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Posts tagged as “Octavia Spencer”

Regina King, Issa Rae, Billy Porter, Zendaya Among Record Number of Black Emmy Awards Nominees for 2020

by Lori Lakin Hutcherson (@lakinhutcherson; FB: lorilakinhutcherson)

Record numbers of Black talent have been nominated by The Television Academy for the 72nd Emmy Awards. According to Variety.com, 34.3% of the nominees in the acting categories alone are Black.

There were 102 acting nominees this year for lead, supporting and guest categories for drama, comedy and limited series/TV movie. Black actors earned 35 of those slots (notably, Maya Rudolph earned two in the same category – nominated in the Guest Comedy Actress category for both “The Good Place” and “Saturday Night Live”).

Black nominees across all acting categories include Cicely Tyson, Billy Porter, Angela Bassett, Sterling K. Brown, Zendaya, Mahershala Ali, Anthony Anderson, Don Cheadle, Issa Rae, Tracee Ellis Ross, Andre Braugher, Giancarlo, Esposito, Regina King, Jeffrey Wright, Uzo, Aduba, Samira Wiley, William Jackson Parker, Phylicia Rashad, Jeremy Pope, Yvonne Orji, Wanda Sykes, Ron Cephas Jones, Thandie Newton, Laverne Cox, Eddie Murphy, Yahya Abdul-Mateen II, Jovan Adepo, Tituss Burgess, Kenan Thompson, Louis Gossett Jr., Octavia Spencer and Kerry Washington.

In 2019, Black actors received 19.8% of the nominations, down from 2018’s 27.7%  — which was the previous highest percentage in the Academy’s history.

But the journey towards parity is far from over. In the group writing categories, the Outstanding Comedy, Limited Series and Variety Sketch Series only offered one nominee each, respectively, (“Insecure,” “Watchmen,” “A Black Lady Sketch Show”) for staffs with significant African-American representation. It’s worth noting that all three are HBO shows.

Black writers nominated in the individual writing categories include Dave Chappelle in the Outstanding Writing for a Variety Special category (“Dave Chappelle: Sticks and Stones”) and Cord Jefferson (who shares the nomination with “Watchmen” co-writer Damon Lindelof) in the Outstanding Writing for a Limited Series category.

The individual directing categories fared better, with Stephen Williams nominated in the Directing, Drama category for “Watchmen,” Dime Davis in the Directing, Variety Series category for “A Black Lady Sketch Show,” Stan Lathan in the Directing a Variety Special category (“Dave Chappelle: Sticks and Stones”) and Nadia Hallgren (“Becoming”) in the Outstanding Directing for a Documentary/NonFiction Program category.

Other African-American nominations include Jemel McWilliams for Choreography (“The Oscars”); “Becoming” and “The Apollo” in the Documentary or Nonfiction Series category, “Kevin Hart: Don’t F**k This Up” and “RuPaul’s Drag Race: Untucked” in the Unstructured Reality Program category; Karamo Brown (“Queer Eye”), Nicole Byer (“Nailed It”) and RuPaul (“RuPaul’s Drag Race”) for Reality Host and double nominee Victoria Thomas for Casting, Comedy Series (“Insecure”) and Limited Series (“Watchmen”).

Those honored in the Cinematography Multi-Camera Series, Single Camera Series and Nonfiction categories, respectively, are John Simmons (“Family Reunion”),  Kira Kelly (“Insecure”) and Nadia Hallgren (“Becoming”).  It’s also worth noting that in the Outstanding Narration category, four of the five nominees are Black: Angela Bassett, Kareem Abdul-Jabbar, Chewitel Ejiofor and Lupita Nyong’o.

The 72nd Emmy Awards show will air on ABC on September 20th. To see the full list of 2020 Emmy nominees, click here.

Octavia Spencer, LeBron James Limited Series About Madam C.J. Walker Lands at Netflix

Octavia Spencer/LeBron James (photo via variety.com)

by Debra Birnbaum via Variety.com

It’s official: Octavia Spencer and LeBron James’ limited series about entrepreneur Madam C.J. Walker has landed at Netflix. The streaming outlet made the announcement at its Television Critics Assn. press tour session Sunday.

The project is executive produced by Spencer and James. Spencer will star in the eight-episode series, which is based on the book “On Our Own Ground” by A’Lelia Bundles, Walker’s great-great-granddaughter, who will also serve as a consultant.

