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Posts tagged as “Ruth Brown”

Celebrating Vocalist Nancy Wilson for #JazzAppreciationMonth (LISTEN)

Celebrating Vocalist Nancy Wilson for #JazzAppreciationMonth (LISTEN)

By goodblacknews on April 12, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

In continued celebration of #JazzAppreciationMonth, today we drop in on the underappreciated yet cherished and deeply talented song stylist Nancy Wilson, who was at one time in the 1960s the second most popular act on Capitol Records behind only the Beatles.

To read about Wilson, read on. To hear about her, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, April 12, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Ohio native Nancy Wilson claimed her gift early, knowing by age four she was meant to be a singer. Encouraged by jazz saxophonist and bandleader Julius “Cannonball” Adderley, Wilson moved to New York in 1959 and landed a contract with Capitol Records.

The success of Nancy’s debut single “Guess Who I Saw Today,” led to a rush of album recordings, and to that tune becoming one of the signature songs of her career:

[Excerpt of “Guess Who I Saw Today”]

Wilson’s classic 1962 album recorded with Cannonball Adderley [Nancy Wilson/Cannonball Adderley] contained her first Billboard R&B chart hit, the gorgeous ballad “Save Your Love for Me”:

[Excerpt of “Save Your Love for Me”]

From her 1964 album of the same title, Wilson scored her first pop hit, reaching number 11 on the Hot 100 chart with “How Glad I Am”:

[Excerpt of “How Glad I Am”]

Wilson won her first Grammy for that song and had four top 10 albums on the Billboard charts between 1964 and 1965, becoming during that period Capitol Records’ second-biggest selling act behind only the Beatles.

Wilson released more than 70 albums in her five-decade recording career, and won two more Grammys 40 years after her first win, both for Best Jazz Vocal Album, in 2005 for R.S.V.P. (Rare Songs, Very Personal) and 2007 for Turned to Blue.

[Excerpt of “That’s All” from R.S.V.P.]

In 2004, Nancy Wilson was honored as a Jazz Master by the National Endowment for the Arts, and for her work as an advocate of civil rights, which included participating in the 1965 Selma to Montgomery march in Alabama.

She received an award from the Martin Luther King Jr. Center for Nonviolent Social Change in 1993 and also in 1998 she won an N.A.A.C.P. Hall of Fame Image Award.

Although Wilson was lauded as a jazz vocalist, she preferred to think of herself a song stylist, as she drew from a variety of influences, which she spoke about in detail during an interview on grammys.com:

“So, consequently, I was exposed to male influences. From early on, I heard Nat Cole I heard [?????] Jackson and Louis Jordan – loved Louis Jordan. I heard Billy Billy, Mr. B. I mean, he was just, I mean, my father thought Billy Eckstine was like, couldn’t – he walked on water. He loved B. And I heard Little Jimmy Scott with Lionel Hampton‘s big band. I would imagine that was when I was around 10. So basically, it was all male. And, and not gospel. I heard Jimmy Cleveland, James Cleveland, and C.L. Franklin, and his choir from my mom used to play that. So, I got to hear it all. And I enjoyed all of it. And then of course, I became a teenager. I mean, I was allowed to go out.

And there was a jukebox where I heard Little Esther, and I heard Little Miss Cornshucks. I heard LaVern Baker. I definitely heard Dinah and I heard Ruth Brown – I used to love Ruth Brown. That was where I got the exposure to R&B females. Was a quite a while – I think I was pretty much almost grown like 15 when I became exposed to – Sarah had some hit pop songs and I heard Sarah Vaughan and that I loved. “I Ran All the Way Home” was my big song. Also one of my big numbers was the Ravens tune called “You Saw Me Crying in the Chapel.”

So I sang these songs in variety shows and I’m like ninth grade, 10th grade, so, these were the things that really made things happen for me. The fact that I did not I had no idea that you were supposed to be afraid, or that you needed to be nervous. Because to me that had no part of what I did. I was not nervous about it at all. Loved to sing – loved the lyrics to songs always. Yeah.”

