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Posts tagged as “Oprah Winfrey”

MUSIC: Gladys Knight Verzuz Patti Labelle – Celebrating Legends with “The Best of the Rest” Playlist (LISTEN)

MUSIC: Gladys Knight Verzuz Patti Labelle – Celebrating Legends with “The Best of the Rest” Playlist (LISTEN)

By goodblacknews on September 14, 2020

by Jeff Meier (FB: Jeff.Meier.90)

We know where you were last night. Millions of fans of a certain age were enjoying the stay-at-home celebration dubbed by the internet as “AuntieChella,” as Gladys Knight and Patti Labelle ‘battled’ it out on Instagram/Apple Music‘s “Verzuz” series.

Verzuz was created a few months ago by hitmaking producers Timbaland and Swizz Beatz as a way for music fans to honor their greats while relaxing at home during these quarantine times.

For those of you who haven’t checked it out yet, the sessions are not truly a ‘battle’ – but rather an occasion for two legends to get together (whether in real life like last night, or virtually) and banter about their careers while having a listening party of the greatest hits of each artist.

The battle was epic, with both ladies, now in their late ’70s, decked out in stylish pantsuits, and sharing their love for each other amidst career stories, lots of live singing, and plenty of chair grooving.


via GIPHY

Michelle Obama, Oprah, and Queen Latifah were tuned in to hear such hits as “Midnight Train to Georgia,” “Over the Rainbow,” “You Are My Friend” and ‘The Best Thing That Ever Happened to Me.”

Gladys honored all phases of her career, delving back into her early doo-wop hit “Every Beat of My Heart,” her Motown Pips years with “Friendship Train,” her ’80s hits like “Love Overboard” and the Bond theme “License to Kill.”

Patti focused on her material from her solo years, mixing ballad favorites like “Somebody Loves You Baby” and “If Only You Knew” with uptempo hits like “The Right Kinda Lover” and “Feels Like Another One.”

The evening was capped off when Dionne Warwick surprised the audience with a special appearance to end the show, as they joined her to sing “That’s What Friends Are For” and their hit version of “Superwoman.”

The three of them had previously worked together on a special called “Sisters in the Name of Love” that Gladys had produced for HBO in the late ’80s (there are some fan posts of it on YouTube that offer some thrilling harmonies).

Gladys, Dionne, Patti

Of course with these vets, even a couple of hours of hits doesn’t come close to diving into their full careers. So in case you were ready for more, we’ve done that work for you – pairing up additional Patti and Gladys hits and deep tracks from the rest of their six decade careers for GBN’s latest playlist: “Gladys Knight Verzuz Patti Labelle – The Best of the Rest.”

[spotifyplaybutton play=”spotify:playlist:1CvrkhBELQhtg5baBmfip5″/]

We’ve gone beyond the biggest hits, and focused solely on extensive additional material they did not cover during last night’s show.

While Patti and Gladys both hit the charts for the first time in the very early ’60s – their careers have actually taken very divergent paths before, in more recent years, they’ve ended up as favorite Aunties to the Black community.

Oprah Winfrey and Lionsgate Join Forces With Journalist Nikole Hannah-Jones and The New York Times to Adapt the 1619 Project Into Films, Television Programming & Other Content

By goodblacknews on July 8, 2020
Photo Credit: Oprah (Harpo Inc./Ruven Afanador) / Nikole (James Estrin/The New York Times )

Pulitzer Prize®-winning journalist Nikole Hannah-Jones and The New York Times have chosen Lionsgate Studios to be the home for a wide-ranging partnership to develop Ms. Hannah-Jones’ landmark issue of The New York Times Magazine, The 1619 Project, and hit New York Times podcast, 1619, into an expansive portfolio of feature films, television series and other content for a global audience.

As part of the ground-breaking venture, Lionsgate has partnered with Oprah Winfrey as a producer who will provide stewardship and guidance to the development and production of The 1619 Project.

Lionsgate, The Times and Ms. Winfrey will join forces with Ms. Hannah-Jones, who will serve as the creative leader and producer in developing feature films, television series, documentaries, unscripted programming and other forms of entertainment enlisting world-class Black creative voices to help adapt her celebrated series chronicling the ways that the original sin of slavery in America still permeates all aspects of our society today.

