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Posts tagged as “Renee-Elise Goldsberry”

Marsai Martin to Executive Produce and Amber Ruffin to Host Girls Inc. Inaugural Film Festival on June 13

Marsai Martin to Executive Produce and Amber Ruffin to Host Girls Inc. Inaugural Film Festival on June 13

By goodblacknews on June 11, 2021

Producer, actor and entreprenueur Marsai Martin (Black-ish, Little) will executive produce Girls Inc.’s inaugural film festival, which will be held virtually this June 13 starting at 4pmPT/7pmET.

Amber Ruffin, creator and star of Peacock‘s The Amber Ruffin Show, takes on hosting duties for the ticketed festival that will also include appearances by Tracee Ellis Ross, Venus Williams, Hoda Kotb, and Tina Fey.

The ticketed fest will feature live and pre-taped appearances as it offers a series of short films featuring “an inspiring group of girls and young women who represent a new generation of leaders and change,” per Girls Inc. Renée Elise Goldsberry, Darnell Martin, Melinda Hsu Taylor, Busy Philipps and Amber Stevens West directed the projects.

To quote hollywoodreporter.com:

During a VIP reception, Martin and Fey will host a panel to discuss the next generation of female producers. Later, during the program Girls Inc. will hand out a series of honors to Netflix’s Bela Bajaria, Walgreens Boots Alliance’s Rosalind Brewer, ballerina Misty Copeland, Schultz Family Foundation’s Sheri Kersch Schultz, and Moderna COVID-19 vaccine developer and Harvard T.H. Chan School of Public Health assistant professor Dr. Kizzmekia Corbett. Also booked to perform during the event is Broadway and recording star Shoshana Bean.

Girls Inc. president and CEO Stephanie J. Hull said the inaugural festival is an “exciting opportunity” for girls to share their experiences through film. “The event will feature compelling stories from a group of girls and young women who represent a new generation of leaders and changemakers. Collaborating with Marsai Martin on this endeavor is a dream come true — she leads by example and inspires girls everywhere to believe in themselves and see no limit to their potential.”

Said Martin: “It gives us a chance to spotlight the next generation of talented filmmakers. It’s also important that we give young girls an opportunity to use their voices.”

Tickets to the virtual event and more information can be found here.

RISE UP: Why "Hamilton: An American Musical" is Still a Must-See

RISE UP: Why "Hamilton: An American Musical" is Still a Must-See

By goodblacknews on July 10, 2016

Cast of "Hamilton" (
Cast of “Hamilton: An American Musical” performing “My Shot” (photo via nytimes.com)

by Julie Bibb Davis
by Julie Bibb Davis

The first song I heard from the Hamilton soundtrack was “My Shot.”  This song, the third one in the first act, serves the important role of introducing the ten-dollar-founding-father-without-a-father Alexander Hamilton: his burning ambition, his sophisticated oratory, his commitment to revolution.  But the verse that hit me the hardest, that immediately told me that something exceptional was going on with this show, was this one, sung by young abolitionist John Laurens (played by Anthony Ramos):
 
Rise Up!

When you’re living on your knees, you rise up

Tell your brother that he’s gotta rise up

Tell your sister that she’s gotta rise up

This verse — in the show an exhortation to the 18th century colonists to revolt against the British government — is universal and timely enough to be a rallying cry for any recent social justice movement.  As soon as I heard it, I knew Hamilton was trying to do something special.  Without being didactic or preachy, Hamilton was telling people to stand up for their rights, take a seat at the table, and participate in America.  

Much ink has been spilled about Hamilton: about its innovative hip-hop structure, its diverse cast, its best-selling cast album (including time at No.1 on the Billboard Rap charts), its unprecedented popularity on Broadway, its brilliant and social media-savvy creator Lin-Manuel Miranda, its eleven Tony awards.  But despite its runaway popular success, and its seemingly universal appeal, Hamilton feels to me — and I suspect to many fans — deeply personal.  As a mixed-race person, a lawyer who attended the same college as Hamilton, a federal government employee, and a life-long musical theatre nerd, the combination of the music, the lyrics, and the cast feels urgent and relevant.  

Jessica Davis (l), Tony Ramos (m), Julie Bibb Davis (r) [photo courtesy Julie Bibb Davis]
Jessica Davis (l), “Hamilton” cast member Anthony Ramos (c) and Julie Bibb Davis (r) [photo courtesy Julie Bibb Davis]
For my teenage children, who follow the charismatic and thoughtful cast on Instagram and Snapchat, it has made American history feel applicable to their daily lives in a way their school classes never have.  And when we were fortunate enough to see the show on Broadway, watching the diverse cast play the (white) American founders, and seeing how Miranda has also worked to make what has usually been understood as being primarily a story of men include the contributions of women, had an impact that cannot be overstated.
Hamilton shows the influence of American musical theatre traditions that range from Rodgers & Hammerstein to Sondheim to Disney.  The show is most solidly rooted, however, in black musical traditions.  Hamilton’s hip-hop and rap songs have garnered the most attention, but that only scratches the surface.  “What’d I Miss” is a wonderful homage to Cab Calloway, with elements of ragtime and even funk.  
“The Schuyler Sisters” echoes groups like Destiny’s Child, “Wait for It” starts with a dancehall reggae beat, and “Say No To This” is an R&B slow jam straight out of the 90s.  In addition, most of the original main case is black, including Okieriete Onadowan (Mulligan/Madison), Tony nominee Chris Jackson (Washington), and Tony winners Leslie Odom, Jr. (Burr), Renee-Elise Goldsberry (Anjelica), and Daveed Diggs (Lafayette/Jefferson).