basketball Without Boarders program on July 31, 2015 at the SOS Children’s Village in Ennerdale, South Africa. (Getty Images)
Last Friday, National Basketball Association players, legends and executives visited the Ennerdale location of SOS Children’s Villages (SOS), an organization that builds stable, loving families for orphaned, abandoned and other vulnerable children, as part of their ongoing commitment to support and strengthen communities in need. This is the third consecutive year the NBA family has visited SOS, one of three organizations set to benefit from the first NBA Africa Game that took place this past weekend in Johannesburg, South Africa.
In celebration of the 13th annual Basketball without Borders (BWB) Africa and the NBA Africa Game, NBA players participated in a number of activities with local children, including playing soccer, drawing and dancing. The NBA family also took part in a ribbon-cutting ceremony to celebrate a renovated local library and new basketball court made possible by NBA Cares and the National Basketball Players Association (NBPA) Foundation.
“I think the most important thing is to give children an opportunity play, an opportunity to get an education, an opportunity for a better future. And I think this is a wonderful place for you kids to accomplish that,” said Pau Gasol of the Chicago Bulls to the children present at the event.
Present at the event were NBA commissioner Adam Silver, Chris Paul (Los Angeles Clippers), Luol Deng (Miami Heat), Pau Gasol (Chicago Bulls), Marc Gasol (Memphis Grizzles) and other NBA players, coaches and executives.
“Children don’t forget. Many of the youth we work with have been through trying and traumatic circumstances before finding their way to SOS,” said Siphiwe Maphanga, National Director of SOS Children’s Villages South Africa. “We are incredibly thankful for the NBA family’s unwavering commitment to support Ennerdale’s most vulnerable children. They are playing a pivotal role in the development of children who desperately need their support.”
For over 30 years, SOS Children’s Villages South Africa has supported children, families and communities through its family support and care programs, medical centers, and schools. The Ennerdale village, located south of Johannesburg, provides children the love and long-term support they need to shape their own futures. Since 2013, NBA players have visited this village as part of BWB Africa’s efforts to encourage positive social change throughout the African continent.
Trevor Noah, a South African comedian with a low profile in the United States, will inherit one of the most-watched pulpits in latenight TV: Jon Stewart’s desk on Comedy Central’s “Daily Show.”
The Viacom-owned outlet said the comic’s debut as host would be announced at a later date.
In choosing Noah, a 31-year-old of mixed-race parentage, Comedy Central is banking that following a tried-and-true formula will keep the program that is arguably the linchpin of its schedule top of mind among its core audience of young male viewers. Twice now, executives at the network have identified an up-and-coming talent, and we’re rewarded on both occasions with a higher profile for the show. Noah will be only the third host of the program, following an early stint by Craig Kilborn and Stewart’s well-chronicled reign.
Noah has “such a unique and powerful voice,” said Michele Ganeless, Comedy Central’s president, in an interview Monday morning. Executives feel he is “a gifted comedian and storyteller,” she added. “He was not a new face to us, but he will be to a lot of people.” Stewart himself was involved as an “adviser” in the selection process, she said.
Noah has the kind of experience that would seem to be de rigueur for a host of “The Daily Show,” which, under Stewart has not only made fun of headlines of the day, but also of the news outlets that deliver them. Noah has hosted numerous television shows, including his own latenight talk show in his native country, “Tonight With Trevor Noah.” And he is no stranger to analyzing controversial topics. Born in South African to a black South African mother and a white Swiss father, he once told an audience, “I was born a crime,” according to a 2013 report in the Wall Street Journal.
With that sort of willingness to discuss sensitive topics head-on, Noah would appear to fit the bill being written under Kent Alterman, the network’s president of original programming. In the recent past, Comedy Central has sought people able to articulate a unique world view. The network has found success with programs featuring comedienne Amy Schumer as well as Abbi Jacobson and Ilana Glazer, a duo who star in the program “Broad City.”
Alicia Keys, Janet Jackson, and a whole list of celebrities have partnered up to participate in Operation Bobbi Bear, an organization that helps sexually abused children in South Africa. They have each designed a unique stuffed bear, courtesy of Build-A-Bear, that will be auctioned off Dec. 8 from 6:30 p.m. to 9:30 p.m. at Sotheby’s New York.
