article by Brian Sternberg via Variety.com
Oprah Winfrey, the inspirational talk-show host, TV executive, billionaire and interviewer, will join CBS newsmagazine “60 Minutes” in the fall, the network announced Tuesday.
“Her body of work is extraordinary, including thousands of interviews with people from all walks of life. She is a remarkable and talented woman with a level of integrity that sets her apart and makes her a perfect fit for ’60 Minutes,’” said Jeff Fager, the program’s executive producer, in a prepared statement. “I am thrilled that she will be bringing her unique and powerful voice to our broadcast.”
Winfrey has a longstanding and unique relationship with CBS. The company agreed red on 1999 to purchase King World Productions, a syndicated-TV powerhouse that launched Winfrey’s famous and durable talk show. At the time, Winfrey, a substantial King World shareholder, was expected to control one-half a percentage point of CBS stock.
The relationship stands today: Winfrey is an executive producer of CBS’ syndicated “Dr. Phil” program. CBS did not offer details of the types of segments Winfrey might contribute to “60 Minutes.” But she is known for her ability to get even the most famous actor or actress to disclose close-held feelings and emotions. One of the show’s most penetrating interviewers of celebrities, Morley Safer, retired from the newsmagazine last year, just days before passing away.
To read more: Oprah Winfrey Joins 60 Minutes as Contributor | Variety
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article by Lori Lakin Hutcherson (follow @lakinhutcherson)
The National Museum of African American History and Culture takes center stage on ABC Television tonight. The network will air “Taking the Stage: African American Music and Stories that Changed America” on ABC stations nationwide at 9 pm EST/8 pm CST.
Filmed live at the John F. Kennedy Center for the Performing Arts as part of the Grand Opening celebration of the Museum, the program features an all-star tribute of music, dance, and spoken word on the African American experience. Oprah Winfrey, Stevie Wonder, Mary J. Blige, and Tom Hanks are among the many artists who participated in the program, which includes a special salute to the Tuskegee Airmen.
The special will feature new film footage of iconic items from the museum’s collections – items ranging from a plane used to train the famed Tuskegee airmen for World War II combat duty to a bible owned by Nat Turner. The film is accompanied by music, dance and dramatic readings by a wide range of stage and screen actors.
#TakingtheStage
article by Gordon Cox via Variety.com
Ava DuVernay’s “13th” opened the 54th New York Film Festival with a jolt of topical urgency, shaking up tradition as the first documentary to kick off the festival and addressing head-on the issue of mass incarceration and its historical roots. The crowd at the premiere screening rose to its feet when the credits rolled — and then did it a couple more times after that: once when the lights came up on the filmmakers, activists and academics involved in the film, and again when DuVernay appeared for a brief talkback after the movie.
Heightened security measures, a reaction to the Sept. 17 bombing in Chelsea, made the opening the first in recent memory to involve bomb-sniffing dogs and security wands. Famous faces including Oprah Winfrey, Common and Don Lemon turned out for the film, which confronts issues at the forefront of the current political conversation: race, inequality, the fallout of slavery, police brutality and Black Lives Matter.
“This moment, this Black Lives Matter moment, it’s not a moment. It’s a movement,” said DuVernay on the red carpet before the film’s world premiere (in words she would later echo when she addressed the crowd in the theater). “People thought, ‘Oh, will it last?’ Well, it has lasted. It’s changed things. It’s forced candidates to talk about things that they did not talk about in previous elections. It’s opened people’s minds. It’s changed art-making. It’s changed music. People are seeing things through a different filter now.”
To read full article, go to: http://variety.com/2016/film/news/new-york-film-festival-2016-opening-13th-ava-duvernay-1201875308/
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In 2013, when the founders of the Smithsonian’s National Museum of African American History and Culture were seeking donors, people directed them to one man: Robert F. Smith.
“We kept wondering, ‘Who is this Robert Smith?’ ” said Adrienne Brooks, director of development for the museum. Meeting Smith became a priority, said Lonnie G. Bunch III, the museum’s founding director. “We wanted to meet him. And soon,” Bunch said, laughing.