 

To learn more about Nancy Wilson, check out the Jazz Profiles series she hosted on National Public Radio, read her 2007 interview on the National Endowment for the Arts website, watch her 1994 interview on Detroit Black Journal on YouTube, her 1962 appearance on Jazz Scene USA currently on YouTube, an 80-song Nancy Wilson playlist curated by yours truly on Apple Music or Spotify, and of course, buy or stream as much Nancy Wilson music as you can online.

Links to these sources and more provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Intro and outro beats provided by freebeats.io and produced by White Hot.

All excerpts of Nancy Wilson’s music included are permitted under Fair Use.

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Sources:

[Photo: David Redfern/Redferns]

MUSIC MONDAY: “Is You Is Or Is You Ain’t” – A Jump Blues Collection (LISTEN)

MUSIC MONDAY: “Is You Is Or Is You Ain’t” – A Jump Blues Collection (LISTEN)

By goodblacknews on January 11, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

For many of you riding along with these weekly playlists, some of these “points” may sound familiar.

The popular narrative of the originals of Rhythm & Blues and Rock and Roll leans heavily on the hardscrabble southern bluesman narrative.

The mythic trip to the crossroads and the juke joint circuit stories promoted by so many historians and rock legends leaves out the urban sophistication of Jump Blues artists and their contribution to the music we all love today.

[spotifyplaybutton play=”spotify:playlist:47GWb0G3Bhgp82EcW5QqHt”]

Jump blues evolved from the music of big bands like those of Lionel Hampton and Lucky Millinder. These groups of the early 1940s produced musicians such as Louis Jordan, Jack McVea, Earl Bostic, and Arnett Cobb that would start their own smaller groups.

These Jump groups became hugely popular in the late 1940s and early 1950s. Artists such as Louis Jordan and His Tympany Five, Big Joe Turner, Roy Brown, Charles Brown, Ruth Brown, Helen Humes, T-Bone Walker, Roy Milton, Billy Wright, Wynonie Harris, Buddy Johnson, Sonny Terry and Brownie McGhee, and others produced hard-driving dance music that contributes mightily to the birth of Soul and Rock.

This is another collection that comes with a “Rumpshaker Warning” Enjoy!

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)
Born On This Day in 1928: Ruth Brown, Grammy and Tony Award-Winning “Queen of R&B” and Musicians’ Rights Activist

Born On This Day in 1928: Ruth Brown, Grammy and Tony Award-Winning “Queen of R&B” and Musicians’ Rights Activist

By goodblacknews on January 12, 2019

by Lori Lakin Hutcherson (@lakinhutcherson)

Ruth Alston Brown (born Ruth Weston), singer-songwriter and actress known for hit songs such as “So Long,” “Teardrops from My Eyes,” “5-10-15 Hours,” “(Mama) He Treats Your Daughter Mean” and “Oh What A Dream” which earned her the nicknames “Miss Rhythm” and “Queen of R&B,” was born January 12, 1928 in Portsmouth, VA. She would have been 91 years old today.

In 1945 when she was just 17, Brown ran away from her home in Portsmouth along with trumpeter Jimmy Brown, whom she married, to sing in bars and clubs.  According to biography.com, Brown would later discover that Jimmy was already married and their marriage was legally void.

By the time Brown learned of Jimmy Brown’s bigamy, she had already developed a reputation under his surname, so she kept the name Ruth Brown as a stage name for the rest of her life.

Brown soon spent a month with singing with Lucky Millinder‘s orchestra. Famous bandleader Cab Calloway‘s sister Blanche Calloway, owner of the Crystal Caverns nightclub in Washington D.C., became Brown’s manager and offered Brown a regular gig performing at her club. Willis Conover, the future Voice of America disc jockey, caught Brown’s act and recommended her to Atlantic Records bosses Ahmet Ertegün and Herb Abramson.

Brown was unable to audition for Atlantic as planned because of a car crash, which resulted in an almost year-long stay in the hospital. Regardless, she signed with Atlantic Records and Brown’s series of hits for Atlantic Records in the 1950s had many referring to the record label as “the house that Ruth built.”