The Life Ball Charity has teamed up with “Arms Around the Children” for this special benefit, with funds going towards Operation Bobbi Brown. By providing aid to sexually abused children in Africa, they are hoping to minimize the risk of HIV/AIDS infections in youth. Bruno Mars,Bill Clinton, Eva Longoria and designers like Karl Lagerfeld, Versace, Roberto Cavalli and Vivienne Westwood are also among those who’ve created their own special bear for the cause. If you can’t attend the auction, you can see and bid on the bears online at bobbibearauction.com. article by Dorkys Ramos via bet.com
Before he suits up to play Marvel’s Black Panther, Chadwick Boseman will star as a man seeking vengeance in the Ink Factory and EOne thriller “Message From the King.” Fabrice Du Welz is set to direct from a script by Stephen Cornwell and Oliver Butcher. The movie follows a man from South Africa who comes to Los Angeles to avenge the death of his sister.
Boseman’s star has been on a fast rise after he logged starring roles in the Jackie Robinson biopic “42” and played music legend James Brown this year in “Get On Up.” His lead role in Marvel’s upcoming “Black Panther” will further boost his profile. Boseman will next be seen in “Gods of Egypt.” article by Justin Kroll via Variety.com
Pauline Malefane, foreground, of the Isango Ensemble in a reimagining of Mozart’s opera “The Magic Flute” at the New Victory Theater. (EMON HASSAN FOR THE NEW YORK TIMES)
Less glockenspiel, more drumming! A very different sort of “The Magic Flute” took the stage at the New Victory Theater on Sunday afternoon in front of an attentive and appreciative family audience. This two-hour adaptation of Mozart’s fairy tale opera was presented under the Xhosa title “Impempe Yomlingo” by the South African Isango Ensemble, a company that recruits performers from townships in the Cape Town area and presents classics from the Western canon in an updated, African context.
But perhaps “updated” isn’t quite the right word: In the program notes, the show’s director, Mark Dornford-May, relates a myth from the Tsonga tradition about the andlati birds that live high in the mountains and cause terrifying storms and lightning. Only a hero brave enough to seek them out with a magic flute can appease them and avert destruction.
“The story may never have reached Mozart, but the similarities are fascinating nonetheless,” Mr. Dornford-May writes. “Who knows? Maybe one of the greatest pieces of European opera had its roots and inspiration in a South African folk tale.”
Certainly, few productions can match the colorful exuberance and pulsating energy of this “Flute,” or field as versatile a cast as this, in which every member sings, dances and drums. The bare set evokes a township square. The traditional orchestra is replaced by eight marimbas, supplemented by an array of percussion, including djembes, oil barrels, hand clapping and — standing in for Papageno’s glockenspiel — suspended water bottles of graduated pitches. Tamino’s flute is a trumpet, played with jazzy vigor by Mandisi Dyantyis, the ensemble’s co-music director and conductor.
The vocal performances were a testament to South Africa’s deep pool of singing talent. The notes were all there — Pauline Malefane courageously scaled the heights of the Queen of the Night’s arias; Mhlekazi Mosiea was a dignified Tamino; Ayanda Eleki, a proud, patriarchal Sarastro — even if there were times when they audibly strained the limits of the singers’ technique. But the cast offered portrayals with ample personality and charisma, among them Zolina Ngejane’s superfeisty Pamina and Zamile Gantana’s bon-vivant Papageno.
But this African “Flute” is, above all, a story of community, and the music, too, is at its most convincing where it draws on South Africa’s glorious choral tradition. If that means taking liberties with Mozart’s score, fine: Tamino’s taming of Monostatos and his posse of slaves suffers no injury by the infusion of a bit of calypso rhythm. The celebrations that greet Sarastro’s first appearance — complete with ululating women — are a jubilant riot.
The communal aspect also raises the stakes for the lovers’ trials, which are presented as a series of tribal initiation rites, with Tamino’s face painted white, like that of a tribal youngster embarking on a circumcision ritual. In traditional productions, this is often the part of the opera where the tension slackens, but in this post-apartheid setting, the young people’s quest for dignity, wisdom and reconciliation is shown to be of vital importance to everyone.
The African Choir were a group of young South African singers that toured Britain between 1891 and 1893. They were formed to raise funds for a Christian school in their home country and performed for Queen Victoria at Osborne House, a royal residence on the Isle of Wight. At some point during their stay, they visited the studio of the London Stereoscopic Company to have group and individual portraits made on plate-glass negatives. That long-lost series of photographs, unseen for 120 years, is the dramatic centrepiece of an illuminating new exhibition called Black Chronicles II.
