Steve McQueen, director of the Oscar-worthy slavery feature 12 Years A Slave, is making his first foray into television with another project featuring a black protagonist. McQueen has teamed with World War Z co-writer Matthew Michael Carnahan, hip-hop mogul/producer Russell Simmons and Oscar-winning producers Iain Canning and Emile Sherman (The King’s Speech) on the drama project, which is in development at HBO.
Co-written by McQueen and Carnahan and to be directed by McQueen, the untitled drama is carrying McQueen’s signature style of provocative filmmaking and is described as an exploration of a young African-American man’s experience entering New York high society, with a past that may not be what it seems. We hear the project, described by some as “Six Degrees Of Separation meets Shame“, 
is being fast-tracked, with casting choices already being explored for a potential shoot before McQueen starts his next movie. McQueen, Carnahan and Simmons executive produce with Canning and Sherman. Canning and Sherman produced McQueen’s second feature, Shame, with Canning also serving as an executive producer on McQueen’s feature debut, Hunger, which won the Camera d’Or in Cannes. McQueen’s third feature, 12 Years A Slave, got off to a strong box office start and is considered a prime Oscar contender. Simmons has been stepping up producing efforts through his recently launched RSTV, which has a first-look deal with HBO. 12 Years A Slave writer John Ridley also just set up a drama series project, a racially-charged murder drama at ABC.
article by Nellie Andreeva and Mike Fleming Jr. via Deadline.com
Posts tagged as “Russell Simmons”
Russell Simmons has amassed close to three million follows on Twitter and the strong presence he holds on the social media site had a powerful impact Wednesday night. Simmons sent Tweets to help raise money for a New-York-based anti-violence program that has launched a campaign on the fundraising site Crowdtilt.
The program, called Life Camp, is a non-profit violence prevention program that is hoping to raise $100,000 to help end gun violence and provide positive alternatives to kids and young adults. “During the prior eighteen months, before our full program was implemented, 17 people had been shot in our community,” wrote Erica Ford, the executive director of Life Camp. “Once our program was fully operational, we had 340 days of NO SHOOTINGS in our target area in South Jamaica, Queens.”
According to the Crowdtilt page, a government grant was delayed, which ultimately led to the closing of the community center. Since most of the program’s resources have been exhausted, the program’s founders turned to the crowd funding site to raise money. Simmons announced on Twitter that he has donated $10,000 to the campaign and asked followers to give money to the cause by promising retweets to those who said they pledged.
“Who can give $5, $10, $20 to save program that has saved lives of so many young people?? NO MORE BULLETS IN THE HOOD! http://tilt.tc/snyD,” he wrote. This followed his earlier tweet which said, “first ten people to donate $10 or more to keep one of the most critical anti-violence programs open, gets a RT.”
He kept his word – soon, followers responded to the call and Simmons thanked them for their kindness via Twitter. By the end of the night, Simmons reported that more than $775 was raised. There are still 27 days left in the fundraising campaign and the program has not yet reached half of their target goal. The money will be used towards initiatives like keeping the community center open and to restart the program’s “I Love My Life” campaign tours in local churches and schools.
To learn more about “Give Life to LIFE Camp! No More Bullets In The Hood” campaign, click here.
article by Lilly Workneh via thegrio.com
The program, called Life Camp, is a non-profit violence prevention program that is hoping to raise $100,000 to help end gun violence and provide positive alternatives to kids and young adults. “During the prior eighteen months, before our full program was implemented, 17 people had been shot in our community,” wrote Erica Ford, the executive director of Life Camp. “Once our program was fully operational, we had 340 days of NO SHOOTINGS in our target area in South Jamaica, Queens.”
According to the Crowdtilt page, a government grant was delayed, which ultimately led to the closing of the community center. Since most of the program’s resources have been exhausted, the program’s founders turned to the crowd funding site to raise money. Simmons announced on Twitter that he has donated $10,000 to the campaign and asked followers to give money to the cause by promising retweets to those who said they pledged.
