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Posts tagged as “Showtime”

‘The Chi’ Creator Lena Waithe Sets First-Look Deal at Showtime for Hillman Grad Productions

By goodblacknews on July 28, 2018
Lena Waithe
Emmy Winner Lena Waithe (CREDIT: JORDAN STRAUSS/INVISION/AP/REX/SHUTTERSTOCK)

by Joe Otterton via Variety.com

Lena Waithe has signed a first-look deal with Showtime, the premium cabler announced Tuesday. Under the deal, Waithe will develop comedy and drama projects for Showtime that she will both write and produce through her company Hillman Grad Productions.

“I have been a fan of Showtime for as long as I can remember,” said Waithe. “They make shows that most networks wouldn’t touch and they’ve never been afraid of taking risks. I look forward to introducing my Showtime family to fresh and exciting new voices. I want to make content that will challenge audiences and take them places they never thought TV could go. It’s going to be a fun ride.”

Waithe most recently created and executive produces the Showtime drama “The Chi,” which was renewed for a second season in January.

“We fell in love with Lena’s voice when we ordered her pilot for ‘The Chi’ three years ago, and we have watched in awe at her powerful impact on our industry and our culture,” said Gary Levine, Showtime’s president of programming. “Lena is a creative force of nature and we are delighted that the force will be with us as she makes Showtime her creative home.”

“The Chi” was Showtime’s biggest launch for a drama series in two years and grew its audience in consecutive weeks.

The debut of that series came on the heels of Waithe winning the Emmy for outstanding writing in a comedy series for the “Master of None” episode “Thanksgiving” that she co-wrote. The episode adapted Waithe’s personal experience as a queer black woman coming out to herself and her family into the character of Denise, whom Waithe played.

It was recently announced that her latest script, “Queen & Slim,” will go into production in January starring Daniel Kaluuya for Universal. Waithe also serves as executive producer and writer of the upcoming series “Twenties” at TBS.

Her producing credits include the films “Step Sisters” and “Dear White People,” which later became a Netflix series in which she guest starred. She was also named one of Time magazine’s Most Influential People of 2018.

Source: https://variety.com/2018/tv/news/lena-waithe-the-chi-showtime-deal-1202882463/

Creator and Executive Producer Lena Waithe's Freshman Series "The Chi" Renewed for 2nd Season by Showtime

By goodblacknews on January 30, 2018
The Chi Showtime
CREDIT: COURTESY OF SHOWTIME
by Joe Otterson via Variety.com
Emmy winner Lena Waithe‘s “The Chi” has been renewed for a second season at Showtime, the premium cabler announced Tuesday.
The renewal comes after the series has aired just four episodes of its 10 episode first season. In addition, Ayanna Floyd Davis has signed on for Season 2 as executive producer and showrunner. Davis, who wrote the third episode of the series, has written for and produced shows such as “Empire,” “Hannibal,” and “Private Practice.”
Produced entirely in Chicago, “The Chi” is a coming-of-age story centering on a group of residents who become linked by coincidence but bonded by the need for connection and redemption on the city’s South Side. The series was created and executive produced by actor/writer Waithe.
The ensemble cast for Season 1 includes Jason Mitchel, Jacob Latimore, Ntare Guma Mbaho Mwine, Alex Hibbert, Yolonda Ross, Armando Riesco, and Tiffany Boone.
Source: http://variety.com/2018/tv/news/the-chi-renewed-season-2-showtime-1202681682/

FEATURE: ‘Girls Trip’ Star Tiffany Haddish’s Remarkable Rise

By goodblacknews on October 15, 2017

Comedian and actor Tiffany Haddish (photo via theatlantic.com)