The series will recount the untold story of how Walker, a black hair care pioneer and mogul, overcame hostile turn-of-the-century America, epic rivalries, tumultuous marriages and some trifling family to become America’s first black, self-made female millionaire.

Walker, the daughter of slaves, was orphaned at age seven, married at 14, and widowed at 20. She spent two decades laboring as a washerwoman, earning $1.50 a week. Everything changed, though, following Walker’s discovery of a revolutionary hair care formula for black women. By the time she died in 1919, she had built a beauty empire from the ground up, amassing wealth unprecedented among black women.

“Black Nativity” directory Kasi Lemmons will direct the pilot and also executive produce, and Nicole Asher will write. Janine Sherman Barrois and Elle Johnson will also serve as executive producers, along with SpringHill’s Maverick Carter, and Zero Gravity’s Mark Holder and Christine Holder.

The Holders optioned the book from Bundles in early 2016, and Spencer pursued the part aggressively once she learned of it. With the Oscar winner attached, William Morris Endeavor Agency pitched the series to James as his production company’s entryway into prestige TV.

“It’s so exciting for all of us to keep building SpringHill, see it mature, and continue to find its voice. We are really focused on growing with authenticity and substance,” Carter said. “For us, this is totally about great stories and great partners. Partnering with Octavia to tell the story of Madam C.J. Walker is the ideal first project for SpringHill to take an important step into scripted drama.”

Source: https://variety.com/2018/tv/news/octavia-spencer-lebron-james-madam-cj-walker-netflix-limited-series-1202889368/

"Get Out", "Mudbound," Jordan Peele, Dee Rees, Octavia Spencer, Daniel Kaluuya and more Garner Academy Award Nominations for 2017

Oscar nominees Jordan Peele, Daniel Kaluuya (top); Mary J. Blige, Dee Reese (bottom)

via shadowandact.com
The nominees for the 90th Academy Awards were announced Monday morning by Girls Trip star Tiffany Haddish and Black Panther star Andy Serkis.
Get Out picked up several big nods, including Best Picture, Best Original Screenplay and  Best Director for Jordan Peele and Best Actor for Daniel Kaluuya.
Mary J. Blige (Mudbound) and Octavia Spencer (The Shape of Water) were both nominated for Best Supporting Actress, Mudbound scored a Best Adapted Screenplay nomination for writer/director Dee Rees and co-writer Virgil Williams, and Denzel Washington was also nominated for Best Actor for Roman J. Israel, Esq. 
Jimmy Kimmel will host the awards at the Dolby Theatre at Hollywood & Highland Center in Hollywood on March 4, and it will be broadcast on ABC.
View the list of nominees below:
Best Picture
Call Me By Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water
Three Billboards
Best Director
Christopher Nolan, Dunkirk
Jordan Peele, Get Out
Greta Gerwig, Lady Bird
Paul Thomas Anderson, Phantom Thread
Guillermo del Torro, The Shape of Water
Best Actor
Timothée Chalamet
Daniel Day-Lewis
Daniel Kaluuya
Gary Oldman
Denzel Washington
Best Actress
Sally Hawkins
Frances McDormand
Margot Robbie
Saoirse Ronan
Meryl Streep
Best Supporting Actor
Willem Dafoe
Woody Harrelson
Richard Jenkins
Christopher Plummer
Sam Rockwell
Best Supporting Actress
Mary J. Blige
Allison Janney
Lesley Manville
Laurie Metcalf
Octavia Spencer
Best Adapted Screenplay
Call Me By Your Name
The Disaster Artist
Logan
Molly’s Game
Mudbound
Best Original Screenplay
The Big Sick
Get Out
Lady Bird
The Shape of Water
Three Billboards

Madam C.J. Walker's "Villa Lewaro" Estate in New York Protected as National Treasure with Preservation Easement

Madame CJ Walker; Villa Lewaro, exterior and interior (photos: David Bohl; Walker Family Archives)

by Lori Lakin Hutcherson (@lakinhutcherson)

On the heels of launching the African-American Cultural Heritage Action Fund, the largest preservation campaign ever undertaken on behalf of African-American history, the National Trust for Historic Preservation announced a preservation easement on Madam C.J. Walker’s estate, Villa Lewaro. A powerful preservation tool, the easement prevents current and future owners from making adverse changes to or demolishing the estate’s historic, cultural and architectural features.

