Sly Stone turned 78 years old on the 15th of this month. I thought it was a good time to spotlight him and The Family Stone with a playlist.
His work has had a potent effect on the course of modern music. Sly and The Family Stone served a dazzling fusion of psychedelic rock, soul, gospel, jazz, and Latin flavors.
The trailblazing classic “Dance To the Music” has the distinction of being chosen for the Grammy Hall Of Fame, the Rock And Roll Hall Of Fame’s “500 Songs That Shaped Rock,” and Rolling Stone magazine’s “500 Greatest Songs Of All Time.”
This collection gathers many of his hits including “Everyday People,” “Thank You (Falletinme Be Mice Elf Again)” and “Family Affair,” “Stand!,” “Hot Fun in the Summertime,” “Runnin’ Away,” “If You Want Me To Stay,” “Time For Livin’,” and more.
From Miles Davis and Herbie Hancock to the halls of Motown and George Clinton’s P-Funk, from Michael Jackson and Curtis Mayfield, down the line to Bob Marley, the Isley Brothers, Prince, Public Enemy, Red Hot Chili Peppers, The Black Eyed Peas, Beastie Boys, The Roots,OutKast and on and on, Sly’s influence can be felt throughout popular music.
This is another one that comes with Rumpshaker Warning. Have a great week.
While Spike Lee’s upcoming BlacKkKlansmanmovie has already received critical acclaim ahead of its August 10th release, viewers are in for a treat at the end of the movie when a Prince song plays; something the award-winning director believes was meant to be.
Lee spoke to Rolling Stone about the Prince cover of the Negro spiritual “Mary Don’t You Weep” that plays at the end of the movie. Lee said that the song was perhaps a divine sign from the deceased singer.
“I knew that I needed an end-credits song. I’ve become very close with Troy Carter, one of the executives at Spotify [and a Prince estate advisor],” said Lee. “So, I invited Troy to a private screening. And after, he said, ‘Spike, I got the song.’ And that was ‘Mary Don’t You Weep,’ which had been recorded on cassette in the mid-Eighties.”
“Prince wanted me to have that song, I don’t care what nobody says. My brother Prince wanted me to have that song, for this film,” he says emphatically.
“There’s no other explanation to me. This cassette is in the back of the vaults. In Paisley Park. And all of a sudden, out of nowhere, it’s discovered? Nah-ah. That ain’t an accident.”
According to The Hollywood Reporter, during the world premiere of BlacKkKlansman at the Cannes film festival, the audience broke out in applause about a half-dozen times during the movie. And they were so moved by the end of the film, that they clapped for four minutes during the credits and then stood up for a six-minute standing ovation.
Making this feature even more timely and culturally significant is the fact that Lee has decided to release it on August 10th, the one-year anniversary of the Charlottesville, Va., white nationalist rally. Denzel Washington’s son, John David Washington, portrays the movie’s lead character, Ron Stallworth. The movie is based on a true story.
Here’s part of his Rolling Stone interview.
On Jordan Peele’s initial BlacKkKlansman script and what was missing:
“They acquired Ron Stallworth’s book and felt it needed more flava. And that’s what I brought. I was grateful for the opportunity because I had never heard of Stallworth. I didn’t know his story. People say, “That is too unbelievable to be true.” And that’s what makes it such a great story.”
On deciding to include footage from the Charlottesville riots:
“We started shooting in September. When Charlottesville happened, I knew that was going to be the ending. I first needed to ask Ms. Susan Bro, the mother of Heather Heyer, for permission. This is someone whose daughter has been murdered in an American act of terrorism — homegrown, apple-pie, hot-dog, baseball, cotton-candy Americana. Mrs. Bro no longer has a daughter because an American terrorist drove that car down that crowded street. And even people who know that thing is coming, when they see it, it’s like, very quiet.”
On if he saw any of Denzel Washington in John David Washington:
“John David is amazing in this movie. That phrase ‘the fruit doesn’t fall far from the tree’ — there’s a reason people say that. He is Denzel Washington’s first son. That’s a big, big burden. But he’s also his own man. I have a history with him. His first film was Malcolm X. At the end of the movie, when the kids say, “My name is Malcolm X!” He’s one of the kids. He was about six years old.”
Despite a low approval rating, Rolling Stone magazine has put President Barack Obama on its cover as one of the ““one of the most consequential and, yes, successful presidents in American history.”
The declaration, made by Nobel Prize-winning economist Paul Krugman, is found in a story written by Krugman, who defends the commander-in-chief to prove why he’s been successful during his final two years in office.
“Obama faces trash talk left, right and center – literally – and doesn’t deserve it. Despite bitter opposition, despite having come close to self-inflicted disaster, Obama has emerged as one of the most consequential and, yes, successful presidents in American history,” Krugman wrote. “His health reform is imperfect but still a huge step forward – and it’s working better than anyone expected. Financial reform fell far short of what should have happened, but it’s much more effective than you’d think. Economic management has been half-crippled by Republican obstruction, but has nonetheless been much better than in other advanced countries. And environmental policy is starting to look like it could be a major legacy.
As successful as he claims Obama has been, Krugman notes the criticism the President has received from various critics.
“First, however, let’s take a moment to talk about the current wave of Obama-bashing. All Obama-bashing can be divided into three types. One, a constant of his time in office, is the onslaught from the right, which has never stopped portraying him as an Islamic atheist Marxist Kenyan. Nothing has changed on that front, and nothing will,” he said Krugman. “There’s a different story on the left, where you now find a significant number of critics decrying Obama as, to quote Cornel West, someone who ”posed as a progressive and turned out to be counterfeit.” They’re outraged that Wall Street hasn’t been punished, that income inequality remains so high, that ”neoliberal” economic policies are still in place. All of this seems to rest on the belief that if only Obama had put his eloquence behind a radical economic agenda, he could somehow have gotten that agenda past all the political barriers that have con- strained even his much more modest efforts. It’s hard to take such claims seriously.
“Finally, there’s the constant belittling of Obama from mainstream pundits and talking heads,” he continued. “Turn on cable news (although I wouldn’t advise it) and you’ll hear endless talk about a rudderless, stalled administration, maybe even about a failed presidency. Such talk is often buttressed by polls showing that Obama does, indeed, have an approval rating that is very low by historical standards.
“But this bashing is misguided even in its own terms – and in any case, it’s focused on the wrong thing.”