“Who can give $5, $10, $20 to save program that has saved lives of so many young people?? NO MORE BULLETS IN THE HOOD! http://tilt.tc/snyD,” he wrote. This followed his earlier tweet which said, “first ten people to donate $10 or more to keep one of the most critical anti-violence programs open, gets a RT.”
He kept his word – soon, followers responded to the call and Simmons thanked them for their kindness via Twitter. By the end of the night, Simmons reported that more than $775 was raised. There are still 27 days left in the fundraising campaign and the program has not yet reached half of their target goal. The money will be used towards initiatives like keeping the community center open and to restart the program’s “I Love My Life” campaign tours in local churches and schools.
To learn more about “Give Life to LIFE Camp! No More Bullets In The Hood” campaign, click here.
article by Lilly Workneh via thegrio.com
Playing the role of a slave woman at one of the country’s top-tourist destinations, actress and comedian Azie Mira Dungey learned first hand how ignorant many Americans are about the institution of slavery. For two years, Dungey worked part-time at George Washington‘s Mount Vernon mansion in Mount Vernon, Va., often portraying one of the slave women who worked inside of Washington’s home. The role required her to read countless books on the plantation’s history over a two month period before she started the job.
Once she stepped into character, Dungey realized that she was more than just a recent New York University graduate milling around in a short-term gig until Hollywood called; instead, Dungey believed that she was something of a griot of Black history and took her role very seriously.
And her job wasn’t easy. Often, Dungey has had to answer challenging questions from mostly White tourists — all while staying in character.
During an exclusive interview with NewsOne, Dungey recalled the time someone asked, “What’s your favorite part of the plantation?” (Her answer: “My bed”) Then there was the guy who asked, “How did you get to be the house maid for such a distinguished Founding Father? Did you see the advertisement in the newspaper?”
(Her answer: “Did I read the advertisement in the newspaper? Why yes. It said, ‘Wanted: One housemaid. No pay, preferably mulatto, saucy with breeding hips. Must work 18 hours a day. No holidays. But, you get to wear a pretty dress. And, if you’re lucky, you might to get carry some famous White man’s bastard child.’ So, you better believe I read that, ran over and said, ‘sign me up.’” ).
But not all of the obtuse questions came from White people.
After speaking to an older Black man about a runaway slave who attempted to flee Washington’s plantation, the man seemed shocked at the slave’s attempt at freedom. “He was like, ‘Wait a minute, why did he want to run away?’” Dungey recalls the man asking. “‘I thought that George Washington was a good slave owner.’”
“I just looked at him, like, Are you serious?… You can be the nicest in the world but people don’t want to be your slave. And the man was like, ‘Yeah, that’s true.’”
As aforementioned, though, as comical as some of the questions were, Dungey never broke character. Dungey was committed to ensuring that she conveyed the reality in which her character lived. In her role, Dungey realized that she may be one of the few people from whom they can get some sense of how Blacks lived during a very repressive period in American history.
“History is our narrative,” she said. “It shapes what we think of ourselves and our society. How it is controlled, and whose stories get told (or not told) has a strong effect on culture, and even on public policy. Black history is not a separate history or a less important one. Misconceptions about Black history and the modern Black experience is really dividing us politically and socially. If we don’t understand racism and where it comes from, how can we end it? How can we weed it out? We have to be critical of these things to make true progress.”
She left that job late last year and has since moved to Los Angeles to pursue an acting career, but the two-year experience motivated her to turn the hilarity of the tourists’ ignorance into the YouTube web series “Ask A Slave.” As “Lizzie Mae,” Dungey sits in front of a TV and answers viewers’ questions about slavery and George Washington.
All of the questions are ones tourists actually asked while she was working at Mount Vernon.
Watch Episode 1 of “Ask A Slave” here:
[youtube=http://www.youtube.com/watch?v=X1IYH_MbJqA&w=420&h=315]
Since going live with two videos Sept. 1, the first episode has garnered more than 301,100 views, while the second episode has more than 119,000 views. It’s not a bad start at all, especially considering that Dungey raised the funds for production herself.
