by Alison Flood via theguardian.com
A year after NK Jemisin became the first black person to win the Hugo Award for Best Novel, the African American author has landed the prestigious science fiction prize for the second year running.
Jemisin was announced as the winner of the best novel Hugo at Worldcon in Helsinki, Finland on Friday. She took the prize, which is voted for by fans, for The Obelisk Gate, the follow-up to her Hugo award-winning novel The Fifth Season. The series is set in a world that is constantly threatened by seismic activity, and where the mutants who can control the environment are oppressed by humans.
The New York Times called Jemisin’s writing in the series “intricate and extraordinary”. Hugos administrator Nicholas Whyte said that 3,319 people voted in this year’s award, the third-highest vote total ever and the highest participation in the Hugos for a Worldcon outside the US or UK. “There’s been a very high level of genuine engagement and thoughtful participation,” said Whyte. “People can read into that what they like.”
To read more, go to: Hugo awards 2017: NK Jemisin wins best novel for second year in a row | Books | The Guardian
Posts tagged as “science fiction”
by Karen Wada via latimes.com
Octavia E. Butler was a powerful and pioneering voice in science-fiction. The first black woman acclaimed as a master of the genre, she was known for vivid, expertly crafted tales that upended conventional ideas about race, gender and humanity. Although her creations were bold, Butler, who grew up poor in Pasadena, was “a private, reflective person who struggled with shyness and self-doubt,” said Natalie Russell, curator of a new exhibition at the Huntington Library, Art Collections, and Botanical Gardens in San Marino, CA.
How such struggles influenced her life and art is one of the themes explored in “Octavia E. Butler: Telling My Stories.” Russell said the show uses an invaluable resource — the author’s archive — to examine both her published work and “who she was as told through her personal papers.”
Butler, who died at 58 in 2006, willed the Huntington 354 boxes of materials, a bequest Russell describes as “huge and unedited because Octavia kept everything and passed away unexpectedly after a fall.” She said the exhibition, which runs through Aug. 7, presents about 100 items, including manuscripts, photographs and notebooks filled with writing and self-motivational notes, including one that reads in part, “My novels go onto the bestseller lists. … So be it! See to it!”
Butler started writing science-fiction as a child. She spent years working to establish her career — and a new vision of what’s possible in a genre dominated by white men. Along the way, Russell said, she needed reassurance and reinforcement.
To read more, go to: At the Huntington, see the inspirational note black sci-fi writer Octavia Butler wrote to herself – LA Times
One of Octavia Butler’s books will finally see the light of film. Butler’s Dawn, which is the first book of the late sci-fi novelist’s Lilith’s Brood collection, is being developed into a TV series. According to Deadline, Allen Bain has made the novel his first acquisition under his company.
Dawn tells the story of humanity’s last survivors who are saved by an ancient alien race right before the destruction of Earth. Humans are given the choice of either mating with the aliens to create a new mixed species or go extinct.
“The Lilith’s Brood trilogy is both timely and poignantly accessible as we continually grapple with questions of racial identity in our country, as well as our own place in an increasingly globalized world.”
Butler was a pioneering sci-fi novelist, and became the first science fiction writer to win the MacArthur Fellowship, aka the “Genius Grant.” She died in 2006 and was posthumously inducted into the Science Fiction Hall of Fame in 2010.
article by Starr Rhett Roque via hellobeautiful.com
After Earth
Cast: Will Smith (Cypher), Jaden Smith (Kitai), Sophie Okonedo (Faia), Zoe Kravitz (Senshi) Director: M. Night Shyamalan; Rated: PG-13
After Earth did something I wasn’t expecting… it made me think. Better than I was anticipating, this film isn’t exactly what it seems and I’m glad I saw it with my teenage son, given what this film is really about. After Earth is wearing a carefully marketed disguise. If you are expecting a Smith/Smith epic sci-fi action-packed adventure popcorn flick… well, you get some of that. But actually, at its core the film is a coming-of-age tale about the evolution of a relationship between a career-driven father and his teenage son. It’s about the struggle of a parent and child being forced to find a connection and faith in one another after tragedy and circumstance befall them. All the sci-fi galaxy hoo-ha is just a backdrop.