Jones’ colleague at The Times Magazine, Caitlin Roper, an editor of The 1619 Project and head of scripted entertainment at The Times, will also produce.

One of the most impactful and thought-provoking works of journalism of the past decade, The Times Magazine’s 1619 Project was a landmark undertaking that connected the centrality of slavery in history with an unflinching account of the brutal racism that endures in so many aspects of American life today.

It was launched in August 2019 on the 400th anniversary of the arrival of the first enslaved Africans in the English colonies that would become the United States, and it examines the legacy of slavery in America and how it shaped all aspects of society, from music and law to education and the arts, including the principles of our democracy itself.

Ms. Hannah-Jones created and was the architect of the initiative at The Times Magazine with contributions from Black authors, essayists, poets, playwrights, and scholars comprising a special issue of the magazine and a special section in the print edition of The New York Times produced in collaboration with the Smithsonian’s National Museum of African-American History & Culture, as well as a five-part podcast that topped the Apple Podcast charts.

One of The Times’ most widely read pieces of journalism last year, The 1619 Project has been discussed in the Senate, is being adapted into a series of books with One World, a division of Penguin Random House, and is already changing the way that American history is being taught in schools.

“We took very seriously our duty to find TV and film partners that would respect and honor the work and mission of The 1619 Project, that understood our vision and deep moral obligation to doing justice to these stories. Through every step of the process, Lionsgate and its leadership have shown themselves to be that partner and it is a dream to be able to produce this work with Ms. Oprah Winfrey, a trailblazer and beacon to so many Black journalists,” said Ms. Hannah-Jones. “I am excited for this opportunity to extend the breadth and reach of The 1619 Project and to introduce these stories of Black resistance and resilience to even more American households.”

“From the first moment I read The 1619 Project and immersed myself in Nikole Hannah-Jones’s transformative work, I was moved, deepened and strengthened by her empowering historical analysis,” said Oprah Winfrey. “I am honored to be a part of Nikole’s vision to bring this project to a global audience.”

Please see a link to The 1619 Project essays here and podcasts here.

BHM: “The Color Purple” Returns to Movie Theaters on February 23 to Celebrate 35th Anniversary

By goodblacknews on February 22, 2020
From “The Color Purple” (photo courtesy J2 Communications)

This year, THE COLOR PURPLE, written by Alice Walker (screenplay by Menno Meyjes), produced by Quincy Jones and directed by Steven Spielberg, celebrates its 35th anniversary.  In honor of the occasion, Fathom Events and TCM are presenting this indelible film in theaters for one special day only: tomorrow, Sunday February 23, 1 p.m. and 5 p.m. (local time) on more than 600 U.S. movie screens.

Based on Walker’s Pulitzer Prize-winning novel*, THE COLOR PURPLE introduced movie audiences to Whoopi Goldberg and Oprah Winfrey, both of whom, along with Margaret Avery, were Oscar nominated for their performances.

Their nods were three of the 11 Academy Award nominations for the film, which was also named 1985’s best film at the NAACP Image Awards and by the National Board of Review.

The movie also stars Danny Glover, Adolph Ceasar, Akosua Busia and Rae Dawn Chong in supporting roles.

This presentation is part of the yearlong TCM Big Screen Classics series, and tickets are available now at the Fathom Events website or at participating theater box offices.

*commissions earned on link

 

 

Tyler Perry to Build Compound for Displaced Women, Children and LGBTQ Youth at Tyler Perry Studios in Atlanta

Tyler Perry to Build Compound for Displaced Women, Children and LGBTQ Youth at Tyler Perry Studios in Atlanta

By goodblacknews on October 10, 2019

 

Filmmaker and entrepreneur Tyler Perry told Gayle King on CBS This Morning this week that his eponymous film studio in Atlanta will soon provide a safe haven for homeless women, displaced LGBTQ youth, and sex trafficking victims.

Perry is the first African American man to own a major movie studio, a 330-acre property that was once a Confederate Army base. But he is most excited about the aspect of helping those in need. “You know, the studio’s gonna be what it is,” Perry said.

