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Posts tagged as “Schomburg Center For Research In Black Culture”

Schomburg Center for Research in Black Culture Announced as a 2015 Recipient of Nation’s Highest Museum and Library Honor

By goodblacknews on April 22, 2015
Schomburg Center for Research in Black Culture, located at 515 Malcolm X Boulevard New York, NY, 10037 (Photo: nypl.org)
Schomburg Center for Research in Black Culture (515 Malcolm X Blvd., New York, NY, 10037 (Photo: nypl.org)

The Institute of Museum and Library Services today announced the Schomburg Center for Research in Black Culture, a research center of the New York Public Library, as one of 10 recipients of this year’s National Medal for Museum and Library Service. The National Medal is the nation’s highest honor given to museums and libraries for service to the community. For 21 years, the award has celebrated institutions that present extraordinary and innovative approaches to public service to make a difference for individuals, families, and communities. The award will be presented at an event in Washington, D.C., on May 18. 

The Schomburg Center, located in Harlem, NY, is one of the world’s leading research facilities devoted to the preservation of materials on the global African and African diasporan experiences. A focal point of Harlem’s cultural life, the Center also functions as the national research library in the field, providing free access to its wide-ranging noncirculating collections. It also sponsors programs and events that illuminate and illustrate the richness of black history and culture. The Schomburg Center contains over 10 million items and provides services and programs for constituents from the United States and abroad. In 2015, the Schomburg Center will be celebrating its 90th anniversary year. 

“These National Medal recipients have demonstrated a genuine understanding of their communities and are committed to addressing community needs,” said Maura Marx, acting director of the Institute of Museum and Library Services. “IMLS believes museums and libraries are vital community anchors that enhance civic engagement, cultural and educational opportunities, and economic vitality. The remarkable community contributions these institutions have made are proof positive of this.”

“The Schomburg Center is honored to be the recipient of this year’s IMLS Award,” says Schomburg director Dr. Khalil Gibran Muhammad. “Since 1925, the Schomburg Center has been home to many of the world’s greatest writers, historians, and artists, from James Baldwin to Maya Angelou to Harry Belafonte, and thousands in between. As we celebrate our 90th year and in recognition of the National Medal, we are strengthening our foundation so as to be an indispensable resource for the next generation of storytellers, history-makers, and world-changers.”  

"For Colored Girls" 40th Anniversary Commemorated In New York Art Exhibition

By goodblacknews on September 22, 2014

ntozake_shangeCommemorating the 40th anniversary of Ntozake Shange’s groundbreaking choreopoem For Colored Girls is an introspective exhibition, i found god in myself, which is kicking off the fall season at The New York Public Library’s Schomburg Center for Research in Black Culture from Sept. 19 to January 2015.  Her work i found god in myself explores issues of femininity and gender, love and loss, empowerment and sisterhood.

Since its debut performance in California in 1974, Shange’s work has captivated, provoked, inspired and transformed audiences all over the world. Since, the work has remained a cornerstone of feminist, black, and LGBTQ-theory studies in colleges and theaters alike, both in the United States and abroad.
Shange is a past recipient of the The Women of Power Legacy Award, which recognizes outstanding impact, achievement and leadership by women in business, the arts, education, government and other influential industries. Black Enterprise recognized Shange in 2011 for her body of work as a playwright, poet, and self-proclaimed feminist who addressed issues relating to race and gender.
Turning to the choreopoem not simply as an engaging work of text or drama but as a well of social, political and deeply personal issues affecting the lives of women of color, the New York exhibition will feature 20 specially commissioned pieces in honor of each individual poem, additional non-commissioned artworks on display at satellite locations that address the work’s themes and archival material donated by Shange. The exhibition’s title is drawn from one of the last lines recited in the finale poem a laying on of hands. The title suggests that navigating through the complexities of what it means to be of color and female is only enlightened by an understanding, acceptance and appreciation of self. With self-empowerment comes the process of  “…moving to the ends of their own rainbows.”

Museum of UnCut Funk Curators Loreen Williamson and Pamela Thomas Hit the Road with "Funky Turns 40" Exhibition of Black Animation Images

By goodblacknews on March 20, 2014
“Fat Albert and the Cosby Kids” is among the animated series highlighted in a new traveling exhibition at the Schomburg Center for Black Culture. CreditCollection of Museum of UnCut Funk

Growing up in the 1970s at opposite ends of New York State, two girls were immersed in all things cool, black and funky.

Saturday morning cartoons won their hearts. Loreen Williamson, in Rochester, and Pamela Thomas, in the Bronx, would park themselves in front of the The Jackson 5ive, featuring a tiny Michael sporting a big Afro, and Josie and the Pussycats, with the black tambourine-playing Valerie Brown performing in a hip girl band.

