Pulitzer Prize-winning composer, pianist and educator George Walker has died at the age of 96. Walker’s death was announced to NPR by one of his family members, Karen Schaefer, who said he died Thursday at Mountainside Hospital in Montclair, N.J. after a fall.
Walker’s music was firmly rooted in the modern classical tradition, but also drew from African-American spirituals and jazz. His nearly 100 compositions range broadly, from intricately orchestrated symphonic works and concertos to intimate songs and solo piano pieces.
“His music is always characterized by a great sense of dignity, which is how he always comported himself,” says composer Jeffrey Mumford, who, as a music professor at Lorain County Community College in Ohio, uses examples of Walker’s music in his classes. “His style evolved over the years; his earlier works, some written while still a student, embodied an impressive clarity and elegance.”
Walker was a trailblazing man of “firsts,” and not just because of the Pulitzer. In the year 1945 alone, he was the first African-American pianist to play a recital at New York’s Town Hall, the first black instrumentalist to play solo with the Philadelphia Orchestra and the first black graduate of the Curtis Institute of Music in Philadelphia.
The following year, Walker wrote his first string quartet. In 1990, he revised the second movement into a new piece, Lyric for Strings, which has become his most often-performed work.
In 1996, Walker broke new ground again when he became the first African-American composer to win a Pulitzer Prize for music. Lilacs for voice and orchestra, set to a text by Walt Whitman, is a moving meditation on the assassination of President Abraham Lincoln.
Colson Whitehead recently won the 2017 Hurston/Wright Award for fiction presented by the Zora Neale Hurston/Richard Wright Foundation. Whitehead was honored for his novel The Underground Railroad(Doubleday, 2016).
The book tells the tale of a slave woman named Cora who escapes from a cotton plantation in Georgia. During her journey North on the Underground Railroad, she kills a young White man who was trying to capture her. The novel has previously won the 2017 Pulitzer Prize for Fiction, the 2016 National Book Award for Fiction, and the Carnegie Medal of Excellence.
A graduate of Harvard University, Whitehead also won aMacArthur Fellowship in 2002. Whitehead has taught at the University of Houston, Columbia University, Brooklyn College, Hunter College, New York University, Princeton University, Wesleyan University, and been a Writer-in-Residence at Vassar College, the University of Richmond, and the University of Wyoming.
Tracy K. Smith has been named the new U.S. Poet Laureate by the Library of Congress, succeeding Juan Felipe Herrera. While the role doesn’t carry many specific official duties, it has traditionally involved raising awareness of, and increasing access to, poetry. “I am excited about the kinds of social divides that poetry may be able not just to cross but to mend,” Smith said in an interview with the library.
“One of my favorite things in the world is to sit and talk quietly about the things poems cause me to notice and remember, the feelings they teach me to recognize, the deep curiosity about other people’s lives that they foster. I am excited about carrying this conversation beyond literary festivals and university classrooms, and finding ways that poems might genuinely bring together people who imagine they have nothing to say to one another.” Smith has authored four books of poetry, the most recent of which won the Pulitzer Prize in 2012. Her memoir Ordinary Light was a finalist for the National Book Award in 2015.
In later chapters, she describes going to Harvard (where she joined the Dark Room Collective) as her mother’s health began to fail. In poetry workshops, she writes, “I had discovered that sitting down with an idea and letting it unfold in words and sounds offered me not just pleasure but an indescribable comfort.” Her new collection, Wade in the Water, comes out next April.
To read full article, go to: Library of Congress names Harvard alumna Tracy K. Smith as new Poet Laureate | Harvard Magazine
Princeton University’s Lewis Center for the Arts named Pulitzer Prize-winning poet Tracy K. Smith as the new director of the University’s Program in Creative Writing. Smith, a Professor of Creative Writing on the Princeton faculty since 2005, succeeds National Book Award finalist and poet Susan Wheeler, who has led the program since 2011.