by Michael P. Jeffries via theatlantic.com
When comedian Tiffany Haddish was 9, her stepfather tampered with the brakes on her mother’s car, hoping to kill his partner and her four children. Rather than going out with her mom that day, Haddish asked to stay home and look after her younger siblings—sparing her from the horrific accident that left her mother mentally impaired. As the oldest child, Haddish did what she could to help for three years, from tying her mother’s shoes to paying bills, but eventually Haddish and her siblings were placed in foster care.
Haddish used the trauma and tragedy of her upbringing to ignite what is now a blazing comedy career. As a child, the Girls Trip star was teased for being a foster kid, but Haddish has also talked about maintaining a strong sense of self worth in her recent Showtime standup special, She Ready!: From the Hood to Hollywood. “The state of California paid so much money to make sure I don’t die ‘cause they knew I was gonna be special,” Haddish tells her audience. “They knew it. They was like, ‘This one right here, she gonna be a unicorn.’ And they was right. I’m the last black unicorn, bitch!”
Haddish’s ascent in recent years—debuting on NBC’s The Carmichael Show in 2015 and appearing in the 2016 action comedy Keanu and the summer hit Girls Trip—is a testament to her talent and resilience. But her story also offers insight into what it takes for a black woman in comedy to become successful today. Haddish’s rise points to where systemic roadblocks still lie for performers of color, particularly women, when they first enter the business—and how some barriers to entry may be falling as comedy enters a new golden age, with fewer gatekeepers and more platforms for artists to reach their fans.
Even though Girls Trip has a black director and writers, Haddish faced questions about her low profile. Her agent initially told her that studio executives were looking for someone with a bigger name to play her character, Dina. Haddish told her agent to tell them, “I’ve had a name since 1979. Okay? I was born with a name.” In the end, her rare comedic gifts won out, and reviews of Girls Trip regularly singled Haddish out for praise.

John Singleton-Produced Documentary “L.A. Burning: The Riots 25 Years Later” to Air April 18 on A&E Network 

By goodblacknews on March 17, 2017

Director John Singleton (photo via Variety.com)

article by Cynthia Littleton via variety.com
A&E Network will mark the 25th anniversary of the Los Angeles riots next month with a two-hour documentary from filmmaker John Singleton. “L.A. Burning: The Riots 25 Years Later,” set to debut April 18, tells the story of the civil unrest that shook the nation from the perspective of those who lived through a week of upheaval following a jury’s acquittal of four Los Angeles Police Department officers charged in the 1991 beating of African-American motorist Rodney King.
King’s arrest and savage treatment at the hands of veteran LAPD officers was caught on videotape by a local resident who gave the incendiary footage to KTLA-TV Los Angeles. KTLA’s coverage and airing of the nine-minute recording depicting cops kicking and beating King with batons while he was lying on the ground set off a firestorm of outrage and protest over the LAPD’s treatment of minorities.
The incident coincided with the dawn of the 24/7 news cycle fueled by the growth of cable news and the spread of home video recording technology.Singleton, a native of Los Angeles, was fresh out of USC film school and had just launched his career as a movie director with 1991’s Oscar-nominated “Boyz n the Hood” when the riots erupted on April 29, 1992, the day acquittals of the four officers were handed down by a nearly all-white jury.
Five days of violence and unrest left at least 55 people dead, more than 2,000 injured and inflicted more than $1 billion in property damage.“I believe the 1992 L.A. uprising has never truly been given a voice until now,” Singleton said. “We’ve attempted to chronicle the untold stories and unique perspectives of people whose lives were profoundly affected by this event. As a native Los Angeleno I know the actions of that three-day event didn’t just appear out of thin air. The city was a powder keg boiling at the seams for many years under police brutality and economic hardship of people of color.”
Among those featured in the documentary are actor-activist Edward James Olmos, police officers, rioters, bystanders caught in the crossfire and reporters who covered the upheaval. “L.A. Burning” hails from Entertainment One and Creature Films. The doc is directed by One9 and Erik Parker.
“L.A. Burning” is one of several TV productions in the works to mark the anniversary of the violence that shook Los Angeles and the world. Filmmaker John Ridley is behind the two-hour ABC special “Let It Fall: Los Angeles 1982-1992,” set to air April 28.  On April 18, Showtime will air the documentary “Burn Mother—–r Burn!,” examining the history of racial tensions and rioting in Los Angeles.
To read full article, go to: A&E Network Sets Los Angeles Riots ‘25 Years Later’ Documentary From John Singleton (EXCLUSIVE) | Variety

Pearlena Igbokwe Named President of Universal Television

By goodblacknews on June 3, 2016

Pearlena Igbokwe Universal Television
Pearled Igbokwe (PHOTO COURTESY OF UNIVERSAL TELEVISION) 

article by Daniel Holloway via Variety.com
NBC’s drama development chief Pearlena Igbokwe has formally taken the reins of Universal Television as president.