“The portraits were last shown in the London Illustrated News in 1891,” says Renée Mussai, who has co-curated the show at London’s Rivington Place alongside Mark Sealy MBE, director of Autograph ABP, a foundation that focuses on black cultural identity often through the use of overlooked archives. “The Hulton Archive, where they came from, did not even know they existed until we uncovered them while excavating their archive as part of my PhD project.”
The London Stereoscopic Company specialised in carte de visites – small photographs printed on cards that were often traded by collectors or used by performers for publicity purposes – and, as their name suggests, they were all in stereo which, when seen through a special viewer, gave the illusion of a three-dimensional photograph.
The enlarged portraits of the African Choir, which line one wall of the exhibition, were made by Mike Spry, a specialist in printing from glass plates who was coaxed out of retirement to undertake the meticulous process in his garden shed. They are arresting both for the style and assurance of the sitters – some of the women look like they could be modelling for Vogue – and for the way they challenge the received narrative of the history of black people in Britain.
“Black Chronicles II is part of a wider ongoing project called The Missing Chapter,” says Mussai, “which uses the history of photography to illuminate the missing chapters in British history and culture, especially black history and culture. There is a widespread misconception that black experience in Britain begins with the arrival of the Empire Windrush and the first Jamaican immigrants in 1948, but, as this exhibition shows, there is an incredible archive of images of black people in Britain that goes right back to the invention of photography in the 1830s.”
Near the African choir shots, there is an equally striking portrait of Major Musa Bhai, a Ceylon-born Muslim who was converted to Christianity in colonial India. He accompanied the family of William Booth, founder of theSalvation Army, to England in 1888 as a high-profile advocate for the organisation. As Mussai notes, there “are several intertwining narratives – colonial, cultural and personal – embedded in these images, but what is often startling is how confident and self-contained many of the sitters are as they occupy the frame.”
Sara Forbes Bonetta. Brighton, 1862. (Photograph: Courtesy of Paul Frecker collection/The Library of Nineteenth-Century Photography)
Black Chronicles II is punctuated by several such surprising shots, some of well-known people but many of ordinary individuals caught up in the indiscriminate sweep of colonial and postcolonial history. Among the former is Sara Forbes Bonetta, perhaps the most celebrated black British Victorian, who was photographed by two pre-eminent portrait photographers, Camilla Silvy and Julia Margaret Cameron.
Captured aged five by slave raiders in west Africa, Forbes Bonetta was rescued by Captain Frederick E Forbes, then presented as a “gift” to Queen Victoria. Forbes, who rechristened the child after his ship, the Bonetta, later wrote of the proud moment when he realised that Forbes Bonetta “would be a present from the King of the Blacks to the Queen of the Whites.”
More haunting is the portrait of Dejazmatch Alamayou Tewodros, an Ethiopian prince who was orphaned at the age of seven, when his father died rather than surrender to the British troops that had surrounded his castle in what was then Abyssinia. Alamayou was brought to England by Sir Robert Napier and adopted by the intriguingly named explorer Captain Tristram Speedy. Alamayou died in England of pleurisy in 1879.
WASHINGTON (AP) — A program designed to foster a new generation of young African leaders will be renamed after former South African President Nelson Mandela.
President Barack Obama, who has said he was one of the untold millions of people around the world who were inspired by Mandela’s life, is set to announce the name change at a town hall-style event Monday in Washington with several hundred young leaders from across sub-Saharan Africa.
The youngsters are participating in the inaugural Washington Fellowship for Young African Leaders, part of the broader Young African Leaders Initiative that Obama launched in 2010 to support a new generation of leadership there. The fellowship is being renamed as a tribute to Mandela, who died last December at age 95.
Obama announced the fellowship during a stop in South Africa last summer. It connects young African leaders to leadership training opportunities at top U.S. universities.
In remarks at Monday’s event, Obama also was announcing new public-private partnerships to create more programs for young African leaders, including four regional leadership centers across Africa, online classes and other resources, the White House said.
Mandela spent 27 years in jail under apartheid, South Africa’s former system of white minority rule, before eventually leading his country through a difficult transition to democracy. In 1994, he became the first democratically elected leader of a post-apartheid South Africa.
This week’s events with the next generation of young African leaders are a lead-in to the inaugural U.S.-Africa Leaders Summit, being held Aug. 4-6 in Washington. About 50 African leaders are expected to attend what the White House says will be the largest gathering any U.S. president has held with African heads of state and government. article by Associated Press via newsone.com