Madam C.J. Walker (December 23, 1867–May 25, 1919), America’s first self-made female millionaire, commissioned Villa Lewaro, her “Dream of Dreams,” at the height of her wealth and prominence as inventor and entrepreneur of haircare products for African-American women. Constructed in 1918, alongside the Hudson River in Irvington, New York, Madam Walker’s elegant residence was built to inspire African-Americans to reach their highest potential.

Designed by Vertner Tandy—the first African-American registered architect in the state of New York and one of the seven founders of  Alpha Phi Alpha Fraternity, Inc.—the 34-room mansion served as the intellectual gathering place for notable leaders of the Harlem Renaissance, such as W. E. B. Du Bois and Langston Hughes.

“On the 150th anniversary of her birth, we are delighted to have played a lead role in the lasting protection of Madam C.J. Walker’s tangible legacy,” said Brent Leggs, director of the National Trust’s African-American Cultural Heritage Action Fund. “The legal protection of irreplaceable historic sites like Villa Lewaro, one of the most significant places in women’s history, is essential in telling the full American story and inspiring future generations.”

Since designating the site as a National Treasure in 2014, the National Trust has worked with Villa Lewaro’s current owners and exceptional stewards, Ambassador and Mrs. Harold E. Doley, Jr., to recognize its architectural and historical significance and secure long-term protections before the property changes hands. The easement marks a successful culmination of those efforts.

Villa Lewaro stands as a living monument to Madam Walker’s entrepreneurial spirit and remains central to understanding her unprecedented achievement during an era when neither women nor African Americans were considered full citizens. Soon to be portrayed by award-winning actress Octavia Spencer in a series produced by LeBron James, Madam Walker’s story of persistence continues to inspire a growing number of African-American women taking leadership roles in business, politics, philanthropy, and other industries.

To learn more about the National Trust’s commitment to expand America’s view of history and bring attention to centuries of African-American activism and achievement, please visit: www.savingplaces.org/african-american-cultural-heritage

Octavia Spencer, LeBron James Team on Limited TV Series About Madam CJ Walker

LeBron James / Octavia Spencer (photos via variety.com)

by Justin Kroll via variety.com
NBA superstar LeBron James is continuing to make moves off the court. James’ production company, SpringHill Entertainment, is adding the first scripted drama to its growing slate. The project also boasts Oscar-winning talent: Octavia Spencer.
Spencer is attached to star in the limited series about entrepreneur and social activist Madam C.J. Walker’s life, with James executive producing along with his company’s co-founder, Maverick Carter. Sources tell Variety that Netflix is interested in the series and is the likely destination. The steaming service had no comment on their involvement in the project.
Nicole Asher is on board to write and co-exec produce and “Black Nativity” helmer Kasi Lemmons will direct the pilot and also executive produce. The series is based on the book “On Her Own Ground” by A’Lelia Bundles, Walker’s great-great-granddaughter, who will also serve as a consultant on the series.
Walker, the daughter of slaves, was orphaned at age seven, married at 14, and widowed at 20. She spent two decades laboring as a washerwoman, earning $1.50 a week. However, everything changed following Walker’s discovery of a revolutionary hair care formula for black women. By the time she died in 1919, she had built a beauty empire from the ground up, amassing wealth unprecedented among black women. She counted W.E.B. Du Bois and Booker T. Washington among her friends.
Zero Gravity Management’s Mark Holder and Christine Holder optioned the book from Bundles in early 2016. Spencer got wind of the project and aggressively pursued the part. Once word spread that Spencer was attached, WME, who reps both Spencer and James, pitched the series to James as his production company’s entryway into the prestige genre.
SpringHill president Jamal Henderson brought the project to Carter’s attention and the two moved quickly to land the property. With Nicole Asher set to write, Spencer starring, and James and Springhill on board as producers, the package was presented to potential buyers, with Netflix acting fast and the favorite to land the series. “I am really proud of this project and that SpringHill will be partnering with Octavia to tell this important story,” James said. “Every American should all know the story of Madam C.J. Walker. She was an innovator, entrepreneur, social activist, and total game changer whose story has been left out of the history books. I hope this project lives up to her legacy with a story that will educate and inspire.”
To read full article, go to: Octavia Spencer, LeBron James Team on TV Series About Madam CJ Walker | Variety