“I’ll tell you what I’m most excited about next is pulling this next phase off, is building a compound for trafficked women, girls, homeless women, LGBTQ youth who are put out and displaced … somewhere on these 330 acres, where they’re trained in the business and they become self-sufficient.”

“They live in nice apartments. There’s day care. There’s all of these wonderful things that allows them to reenter society. And then pay it forward again,” Perry continued. “So that’s what I hope to do soon.”

The land for Tyler Perry Studios was acquired by Perry in 2015 and is located on the historic grounds of the former Fort McPherson army base in Atlanta, according to The Hollywood Reporter.

“Think about the poetic justice in that,” Perry said. “The Confederate Army is fighting to keep Negroes enslaved in America, fighting, strategy, planning on this very ground. And now this very ground is owned by me.”

The major motion picture studio includes 40 buildings on the National Register of Historic Places, 12 purpose-built sound stages named after African-American luminaries such as Oprah Winfrey, Diahann Carroll, and Harry Belafonte, 200 acres of green space, and a diverse backlot.

To read more: https://www.blackenterprise.com/tyler-perry-studios/

History-Making Tyler Perry Studios Has Grand Opening Gala in Atlanta with Oprah, Beyonce and More

History-Making Tyler Perry Studios Has Grand Opening Gala in Atlanta with Oprah, Beyonce and More

By goodblacknews on October 7, 2019
Tyler Perry (photo via commons.wikipedia.org)

Actors, directors, musical artists, filmmakers and politicians such as Oprah Winfrey, Beyoncé, Stacey Abrams, Ava DuVernay, Viola Davis, Samuel L. Jackson, Spike Lee, Tiffany Haddish, Whoopi Goldberg, Reginald Hudlin and Halle Berry showed up to support filmmaker and entrepreneur Tyler Perry as he formally opened his Tyler Perry Studios in Atlanta.

Tyler Perry Studios marks the first time that an African-American person has owned and operated a major film studio anywhere in the U.S.

Perry also reportedly named his twelve sound stages after living and late legends such as Denzel Washington, Oprah Winfrey, Halle Berry, Sydney Poitier, Della Reese, Spike Lee, Harry Belafonte, Cicely Tyson, Whoopi Goldberg, Diahann Carroll and Will Smith.

“Why did it take so long?” Goldberg wondered in an interview with The Hollywood Reporter. “Why was he the first to get it? Now he’s the man who makes the decisions, chooses the movies, and he doesn’t have to ask anybody for shit. There’s nothing better than that. He’s never on his knees. He gets what he needs because he provided it.”

Davis concurred by saying, “Tonight is history. Tonight is not just entertainment and flamboyancy, it’s not just an excuse to get dressed up. It’s an excuse to celebrate a historic moment, which is a black artist taking control of their artistic life and the vision that God has for their life,” she said. “What’s happened with us historically is we’re waiting for people to get us. We’re waiting for people to throw us a crumb. That’s not what Tyler Perry has done. I want to be able to look back on this and say ‘I was there.'”

Winfrey added of Perry: “Tyler is my little big brother. To see him rise to this moment that I know he’s dreamed about, planned, defined, clarify for himself, it’s just a fulfillment of a dream. It’s wonderful to see.”

DuVernay, among others, touchingly reported on the momentous occasion on her Instagram and Twitter:

https://twitter.com/ava/status/1180950995892879361

To read and see more, go to: https://www.hollywoodreporter.com/news/inside-tyler-perry-studios-grand-opening-gala-1245752

LET’S TALK ABOUT IT: Could African American Philanthropy Help Solve the Black Student Debt Crisis?

By goodblacknews on July 13, 2019
Billionaires Robert Smith, Oprah Winfrey, top; Beyonce and Jay Z, bottom (photos via Creative Commons)

EDITOR’S NOTE: For some time now, we here at GBN have struggled with the fact that while our operating directive is always to present positive stories, there are so many issues that affect our communities that don’t fit that philosophy, but would love to find a way to present that doesn’t stray from our core mission. It recently dawned on us that the steps we as individuals and societies take to solve problems, large or small, could perhaps be our way in. Solutions can only come first through awareness and acknowledgement of the issue, learning about it, discussing it, then figuring out ways to act that may help solve it.