Watch Episode 2 of “Ask A Slave” here:
[youtube=http://www.youtube.com/watch?v=AEaNduN88DQ&w=420&h=315]
Back in April, she raised $3,000 through the crowdsourcing site GoFundMe to shoot six episodes, which will be published on YouTube each Sunday. The series was directed by Jordan Black, creator of the improvised comedy web series “The Black Version.” The first two episodes have gotten positive reviews from Jezebel, MadameNoire, as well as other sites, with Gawker’s Neetzan Zimmerman calling it “the best web series since “Drunk History.”
Celebrities, activists, artists and media descended upon Bridgehampton, New York last Saturday July 28 to help raise more than $1.5 million — and counting — for Danny and Russell Simmons’ fourteenth annual Art For Life Benefit. The event, held at Russell Simmons’ Fairview Farms East Hampton estate, helped to raise money for the Rush Philanthropic Arts Foundation, which provides arts education opportunities for inner-city youth.
“It’s very important that kids get a chance to practice and appreciate art,” Russell Simmons said of his inspiration for the benefit and organization, because, “it informs everything that we do. Nothing happens without creativity.” Guests included Michael Strahan, Nicole Murphy, Anthony Anderson, Rev. Al Sharpton, Star Jones, Angela Simmons and more. Youthful new faces such as Skylar Diggins, Olivia Culpo, Nana Meriwether, Melanie Fiona and Tahira Jose were also seen on the scene to bring attention to the importance of promoting culture among our youth.
Soledad O’Brien hosted the gala, while special performances included Estelle, Rick Ross and Maxwell. There was even a surprise performance by Doug E. Fresh. This year’s theme, ‘A Field of Dreams,’ highlighted the creativity of New York City youth and honored individuals in the community for their contributions, career achievements and philanthropic work.
Honorees included Samuel Englebardt and William D. Johnson of Demarest Films, writer Walter Mosley, Ann Pasternak of Creative Time and filmmaker Tyler Perry. Attendees agreed that the arts are an integral part of any child’s upbringing. “As a parent I want them to be able to read. I want them to be able to write and do mathematics. That’s all really important. But they also, to be human beings, have to understand how to express themselves,” Soledad O’Brien said. The final amount raised by the Art For Life Benefit the will be announced when the online auction, hosted by Charitybuzz, closes on August 7.
article by Nia Hamm via thegrio.com
LOS ANGELES (AP) — Lil Wayne, Ron Howard, Scarlett Johansson and Kim Kardashian are all on the same page when it comes to criminal justice reform.
They’re among more than 100 entertainers calling on President Barack Obama to focus on changing drug laws. Rap mogul Russell Simmons helped assemble the coalition of celebrities and civil rights leaders that presented a letter to the president on Tuesday.
The group praises the president’s efforts toward drug incarceration reform but insists “the time is right” to move toward replacing jail sentences with intervention and rehabilitation for non-violent offenders. The starry group, which also includes Jennifer Hudson, Nicki Minaj, Susan Sarandon and Will Smith, also asks Obama to form a panel to handle clemency requests and to support a measure that allows judges to waive mandatory minimum sentences.
“It is critical that we change both the way we think about drug laws in this country and how we generate positive solutions that leave a lasting impact on rebuilding our communities,” Simmons said, citing Department of Justice data that shows that the United States jails more of its citizens than any other country in the world.
Drug offenders comprise nearly half the federal prison population in the U.S.
Copyright 2013 The Associated Press via thegrio.com
Hip-hop mogul Russell Simmons attends the after party for the Gucci, Cinema Society & the Film Foundation screening of ‘La Dolce Vita’ at the Top of The Standard Hotel on June 1, 2011 in New York City. (Photo by Stephen Lovekin/Getty Images)
Known around the globe as a hip-hop pioneer, Russell Simmons’ passion for breaking new talent, particularly among urban youth, is well-documented and well-respected. What largely flies under the radar, though, is his patronage of the arts in all forms, from the turntable to the easel, and his belief in the transformative effect that exposure to culture and having artistic outlets can have on the lives of urban youth.