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Posts tagged as “Solomon Burke”

MUSIC MONDAY: “AfroStones” – A Blues and R&B-Filled Rolling Stones Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Back in the fall of 1981 when I was in my first semester at Columbia College, I became friends with a fellow from a Chicagoland suburb.

He was a dyed-in-the-wool Rolling Stones fan. One afternoon their version of “Just My Imagination” played on the radio near us. I recall mentioning it was a Temptations cover, and with some level of indignation, he told me that Jagger and Richards wrote EVERY song The Stones performed.

I was shocked. We were decades away from being able to Google such matters at the moment. I was forced to leave him to the dubious opinion. I can only hope in the decades since that he’s come to know better.

Not only was that song a cover but the Rolling Stones, for better or worse, have been the heralds of Blues and R&B for generations of Americans who would rather enjoy Black music through the filter of whiteness.

Here is AfroStones, a collection of essential songs performed by Black artists that the Rolling Stones covered.

You will find Chuck Berry, Robert Johnson, The Drifters, and Solomon Burke to name a few. Throughout this collection, the original songs are presented back to back with the Stone’s covers.

Needless to say, along with touring as the opening act for Little Richard, the Stones learned a lot from these songs and built a 50-year career on them.

Mick Jagger has long acknowledged his debt to Black America, but is not a one-way street. This collection also features Black artists covering the Stones.

Sharon Jones, Musiq Soulchild, Etta James, and others. Merry Clayton, who’s featured prominently on “Gimme Shelter”, is present with her own version of the Stones classic.

I’ve also included tracks by De La Soul, Little Simz, Snoop Dogg, and others that feature samples of their music.

As Muddy Waters said in an interview, “They stole my music, but they gave me my name.” Yet he also provided them with their name when they adopted the title of his song, “Rollin’ Stone.”

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC: Celebrating the Season with “The Ultimate Soul Christmas Soundtrack” Playlist (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

I spotted Christmas decorations in Costco by early October and Hallmark Channel has been airing non-stop holiday movies already for weeks, but like many, our family has always marked Thanksgiving to be the point where we officially kick off the holiday season, including breaking out the yuletide tunes.

With that in mind, Good Black News is happy to offer the “Ultimate Soul of the Season Christmas Soundtrack” as a playlist to guide you through the holidays with ease.

[spotifyplaybutton play=”spotify:playlist:2FHQ8HVPzGR0pd9R4Tu1Zm”/]

This is a mega-playlist – 25 hours of music in honor of the 25 days of Christmas leading up to the big day.  It is not meant to be listened to all in one sitting – but rather to be just one-click away as your go-to soundtrack for the month. You can set it and forget it, or hit shuffle and mix it up.

Our inspiration was to capture the mood of those many radio stations around the country that turn to a festive Christmas musical format in the month of December – but with our own specific Good Black News twist.

In our playlist, ALL the songs are by or feature Black artists. Have it on in the background for decorating, cooking, wrapping presents, or just sitting in front of the fire sipping eggnog – and in the process you’ll be supporting Black artists through your streams.

Bettye LaVette Back With New CD and Autobiography

Bettye LaVette  (Chang W. Lee/The New York Times)

WEST ORANGE, N.J. — Bettye LaVette makes no apologies for her life. Sitting cross-legged on an Art Deco chair in her living room here, sipping wine, she was animated and gritty as she talked about the decades she spent singing in clubs and cursing her “buzzard luck,” while her contemporaries, like Aretha Franklin and Diana Ross, became superstars.

“I thought I was going to die in obscurity,” said Ms. LaVette, 66. “I’m still going to die broke but not obscure.”
It has been 50 years since Ms. LaVette, then a teenage mother from a working-class Detroit home, recorded her first single, “My Man — He’s a Lovin’ Man,” which became a hit on Atlantic Records and seemed to foretell a bright future. But she quarreled with Jerry Wexler of Atlantic Records and left the label, and even though she recorded dozens of other R&B singles in the 1960s, including the minor hit “Let Me Down Easy,” her career never took off. She survived as a club performer and appeared in “Bubbling Brown Sugar” on Broadway and on tour. Her long-delayed first album in the early 1980s didn’t sell. By the late ’90s, she was popular only among European R&B enthusiasts.