The movie takes place on a futuristic planet Earth where fearless uber soldier, General Cypher Raige (Will Smith), and his cowardly son, Kitai (played by Smith’s real-life son, Jaden) unexpectedly crash land. Every entity on this planet poses a threat and has evolved to kill humans instinctively. The spaceship’s broken in two and the sole survivors need to recover the tail in order to be rescued. When Cypher discovers he has broken both legs after the crash landing, there is no choice but to rely on Kitai to make this journey alone, which is troubling because he does not possess his father’s lack of fear.
It’s an interesting choice to bench action star Will Smith. He’s flat on his back most of the film. Unlike in most of his sci-fi themed movies, the power of Will is not saving the day. This one’s on Jaden and he needs every bit of his Karate Kid training to trudge through evolved Earth. Cypher can only guide Kitai with his voice throughout the journey to the half of their ship that contains a beacon signal that must be deployed if they are to be rescued. It is the responsibility of a parent to provide his child with the proper tools to do well on his own. But what do you do when you’re a fearless hero and your child is well… not?
After Earth begins with Kitai not making ranger staus. He’s prone to stress, panic attacks and straight-up fear. Okay, so he’s not exactly the super soldier his father is. Cypher possesses the rare skill of being able to shut out fear which makes his enemies unable to see, smell, or locate him. Kitai does not possess this gift. This proves disappointing to Cypher. His mother, Faia, played by Sophie Okonedo, establishes that Kitai has a better relationship with his mother; perhaps some bonding with Dad is in order. This is how Kitai ends up on a business trip with his father Cypher.
But something else is going on between these two which reveals itself in several flashbacks. Kitai had a sister, Senshi (Zoe Kravitz), who was killed by a predator called an Ursa. Senshi, played effortlessly by the delightfully easy-to-watch Zoe Kravitz, gives us a glimpse into what happened to Kitai and why he is so tormented. He blames himself for surviving an Ursa attack that took his sister’s life and he believes his father blames him as well. Thus the theme of family and familial stuff that needs to be worked out progresses.
If I had not seen this film with my own teenaged son, I’m not sure I would have enjoyed it as much as I did. I related to the parent-and-teen tug of war. The film has some cool moments once you let go of the fact that Will Smith is not going to get up and go save his real-life son. It’s all on Jaden, and despite a rocky start (Jaden speaks in an accent I can only describe as, well… not great. It’s supposed to be Australian… I think? It’s so distracting, I thought… uh,oh I can’t sit here. But my son was into the movie and Big Willy always makes me laugh, so I committed to relaxing and enjoying my mother/son time), the Karate Kid training pays off in spades. Jaden shows us his cool footing during climbs, jumps and a really entertaining glide through the air.
After Earth was adventurous for sure. The special effects were fine – nothing “Earth” shattering. Having a teen carry a mega-film is a big ask. Jaden does okay. He gets better as his character evolves; perhaps this is because the character grows closer to the real-life, confident Jaden. It’s very hard even for a second to get past the fact that you are watching Will Smith and his son Jaden. My take is this: because Will Smith is such an action star and Jaden was so definable in the Karate Kid, and they are such a well-known, real-life family, believing these two as space son and Dad was always going to be an automatic hurdle for the audience. If Jaden was any other actor playing against any other actor, maybe I wouldn’t be judging him with a magnifying glass.
All in all, After Earth is not the surefire summer blockbuster we had hoped for, but movie making is tough and the Smiths are entertaining in any form.
Reviewed by Lesa Lakin
Shonda Rhimes and her producing partner Betsy Beers, have teamed up with David DiGilo for a sci-fi drama/thriller at ABC titled Mila 2.0, an adaptation of a yet-to-be-released novel by Debra Driza of the same name. Mila 2.0 is the first book in a what will be a series of novels about a teenage girl who discovers that she is an experiment in artificial intelligence.
It’s being described as a Bourne Identity–style trilogy with action, with a riveting exploration of what it really means to be human. DiGilio will pen the script and executive produce alongside Rhimes and Beers.
Rhimes also has I Hate L.A. Dudes, with Issa Rae, and The Mix with writer John Hoffman – both currently set up at ABC; and the FBI drama Under the Gun, with writer Peter Nowalk for NBC. All in addition to Grey’s Anatomy, Scandal and Private Practice, all on ABC already, although Private is in its final season.
article by Courtney via blogs.indiewire.com