Soon many more people will know Robert Smith by name as the museum celebrates its grand opening this weekend. The private-equity financier was the museum’s second-biggest private donor, with a $20 million gift. Oprah Winfrey was No. 1, with $21 million.
Smith has built a fortune that’s made him one of the nation’s richest men — worth $2.5 billion, according to Forbes — but until now he has kept his work and philanthropy relatively quiet.
Even the website of his company, Vista Equity Partners, does not have a picture of him. Better, he had thought, that investors and executives know him first by his abilities. If they saw only the caramel skin of an African American, he might lose out on opportunities.
As Vista’s chairman and chief executive, he is in the business of buying, growing and selling off software companies. Vista’s portfolio has 35 companies with $26 billion in assets under management. He is the majority shareholder of Vista’s management company.
Beyond Wall Street and Silicon Valley, Smith long enjoyed moving in relative obscurity. That changed last fall when Forbes magazine put him on its cover, with an article for which he declined to be interviewed.
Now in an exclusive interview with The Washington Post, he’s ready to talk about his life’s work and the powerful social force that has pulled him out of the shadows: the racial tension escalating across the nation. Smith said he grew fearful that the very fabric of the country that allowed his parents to earn doctorate degrees and him to build a successful business is vulnerable.
Watching TV news, he saw the unrest in Ferguson, Mo., after the 2014 fatal shooting of an unarmed black youth, Michael Brown, by police. Last year he watched the turmoil following Freddie Gray’s funeral in Baltimore. Across the land, he feared, a sense of opportunity is giving way to rising hopelessness and despair.
“The vision I was sold as a kid is unraveling. I see the little tears in the fabric of society every day. This cannot be,” Smith said in the interview.
[A peek inside the National Mall’s latest edition: Tour the museum]
His philanthropic efforts go back years. Through the Fund II Foundation, of which he is the founding president, he has supported nonprofit groups that focus on African American culture, human rights, music education and the environment.
It was time to emerge, he thought, and do more. “We have to do something,” he said. “We have to do something for our community.”
To read full article, go to: https://www.washingtonpost.com/national/who-is-this-robert-smith-a-quiet-billionaire-makes-some-noise-with-20-million-gift-to-the-african-american-museum/2016/09/23/547da3a8-6fd0-11e6-8365-b19e428a975e_story.html
article by Graham Bowley via nytimes.com
Eleven years ago, Lonnie G. Bunch III was a museum director with no museum. No land. No building. Not even a collection.
He had been appointed to lead the nascent National Museum of African American History and Culture. The concept had survived a bruising, racially charged congressional battle that stretched back decades and finally ended in 2003 when President George W. Bush authorized a national museum dedicated to the African-American experience.
Now all Mr. Bunch and a team of colleagues had to do was find an unprecedented number of private donors willing to finance a public museum. They had to secure hundreds of millions of additional dollars from a Congress, Republican controlled, that had long fought the project.
And they had to counter efforts to locate the museum not at the center of Washington’s cultural landscape on the National Mall, but several blocks offstage. “I knew it was going to be hard, but not how hard it was going to be,” Mr. Bunch, 63, said in an interview last month.
In less than three weeks, though, with President Obama presiding, the new museum, a project that once thirsted for money, land and political support, is scheduled to open on the Mall.
Visitors to the $540 million building, designed to resemble a three-tiered crown, will encounter the sweeping history of black America from the Middle Passage of slavery to the achievements and complexities of modern black life.
But also compelling is the story of how the museum itself came to be through a combination of negotiation, diplomacy, persistence and cunning political instincts. The strategy included an approach that framed the museum as an institution for all Americans, one that depicted the black experience, as Mr. Bunch often puts it, as “the quintessential American story” of measured progress and remarkable achievement after an ugly period of painful oppression.
The tactics included the appointment of Republicans like Laura Bush and Colin L. Powell to the museum’s board to broaden bipartisan support beyond Democratic constituencies, and there were critical efforts to shape the thinking of essential political leaders.