Eventually, the two met and bonded over their mutual interests. Not content to leave the funk (or their pasts) behind, Ms. Williamson, now 49, and Ms. Thomas, 51, have amassed more than 300 pieces of black animation art from the 1960s and ’70s, a collection that they believe is one of the world’s most extensive in that field. In 2007, they created the Museum of UnCut Funk, an online showcase for original animation cels, posters, storyboards and other objects celebrating black culture of the 1970s and its standard-bearers. Now, the two collectors have hit the road with a traveling museum exhibition, Funky Turns 40: Black Character Revolution, which represents 24 animated productions, including Saturday morning and after-school cartoons and animated feature films.

Pamela Thomas, left, and Loreen Williamson, who created the exhibition, have have amassed more than 300 pieces of black animation art from the 1960s and ’70s. (Photo Credit: Christopher Gregory for The New York Times)

The revolution that it documents is from stereotype to superhero: Funky, which is currently at the Schomburg Center for Research in Black Culture in Harlem and will travel to museums in Chicago, Seattle and West Reading, Pa.honors the cartoons’ image-affirming black characters, including those of The Harlem Globetrotters, Kid Power, Schoolhouse Rock and Fat Albert and the Cosby Kids.

The programs are more than entertaining nostalgia, the two curators and some cultural historians say. They represent the fruits of a struggle for a say in the representation of blacks in television images, among other rights, and the newfound ability of popular black entertainers to get such programming on the air, based on their own appeal to a wide audience.

The shows offered a striking counterpoint to the previous stereotypical portrayals of blacks as buffoons in mainstream films, books, theater, advertising and cartoons. “It shows a time in American history when art and diversity and civil rights aspirations all came together,” said Christopher P. Lehman, a professor of ethnic studies at St. Cloud State University in Minnesota and the author of The Colored Cartoon: Black Representation in American Animated Short Films, 1907-1954 (University of Massachusetts Press).  “Before 1970, African-Americans were not much on television at all, except as the domestic servants of Jack Benny and Danny Thomas or as guests on variety series.”

It was no accident that Hey, Hey, Hey, It’s Fat Albert, described by curators as the first “positive” black-cast cartoon on TV (and the basis of the later series), was an NBC prime-time special in 1969, or, in the same vein, The Jackson 5ive, the first Saturday morning cartoon series featuring black musicians, made its debut in 1971. Both were created by two entertainment powerhouses, Bill Cosby (Fat Albert and the gang were part of his stand-up comedy routine) and Berry Gordy Jr., the founder of Motown Records, who marketed the family music act to appeal to the broadest possible audience.

Recalling her generation’s response, Ms. Williamson, who works as an independent consultant for marketing and business, said, “We got to see Martin Luther King’s dream, at least in cartoon form.”

“There was a lot of cross-pollination with what was going on in black culture,” she said. “You could watch the cartoons, go to the concerts, see the stars on variety shows. And our white friends were watching, too.” Ms. Thomas, a preschool teacher, said: “It made me feel like, wow, I see myself on TV. I started feeling good about myself.”

Online Museum Celebrates Pioneering Black Animation

By goodblacknews on December 28, 2013

An ad for "Fat Albert and the Cosby Kids" (via Museum of UnCut Funk)
An ad for “Fat Albert and the Cosby Kids” (via Museum of UnCut Funk)

Think of trailblazing black TV shows, and The Cosby Show immediately comes to mind. But before the Cliff Huxtable, there was Fat Albert, Bill Cosby’s beloved animated creation that became famous for his catchphrase, “Hey, hey, hey!” Fat Albert and the Cosby Kids began airing in 1972, around the same time that other cartoons and animated shows finally began featuring black characters that weren’t all embodiments of negative stereotypes. “It wasn’t until the early 1970’s that Saturday Morning television cartoons started to feature image affirming Black characters with a modern look and positive story lines that delivered culturally relevant messages,” writes Pamela Thomas, aka SistaToFunky, on the website of her online Museum of UnCut Funk.
The museum, which I discovered thanks to a recent NPR story, is a treasure trove of African-American pop cultural artifacts and ephemera, from Blaxploitation movie posters to black comic books. Perhaps the most extensive is the black animation collection, which includes extensive explanatory texts, YouTube links, and original production cels and drawings. Thomas, who has a degree in black history from City College and is a former art dealer, focuses not just on shows with all-black casts, like Fat Albert and The Jackson 5ive cartoon, but on black characters that popped up in other shows, like Josie and the Pusscats’ Valerie Brown, whom she dubs the “first positive Black female character in a Saturday morning cartoon series”; and the “first Black male superhero character in a Saturday morning cartoon,” Schoolhouse Rock’s Verb (“I can question like: What is it? / Verb, you’re so demanding,” the song goes).
Production cel for "Schoolhouse Rock! Verb! That's What's Happening" episode
Production cel for “Schoolhouse Rock! Verb! That’s What’s Happening” episode