International Hits "Moonlight," "Hidden Figures," and "Straight Outta Compton" Disprove Hollywood Myth That "Black Films Don't Travel"

(image via latimes.com)

article by Tre’vell Anderson via latimes.com
On his way to winning a best picture Oscar for “Moonlight,” a film made for a minuscule $1.5 million, writer-director Barry Jenkins took time between awards-season red carpet appearances for a six-city European promotion tour. It was time well spent.
“Moonlight,” about a poor black boy living in the projects of Miami and struggling with his sexuality, wasn’t supposed to be the kind of movie that wins the best picture Oscar. Its modest coming-of-age narrative, unconventional story structure and outsider characters with no mega stars made it, as filmmaker Mark Duplass said recently with admiration, “a bit of a miracle” that it even reached U.S. theaters. Certainly, it’s not the kind of movie that was expected to make money overseas. After all, says a longstanding Hollywood myth, black films don’t travel.
Yet as of Tuesday, “Moonlight” has made $28.6 million at the international box office — more than its $27.5 million domestic take — for a worldwide total of $56.1 million. With the film still in theaters, even more is expected.“This black film is definitely selling overseas,” Jenkins said to The Times on the red carpet for the Screen Actors Guild Awards, just after he’d returned from Europe.
“Every time there’s a success, it gets swept under the rug,” says Jeff Clanagan, president of Lionsgate’s Codeblack Films, which primarily produces films with African American casts. “It’s almost like there’s an asterisk on it. They chalk it off as an anomaly.”
For 1988’s “Coming to America,” the anomaly was the comedic genius of Eddie Murphy, who “transcended race” when the film grossed $160.6 million internationally for a $288.8 million worldwide take. (Samuel L. Jackson, Morgan Freeman, Will Smith, Kevin Hart, Denzel Washington and Don Cheadle are other box office champs for whom the “transcended race” label has been applied.)
For 1995’s “Bad Boys” and its 2003 sequel — which together pulled in a combined $210.3 million internationally and $414.7 million worldwide — it was the fact that the film was an action flick, never mind leads Smith, Martin Lawrence and Gabrielle Union. For 2015’s “Straight Outta Compton,” a $40.4 million payoff internationally (and $201.6 million worldwide), it was the popular music of rap group N.W.A.
Even as three-time Oscar nominee “Hidden Figures,” with its predominantly black cast, has so far made $48.8 million internationally — helping to push its $166 million domestic sales to nearly $215 million worldwide and counting — the myth persists.
When asked about the myth, Octavia Spencer, Oscar-nominated for her “Hidden Figures” role, responded simply: “I have two words for you: Will Smith.”
“He was told the same thing [at the beginning of his career] — that he wasn’t going to be taken to promote his film,” she said at the annual pre-Oscars Sistahs Soiree honoring women of color in the industry. “Had he not paid for himself to fly all over the world that very first time, he would not be an international box office star. So they have to start investing and taking black actresses and actors across the world just like they do with unknown white actors. They need to do the same thing for black actors. If you don’t know ’em, why would you go support the film?”
To read full article, go to: Disproving the ‘black films don’t travel’ Hollywood myth – LA Times

"Moonlight" Triumphs at Oscars, Wins Best Picture, Adapted Screenplay and Supporting Actor

Barry Jenkins accepts Best Picture Oscar for "Moonlight" (Patrick T. Fallon via nytimes.com)
Barry Jenkins accepts Best Picture Oscar for “Moonlight” (Patrick T. Fallon via nytimes.com)

article by Lori Lakin Hutcherson (@lakinhutcherson)
Moonlight topped off its amazing awards-season run by earning the Best Picture Oscar at the 89th Academy Awards. Moonlight director/writer/producer Barry Jenkins accepted the award at the end of the night after a shocking turn of events where La La Land was mistakenly called to stage to receive the Academy’s highest honor. Jenkins also won with co-writer Tarell Alvin McCraney for Best Adapted Screenplay, and Mahershala Ali became the first Muslim actor in Oscar history to win the Best Supporting Actor Award.
The star-studded evening also saw an energizing opening performance of “Can’t Stop The Feeling” by Original Song nominee Justin Timberlake, a medley of two songs from “La La Land” by its co-star John Legend (“City of Stars” went on to win the Original Song award) and a standing ovation for Best Feature Documentary presenter, Presidential Medal of Freedom honoree and NASA mathematician Katherine Johnson, who was introduced by “Hidden Figures” stars Taraji P. Henson, Octavia Spencer and Janelle Monae (and wheeled out on stage by current NASA astronaut Yvonne Cagle).
There were also Oscar presentations from Samuel L. Jackson, Halle Berry and Academy President Cheryl Boone Isaacs, but one of the biggest highlights of the evening was the speech delivered by three-time nominee and Best Supporting Actress winner Viola Davis:
Viola Davis (photo via Parade.com)
Viola Davis (photo via Parade.com)