In that spirit, we introduce “Let’s Talk About It” – a new GBN feature we will occasionally present about problems that need ideas for solutions. Our first entry is a share from, appropriately enough, The Conversation, a website GBN has partnered with to bring to you exactly this type of content.

First up: How can we as a community begin to solve the black student debt crisis? Should we follow the lead of billionaire Robert F. Smith, who single-handedly relieved the debt of Morehouse College’s graduating class of 2019, and task the wealthiest among us to pitch in and help out? Or are there other ways for us to alleviate this issue? Read below, and if you’d like, let’s discuss!

-Lori Lakin Hutcherson, GBN Founder and Editor-in-Chief

From The Conversation:

by Mako Fitts Ward, professor at Arizona State University 

When billionaire Robert F. Smith decided to pay off the student loans of the graduating class of 2019 at Morehouse College, he suggested that others follow his lead.

“Let’s make sure every class has the same opportunity going forward, because we are enough to take care of our own community,” Smith declared in his commencement speech.

But is there even enough black private wealth in the United States to pay off all black student loan debt?

As a scholar in social transformation and African American studies, I’m intrigued by this question. It provides an opportunity to examine black wealth, higher education and the possibilities for alleviating debt, which in turn opens the door to new economic opportunities.

Black celebrities give to higher education

Smith’s gift is estimated to be worth US$40 million and will benefit 396 students.

That’s a lot of money, and he’s done it before. Before his gift to Morehouse, Smith donated $50 million to Cornell University, his alma mater, in part to support African American and female students at Cornell University’s College of Engineering.

Other black celebrities have also stepped up to fund education. Powerhouse couple Beyonce and Jay Z gave more than $1 million in scholarships to students who lived in cities they were touring in 2018.

Rapper Nicki Minaj gave 37 “Student of the Game” scholarships. LeBron James, through his foundation, promised to pay for 2,300 students to attend the University of Akron – at an estimated price tag of $100 million. Oprah Winfrey has donated more than $400 million to educational causes.

But with just five black billionaires in the United States – Smith, Winfrey, David Steward, Michael Jordan and Jay Z – monumental gifts like the one that Smith made will likely be few and far between.

Is Smith’s claim that “we are enough to take care of our own community” true of all the black wealth in the U.S.?

Ava DuVernay to Develop and Produce Romance Anthology Series ‘Cherish the Day’ for OWN

By goodblacknews on March 21, 2019
(Photo by Stephanie Moreno/Grady College of Journalism and Mass Communications for Peabody Awards/University of Georgia)

According to Variety.com, creator/director Ava DuVernay has received a straight-to-series order from the Oprah Winfrey Network (OWN) for “Cherish The Day,” a romantic drama anthology.

Each season of the series will chronicle the romance of one couple, with each episode spanning a single day. The narrative will unfold to reveal significant moments in a relationship that compel people to hold true to the ones they love, from the extraordinary to the everyday. The show is scheduled to debut in winter 2020.

“OWN is home,” DuVernay said. “I’m honored to create television for a network headed by an artist with spectacular vision and unbridled passion for the stories that we want to tell.”

“Cherish The Day” will be the second series DuVernay delivers to OWN. The series adaptation of the novel “Queen Sugar” was DuVernay’s first for the network.  She directs and also serves as executive producer on the series. The fourth season will premiere in June.

DuVernay created “Cherish the Day” under her recently announced overall deal with Warner Horizon Scripted Television. She will executive produce “Cherish the Day” along with Oprah Winfrey. Tanya Hamilton, who has directed for “Queen Sugar,” will be the showrunner, an executive producer, and will also direct the series premiere. “Queen Sugar” executive producer Paul Garnes will also executive produce.

“Ava is a visionary storyteller,” said Winfrey. “She brings so much care, so much heart, so much love to the art she creates. I’m excited to continue collaborating together with our very first anthology series for OWN.”

BHM: Let’s Honor Oprah! Entrepreneur, Media Maven, Philanthropist, Actor, Influencer… Genius

BHM: Let’s Honor Oprah! Entrepreneur, Media Maven, Philanthropist, Actor, Influencer… Genius

By goodblacknews on February 2, 2019

by Lori Lakin Hutcherson (@lakinhutcherson)

Not many people on Earth have their names become synonymous with genius in their profession, let alone genius in general. Einstein, Shakespeare, Mozart, even Spielberg and Prince easily come to mind. Notably, they are all men, mostly White, and only one is known by his first name. But when you say, “Hey, where are the women? What women do you think of when someone says ‘Who are the geniuses?,'” an immediate response would (or should) be… Oprah.