The Museum of UnCut Funk is an internet rabbit hole that you can (and should) easily get lost in for hours. It has no physical home yet, but I can only hope it will one day. In the meantime, Thomas has organized a physical exhibition, Funky Turns 40: Black Character Revolution, focused on black characters in Saturday morning cartoons. It opens at New York’s Schomburg Center for Research in Black Culture in February, and will travel to Chicago’s DuSable Museum of African American History and Seattle’s Northwest African American Museum afterwards.
article by Jillian Steinhauer via hyperallergic.com

New Harriet Tubman Opera to Preview at Harlem's Schomburg Center on 12/9

By goodblacknews on December 1, 2013

Harriet Tubman

AOP (American Opera Projects), and the Schomburg Center for Research in Black Culture will co-present an evening of scenes from Nkeiru Okoye‘s folk opera Harriet Tubman: When I Crossed That Line to Freedom that tells of how a young girl born in slavery, becomes Harriet Tubman, the legendary Underground Railroad conductor. The musical excerpts will be followed by an artist Q&A moderated by WQXR’s Terrance McKnight. The concert will be presented on Monday, December 9, 2013 at 6:30 PM at the Langston Hughes Auditorium: 515 Malcolm X Boulevard, New York, NY 10037-1801. General admission will be $10 ($8 for Schomburg Society Members) and available by calling (212) 491-2206 or visiting www.showclix.com/event/HarrietTubman.

Harriet Tubman will include performances by soprano Sumayya Ali (Lincoln Center, Berkshire Opera, Sarasota Opera), soprano Sequina DuBose (Lyric Opera of Chicago, Opera Memphis, PAB Theater), contralto Nicole Mitchell (Lincoln Center Festival, Sarasota Opera), tenor Clinton Ingram (Metropolitan Opera, New York City Opera, Teatro Real), and baritone Damian Norfleet (Perseverance Theater, AMAS Musical Theater, Prospect Theater Company). The evening will feature a string ensemble with music direction by Mila Henry, stage direction by Beth Greenberg (New York City Opera) and WQXR’s Terrance McKnight moderating a Q&A with the artists.
Using a mixture of opera and vernacular folk music, featuring gospel spirituals, ragtime, early blues, minstrel songs, work songs, call and responses, and field hollers, Harriet Tubman: When I Crossed That Line to Freedom tells this important chapter of American history in the context of Tubman’s tight-knit family of lively characters and two sisters vowing that nothing but death will separate them, despite the slavery threatening to tear them apart. The work is in development at Brooklyn-based AOP who has featured music from Tubman at venues such as Galapagos Art Space, SUNY Albany, and the Brooklyn Public Library Main Branch.
A semi-staged performance of the entire Harriet Tubman opera will be presented by AOP in February 2014 at Brooklyn’s Irondale Center as part of Lines of Freedom, a theatrical celebration of African-American history. Presentations of Harriet Tubman: When I Crossed That Line to Freedom are supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and a generous grant from the National Endowment for the Arts (NEA) Art Works.
To learn more about the show, go to: broadwayworld.com
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Gordon Parks Photos: New York Museum To Mark Photographer's 100th Birthday With New Exhibit

By goodblacknews on January 23, 2013
Gordon Parks Photos
The State Museum in Albany, NY is marking the 100th birthday of photographer Gordon Parks with an exhibit of his works.  The show opens on Jan. 26  and will showcase six decades of Parks’ photographs.  It will include his most famous photo, “American Gothic, Washington, D.C.,” which shows a black cleaning woman standing in front of an American flag with a broom and a mop.
State Education Commissioner John King says Parks’ work helped drive the Civil Rights movement by exposing the stark realities of life faced by many African Americans.
The State Museum display is organized by the Schomburg Center for Research in Black Culture. The exhibit includes images from the Farm Security Administration and Office of War Information collections at the Library of Congress.
article by Associated Press via huffingtonpost.com

Collector Russell L. Goings Prepares To Disperse Rarely-Seen Romare Bearden Trove

By goodblacknews on October 23, 2012

At first glance the modest living room with parquet floor and track lighting resembles any space with an indifferent housekeeper: papers abound, stacks of paintings lean against walls, an indistinct jumble of items swallows a small table. But then Russell L. Goings starts pulling out what he calls his “stuff,” and his home improbably transforms into a personal art gallery, one brimming with his extensive collection of work by Romare Bearden, the 20th-century artist best known for his soulful collages of African-American life. Bearden also happened to be Mr. Goings’s longtime close friend.