People ask me all the time, what kind of stories do you want to tell, Viola? And I say, exhume those bodies, exhume those stories, the stories of the people who dreamed.  I became an artist, and thank God I did, because we are the only profession that celebrates what it means to live a life. So here’s to August Wilson, who exhumed and exalted the ordinary people.

Davis went on to thank her co-stars and Best Director/Best Actor nominee Denzel Washington, her family and her parents.

BLACK HISTORY MONTH: The Best New Films to Watch this February

4997
Movies to see this Black History Month (photo collage via theguardian.com)

article by Rebecca Carroll via theguardian.com

Fences

If you’ve ever seen or read an August Wilson play, you know that writing is how the late playwright processed the world around him – a magnificently black world filled with funk and nuance in which language plays a central role. For Wilson, though, learning how to work with that language as a writer didn’t happen overnight. “For the longest time I couldn’t make my characters talk,” Wilson told me several years ago before his death in 2005. “I thought in order to incorporate the black vernacular into literature, the language had to be changed or altered in some way to sound more clear … until I realized that it’s no less romantic and meaningful to say, ‘It’s cold outside.’” As a play, Wilson’s Fences, which tells the story of a working-class black man – who was denied a baseball career in the major leagues – trying to raise his family in mid-century Pittsburgh, gives us that blunt romance and powerful meaning. As a movie, it gives us Denzel Washington and Viola Davis. Enough said.
Fences is on nationwide release now

Get Out

I don’t go in for horror films at all – not even horror film parodies – but I also can’t think of a brighter, more innovative voice in film right now than Jordan Peele, one half of the masterful sketch comedy series Key and Peele, which he co-created with Keegan-Michael Key. And while the potentially great Keanu, co-written by Peele and Alex Rubin, was a disappointing failure, Get Out, which Peele both wrote and directed, looks legitimately genius. The premise is a pretty straightforward Guess Who’s Coming to Dinner setup – rich white girlfriend brings her smart, learned black boyfriend upstate for a weekend to meet the parents – what could go wrong? It’ll be awkward, parents will remark more than once on how articulate the black boyfriend is, lecture them both on how hard it will be to maintain an interracial relationship in this day and age, and then finally concede that love is all that matters. Or will it?
Get Out will be in theaters February 24

Hidden Figures

In America, when it comes to the mainstream celebration of black historical figures, we primarily see the spotlight shined on our athletes, entertainers and a handful of activists who generally get depoliticized posthumously. Seldom do we hear about engineers, innovators and mathematicians, much less our black women in those positions. It’s thrilling and really quite long overdue for a film like Hidden Figures, which tells the story of “colored computers” Katherine Johnson, Dorothy Vaughan and Mary Jackson, who worked at NASA in the early 1960s and played a vital role in getting John Glenn and the Friendship 7 into space. As Katherine Johnson, Taraji P. Henson is on career-best form – pushing her glasses up on her nose, hustling to the coloreds bathroom carrying a stack of data research, doing mathematical equations on a chalkboard – creating a truly revelatory performance. Octavia Spencer as Dorothy and Janelle Monáe as Mary are icing on the cake. An added bonus comes in the form of Pharrell Williams, who is a producer on the film and wrote original songs for the soundtrack that give the movie a beautiful sense of joy.
Hidden Figures is in nationwide release now

I Am Not Your Negro

The thing about James Baldwin, beyond his utter brilliance and undeniable prescience as a writer and public intellectual, is that he was like the blackest man who ever lived. And he wore it like a badge of honor. In the newly Oscar-nominated documentary I Am Not Your Negro, Haitian-born film-maker Raoul Peck mines Baldwin’s unpublished writing about the assassinations of Medgar Evers, Martin Luther King Jr. and Malcolm X to create an intellectual and visual mosaic that somehow captures Baldwin’s own very personal and stubborn sense of blackness. It hits hard, and the film will make you long for the leadership and integrity of Evers, King and Malcolm in these increasingly divisive times. But it will also, if only temporarily, let you sit in the glory that is James Baldwin’s company.
I Am Not Your Negro is out on Friday
To read full article, go to: The best new releases to watch during Black History Month | Film | The Guardian