Nevertheless, Brown’s popularity and R&B charts success did not translate into personal financial wealth. Due to a practice known as “whitewashing,” in which white singers covered black artists’ songs without permission, Brown’s records never sold nearly their full potential. Furthermore, Atlantic Records made Brown pay her recording and touring expenses out of pocket—costs that nearly equaled her cut of the sales.

According to wikipedia.org, during the 1960s, Brown faded from public view, moved to Long Island, New York, where she worked various part-time jobs as a teacher’s aide, school bus driver and maid just to make ends meet.

Brown returned to music in 1975 with the help of comedian Redd Foxx, and a series of comedic acting jobs followed. These included roles in the 1988 John Waters film Hairspray, and the Broadway productions of Amen Corner and Black and Blue. The latter earned her a Tony Award in 1989 as Best Actress in a Musical. She also won a Grammy Award for her album Blues on Broadway that same year.

Bonnie Raitt and Ruth Brown during 8th Annual Rock and Roll Hall of Fame Induction Ceremony, 1993 in Century City, CA, United States. (Photo by Jeff Kravitz/FilmMagic, Inc)

Brown’s fight for musicians’ rights and royalties in 1987 led to the founding of the Rhythm and Blues Foundation to help emerging as well as aging R&B musicians. The nonprofit was financed by a settlement with Atlantic Records. Brown, who is also aunt to legendary Hip-Hop artist Rakim, was inducted into the Oklahoma Jazz Hall of Fame in 1992 and the Rock and Roll Hall of Fame in 1993.

Brown died in a Las Vegas–area hospital on November 17, 2006, from complications following a heart attack and stroke she suffered after surgery the previous month. She was 78 years old. Brown is buried at Roosevelt Memorial Park in Chesapeake City, Virginia.

One of the first great divas of modern American popular music, Brown’s songs provided a blueprint for much of the rock ‘n’ roll that soon came after her. In addition to the musical legacy she left, Brown also left future artists a more artist-friendly environment, thanks to her tireless work to reform the royalty system. To get a glimpse of Brown, and hear her legendary voice and style, click below:

Run-D.M.C. to Become 1st Rappers to Receive GRAMMY Lifetime Achievement Award

By goodblacknews on January 14, 2016
Run-D.M.C.
Run D.M.C. will receive a GRAMMY Lifetime Achievement Award alongside Earth, Wind & Fire, Herbie Hancock and Jefferson Airplane (Michael Ochs/Getty)

Run-D.M.C. are among the artists who will receive a Lifetime Achievement Award from the GRAMMYs this year. The iconic rap group will be honored at a ceremony and concert to be held this spring. In addition to naming the Queens rappers, the Recording Academy also announced it will honor Ruth Brown, Celia Cruz, Earth, Wind & Fire, Earth, Wind & Fire, Jefferson Airplane and Linda Ronstadt with the award.

“I just got a call from the Grammys!! They shocked me!! We’re the first rappers to get this award!!,” Rev Run tweeted. “Shocked! Grateful!. God is good!! I’m so honored to be a #GRAMMYs Lifetime Achievement Award recipient this year. Thank you to the recording Academy!”

The trio – comprising Rev Run (given name Joseph Simmons), Darryl McDaniels (D.M.C.) and Jason Mizell, who performed as Jam Master Jay – blended their defining style of rap with hard rock elements and jazz touches, which gained them popularity both on the pop and R&B charts and paved the way for many rap groups to follow.
In 2002, following the group’s tour with Aerosmith and a year after the release of Crown Royal, Jam Master Jay was murdered during a studio session in Queens. In the wake of the tragedy, Run and DMC officially disbanded the group. The surviving members have since performed together, including for their reunion in 2012 at Fun Fun Fun Fest.
Though Run-D.M.C. have never previously won a GRAMMY, they were the first rap collective to be nominated for Best R&B Vocal Performance in 1986 before the rap category had been formed, according to FADER.
The 58th Annual GRAMMY Awards will air on CBS on February 15th at 8 p.m. ET.
article by Althea Legaspi via rollingstone.com