Long before its building was complete, for example, the museum staged exhibitions off-site, some on the fraught topics it would confront, such as Thomas Jefferson’s deep involvement with slavery. A Virginia delegation of congressional members was brought through for an early tour of the Jefferson exhibition, which featured a statue of him in front of a semicircular wall marked with 612 names of people he had owned. “I remember being very impacted,” said Eric Cantor, then the House Republican leader, who was part of the delegation.
Mr. Bunch said that he hoped the Jefferson exhibition pre-empted criticism by establishing the museum’s bold but balanced approach to difficult material. “Some people were like, ‘How dare you equate Jefferson with slavery,’” he recalled. “But it means that people are going to say, ‘Of course, that is what they have to do.’”
And the museum began an exceptional effort to raise money from black donors, not only celebrities, like Michael Jordan ($5 million) and Oprah Winfrey ($12 million), but also churches, sororities and fraternities, which, Mr. Bunch said, had never been asked for big donations before.
article by Justin Kroll via Variety.com
Oprah Winfrey is in final negotiations to join the cast of Disney’s “A Wrinkle in Time” adaptation that Ava Duvernay is on board to direct.
Jennifer Lee, who wrote and co-directed “Frozen” with Chris Buck, is penning the adaptation of Madeleine L’Engle’s book for Disney. The story follows children as they travel through time and visit strange worlds in order to find their missing scientist father.
“A Wrinkle in Time” is the first book in L’Engle’s “Time Quartet” series, which includes “A Wind in the Door,” “Many Waters” and “A Swiftly Tilting Planet.”
Jennifer Lee, who wrote and co-directed “Frozen” with Chris Buck, is penning the adaptation of Madeleine L’Engle’s book for Disney. The story follows children as they travel through time and visit strange worlds in order to find their missing scientist father.
“A Wrinkle in Time” is the first book in L’Engle’s “Time Quartet” series, which includes “A Wind in the Door,” “Many Waters” and “A Swiftly Tilting Planet.”
Winfrey will play Mrs. Which, one of the three Mrs. Ws that helps guide the children along their journey.
Winfrey and Duvernay have a relationship going back to “Selma,” which Winfrey appeared in and Duvernay directed. Sources say Duvernay always had Winfrey in mind for one of the three Mrs. Ws.
To read more, go to: http://variety.com/2016/film/news/oprah-winfrey-a-wrinkle-in-time-movie-1201823788/
article by Matt Ackland and staff via fox5dc.com
The gift was unexpected, but so welcomed. It happened on Thursday at N Street Village’s Empowerment Luncheon. The organization helps women in need through housing and employment as well as helping those battling drug addiction or are encountering health issues.
They only wanted to hear Oprah Winfrey’s inspirational words, but they got so much more.
“I thank you N Street for seeing, hearing and knowing that every life matters, every woman matters,” Winfrey said.
Linda Rush introduced Winfrey at the luncheon. For years, Rush was addicted to crack and involved in prostitution. “My mom dropped me off. She walked me in here,” said Rush.
At one time before finding N Street Village, Rush wanted to reach out to Winfrey. “Twenty years ago, I wanted to write her a letter and ask her to help me into a program,” Rush told FOX 5. “The people I was getting high with, they were like, ‘Oh, she don’t have time for you.’”
Two decades later, Rush told Winfrey that story and how N Street Village helped turn her life around.
“Before I introduced her, I said that now she can see for herself how things turned out,” Rush said. “She said, ‘I see.’ And that felt – I can’t even describe that feeling.”
“N Street Village has been a vital part of Washington D.C. for over 40 years now,” said Schroeder Stribling, executive director for N Street Village.
It has four locations across the city helping homeless women get their lives back on track. Stribling said Winfrey’s gift brought her to tears. “I went up and I kind of couldn’t help myself, but hang on her for a while and cry,” Stribling said.