'Moonlight,' 'Fences,' 'Hidden Figures' and Actors of Color Make Oscar History

BEVERLY HILLS, CA - JANUARY 08: (L-R) Actors Trevante Rhodes and Naomie Harris, director Barry Jenkins, actors Ashton Sanders, Janelle Monae and Mahershala Ali of 'Moonlight,' winner of Best Motion Picture - Drama, pose in the press room during the 74th Annual Golden Globe Awards at The Beverly Hilton Hotel on January 8, 2017 in Beverly Hills, California. (Photo by Kevin Winter/Getty Images)
BEVERLY HILLS, CA – JANUARY 08: (L-R) Actors Trevante Rhodes and Naomie Harris, director Barry Jenkins, actors Ashton Sanders, Janelle Monae and Mahershala Ali of ‘Moonlight,’ winner of Best Motion Picture – Drama, pose in the press room during the 74th Annual Golden Globe Awards at The Beverly Hilton Hotel on January 8, 2017 in Beverly Hills, California. (Photo by Kevin Winter/Getty Images)
article by Sameer Rao via colorlines.com
Reversing course from last year, the Academy of Motion Picture Arts and Sciences honored “Moonlight,” “Fences,” “Hidden Figures” and other people of color-centered works with Oscar nominations today (January 24).
The three films, each of which features a predominantly Black cast, compete in the “Best Picture” and “Writing (Adapted Screenplay)” categories. Actresses Viola Davis (“Fences”), Naomie Harris (“Moonlight”) and Octavia Spencer (“Hidden Figures”) also square off for best “Actress in a Supporting Role.”
“Moonlight”‘s eight nominations are the most of any film this year besides the musical “La La Land.” They include “Best Director” and “Writing (Adapted Screenplay)” for Barry Jenkins, and “Actor in a Supporting Role” for Mahershala Ali.
“Fences” star and director Denzel Washington received a best “Actor in a Leading Role” nomination. Playwright August Wilson‘s script, based on his original 1983 play, earned him a posthumous “Writing (Adapted Screenplay)” nod.
Other acting nominees of color include Ruth Negga (“Loving”) for “Actress in a Leading Role” and Dev Patel (“Lion”) for “Actor in a Supporting Role.” Patel is the first performer of South Asian descent to receive an acting Oscar nomination since Ben Kingsley for 2000’s “Sexy Beast.”
Ava DuVernay‘s “13th,” Raoul Peck‘s “I Am Not Your Negro” and Ezra Edelman‘s “O.J.: Made in America” each received Documentary (Feature) nominations. The category also includes another Black director’s work: Roger Ross Williams“Life, Animated,” and Joi McMillon became the first black female to be nominated in the Editing category for “Moonlight.”
This year’s nominations are far more diverse overall than last year’s, and NBC News reports that this year’s acting nominee pool is the most diverse in Oscar history.
To read more, go to: http://www.colorlines.com/articles/moonlight-fences-and-actors-color-make-oscar-history

Taraji P. Henson and Pharrell Williams Offer Multiple Free Screenings Of 'Hidden Figures'

Taraji P. Henson and Pharrell Williams (photo via essence.com)

article by Paula Rogo via essence.com
Taking a cue from Octavia Spencer, both Taraji P. Henson and Pharrell Williams have bought out screenings of Hidden Figures at movie theaters in Virginia, Georgia, Illinois, Texas and Washington D.C. on Sunday.  Spencer paid for a free screening of the critically-acclaimed film earlier this month, saying that her own mother would not have been able to afford to take her and her siblings.
Henson, who plays the lead role as NASA physicist and mathematician Katherine Johnson, was inspired to do the same in Houston, Chicago, Atlanta, and of course, her hometown of Washington D.C. On Instagram, she said she was moved by Spencer and “similar actions taken by so many of YOU across the country.” Anonymous donors have been buying out whole screenings.
To see full article, go to: Taraji and Pharrell Offer Multiple Free Screenings Of ‘Hidden Figures’ | Essence.com