“I’m delighted that Tracy has agreed to take on this leadership role in our world-renowned, undergraduate-focused program in creative writing,” notes Michael Cadden, Chair of the Lewis Center. “A brilliant wordsmith in both poetry and prose as well as a life-changing teacher, Tracy embodies everything that is best about the arts at Princeton and is a most worthy successor to our colleague Susan Wheeler. I look forward to working with her on her vision for the future of what is already an extraordinary program.”
Smith is the author of the memoir Ordinary Light (2015) and three poetry collections: Life on Mars (2011), winner of the 2012 Pulitzer Prize and named as a “Best Book of the Year” by The New Yorker, Publishers Weekly, and Library Journal, a “Notable Book of 2011″ by the New York Times, and as an “Editor’s Choice” by the New York Times Book Review; Duende (2007), winner of the James Laughlin Award and the Essence Literary Award; and The Body’s Question (2003), winner of the Cave Canem Poetry Prize. Smith is also the recipient of the Academy of American Poets Fellowship, a Rona Jaffe Award, and a Whiting Award. From 2009 to 2011 she was the Literature protégé in the Rolex Mentor and Protégé Arts Initiative.
Born in Massachusetts and raised in northern California, Smith earned her A.B. from Harvard University and an M.F.A. in creative writing from Columbia University. From 1997 to 1999 she was a Stegner Fellow in poetry at Stanford University. She taught at Medgar Evers College of the City University of New York, the University of Pittsburgh, and Columbia University before joining the faculty at Princeton.
“I have such deep gratitude and enthusiasm for the community of writers and students here at Princeton,” says Smith. “I’m delighted to step into a position I’ve watched several of my colleagues navigate with such generosity, insight, and grace.”
Princeton’s Program in Creative Writing traces its origins to 1939, when Dean Christian Gauss approached the Carnegie Foundation to help the University focus on the cultivation of writers and other artists. He appointed poet and critic Allen Tate as the first Resident Fellow in Creative Writing. Since then world-renowned writers have served as faculty and visiting guest writers including John Berryman, Elizabeth Bowen, Robert Fitzgerald, Thomas Gunn, Edmund Keeley, David E. Kelley, Lorrie Moore, Philip Roth, Delmore Schwartz, Kevin Young, and Nobel laureates Toni Morrison and Mario Vargas Llosa, as well as Joyce Carol Oates, who recently retired after 37 years on the faculty. Oates will continue to teach one class each year as a Professor Emerita.
Currently the faculty includes award-winning writers Jeffrey Eugenides, Chang-rae Lee, Paul Muldoon, James Richardson, Susan Wheeler, and Edmund White, along with Smith and Jhumpa Lahiri, who joins the faculty in September. Other writers teaching this fall include Michael Dickman, A.M. Homes, Christina Lazaridi, Patrick McGrath, Fiona Maazel, Idra Novey, Hanna Pylväinen, and Monica Youn.
It is with these internationally known writers that over 300 Princeton undergraduates take courses in poetry, fiction, screenwriting, and literary translation each semester, a number that continues to grow.
“For those students serious about becoming writers, the one-on-one mentoring and intimate workshops we offer are on par with the attention and rigor characterizing the best M.F.A. programs,” notes Smith. “Regardless what our students decide to do after graduation, the experience of working alongside such illustrious writers changes their view of language and literature immeasurably.” Students who seek a certificate in creative writing (similar to a minor) in addition to their major area of study, work one-on-one with a member of the faculty on a novel, collection of poems, short stories or translations, or a screenplay.
Some of these senior thesis projects become the first published work by graduates of the program, as was the case for writers Jonathan Ames ’87 and Jonathan Safran Foer ’99. Other graduates from the program include Catherine Barnett ’82, Boris Fishman ’01, Jane Hirshfield ’73, Kristiana Kahakauwila ’03, Galway Kinnell ’48, Walter Kirn ’83, William Meredith ’40, W. S. Merwin ’48, Emily Moore ’99, Jodi Picoult ’87, Julie Sarkissian ’05, Akhil Sharma ’92, Whitney Terrell ’91, and Monica Youn ’93.