Igbokwe succeeds Bela Bajaria, who exited the studio after five years earlier this week. She reports to Jennifer Salke, NBC Entertainment president.
“Pearlena’s remarkable track record in drama programming at NBC over the last few years made it clear that she was the ideal choice to lead the studio into its next phase of growth,” Salke said. She cited Igbokwe’s role in developing dramas that have helped NBC rebound.
“Her leadership, vision and taste have resulted in an impressive string of drama successes — from ‘The Blacklist,’ ‘Blindspot,’ ‘Chicago Med,’ ‘Shades of Blue’ and the upcoming series ‘This Is Us,’ ‘Timeless’ and ‘Taken’ — that coincides with our return to a top position among networks. Pearlena also comes to the job with a wealth of experience in television movies and comedy and we have no doubt she will lead our prolific studio forward in a dynamic way.”
Igbokwe’s appointment is expected to strengthen ties between NBC’s broadcast and studio operations. The executive has strong relationships with Salke and NBC Entertainment chairman Bob Greenblatt, with whom she worked at Showtime prior to joining NBC.
Although Universal TV has experienced a great deal of success selling to cable and digital platforms as well as to rival broadcasters, the studio has not been a reliable source of breakout hits for its sister network. NBC’s two biggest dramas — “The Blacklist” and “Blindspot” — both hail from outside studios. Of the three freshman drama series slated for fall on NBC, none originated at Universal TV.
No successor has yet been named to take Igbokwe’s drama-development role at the network.
Igbokwe spent 20 years at Showtime, helping to develop series such as “Dexter” and “Nurse Jackie.” She is well-regarded in television’s creative community, but, having joined NBC in 2012, she is fairly new to broadcast TV, where the volume of original programming running through the development pipeline is far greater than it is in premium cable.
To read more, go to: http://variety.com/2016/tv/news/pearlena-igbokwe-president-universal-television-1201788508/

Idris Elba, John Ridley Limited Series "Guerrilla" Ordered at Showtime

By goodblacknews on April 20, 2016
John Ridley Idris Elba GUERRILLA Showtime
RIDLEY: RYDER SLOANE; ELBA: RAY BURMISTON (image via Variety.com)

article by Daniel Holloway via Variety.com
Showtime has ordered “Guerrilla,” a limited series from “American Crime” creator John Ridley, starring Idris Elba. The six-episode drama will be broadcast in the U.S. on Showtime and in the U.K. on Sky Atlantic.
Ridley will write the bulk of the episodes and direct the first two. A love story set in one of the most explosive political times in U.K. history, the miniseries tells the story of a 1970s London couple who liberates a political prisoner and forms a radical underground cell. The group targets the Black Power Desk, a true-life counter-intelligence unit within Special Branch dedicated to crushing all forms of black activism. Though set against a backdrop of social upheaval and activism, the story focuses on the relationship between the two characters at its center.
“Guerrilla” will be co-produced by Fifty Fathoms and ABC Signature, and will begin production in London late this summer.

“We’re excited to partner with our friends at Sky to bring a fascinating and unexplored story spearheaded by John and Idris, two major creative talents at the top of their game,” said Showtime president and CEO David Nevins. “Guerilla will surely keep our audience at their edge of their seats.”
Elba will serve as executive producer through his Green Door Pictures with Ridley. Patrick Spence and Katie Swinden of Fifty Fathoms, Tracy Underwood of ABC Signature and Michael McDonald of Stearns Castle will also exec produce.
Ridley extended his overall deal with ABC Studios in January for three years. His “American Crime,” which ended its second season last month on ABC, received 10 Primetime Emmy Award nominations last year for season one, with star Regina King winning for outstanding supporting actress in a miniseries or movie. In 2014, Ridley won the Academy Award for best adapted screenplay for “12 Years a Slave.”
“I am both humbled by and impressed with Idris’s passion toward bringing this story to life,” said Ridley. “I share his commitment for populating the culture with driven and complicated people of color, and believe we have great partners on the producorial level, and with our broadcasters Sky Atlantic and Showtime.”
Elba is a four-time Emmy nominee whose TV credits include “The Wire” and “Luther.” He was nominated for a Golden Globe award for his work in last year’s Netflix feature film “Beasts of No Nation.” His upcoming films include “Star trek: Beyond” and “The Dark Tower.”
“It’s been a long time desire of mine to collaborate with Mr. Ridley and his work here is nothing short of a masterclass in character building and story-telling,” Elba said. “TV is in for a treat.”