It may seem like opinion, but I want to go on record that saying “Oprah Winfrey is a genius” is a fact, and one that should be touted widely. Oprah’s status as a cultural icon, media mogul and inspirational leader is taken as a given, but when you look back and reflect on her journey from rural poverty in Mississippi to global icon, you too will recognize how much intelligence, excellence and genius it took to get there and what’s more – stay there.

What follows below in regards to recognizable achievement, vision and success rightfully will only add credence to the “Oprah Winfrey is a genius” fact, but I submit that the secret sauce of Oprah’s claim to that title has been best articulated (and realized) by Oprah herself:

Everybody has a calling. And your real job in life is to figure out as soon as possible what that is, who you were meant to be, and to begin to honor that in the best way possible for yourself. – Oprah Winfrey

Oprah Gail Winfrey, originally named “Orpah” after the biblical figure in the Book of Ruth but had it misspelled and mispronounced so much that “Oprah”  stuck, recently celebrated her 65th birthday on January 29, 1954. Winfrey was born in Kosciusko, Mississippi, to Vernita Lee, an unmarried teenage mother and housemaid, and Vernon Winfrey, a coal miner turned barber turned city councilman who had been in the Armed Forces when Oprah was born.

According to wikipedia.org, Winfrey spent her first six years living with her maternal grandmother, Hattie Mae Lee, who was so poor that Winfrey often wore dresses made of potato sacks, and the local children made fun of her. Her grandmother, ever in Oprah’s corner, taught her to read before the age of three and took her to church, where she was nicknamed “The Preacher” for her preternatural ability to recite Bible verses and command the stage.

Despite parental neglect from her mother, sexual abuse by family members from the age of nine, and the stillbirth of a son at age 14, Oprah’s intellect and ability to speak powerfully in public earned her a full ride to HBCU Tennessee State University on an Oratory Scholarship.

As Oprah honed her skills through education and experience, she became the youngest news anchor and the first black female news anchor at Nashville’s WLAC-TV. Oprah then became an anchor in the larger market of Baltimore, MD before taking over the hosting position of low-rated AM Chicago in 1984.

Oprah aligned her talents, smarts, professionalism and relatability to catapult her over Phil Donahue’s long-venerated talk show Donahue for the top-rated slot. Oprah then wisely took advice from movie critic Roger Ebert to make a syndication deal with King World Media and have ownership in her program – the beginning of the Oprah brand.

The Oprah Winfrey Show debuted September 8, 1986 and topped daytime talk show ratings for 25 years until she retired from the show. Oprah really hit her stride and pinpointed her brand when she followed her instincts in the 1990s to shift away from “tabloid-style” shows to ones with a focus on literature, self-improvement, mindfulness and spirituality. Even though she briefly took a ratings dip during the change, she soared to the top again and outlasted several popular talk show hosts of the time such as Sally Jesse Raphael, Ricki Lake, Montel Williams, Donahue, Jenny Jones, and Jerry Springer.

Denzel Washington Headlines Event in Pittsburgh Marking Renovation of August Wilson Home

Denzel Washington Headlines Event in Pittsburgh Marking Renovation of August Wilson Home

By goodblacknews on September 29, 2018
Denzel Washington greets August Wilson’s daughter, Sakina Ansari-Wilson, at the groundblessing for August Wilson House. (photo by Nate Smallwood via Tribune-Review)

by Wes Venteicher via triblive.com

Actor Denzel Washington headlined a rainy ceremony Wednesday afternoon in Pittsburgh’s Hill District to mark the start of renovations at playwright August Wilson’s childhood home.

Washington led a $5 million fundraising effort to restore what is now called the August Wilson House. Renovations are expected to be completed in 2020, when the house is set to become a center for art and culture in the neighborhood.

“It is a privilege and an honor and a responsibility … and a joy to play a small part in keeping him alive,” Washington told an audience that huddled under umbrellas in the yard of the house at 1727 Bedford Ave.