In addition to this course of study, the program invites writers of national and international distinction to give a reading and discuss their work. The Althea Ward Clark W’21 Reading Seriesfeatures acclaimed poets and fiction writers, which this year will include Edwidge Danticat, Natalie Diaz, Robert Hass, and Claudia Rankine, among others. The Emerging Writers Reading Series presented in partnership with Labyrinth Books in Princeton showcases new work by seniors in the program along with established writers as special guests, who this year will include Alexander Chee, Eduardo Corral, Ocean Vuong, and Tiphanie Yanique. Occurring monthly from September through May, readings in both series are free and open to the public.
The Program in Creative Writing also hosts an international high school poetry contest and awards the Theodore H. Holmes ’51 and Bernice Holmes National Poetry Prize with recipients such as Mark Doty, Matt Rasmussen, and Evie Shockley. The biennial Princeton Poetry Festival, curated by faculty member Paul Muldoon, features poets from around the world, in recent years presenting readings by Bei Dao, Kwame Dawes, Jorie Graham, Major Jackson, Ellen Bryan Voight, and Ray Young Bear, among others.
Pulitzer Prize-winning playwright Suzan-Lori Parks, who teaches creative writing at the Tisch School of the Arts at New York University, has been selected as the winner of the 2015 Edward M. Kennedy Prize for Drama Inspired by American History. The prize was established by Jean Kennedy Smith, the sister of Senator Edward Kennedy, and is administered by the Center for New Media Teaching and Learning at Columbia University in New York City.
Parks is a graduate of Mount Holyoke College in South Hadley, Massachusetts. She is a former MacArthur Foundation “Genius Award” winner. Professor Parks was awarded the Pulitzer Prize in 2002 for her play “Topdog/Underdog.”
Spare and unsparing, God Help the Child is a searing tale about the way childhood trauma shapes and misshapes the life of the adult. At the center: a woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life; but which caused her light-skinned mother to deny her even the simplest forms of love until she told a lie that ruined the life of an innocent woman, a lie whose reverberations refuse to diminish…Booker, the man Bride loves and loses, whose core of anger was born in the wake of the childhood murder of his beloved brother…Rain, the mysterious white child, who finds in Bride the only person she can talk to about the abuse she’s suffered at the hands of her prostitute mother… and Sweetness, Bride’s mother, who takes a lifetime to understand that “what you do to children matters. And they might never forget.”
PRINCETON, N.J. (AP) — The papers of Nobel laureate Toni Morrison are now part of the permanent library collection of Princeton University. Princeton made the announcement Friday, shortly before the 83-year-old Morrison took part in a forum at the school where she served on the faculty for 17 years.
The renowned author’s papers contain about 180 linear feet of research materials documenting her life, work and writing methods. They include manuscripts, drafts and proofs of many of Morrison’s novels. Materials for her children’s literature, lyrics, lectures, correspondence and more are also part of the collection.
Additional manuscripts and papers will be added over time, beginning with the manuscript of Morrison’s next novel, which is expected to be published in the spring.
Morrison, who won the Pulitzer Prize for her novel “Beloved” in 1988, came to Princeton in 1989 and was a member of the university’s creative writing program until she retired in 2006. In 1994, she founded the Princeton Atelier, bringing together undergraduate students in interdisciplinary collaborations with acclaimed artists and performers.
“Toni Morrison’s place among the giants of American literature is firmly entrenched, and I am overjoyed that we are adding her papers to the Princeton University Library’s collections,” Princeton President Christopher Eisgruber said. “We at Princeton are fortunate that (Morrison) brought her brilliant talents as a writer and teacher to our campus 25 years ago, and we are deeply honored to house her papers and to help preserve her inspiring legacy.”
Morrison received an honorary doctorate during the school’s 2013 commencement.