Common Set to Produce Black Coming-Of-Age Drama For Showtime

By goodblacknews on August 17, 2015

'China: Through The Looking Glass' Costume Institute Benefit Gala - ArrivalsCommon has been acting for a while (“Selma”, “Now You See Me”, “Just Wright”, “Single Ladies”, “American Gangster”) , and now he’s starting to get in the game behind the scenes too. According to reports, Showtime picked up an untitled drama from Common, who will be producing a scripted drama with Lena Waithe, who is one of the producers of Dear White People. 
The show will be a coming-of-age drama that will explore the life of a young African-American male, in which simply growing up can be a matter of life and death. Waithe will write the script and executive produce the Fox 21 drama along with Common.
“The two creative forces behind the show, both hailing from Chicago’s South Side, give this pilot an unparalleled authenticity. Lena Waithe is an extremely fresh, talented young writer with a unique voice and a deeply thoughtful perspective into the world where she grew up. I immediately gravitated to her script, which is emotional, funny, tragic and relevant, all at once. And, we are so fortunate to have artist and visionary Common for his first producing project in scripted television,” said Showtime president David Nelson in a statement.
I get the feeling that this story will be loosely based on Common’s own life growing up in Chicago. It’s cool that cable networks are starting to get more on board with diversity in TV programming.
article by Starr Rhett Roque via hellobeautiful.com

FX Picks Up John Singleton's TV Pilot "Snowfall"

By goodblacknews on May 1, 2015

Director/Producer John Singleton
Director/Producer John Singleton

According to Deadline.com, John Singleton’s take on the beginnings of the crack cocaine trade in Los Angeles has found a new home. Originally bought by Showtime, John Singleton’s Snowfall pilot has now been picked up by FX, Presidents of Original Programming Nick Grad and Eric Schrier announced today.
“Snowfall takes us on a wild ride through one of LA’s most fascinating cultural and social periods, and no one can tell this story better than John Singleton,” said Schrier. “The pilot script by John and Eric brilliantly depicts the era through the story of three captivating characters, and we can’t wait to see John’s execution of it.”
Singleton (“Boyz In The Hood”, “Baby Boy”, “Higher Learning”, “Shaft”) co-created and co-wrote the early-1980s set Snowfall pilot with Eric Amadio and will direct the pilot for FX Productions, with production set to start this summer. Justified’s Dave Andron will serve as an Executive Producer along with Singleton, Groundswell Productions’ Michael London, Amadio and Trevor Engelson. With the drug storm about to come, Snowfall focuses on a trio of main characters – ambitious dealer Franklin Saint, ex-Mexican wrestler and now gangster Gustavo Zapata and prodigal son Logan Miller.
“I have always been fascinated with that volatile moment in time before crack changed everything,” added Singleton. “It’s a tense, insane and sexy era that touched every aspect of our culture. I couldn’t have better partners for this journey.”
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

"Saturday Night Live" Writer Leslie Jones Becomes Show's Latest Cast Member

By goodblacknews on October 20, 2014
'Saturday Night Live' Adds New Cast

According to Variety.com, NBC’s “Saturday Night Live” has added Leslie Jones, a member of its writing staff, to the cast.  She’ll begin in this role as regular performer starting with this week’s Jim Carrey-hosted episode.

The comedian was a contender in the search for a new cast member of color last fall. The spot went to Sasheer Zamata, but producers decided to bring Jones on as a writer.  Jones is the latest “SNL” cast member to be plucked from the writing staff.  Michael Che, the new Weekend Update co-anchor, was also upped from his spot as a writer earlier this season.
Jones has appeared several times on SNL’s Weekend Update segment, including one in the 40th season premiere, proving her onscreen chops. She also starred in her own comedy special, “Problem Child,” for Showtime.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

Spike Lee To Adapt His Feature "She’s Gotta Have It" As Series For Showtime

By goodblacknews on May 15, 2014

She's_Gotta_Have_It_film_posterSpike Lee is revisiting his debut feature, 1985′s She’s Gotta Have It, on the small screen. Showtime has put in development a half-hour series adaptation that updates the film, with Lee set to write and attached to direct. The project is taking a new, contemporary look at the characters and willspike leeexplore Lee’s unique and provocative points of view about race, gender, sexuality, relationships, and the gentrification in Brooklyn.

Showtime is a fitting home for the project as the pay cable network has built a whole slate of half-hour series that straddle comedy and drama in the tone of She’s Gotta Have It.

Lee made his breakthrough with She’s Gotta Have It, which he shot in 12 days during the summer of ’85 on a budget of $175,000.  The film, starring Tracy Camilla Johns as a young, sexually independent Brooklynite who juggles three suitors (Tommy Redmond Hicks, John Canada Terrell, Lee), ended up grossing $7,137,502 at the U.S. box office. It helped usher in the American independent film movement of the 1980s and paved the way for other black filmmakers.

article by Nellie Andreeva via Deadline.com