Paul Ellis, Wilson’s nephew, led an effort to restore the nearly 200-year-old building to its 1950s-era look, matching how it appeared when Wilson lived there with his mother and five siblings. Wilson, who died in 2005, last visited the house in 1999.

Denzel Washington speaks at ground blessing of August Wilson House in Pittsburgh’s Historic Hill District (photo by Nate Smallwood via Tribune-Review)

When renovations are complete, the building — which is now on the National Register of Historic Places — will house displays and artifacts from Wilson’s life and plays. Wilson said he wanted the building to be “useful,” not only a museum, Ellis said. It will incorporate artist studios and will continue to host plays in its yard.

Duquesne University has launched a program to award fellowships to emerging writers who will live and study at Duquesne and spend time working at the House, Duquesne President Ken Gormley said.

Washington, who starred in a 2016 film production of Wilson’s play “Fences,” called Wilson one of the world’s great playwrights and talked about a familiar feeling in visiting the Hill District house. “I love August Wilson,” Washington said. “He touches my soul, our souls, in a way that no one else I know has. This is just like coming home.”

He identified some of the project’s big-name donors, noting Oprah Winfrey and actor Tyler Perry each gave $1 million and writer and producer Shonda Rhimes, director Spike Lee and actor Samuel L. Jackson all contributed.

Washington is producing nine more of Wilson’s plays — the rest of the 10 plays in the playwright’s Century Cycle.

Duquesne University has already selected its first fellow, former U.S. poet laureate and Pulitzer Prize winner Natasha Trethewey. Trethewey read her poem “Pilgrimage” at the ceremony, which included short performances of Wilson’s work by student Jamaica Johnson and Pittsburgh actor Wali Jamal.

Read more: https://triblive.com/local/allegheny/14120687-74/denzel-washington-headlines-event-marking-renovation-of-august-wilson-home

Henrietta Lacks, "The Mother of Modern Science," to be Honored with Painting by Kadir Nelson in National Portrait Gallery

By goodblacknews on May 10, 2018
Collection of the Smithsonian National Portrait Gallery and National Museum of African American History and Culture, Gift from Kadir Nelson and the JKBN Group LLC. (image via nmaahc.si.edu)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to the Smithsonian Institute, next Tuesday, its National Portrait Gallery will recognize and honor the life of Henrietta Lacks with the installation of a 2017 portrait by Kadir Nelson on the museum’s presentation wall on the first floor. The portrait was jointly acquired by the National Portrait Gallery and the Smithsonian’s National Museum of African American History and Culture as a gift from Nelson and the JKBN Group LLC, and will be shared by the two museums. The painting will be on display at the Portrait Gallery through Nov. 4.
Lacks, a mother of five, lost her life to cervical cancer at age 31. During her treatment, doctors took cells from her body and discovered they lived long lives and reproduced indefinitely in test tubes. These “immortal” HeLa cells have since contributed to over 10,000 medical patents, aiding research and benefiting patients with polio, AIDS, Parkinson’s disease and other conditions.
Considering the history of medical testing on African Americans without their permission, the fate of Lacks raised questions about ethics, privacy and racism. Rebecca Skloot’s 2010 best-selling book, The Immortal Life of Henrietta Lacks, addressed those issues and later prompted Oprah Winfrey’s Harpo Productions to adapt her story into a theatrical movie that first aired on HBO in 2017.
“It is fitting that Henrietta Lacks be honored at two Smithsonian museums, as each approaches American history from unique and complementary perspectives,” said Kim Sajet, director of the National Portrait Gallery. “Lacks’ story presents moral and philosophical questions around issues of consent, racial inequalities, the role of women, medical research and privacy laws, providing rich platforms for historical understanding and public dialogue.”
“The National Museum of African American History and Culture has always felt that the story of Henrietta Lacks is a significant and important moment that deserved greater recognition,” said Lonnie Bunch, director of the museum.
Commissioned by HBO, Nelson used visual elements to convey Lacks’ legacy. The wallpaper features the “Flower of Life,” a symbol of immortality; the flowers on her dress recall images of cell structures; and two missing buttons allude to the cells taken from her body without permission.