To read more, go to: http://www.fox5dc.com/news/156895468-story
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
According to Variety.com, Oprah Winfrey will star in the adaptation of “The Immortal Life of Henrietta Lacks” for HBOFilms. Winfrey’s Harpo Films optioned Rebecca Skloot‘s 2010 best-seller years ago, and it with her commitment to star as well as executive produce, it will finally be produced this summer. Skloot will serve as a co-executive producer. George C. Wolfe, who adapted the memoir, will also direct.
“The Immortal Life of Henrietta Lacks” tells the true story of Henrietta Lacks, an African-American woman whose cells (HeLa cells) were used to create the first immortal human cell line, which helped scientists make unprecedented medical breakthroughs, including Jonas Salk’s development of the polio vaccine.
Told through the eyes of her daughter, Deborah Lacks, played by Winfrey, the film chronicles her search to learn about the mother she never knew and to understand how the unauthorized harvesting of Lacks’ cancerous cells in 1951 changed countless lives and the face of medicine forever.
Henrietta Lacks’ sons Zakariyya Rahman and David Lacks, Jr. and granddaughter Jeri Lacksare will serve as consultants on the HBO project.
“The Immortal Life of Henrietta Lacks” tells the true story of Henrietta Lacks, an African-American woman whose cells (HeLa cells) were used to create the first immortal human cell line, which helped scientists make unprecedented medical breakthroughs, including Jonas Salk’s development of the polio vaccine.
Told through the eyes of her daughter, Deborah Lacks, played by Winfrey, the film chronicles her search to learn about the mother she never knew and to understand how the unauthorized harvesting of Lacks’ cancerous cells in 1951 changed countless lives and the face of medicine forever.
Henrietta Lacks’ sons Zakariyya Rahman and David Lacks, Jr. and granddaughter Jeri Lacksare will serve as consultants on the HBO project.
Before Oprah Winfrey and Madame C.J. Walker, there was Annie Turnbo Malone (aka Annie Minerva Turnbo Pope Malone and Annie Minerva Turnbo Malone), an African American entrepreneur and philanthropist during the early 20th century.
Malone is recorded as the U.S.’s first Black woman millionaire based on reports of $14 million in assets held in 1920 from her beauty and cosmetic enterprises, headquartered in St. Louis and Chicago.
On August 9, 1869, Robert Turnbo and Isabella Cook became parents to Annie in Metropolis, Illinois. Annie attended school in Illinois where she apprentenced with her sister as a hairdresser. By 1889, Malone had developed her own scalp and hair products that she demonstrated and sold from a buggy throughout Illinois.
By 1902, Malone’s business growth led her to St. Louis, Missouri, which at the time held the fourth largest population of African Americans. In St. Louis she copyrighted her Poro brand beauty products. In 1914, in a St. Louis wedding, Malone married the school principal Aaron Eugene Malon.
By 1917, Malone opened the doors of Poro College, a beauty college which was later attended by Madam C.J. Walker. The school reportedly graduated about 75,000 agents world-wide, including the Caribbean. By 1930, the first full year of the Great Depression, Malone had moved from Missouri after divorcing her second husband and settled on Chicago’s South Side.
To read more, go to: Black History Heroes: Annie Turnbo Malone: A Black Philanthropist and Entrepreneur
article via thegrio.com
Since the OWN cable network debuted in 2011, its popularity has skyrocketed among African-American women, particularly in the last two years.
At a time when many cable networks have been experiencing declines in their viewership, OWN’s average prime-time viewership has grown roughly 30%, climbing to 537,000 in the past two years, as many network have suffered significant declines. According to The Wall Street Journal, the network’s new lineup has resonated strongly with women and black audiences.
Since signing on writer-producer Tyler Perry in 2012, who has four shows on the network now, and adding recent shows like Ava DuVernay’s “Queen Sugar” and the megachurch drama “Greenleaf,” OWN has been able to grow its viewership and visibility.
OWN is now the highest-rated cable network among African-American women, and it is also in the top 20 for all women, according to Discovery.
It remains to be seen whether or not OWN can keep up its momentum while at the same time battling the problems of recent economic pressures as well as the rise of Internet-based television.
Read more: http://thegrio.com/2016/03/23/oprah-winfrey-network-african-american-women/